Harrison Ford

• Star Wars: The Complete Saga (Episodes I-VI) | Blu Ray | (12/09/2011) from £59.00  |  Saving you £30.99 (34.40%)  |  RRP £89.99

  This is what you've all been waiting for: the complete Star Wars saga is finally coming to Blu-ray! See the ice planet Hoth and Mos Eisley Spaceport in beautiful high definition for the first time. Featuring all 6 films and over 30 hours of extras and an, this box set is a force to be reckoned with. Titles Comprise:Episode I - The Phantom Menace: The opening chapter in the fabled Star Wars saga: two Jedi knights, Qui-Gon Jinn (Liam Neeson) and his apprentice Obi-Wan Kenobi (Ewan McGregor), must rescue the young Queen Amidala (Natalie Portman) and help her save her home planet, Naboo, which is under blockade by the ruthless trade federation. When the federation attacks, the Jedi spirit the queen away to relative safety on the desert planet of Tattooine. It is there that Qui-Gon discovers a boy, enslaved by evil gambler Watto, who has the potential to become the most powerful of the Jedi. His name: Anakin Skywalker.Episode II - Attack Of The Clones: Anakin Skywalker disobeys the strictures of his Jedi training, embarking of a forbidden affair with Padme Amidala while his teacher Obi-Wan Kenobi's investigation of assassination attempts against the Senator leads him to the distant planet of Kamino and into the middle of a separatist plot which brings the Galactic Republic to the very brink of civil war...Episode III - Revenge Of The Sith: As the Clone Wars rages on, the rift between Chancellor Palpatine (Ian McDiarmid) and the Jedi Council widens. Young Jedi Knight, Anakin Skywalker (Hayden Christensen), is caught in the middle, his allegiances torn. Seduced by promises of power and the temptations of the dark side, he pledges himself to the evil Darth Sidious and the Sith Order, becoming Darth Vader. Together, the Sith Lords set in motion a plot of revenge against the Jedi, in an attempt to destroy them all. Jedi Master, Obi-Wan Kenobi (Ewan McGregor), refusing to believe that Anakin is lost to the Sith, tries to turn his old Padawan learner back to the light side, leading to a climactic lightsaber battle that will shape the fate of the galaxy forever.Episode IV - A New Hope: Luke Skywalker, a young farm boy from Tatooine, is thrust into the struggle of the rebel alliance when he meets Obi-Wan Kenobi, who has lived for years in seclusion on the desert planet. Obi-Wan begins Luke's Jedi training as Luke joins him on a daring mission to rescue the beautiful rebel leader Princess Leia from the clutches of the evil Empire. Episode V - The Empire Strikes Back: Three years later, Imperial forces continue to pursue the rebels. After the rebellion's defeat on the ice planet Hoth, Luke journeys to the planet Dagobah to train with Jedi Master Yoda, who has lived in hiding since the fall of the Republic. In an attempt to convert Luke to the Dark Side, Darth Vader lures young Skywalker into a trap in the Cloud City of Bespin... Episode VI - Return Of The Jedi: In the epic conclusion of the saga, the Empire prepares to crush the rebellion with a more powerful Death Star while the rebel fleet mounts a massive attack on the space station.

• Star Wars: The Original Trilogy (Episodes IV-VI) | Blu Ray | (12/09/2011) from £27.95  |  Saving you £17.04 (37.90%)  |  RRP £44.99

  Titles Comprise: Episode IV - A New Hope: Luke Skywalker a young farm boy from Tatooine is thrust into the struggle of the rebel alliance when he meets Obi-Wan Kenobi who has lived for years in seclusion on the desert planet. Obi-Wan begins Luke's Jedi training as Luke joins him on a daring mission to rescue the beautiful rebel leader Princess Leia from the clutches of the evil Empire. Episode V - The Empire Strikes Back: Three years later Imperial forces continue to pursue the rebels. After the rebellion's defeat on the ice planet Hoth Luke journeys to the planet Dagobah to train with Jedi Master Yoda who has lived in hiding since the fall of the Republic. In an attempt to convert Luke to the Dark Side Darth Vader lures young Skywalker into a trap in the Cloud City of Bespin... Episode VI - Return Of The Jedi: In the epic conclusion of the saga the Empire prepares to crush the rebellion with a more powerful Death Star while the rebel fleet mounts a massive attack on the space station.

• Cowboys & Aliens | DVD | (26/12/2011) from £3.00  |  Saving you £16.99 (85.00%)  |  RRP £19.99

  Arizona, 1873. The small desert town of Absolution is a close-knit yet uptight community where strangers aren't welcome. The streets are harshly run by iron-fisted Colonel Dolarhyde (Harrison Ford). But when a stranger (Daniel Craig) with no recollection of who he is or where he has come from stumbles into town, Dolarhyde's power is put to a test. The only clue to this drifter's past is a mysterious shackle attached to his wrist. Soon after wandering into town the Stranger is captured and held under strict surveillance by Colonel Dolarhyde. But when a space craft lands in Absolution, the town soon comes to the realisation that this lone ranger may be their only hope in the fight to survive this alien invasion. From renowned director Jon Favreau (Made, Iron Man) comes this action-packed extravaganza filled with blistering special effects and witty dark humour. -M.F.

• Indiana Jones: The Complete Collection | DVD | (10/11/2008) from £12.99  |  Saving you £25.00 (55.60%)  |  RRP £44.99

  Indiana Jones and the Raiders of the Lost Ark It's said that the original is the greatest, and there can be no more vivid proof than Raiders of the Lost Ark, the first and indisputably best of the initial three Indiana Jones adventures cooked up by the dream team of Steven Spielberg and George Lucas. Expectations were high for this 1981 collaboration between the two men, who essentially invented the box office blockbuster with `70s efforts like Jaws and Star Wars, and Spielberg (who directed) and Lucas (who co-wrote the story and executive produced) didn't disappoint. This wildly entertaining film has it all: non-stop action, exotic locations, grand spectacle, a hero for the ages, despicable villains, a beautiful love interest, humour, horror… not to mention lots of snakes. And along with all the bits that are so familiar by now--Indy (Harrison Ford) running from the giant boulder in a cave, using his pistol instead of his trusty whip to take out a scimitar-wielding bad guy, facing off with a hissing cobra, and on and on--there's real resonance in a potent storyline that brings together a profound religious-archaeological icon (the Ark of the Covenant, nothing less than "a radio for speaking to God") and the 20th century's most infamous criminals (the Nazis). Now that's entertainment. --Sam Graham Indiana Jones and the Temple of Doom It's hard to imagine that a film with worldwide box office receipts topping US$300 million worldwide could be labeled a disappointment, but some moviegoers considered Indiana Jones and the Temple of Doom, the second installment in Steven Spielberg and George Lucas' 1980s adventure trilogy, to be just that. That doesn't mean it's a bad effort; any collaboration between these two cinema giants (Spielberg directed, while Lucas provided the story and was executive producer) is bound to have more than its share of terrific moments, and Temple of Doom is no exception. But in exchanging the very real threat of Nazi Germany for the cartoonish Thuggee cult, it loses some of the heft of its predecessor (Raiders of the Lost Ark); on the other hand, it's also the darkest and most disturbing of the three films, what with multiple scenes of children enslaved, a heart pulled out of a man's chest, and the immolation of a sacrificial victim, which makes it less fun than either Raiders or The Last Crusade, notwithstanding a couple of riotous chase scenes and impressively grand sets. Many fans were also less than thrilled with the new love interest, a spoiled, querulous nightclub singer portrayed by Kate Capshaw, but a cute kid sidekick ("Short Round," played by Ke Huy Quan) and, of course, the ever-reliable Harrison Ford as the cynical-but-swashbuckling hero more than make up for that character's shortcomings. --Sam Graham Indiana Jones and the Last Crusade The third episode in Steven Spielberg's rousing Indiana Jones saga, this film recaptures the best elements of Raiders of the Lost Ark while exploring new territory with wonderfully satisfying results. Indy is back battling the Nazis, who have launched an expedition to uncover the whereabouts of the Holy Grail. And it's not just Indy this time--his father (played with great acerbic wit by Sean Connery, the perfect choice) is also involved in the hunt. Spielberg excels at the kind of extended action sequences that top themselves with virtually every frame; the best one here involves Indy trying to stop a Nazi tank from the outside while his father is being held within. For good measure, Spielberg reveals (among other things) how Indy got his hat, the scar on his chin, and his nickname (in a prologue that features River Phoenix as the young Indiana). --Marshall Fine Indiana Jones and the Kingdom of the Crystal Skull Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today. With all the anticipation and hype leading up to the film's release, perhaps no reunion is sweeter than that of Ford with the role that fits him as snugly as that fedora hat. --Ellen A. Kim

• Blade Runner: The Final Cut (2-Disc Special Edition) | DVD | (03/12/2007) from £4.79  |  Saving you £12.20 (71.80%)  |  RRP £16.99

  This is Blade Runner: The Final Cut Ridley Scott's definitive new version of his science-fiction masterpiece. Rick Deckard (Harrison Ford) prowls the steel-and-microchip jungle of 21st-century Los Angeles. He's a ""blade runner"" stalking geneticaly made criminal replicants. His assignment: kill them. Their crime: wanting to be human.

• Working Girl | DVD | (06/03/2006) from £3.49  |  Saving you £9.50 (73.10%)  |  RRP £12.99

  For anyone who's ever won. For anyone who's ever lost. And for anyone who's still in there trying.... When a secretary's idea is stolen by her boss she seizes the opportunity to steal it back. Her boss breaks her leg in a skiing accident and the daring secretary decides to take her office her apartment and even her wardrobe! it's make or break time...

• Indiana Jones - The Complete Adventures (Blu-ray Quadrilogy) | Blu Ray | (08/10/2012) from £29.97  |  Saving you £36.02 (54.60%)  |  RRP £65.99

  Indiana Jones and the Raiders of the Lost Ark It?s said that the original is the greatest, and there can be no more vivid proof than Raiders of the Lost Ark, the first and indisputably best of the initial three Indiana Jones adventures cooked up by the dream team of Steven Spielberg and George Lucas. Expectations were high for this 1981 collaboration between the two men, who essentially invented the box office blockbuster with ?70s efforts like Jaws and Star Wars, and Spielberg (who directed) and Lucas (who co-wrote the story and executive produced) didn?t disappoint. This wildly entertaining film has it all: non-stop action, exotic locations, grand spectacle, a hero for the ages, despicable villains, a beautiful love interest, humour, horror? not to mention lots of snakes. And along with all the bits that are so familiar by now--Indy (Harrison Ford) running from the giant boulder in a cave, using his pistol instead of his trusty whip to take out a scimitar-wielding bad guy, facing off with a hissing cobra, and on and on--there?s real resonance in a potent storyline that brings together a profound religious-archaeological icon (the Ark of the Covenant, nothing less than "a radio for speaking to God") and the 20th century?s most infamous criminals (the Nazis). Now that?s entertainment. --Sam Graham Indiana Jones and the Temple of Doom It?s hard to imagine that a film with worldwide box office receipts topping US$300 million worldwide could be labeled a disappointment, but some moviegoers considered Indiana Jones and the Temple of Doom, the second installment in Steven Spielberg and George Lucas? 1980s adventure trilogy, to be just that. That doesn?t mean it?s a bad effort; any collaboration between these two cinema giants (Spielberg directed, while Lucas provided the story and was executive producer) is bound to have more than its share of terrific moments, and Temple of Doom is no exception. But in exchanging the very real threat of Nazi Germany for the cartoonish Thuggee cult, it loses some of the heft of its predecessor (Raiders of the Lost Ark); on the other hand, it?s also the darkest and most disturbing of the three films, what with multiple scenes of children enslaved, a heart pulled out of a man?s chest, and the immolation of a sacrificial victim, which makes it less fun than either Raiders or The Last Crusade, notwithstanding a couple of riotous chase scenes and impressively grand sets. Many fans were also less than thrilled with the new love interest, a spoiled, querulous nightclub singer portrayed by Kate Capshaw, but a cute kid sidekick ("Short Round," played by Ke Huy Quan) and, of course, the ever-reliable Harrison Ford as the cynical-but-swashbuckling hero more than make up for that character?s shortcomings. --Sam Graham Indiana Jones and the Last Crusade The third episode in Steven Spielberg's rousing Indiana Jones saga, this film recaptures the best elements of Raiders of the Lost Ark while exploring new territory with wonderfully satisfying results. Indy is back battling the Nazis, who have launched an expedition to uncover the whereabouts of the Holy Grail. And it's not just Indy this time--his father (played with great acerbic wit by Sean Connery, the perfect choice) is also involved in the hunt. Spielberg excels at the kind of extended action sequences that top themselves with virtually every frame; the best one here involves Indy trying to stop a Nazi tank from the outside while his father is being held within. For good measure, Spielberg reveals (among other things) how Indy got his hat, the scar on his chin, and his nickname (in a prologue that features River Phoenix as the young Indiana). --Marshall Fine Indiana Jones and the Kingdom of the Crystal Skull Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today. With all the anticipation and hype leading up to the film's release, perhaps no reunion is sweeter than that of Ford with the role that fits him as snugly as that fedora hat. --Ellen A. Kim

• Indiana Jones - Raiders Of The Lost Ark | DVD | (12/05/2008) from £5.30  |  Saving you £4.69 (46.90%)  |  RRP £9.99

  Indiana Jones confronts snakes Nazis and one astonishing cliffhanger after another - all topped off by awesome sequences involving the discovery and the opening of the mystical Ark of the Covenant in one of the great adventures of all time!

• Star Wars: The Original Trilogy (Episodes IV-VI) - Limited Edition Steelbook | Blu Ray | (08/04/2013) from £28.72  |  Saving you £7.93 (19.80%)  |  RRP £39.99

  George Lucas's original Star Wars trilogy is a clever synthesis of pop-cultural and mythological references, taking classic fairy-tale themes, adding more than a dash of Arthurian legend, and providing cinematic high adventure inspired as much by Kurosawa's Samurai epics as by Flash Gordon and Buck Rogers. As a result, audiences of all ages can find something to identify with in Luke Skywalker's journey from disaffected teenager dreaming of adventure to Jedi Knight and saviour of the galaxy. He not only rescues a Princess, but discovers she's a close relative. And if there's a lesson to be gleaned from the Skywalker clan, it's that no matter how bad things get in the average dysfunctional family, it's never too late for reconciliation. Originally released in 1977, Star Wars, the first film, was made as a standalone. Perhaps that's why Obi-Wan Kenobi seems a tad inconsistent in his attitude towards his old pupil Anakin Skywalker, and perhaps also why Luke is allowed to develop a guilt-free crush on Princess Leia. Lucas's story, told from the point of view of the two bickering droids (a device taken from Kurosawa's Hidden Fortress), also borrows freely from Errol Flynn's Robin Hood, as does John Williams's seminal Korngold-inspired music score. Thanks in equal part to Leigh Brackett's screenplay and Irvin Kershner's direction The Empire Strikes Back (1980) is the most grown-up instalment in the series. The basic fairy-tale is developed and expanded, with the principal characters experiencing emotional turmoil--blossoming romance, mixed feelings and confused loyalties--amid a very real threat of annihilation as Darth Vader's motivations become chillingly personal. Luke's quasi-Arthurian destiny is complicated still further by the half-truths of his wizardly mentors; and swashbuckler Han Solo finds the past catching up with him, quite literally in the form of bounty hunter Boba Fett. The film is graced by more fabulous landscapes (ice, forest, clouds), more unforgettable new characters (Yoda), more groundbreaking special effects (the asteroid chase), and John Williams's finest score. The difficult third film, 1983's Return of the Jedi, seems schizophrenic in its intentions, hoping to please both the kiddies who bought all the toys and an older audience who appreciated the narrative's epic and mythological strands. The result is a film that splits awkwardly into two. One thread, which might be subtitled "The Redemption of Anakin Skywalker", pursues the story of the Skywalker family to a cathartic conclusion. The other thread, which might be described as "The Care Bears Go to War", attempts to say something profound about primitivism versus technological sophistication, but just gets silly as furry midgets doing Tarzan whoops defeat the Emperor's crack legions. In 1997 Lucas re-released the three original films in digitally remastered "Special Edition" versions, in which many scenes have been restored and enhanced (some would say "unnecessarily tinkered with"). Despite loud and continued criticisms from fans, these Special Editions are now considered definitive, if only by Lucasfilm. --Mark Walker

• Indiana Jones and the Kingdom of the Crystal Skull (2 Disc) | DVD | (10/11/2008) from £2.96  |  Saving you £22.03 (88.20%)  |  RRP £24.99

  Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today. With all the anticipation and hype leading up to the film's release, perhaps no reunion is sweeter than that of Ford with the role that fits him as snugly as that fedora hat. --Ellen A. Kim

• Star Wars Trilogy (Episodes IV-VI) | DVD | (20/09/2004) from £45.00  |  Saving you £-0.01 (0.00%)  |  RRP £44.99

  Four-disc set includes: Episode IV, A New Hope (Special Edition)--with commentary by George Lucas, Ben Burtt, Dennis Muren and Carrie Fisher; Easter egg: credit roll (2 min) Episode V, The Empire Strikes Back (Special Edition)--with commentary by George Lucas, Irvin Kershner, Lawrence Kasdan, Ben Burtt, Dennis Muren and Carrie Fisher; Easter egg: credit roll (2 min) Episode VI, Return of the Jedi (Special Edition)--commentary by George Lucas, Lawrence Kasdan, Ben Burtt, Dennis Muren and Carrie Fisher; Easter egg: credit roll (2 min) Bonus disc: all-new bonus features, including the most comprehensive feature-length documentary ever produced on the Star Wars saga, and never-before-seen footage from the making of all three filmsSubitles (all material across all four discs): English, Danish, Finnish, Norwegian, Swedish Click here to see detailed information on the special features included on the bonus disc. Amazon.co.uk Review George Lucas's original Star Wars trilogy is a clever synthesis of pop-cultural and mythological references, taking classic fairy-tale themes, adding more than a dash of Arthurian legend, and providing cinematic high adventure inspired as much by Kurosawa's Samurai epics as by Flash Gordon and Buck Rogers. As a result, audiences of all ages can find something to identify with in Luke Skywalker's journey from disaffected teenager dreaming of adventure to Jedi Knight and saviour of the galaxy. He not only rescues a Princess, but discovers she's a close relative. And if there's a lesson to be gleaned from the Skywalker clan, it's that no matter how bad things get in the average dysfunctional family, it's never too late for reconciliation. Originally released in 1977, Star Wars, the first film, was made as a standalone. Perhaps that's why Obi-Wan Kenobi seems a tad inconsistent in his attitude towards his old pupil Anakin Skywalker, and perhaps also why Luke is allowed to develop a guilt-free crush on Princess Leia. Lucas's story, told from the point of view of the two bickering droids (a device taken from Kurosawa's Hidden Fortress), also borrows freely from Errol Flynn's Robin Hood, as does John Williams's seminal Korngold-inspired music score. Thanks in equal part to Leigh Brackett's screenplay and Irvin Kershner's direction The Empire Strikes Back (1980) is the most grown-up instalment in the series. The basic fairy-tale is developed and expanded, with the principal characters experiencing emotional turmoil--blossoming romance, mixed feelings and confused loyalties--amid a very real threat of annihilation as Darth Vader's motivations become chillingly personal. Luke's quasi-Arthurian destiny is complicated still further by the half-truths of his wizardly mentors; and swashbuckler Han Solo finds the past catching up with him, quite literally in the form of bounty hunter Boba Fett. The film is graced by more fabulous landscapes (ice, forest, clouds), more unforgettable new characters (Yoda), more groundbreaking special effects (the asteroid chase), and John Williams's finest score. The difficult third film, 1983's Return of the Jedi, seems schizophrenic in its intentions, hoping to please both the kiddies who bought all the toys and an older audience who appreciated the narrative's epic and mythological strands. The result is a film that splits awkwardly into two. One thread, which might be subtitled "The Redemption of Anakin Skywalker", pursues the story of the Skywalker family to a cathartic conclusion. The other thread, which might be described as "The Care Bears Go to War", attempts to say something profound about primitivism versus technological sophistication, but just gets silly as furry midgets doing Tarzan whoops defeat the Emperor's crack legions. In 1997 Lucas re-released the three original films in digitally remastered "Special Edition" versions, in which many scenes have been restored and enhanced (some would say "unnecessarily tinkered with"). Despite loud and continued criticisms from fans, these Special Editions are now considered definitive, if only by Lucasfilm. --Mark Walker

• The Fugitive - Special Edition | DVD | (11/02/2002) from £3.25  |  Saving you £10.74 (76.80%)  |  RRP £13.99

  Do you know anyone who hasn't seen this movie? A box-office smash when released in 1993, this spectacular update of the popular 1960s TV series stars Harrison Ford as a surgeon wrongly accused of the murder of his wife. He escapes from a prison transport bus (in one of the most spectacular stunt-action sequences ever filmed) and embarks on a frantic quest for the true killer's identity, while a tenacious U.S. marshal (Tommy Lee Jones, in an Oscar-winning role) remains hot on his trail. Director Andrew Davis hit the big time with this expert display of polished style and escalating suspense, but it's the antagonistic chemistry between Jones and Ford that keeps this thriller cooking to the very end. In roles that seem custom-fit to their screen personas, the two stars maintain a sharply human focus to the grand-scale manhunt, and the intelligent screenplay never resorts to convenient escapes or narrative shortcuts. Equally effective as a thriller and a character study, The Fugitive is a Hollywood blockbuster that truly deserves its ongoing popularity. --Jeff Shannon

• Blade Runner: The Final Cut | Blu Ray | (03/12/2007) from £7.79  |  Saving you £20.20 (72.20%)  |  RRP £27.99

  Rick Deckard (Harrison Ford) prowls the steel-and-microchip jungle of 21st century Los Angeles. He's a blade runner stalking genetically made criminal replicants. His assignment: kill them. Their crime: wanting to be human. The story of Blade Runner is familiar to countless fans. But few have seen it like this. Because this is director Ridley Scott's own vision of his sci-fi classic. This new version omits Deckard's voiceover narration develops in slightly greater detail the romance between Deckard and Rachael (Sean Young) and removes the uplifting finale. The result is a heightened emotional impact: a great film made greater. Most intriguing of all is a newly included unicorn vision that suggests Deckard may be a replicant. Do Androids Dream of Electric Sheep? Is Deckard a replicant? As with all things in the future you must discover the answer to find yourself

• Witness | DVD | (03/04/2006) from £3.69  |  Saving you £12.30 (76.90%)  |  RRP £15.99

  When a young Amish woman (McGillis) and her son (Haas) are caught up in the murder of an undercover narcotics agent their unlikely savior proves to be the worldly and cynical Philadelphia detective John Book. Harrison Ford is sensational as Book the cop who runs head-on into the non-violent world of a Pennsylvania Amish community. The end result is an action-packed struggle of life and death interwoven with a sensitive undercurrent of caring and forbidden love. Peter Weir receiv

• Indiana Jones Trilogy Box Set | DVD | (20/10/2003) from £14.24  |  Saving you £21.62 (48.10%)  |  RRP £44.99

  As with George Lucas's other movie franchise, there's a vein of mysticism running through the Indiana Jones Trilogy. Watching all three back-to-back it's possible to unravel the chronology and chart the spiritual journey of our hero: the idealistic Young Indy ("It belongs in a museum", implores River Phoenix in the opening escapade of The Last Crusade) grows up to become a cynical fortune-hunter seen trading archaeological treasures with Chinese gangsters at club "Obi-Wan" in The Temple of Doom. From there we follow his path to redemption via three mystical religious objects: respectively Hindu (the Shankara stones in Temple of Doom), Jewish (the Ark of the Covenant in Raiders), and Christian (the Holy Grail itself in Last Crusade). But that's just the subtext. Along the way, this knight-errant archaeologist undertakes improbable adventures (featuring spiders, snakes, rats, insects and Nazis galore), rescues damsels in distress (even when they really don't want to be rescued, such as Kate Capshaw in Temple of Doom), and still finds time to bond with his dad (Sean Connery, in one of cinema's great cameo roles as Dr Jones Sr.) Steven Spielberg revels in Lucas's recreation of 1930s cliff-hanger serials, infusing every scene with kinetic energy and infectious enthusiasm and creating any number of iconic sequences that have become touchstones of cinematic history. Director and producer are more than ably assisted by regular composer John Williams, whose swashbuckling Korngold-inspired "Raiders" theme casts Harrison Ford as a modern-day Errol Flynn. Although a fourth movie is promised, this trilogy plays like a self-contained whole that leaves nothing wanting: from the witty dialogue and breathtaking action choreography to the near-perfect casting, this is popular movie-making at its very peak. On the DVD: The Indiana Jones Trilogy four-disc box set, as has been widely noted, contains the slightly edited version of The Temple of Doom--1 min 6 seconds of cuts according to the BBFC--though this is exactly the same version that was originally shown in UK cinemas and released on video (missing is a bit of extra blood and gore during the heart-ripping scene). By way of compensation, the digitally remastered anamorphic 2.35:1 picture and Dolby Digital 5.1 sound for all three movies are joyfully impressive, the screen crammed full of colour and rich detail accompanied by one of Hollywood's most glorious soundtracks. The fourth bonus disc contains about three hours of additional material, most of which can be found in the new 127-minute documentary that takes the viewer chronologically through the making of the series and includes plenty of interviews and fascinating nuggets of background information. There are also independent featurettes "From the Lucasfilm Archives" on John Williams's music, the sound design, stuntwork and the special effects. There are subtitles in various European languages. --Mark Walker

• K-19: The Widowmaker | DVD | (19/05/2003) from £1.99  |  Saving you £13.69 (85.60%)  |  RRP £15.99

  An intense dramatisation of a long-suppressed Cold War anecdote, K-19: The Widowmaker is the first big Hollywood film to view the conflict through a Soviet periscope, casting Harrison Ford and Liam Neeson (with slight accents) as patriotic Russians. In 1961, as NATO deploys long-range nuclear attack submarines, the Kremlin forces the Russian Navy to follow suit, whether they're ready or not. Ford takes over from popular skipper Neeson in command of the eponymous submarine, riding the men hard through a missile test, and then coping with an escalating series of crises as a jerry-built reactor threatens to melt down (and perhaps start World War III). Though the political specifics are fresh, this has all the expected elements of a sub movie, citing everything from Voyage to the Bottom of the Sea and Das Boot to Crimson Tide and The Caine Mutiny as sailors bristle mutinously under a marine martinet. This, along with inept engineering and ideological interference, prompts disaster. Director Kathryn Bigelow, the most undervalued talent in Hollywood, is in her element with heroic men under pressure, and a terrific central stretch has comrades trying to fix the reactor even though they've been given the wrong protective gear and start coming down with radiation sickness as they work. Less successful is a superfluous epilogue that pulls the old Spielberg present-day-reunion-of-the-aged-survivors-at-a-gravesite gambit. --Kim Newman

• Morning Glory | DVD | (23/05/2011) from £3.00  |  Saving you £12.99 (81.20%)  |  RRP £15.99

  For Becky (Rachel McAdams, The Notebook), running a TV show in New York City was the big break she dreamed of… until star co-anchors Mike (Harrison Ford, Raiders of the Lost Ark) and Colleen (Diane Keaton, Something’s Gotta Give) declare an all-out, on-air war. Making the show work with its cast of eccentric characters and outrageous story angles will take a major miracle, but Becky is ready to rise and outshine. Special Features: Commentary by Director Roger Michell and Writer Aline Brosh McKenna Deleted Scenes: Shampoo Bottles (HD)

• Six Days, Seven Nights | DVD | (05/02/2001) from £3.96  |  Saving you £11.03 (73.60%)  |  RRP £14.99

  The African Queen meets Swept Away in this sometimes laboured romantic comedy by director Ivan Reitman. Fortunately, he cast an old pro in Harrison Ford, as Quinn Harris, a South Seas charter pilot who must ferry New York fashion editor Robin Monroe (Anne Heche) from one island to another--a hop that falls flat when they fly into a mammoth storm that causes them to crash on a deserted island. The pair resent and resist each other, until they are forced to team up to escape from the island--and some modern pirates who want their heads. If that part of the story is unconvincing, you can always focus on the smouldering comic chemistry between Heche, who displays strong comic instincts, and the ever-reliable Ford. The script is just an excuse for these two flinty characters to strike increasingly romantic sparks off each other, which is always enjoyable to watch. --Marshall Fine, Amazon.com

• Blade Runner (Remastered Directors Cut) | DVD | (09/10/2006) from £4.29  |  Saving you £12.70 (74.70%)  |  RRP £16.99

  Rick Deckard (Harrison Ford) prowls the steel-and-microchip jungle of 21st century Los Angeles. He's a ""blade runner"" stalking genetically made criminal replicants. His assignment: kill them. Their crime: wanting to be human. The story of Blade Runner is familiar to countless fans. But few have seen it like this. Because this is the Director Ridley Scott's own vision of his sci-fi classic. This new version omits Deckard's voiceover narration develops in slightly greater detail the romance between Deckard and Rachael (Sean Young) and removes the ""uplifting"" finale. The result is a heightened emotional impact: a great film made greater. Most intriguing of all is a newly included unicorn vision that suggests Deckard may be a replicant. 'Do Androids Dream of Electric Sheep?' Is Deckard a replicant? As with all things in the future you must discover the answer to find yourself.

• Air Force One | DVD | (11/06/2001) from £3.31  |  Saving you £12.68 (79.30%)  |  RRP £15.99

  If you can manage to suspend your disbelief for the duration, you won't be disappointed with Air Force One. Harrison Ford plays a US president who single-handedly employs his rigid anti-terrorism policy when a band of Russian thugs hatch a mid-flight takeover of Air Force One. Gary Oldman, who chews the scenery as the lead terrorist, will shoot a hostage at the slightest provocation. Glenn Close plays the sternly pragmatic vice president who negotiates with Oldman from her Washington seat of power. If you can believe that the aircraft's pressurized cabin can sustain hundreds of rounds of machine-gun fire, you'll buy anything in this entertaining potboiler, especially thanks to Ford's stalwart heroics and some nifty special effects. Director Wolfgang Petersen (Das Boot) keeps the action moving so fast you won't be sweating the details.--Jeff Shannon, Amazon.com