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  • Four Christmases [DVD] [2008] Four Christmases | DVD | (16/11/2009) from £2.59  |  Saving you £17.30 (86.50%)  |  RRP £19.99

  • The Godfather Trilogy (4 Disc Box Set) The Godfather Trilogy (4 Disc Box Set) | DVD | (06/11/2006) from £10.99  |  Saving you £9.00 (45.00%)  |  RRP £19.99

    The Godfather: (1972) Considered by many to be the greatest movie ever made Francis Ford Coppola's epic masterpiece features Oscar winner Marlon Brando as the head of the Corleone family. Coppola paints a chilling portrait of a Sicilian family's rise and near fall from power in America and the passage of rites from a father to a son who was previously uninvolved in the business. Godfather Part II: (1974) The Godfather Part II is one of the rare breed of cinematic seq

  • To Kill A Mockingbird To Kill A Mockingbird | DVD | (03/07/2006) from £4.25  |  Saving you £11.74 (73.40%)  |  RRP £15.99

    Gregory Peck won an Oscar for his brilliant performance as the Southern lawyer who defends a black man accused of rape in this film version of the Pulitzer Prize winning novel. The setting is a dusty Southern town during the Depression. A white woman accuses a black man of rape. Though he is obviously innocent the outcome of his trial is such a foregone conclusion that no lawyer will step forward to defend him - except Peck the town's most distinguished citizen. His compassionate de

  • Jack Reacher [DVD] Jack Reacher | DVD | (22/04/2013) from £3.86  |  Saving you £16.13 (80.70%)  |  RRP £19.99

    When you hire Tom Cruise to be in your Tom Cruise movie, there's never a question that you're going to get your money's worth. The movie may not be worth the expense, but as a professional who delivers 100 percent 100 percent of the time, Cruise will give the proceedings his undivided attention. In Jack Reacher Cruise plays the title character with complete gusto, and even though it ends up a pretty run-of-the-mill crime drama, his presence and commitment elevates this violent, bloody, and attractively atmospheric movie to the level of, well, a reliably pleasurable Tom Cruise experience. Jack Reacher is the protagonist in a series of popular novels by Lee Child. There was some sniping among fans that Cruise bears no resemblance to Child's Reacher, a burly, shadowy former army policeman who has moved into the private investigator business--but mostly for Cruise himself. No matter; as a leading man, Cruise is always going to be himself anyway, so the ghostlike qualities built in to his character take on their own mythical qualities that allow both Cruise and Reacher to get the job done. In a somewhat unsettling opening sequence that shows a lone gunman killing a handful of seemingly random people at a public park, the mystery is born and Reacher materialises to help the police sort things out. Again seemingly, the killer has been positively identified and apprehended and is dead-to-rights guilty. But this former army sniper asks for Jack Reacher to suss out the deeper crazy truth. Reacher and the alleged gunman have a history that dates back to their military service when Reacher investigated him for heinously murdering civilians during a psychotic break, a crime that he really did commit, but for which he went unpunished due to one of those pesky legal technicalities. Nevertheless, Reacher's goal is justice, and his investigative instincts tell him this new crime points in an entirely different direction. There are several sequences that play brilliantly in the context of Reacher's skill as a killing machine on his own. One takes place in the close confines of a tiny hallway and bathroom where Reacher faces down a posse of thugs armed with guns and a baseball bat, besting them all in a flurry of acrobatic brutality. He also single-handedly beats up a gang of toughs in the alley behind a bar. But the movie's high point is an excellent chase scene between two roaring muscle cars on the dark streets of Pittsburgh (the city itself plays a great role throughout), with Cruise clearly and expertly handling the wheel himself. Though somewhat convoluted, the plot is well conceived and the large cast supports Cruise's commanding presence nicely. Richard Jenkins and Robert Duvall do their usual excellent work, though it is Werner Herzog as a wildly over-the-top villain who makes things positively gleeful in his few scenes. Of course it always comes back to Tom Cruise and his dedication to the movie's greater good that makes Jack Reacher so enjoyable, even when its reach exceeds its grasp. --Ted Fry

  • The Godfather Trilogy [Blu-ray] [1972] The Godfather Trilogy | Blu Ray | (27/10/2008) from £16.99  |  Saving you £28.00 (62.20%)  |  RRP £44.99

    The Godfather: (1972) Considered by many to be the greatest movie ever made Francis Ford Coppola's epic masterpiece features Oscar winner Marlon Brando as the head of the Corleone family. Coppola paints a chilling portrait of a Sicilian family's rise and near fall from power in America and the passage of rites from a father to a son who was previously uninvolved in the business. Godfather Part II: (1974) The Godfather Part II is one of the rare breed of cinematic sequels which is as good as and perhaps better than the original. Al Pacino heads the star cast as Michael Corleone heir to the criminal empire established by his Mafioso father the late Don Corleone. Michael is now in charge of all gambling activities in Nevada making certain that any and all political or mob enemies are quickly bought off compromised or disposed of. Throughout the film Michael's travails are paralleled with the early experiences of his father played in flashbacks by Robert DeNiro. The Godfather III: (1990) In the final instalment of the Godfather Trilogy an aging Don Michael Corleone seeks to legitimise his crime family's interests and remove himself from the violent underworld. Now in his sixties Michael is dominated by two passions: freeing his family from crime and finding a suitable successor. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hopes of business legitimacy into an inferno of mob violence.

  • Apocalypse Now [Blu-ray] Apocalypse Now | Blu Ray | (09/01/2012) from £7.79  |  Saving you £12.10 (60.50%)  |  RRP £19.99

    One of the most iconic films ever made and one of the most disturbing dramatisations of the Vietnam War ever seen, Francis Ford Coppola's Apocalypse Now is cinema at its most epic and unforgettable. Traumatised soldier Captain Benjamin L. Willard has been chosen for a highly classified mission. He must journey along the notorious Nung river and into the savage depths of war torn Cambodia in search of the mysterious Colonel Kurtz. Deemed insane and a danger to the war effort, Kurtz must be terminated with extreme prejudice. But the closer he gets to Kurtz the closer he gets to his own heart of darkness. In 2001 Coppola re-approached his hallucinatory masterpiece to create a definitive version, reinstating 49 minutes of previously unseen material. The result is Apocalypse Now Redux. In a pristine new transfers supervised by Francis Ford Coppola Presented in the original (2.35:1) theatrical aspect ratio Contains both the original theatrical cut of Apocalypse Now and Apocalypse Now Redux

  • Apocalypse Now Redux [1979] Apocalypse Now Redux | DVD | (22/04/2002) from £3.99  |  Saving you £11.17 (62.10%)  |  RRP £17.99

    Following the example set by his old pals Steven Spielberg and George Lucas, Francis Ford Coppola has revisited a classic that no-one ever thought needed enhancement and produced Apocalypse Now Redux, a remastered and extended version of his hallucinogenic Vietnam nightmare that adds some 50 minutes of extra material. On the plus side, certain extended sequences--such as Kilgore's bombing-cum-surfing raid and the final battle of nerves between Martin Sheen and Marlon Brando--add greater depth to our appreciation of the film. On the debit side, the lengthy French plantation interlude and the squalid fate of the Playboy bunnies simply underscore what we already know about war and hell and the depressing futility of it all. It's possible that Apocalyspe Now is not really about Vietnam at all, but is in fact a despairing commentary on the dissolution of contemporary American society; it's also possible that Apocalypse Now Redux, for all its epic scale and visceral power, ultimately fails to make the film's real message any clearer than before. Either way, it remains one of the greatest (anti-)war films ever made. On the DVD: Apocalypse Now Redux is self-recommending on DVD, especially with vividly remastered Dolby 5.1 sound (the whirling helicopter blades are dizzying) and an anamorphic widescreen picture. Disappointingly the disc contains no extra features other than a trailer for the Redux version. Coppola has provided excellent commentaries for his Godfather trilogy so it's a shame not to have his comments here; and the justly famous "Heart of Darkness" documentary is conspicuous by its absence, too. --Mark Walker

  • The Godfather Trilogy - Remastered Collection [1972] The Godfather Trilogy - Remastered Collection | DVD | (02/06/2008) from £10.99  |  Saving you £17.50 (58.40%)  |  RRP £29.99

    The Godfather: (1972) Considered by many to be the greatest movie ever made Francis Ford Coppola's epic masterpiece features Oscar winner Marlon Brando as the head of the Corleone family. Coppola paints a chilling portrait of a Sicilian family's rise and near fall from power in America and the passage of rites from a father to a son who was previously uninvolved in the business. Godfather Part II: (1974) The Godfather Part II is one of the rare breed of cinematic sequels which is as good as and perhaps better than the original. Al Pacino heads the star cast as Michael Corleone heir to the criminal empire established by his Mafioso father the late Don Corleone. Michael is now in charge of all gambling activities in Nevada making certain that any and all political or mob enemies are quickly bought off compromised or disposed of. Throughout the film Michael's travails are paralleled with the early experiences of his father played in flashbacks by Robert DeNiro. The Godfather III: (1990) In the final instalment of the Godfather Trilogy an aging Don Michael Corleone seeks to legitimise his crime family's interests and remove himself from the violent underworld. Now in his sixties Michael is dominated by two passions: freeing his family from crime and finding a suitable successor. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hopes of business legitimacy into an inferno of mob violence.

  • Jack Reacher [Blu-ray][Region Free] Jack Reacher | Blu Ray | (22/04/2013) from £8.00  |  Saving you £18.99 (70.40%)  |  RRP £26.99

    When you hire Tom Cruise to be in your Tom Cruise movie, there's never a question that you're going to get your money's worth. The movie may not be worth the expense, but as a professional who delivers 100 percent 100 percent of the time, Cruise will give the proceedings his undivided attention. In Jack Reacher Cruise plays the title character with complete gusto, and even though it ends up a pretty run-of-the-mill crime drama, his presence and commitment elevates this violent, bloody, and attractively atmospheric movie to the level of, well, a reliably pleasurable Tom Cruise experience. Jack Reacher is the protagonist in a series of popular novels by Lee Child. There was some sniping among fans that Cruise bears no resemblance to Child's Reacher, a burly, shadowy former army policeman who has moved into the private investigator business--but mostly for Cruise himself. No matter; as a leading man, Cruise is always going to be himself anyway, so the ghostlike qualities built in to his character take on their own mythical qualities that allow both Cruise and Reacher to get the job done. In a somewhat unsettling opening sequence that shows a lone gunman killing a handful of seemingly random people at a public park, the mystery is born and Reacher materialises to help the police sort things out. Again seemingly, the killer has been positively identified and apprehended and is dead-to-rights guilty. But this former army sniper asks for Jack Reacher to suss out the deeper crazy truth. Reacher and the alleged gunman have a history that dates back to their military service when Reacher investigated him for heinously murdering civilians during a psychotic break, a crime that he really did commit, but for which he went unpunished due to one of those pesky legal technicalities. Nevertheless, Reacher's goal is justice, and his investigative instincts tell him this new crime points in an entirely different direction. There are several sequences that play brilliantly in the context of Reacher's skill as a killing machine on his own. One takes place in the close confines of a tiny hallway and bathroom where Reacher faces down a posse of thugs armed with guns and a baseball bat, besting them all in a flurry of acrobatic brutality. He also single-handedly beats up a gang of toughs in the alley behind a bar. But the movie's high point is an excellent chase scene between two roaring muscle cars on the dark streets of Pittsburgh (the city itself plays a great role throughout), with Cruise clearly and expertly handling the wheel himself. Though somewhat convoluted, the plot is well conceived and the large cast supports Cruise's commanding presence nicely. Richard Jenkins and Robert Duvall do their usual excellent work, though it is Werner Herzog as a wildly over-the-top villain who makes things positively gleeful in his few scenes. Of course it always comes back to Tom Cruise and his dedication to the movie's greater good that makes Jack Reacher so enjoyable, even when its reach exceeds its grasp. --Ted Fry

  • The Road [DVD] [2009] The Road | DVD | (17/05/2010) from £2.98  |  Saving you £16.50 (82.50%)  |  RRP £19.99

    Post apocalyptic tale based on the bestselling novel by Cormac McCarthy (No Country For Old Men). A father and son travel on foot through a devastated American landscape battling both starvation and cannibals.

  • To Kill a Mockingbird [Blu-ray] [1962] To Kill a Mockingbird | Blu Ray | (10/09/2012) from £6.99  |  Saving you £8.00 (53.40%)  |  RRP £14.99

    Ranked 34 on the American Film Institute's list of the 100 Greatest American Films, To Kill a Mockingbird is quite simply one of the finest family-oriented dramas ever made. A beautiful and deeply affecting adaptation of the Pulitzer Prize-winning novel by Harper Lee, the film retains a timeless quality that transcends its historically dated subject matter (racism in the Depression-era South) and remains powerfully resonant in present-day America with its advocacy of tolerance, justice, integrity and loving, responsible parenthood. It's tempting to call this an important "message" movie that should be required viewing for children and adults alike, but this riveting courtroom drama is anything but stodgy or pedantic. As Atticus Finch, the small-town Alabama lawyer and widower father of two, Gregory Peck gives one of his finest performances with his impassioned defence of a black man (Brock Peters) wrongfully accused of the rape and assault of a young white woman. While his children, Scout (Mary Badham) and Jem (Philip Alford), learn the realities of racial prejudice and irrational hatred, they also learn to overcome their fear of the unknown as personified by their mysterious, mostly unseen neighbour Boo Radley (Robert Duvall, in his brilliant, almost completely nonverbal screen debut). What emerges from this evocative, exquisitely filmed drama is a pure distillation of the themes of Harper Lee's enduring novel, a showcase for some of the finest American acting ever assembled in one film, and a rare quality of humanitarian artistry (including Horton Foote's splendid screenplay and Elmer Bernstein's outstanding score) that seems all but lost in the chaotic morass of modern cinema. --Jeff Shannon

  • Apocalypse Now [Blu-ray] [1979] Apocalypse Now | Blu Ray | (13/06/2011) from £9.49  |  Saving you £20.50 (68.40%)  |  RRP £29.99

    In the tradition of such obsessively driven directors as Erich von Stroheim and Werner Herzog, Francis Ford Coppola approached the production of Apocalypse Now as if it was his own epic mission into the heart of darkness. On location in the storm-ravaged Philippines, he quite literally went mad as the project threatened to devour him in a vortex of creative despair but from this insanity came one of the greatest films ever made. It began as a John Milius screenplay, transposing Joseph Conrad's classic story "Heart of Darkness" into the horrors of the Vietnam War, following a battle-weary Captain Willard (Martin Sheen) on a secret upriver mission to find and execute the renegade Colonel Kurtz(Marlon Brando), who has reverted to a state of murderous and mystical insanity. The journey is fraught with danger involving war-time action on epic and intimate scales. One measure of the film's awesome visceral impact is the number of sequences, images and lines of dialogue that have literally burned themselves into our cinematic consciousness, from the Wagnerian strike of helicopter gunships on a Vietnamese village to the brutal murder of stowaways and the unflinching fearlessness of the surfing warrior Lieutenant Colonel Kilgore (Robert Duvall), who speaks lovingly of "the smell of napalm in the morning." Like Herzog's Aguirre: The Wrath of God, this film is the product of genius cast into a pit of hell and emerging, phoenix-like, in triumph. Coppola's obsession (effectively detailed in the riveting documentary Hearts of Darkness, directed by Coppola's wife, Eleanor) informs every scene and every frame, and the result is a film for the ages. --Jeff Shannon

  • Open Range [2004] Open Range | DVD | (06/06/2011) from £2.83  |  Saving you £7.16 (71.70%)  |  RRP £9.99

    Released almost exactly 11 years after Clint Eastwood's Unforgiven, Kevin Costner's Open Range proved yet again that the Western is the classic American genre. Costner's first film since 1997's ill-fated The Postman returns the actor/director of Dances With Wolves to the open prairies of America--in this case the free-range frontier of 1882--where legal "free-grazing" cattle drives were falling prey to empire-building land-owners. In the wake of territorial murder, free-grazing cowboys Boss (Robert Duvall) and Charley (Costner) seek vengeful justice against the ruthless rancher (Michael Gambon) who threatens their law-abiding survival. A feisty ally (the late Michael Jeter, in his next-to-final film role) and a doctor's sister (Annette Bening) offer support during climactic shootouts, masterfully staged with the shock and suddenness of real-life gunfire. While it lacks the thematic impact of Eastwood's masterpiece, this handsome production!--rich in character development and thick-hided humour--redeemed Costner's directorial career with a well-told story (by Craig Storper, based on Lauran Paine's novel The Open Range Men), flawless performances, and stunning Canadian locations. --Jeff Shannon

  • Network [1976] Network | DVD | (17/03/2003) from £4.49  |  Saving you £11.50 (71.90%)  |  RRP £15.99

    Media madness reigns supreme in screenwriter Paddy Chayefsky's scathing satire about the uses and abuses of network television. But while Chayefsky's and director Sidney Lumet's take on television may seem quaint in the age of "reality TV" and Jerry Springer's talk-show fisticuffs, Network is every bit as potent now as it was when the film was released in 1976. And because Chayefsky was one of the greatest of all dramatists, his Oscar-winning script about the ratings frenzy at the cost of cultural integrity is a showcase for powerhouse acting by Peter Finch, Faye Dunaway and Beatrice Straight (who each won Oscars), and Oscar nominee William Holden in one of his finest roles. Finch plays a veteran network anchorman who's been fired because of low ratings. His character's response is to announce he'll kill himself on live television two weeks hence. What follows, along with skyrocketing ratings, is the anchorman's descent into insanity, during which he fervently rages against the medium that made him a celebrity. Dunaway plays the frigid, ratings-obsessed producer who pursues success with cold-blooded zeal; Holden is the married executive who tries to thaw her out during his own seething midlife crisis. Through it all, Chayefsky (via Finch) urges the viewer to repeat the now-famous mantra "I'm as mad as hell, and I'm not gonna take it anymore!" to reclaim our humanity from the medium that threatens to steal it away. --Jeff Shannon

  • Secondhand Lions [2003] Secondhand Lions | DVD | (16/02/2004) from £3.89  |  Saving you £16.10 (80.50%)  |  RRP £19.99

    A coming-of-age story about a shy young boy sent by his irresponsible mother to spend the summer with his wealthy eccentric uncles in Texas. Neighbours think the crazy old men have a secret fortune stashed away... But what's the real truth and where's the cash?

  • Falling Down [1992] Falling Down | DVD | (01/06/2006) from £3.15  |  Saving you £10.84 (77.50%)  |  RRP £13.99

    This film, about a downsized engineer (Michael Douglas) who goes ballistic, triggered a media avalanche of stories about middle-class white rage when it was released in 1993. In fact, it's nothing more than a manipulative, violent melodrama about one geek's meltdown. Douglas, complete with pocket protector, nerd glasses, crewcut and short-sleeved white shirt, gets stuck in traffic one day near downtown LA and proceeds to just walk away from his car--and then lose it emotionally. Everyone he encounters rubs him the wrong way--and a fine lot of stereotypes they are, from threatening ghetto punks to rude convenience store owners to a creepy white supremacist--and he reacts violently in every case. As he walks across LA (now there's a concept), cutting a bloody swath, he's being tracked by a cop on the verge of retirement (Robert Duvall). He also spends time on the phone with his frightened ex-wife (Barbara Hershey). Though Douglas and Duvall give stellar performances, they can't disguise the fact that, as usual, this is another film from director Joel Schumacher that is about surface and sensation, rather than actual substance. --Marshall Fine, Amazon.com --This text refers to the VHS edition of this video

  • The Godfather Trilogy The Godfather Trilogy | DVD | (08/10/2001) from £18.00  |  Saving you £N/A (N/A%)  |  RRP £49.99

    Despite making many other distinguished films in his long, wandering career, Francis Ford Coppola will always be known as the man who directed The Godfather trilogy, a series that has dominated and defined their creator in a way perhaps no other director can understand. Coppola has never been able to leave them alone, whether returning after 15 years to make a trilogy of the diptych, or re-editing the first two films into chronological order for a separate video release as The Godfather Saga. The films are an Italian-American Shakespearian cycle: they tell a tale of a vicious mobster and his extended personal and professional families (once the stuff of righteous moral comeuppance), and they dared to present themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, was a serious business. The first film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone into the family business, the transition of power from his father, the ruthless dispatch of his enemies--all this is told with an assurance that is breathtaking to behold. And it turned out to be merely prologue; two years later The Godfather, Part II balanced Michael's ever-greater acquisition of power and influence during the fall of Cuba with the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate and the isolated despair at the end wholly earned. (Has there ever been a cinematic performance greater than Al Pacino's Michael, so smart and ambitious, marching through the years into what he knows is his own doom with eyes open and hungry?) The Godfather, Part III was mostly written off as an attempted cash-in but it is a wholly worthy conclusion, less slow than autumnally patient and almost merciless in the way it brings Michael's past sins crashing down around him even as he tries to redeem himself. --Bruce Reid, Amazon.com On the DVD: Contained in a tasteful slipcase, the three movies come individually packaged, with the second instalment spread across two discs. The anamorphic transfers are acceptable without being spectacular, with Part 3 looking best of all. Francis Ford Coppola--obviously a DVD fan--provides an exhaustive and enthusiastic commentary for all three movies, although awkwardly these have to be accessed from the Set Up menu. The fifth bonus disc is a real goldmine: the major feature is a 70-minute documentary covering all three productions, which includes fascinating early screen-test footage. There's also a 1971 making-of featurette about the first instalment, plus several shorter pieces with Coppola, Mario Puzo and others talking about specific aspects of the series, including a treasurable recording of composer Nino Rota performing the famous theme. Another section contains all the Oscar-acceptance speeches and Coppola's introduction to the TV edit, plus a whole raft of additional scenes that were inserted in the 1977 re-edited version. Text pieces include a chronology, a Corleone family tree and biographies of cast and crew. Overall, this is a handsome and valuable package that does justice to these wonderful movies. --Mark Walker

  • True Grit [1969] True Grit | DVD | (06/06/2005) from £4.19  |  Saving you £8.80 (67.70%)  |  RRP £12.99

    John Wayne hams it up as a one-eyed, broken-down marshal in this 1969 adaptation of Charles Portis's bestselling novel. Kim Darby plays the formal-speaking adolescent who goes to Wayne for help tracking down her father's killer, and singer Glen Campbell straps on his guns to join the quest. Directed by old lion Henry Hathaway (Rawhide), True Grit is largely a showcase for Wayne (who finally won an Oscar), but it is also a decent Western with a particularly stirring final act. --Tom Keogh

  • The Judge [DVD] [2014] The Judge | DVD | (31/12/2015) from £14.99  |  Saving you £N/A (N/A%)  |  RRP £N/A

    Hank Palmer (Robert Downey Jr.) returns to his childhood home where his estranged father the town’s judge (Robert Duvall) is suspected of murder. He sets out to discover the truth and along the way reconnects with the family he walked away from years before.

  • True Grit/The Sons Of Katie Elder/The Man Who Shot Liberty Valance True Grit/The Sons Of Katie Elder/The Man Who Shot Liberty Valance | DVD | (06/10/2008) from £3.99  |  Saving you £8.50 (65.40%)  |  RRP £12.99

    True Grit: In 1970 John Wayne earned an Academy Award for his larger-than-life performance as the drunken uncouth and totally fearless one-eyed U.S. Marshal Rooster Cogburn. The cantankerous Rooster is hired by a headstrong young girl (Kim Darby) to find the man who murdered her father and fled with the family savings. When Cogburn's employer insists on accompanying the old gunfighter sparks fly. And the situation goes from troubled to disastrous when the inexperienced but enthusiastic Texas Ranger (Glen Campbell) joins the party. Laughter and tears punctuate the wild action in this extraordinary Western which features performances by Robert Duvall and Strother Martin. The Sons Of Katie Elder: Katie Elder bore four sons. The day she is buried they all return home to Clearwater Texas to pay their last respects. John Wayne is the eldest and toughest son the gunslinger. Tom (Dean Martin) is good with a deck of cards and good with a gun when he has to be. Matt (Earl Holliman) is the quiet one - nobody ever called him yellow... twice. Bud (Michael Anderson Jr.) is the youngest. Any hope for respectability lies with him. Directed by Henry Hathaway (True Grit) an acknowledged master of the western the story has a dual theme; not only is this a he-mans story but it is also a drama of the maternal influence of Katie Elder movingly portrayed from beginning to conclusion. The Man Who Shot Liberty Valance: Ranking with Stagecoach as one of the greatest of its genre 'The Man Who Shot Liberty Valance' is the modern-day Western to beat all Westerns. John Ford whose very name is synonymous with Westerns directed the ideal cast. Jimmy Stewart plays the bungling but charming big-city lawyer determined to rid the fair village of Shinbone of its number one nuisance and Bad Man: Liberty Valance (Lee Marvin). And as if all that weren't enough the biggest star that ever aimed a six-shooter plays the Man of the title: John Wayne. Super-sincere Stewart and rugged rancher Wayne also share the same love interest (Vera Miles). One gets the gunman but the other gets the gal...

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