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Gillian Norris

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  • Lord of the Dance [1996] Lord of the Dance | DVD | (01/10/1999) from £N/A  |  Saving you £N/A (N/A%)  |  RRP £15.99

    Billed as an updating and retelling of an Irish folk legend, Lord of the Dance is less Erin Go Bragh than Hooray for Hollywood. Michael Flatley gives us the old razzle-dazzle, fashioning a Celtic-influenced spectacular that wanders far away from its Riverdance roots. The light-show presentation is closer kin to another contemporary Irish musical group, U2. Flatley himself has gone designer chic, too: with close-cropped haircut, earring, buffed abs and tight black pants he bears more than a passing resemblance to Bono. But you have to hand it to the guy--he works hard for the money, as does his attractive corps. The one maddening aspect of this glitzy, entertaining 90-minute festival is the overzealous editing. No image remains on screen for more than a few seconds. Neither Flatley nor his talented troupe deserves to have such craftsmanship sliced and diced like an MTV music video.--Richard Natale, Amazon.com

  • Michael Flatley's Feet Of Flames Michael Flatley's Feet Of Flames | DVD | (04/05/1999) from £6.37  |  Saving you £8.11 (50.70%)  |  RRP £15.99

    An expanded and more polished version of Lord of the Dance, Feet of Flames was recorded at an outdoor performance in London's Hyde Park. While much of the material is familiar to Flatley fans, the production is superior in every way. It's better photographed and the editing is less frenetic. The individual segments are sharper, more self-assured, as is Flatley, who also produced and directed this version. (He also demonstrates his talents as a flutist--maybe he should call himself Lord of the Renaissance.) The outdoor setting also makes the show feel less like a Vegas act, though the proceedings have about as much relation to their Celtic folk roots as the Broadway musical Cats has to the TS Eliot children's poems on which it was based. --Richard Natale

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