Rupert Dean, 18/10/2005
Kuroswawa returned to the Samurai genre with Kagemusha in 1980 after he secured international funding with the help of George Lucas and Francis Ford Coppola. With this his first foray into colour with this genre, Kuroswawa shows off his talents with many indelible images etched on the viewers mind of calvary mowed down by gunfire, the Kagemusha in death floating past the lord's flag and the shadow warrior realising the depth of loyalty the dead Lord can still command from his sujects. The plot follows a double or Shadow Warrior (Tatsuya Nakadai) who is a condemned thief rescued by a Lord's brother (Tsutomu Yamazaki) and thrust into immating Lord Shingen (also played by Tatsuya Nakadai)when he is killed during a siege. The Thief gradually not only assumes the role, but starts to inherit the late Lord's character, much to the nobility's chagrin as they attempt to fool their enemies into believing the Lord is still alive. This beautifully imagined story which unfolds in the courts, castles and on the battlefields of ancient Japan allows Kurosawa to explore the nature of loyalty and obedience, set against an almost peckinpah-esque view of changing times and the emergence of the firearm, which Kurosawa shows us to devastating effect at the battle of Nagashino in the 16th Century. This is a true epic with a message that deserved won the Golden Palm at the cannes Film Festival. The region one Criterion 2 disc edition is an outstanding presentation of this film.
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