Search Results

• Rush Hour 2 | UMD | (26/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

• Sin City | UMD | (26/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £18.99

  Frank Miller's acclaimed comic book comes to the screen courtesy of director Robert Rodriguez.

• The Island | UMD | (09/01/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £20.99

  Ewan McGregor and Scarlett Johansson lead an all-star cast as residents of an isolated high-tech compound. But when they discover they're actually clones and worth more dead than alive they stage a daring escape. Battling an unfamiliar environment and an armed team of mercenaries in hot pursuit they'll risk their lives and freedom to save those they left behind - and reveal the truth about The Island.

• 24 - Redemption | UMD | (09/03/2009) from £11.33   |  Saving you £-2.35 (N/A%)   |  RRP £5.99

  24 Redemption

• Hitman | UMD | (30/06/2008) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

  It’s hard not to feel like one has entered a certain dimension of video-game logic while watching Hitman, a lightly enjoyable action-suspense movie indeed based on a popular and bloody game about a mysterious hired gun with a bar-code tattoo on his bald head and a number (47) in lieu of a name. Living like a chaste monk while slipping past borders to kill his targets, 47 (Timothy Olyphant of Deadwood) moves like a determined shark and speaks softly to his contact at the enigmatic "the Organization," which raises cast-off children to become well-paid assassins. Fruitlessly pursued by an Interpol cop (Dougray Scott) who can never get sovereign governments to cooperate, 47 has no trouble slipping in and out of countries to ply his trade. Until, that is, he’s set up to take a fall in Russia by shooting a national leader who is promptly replaced by a lookalike double. Suddenly on the run, 47 has to retrace his steps and formulate a lethal plan for extricating himself from a trap. Caught in the chaos is the lovely Nika (Olga Kurylenko), forced into sex slavery by 47’s new enemies and the one person who seems uniquely qualified to break through 47’s many personal barriers. Directed by France’s Xavier Gens, Hitman features loads of bloody mayhem and unabashed moments of pulp absurdity, such as a scene in which 47 and three other Organization killers agree to fight one another respectfully, then proceed to pulverize each other with swords and fists. As fodder for gamers, however, Hitman is packed with visuals and dramatic moments that seem so odd on the big screen until one realizes they are basically placemarkers for the video-game edition. --Tom Keogh, Amazon.com

• Ultraviolet | UMD | (30/10/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

• Predator | UMD | (07/11/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £21.99

• Matrix | UMD | (07/01/2008) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

  A computer hacker learns from mysterious rebels about the true nature of his reality and his role in the war against its controllers. Manufacturer: Boulevard Entertainment

• The Exorcism Of Emily Rose | UMD | (20/03/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  A lawyer takes on a negligent homicide case involving a priest who performed an exorcism on a young girl.

• The Fifth Element | UMD | (05/12/2005) from £8.08   |  Saving you £7.91 (97.90%)   |  RRP £15.99

  In the year 2257 a planet-sized sphere of supreme evil is approaching the earth at relentless speed threatening to exterminate every living organism unless four ancient stones representing the elements of earth wind fire and water are united with the mysterious fifth element.From Luc Besson the acclaimed director of 'Leon' and 'Nikita' comes a film that turns science fiction inside out.

• I, Robot | UMD | (05/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £21.99

  As paranoid cop Del Spooner, Will Smith displays both his trademark quips and some impressive pectoral muscles in I, Robot. Only Spooner suspects that the robots that provide the near future with menial labor are going to turn on mankind--he's just not sure how. When a leading roboticist dies suspiciously, Spooner pursues a trail that may prove his suspicions. Don't expect much of a connection to Isaac Asimov's classic science fiction stories; I, Robot, the action movie, isn't prepared for any ruminations on the significance of artificial intelligence. This likable, efficient movie won't break any new ground, but it does have an idea or two to accompany its jolts and thrills, which puts it ahead of most recent action flicks. Also featuring Bridget Moynahan, Bruce Greenwood, and James Cromwell. --Bret Fetzer

• Tammy and the T-Rex | UMD | (05/09/2022) from £20.22   |  Saving you £N/A (N/A%)   |  RRP £N/A

  101 Films presents Tammy and the T-Rex, a jaw-dropping assault on good taste from cult filmmaker Stewart Raffill (The Ice Pirates), released for the first time in the UK. Starring Denise Richards and Paul Walker in early roles, the film was originally released in the USA with a PG-13 rating. This release features the recently restored 'Gore Cut', presented as originally conceived in all its gore-filled glory, featuring the stellar work of special make-up effects legend John Carl Buechler. Tammy is a popular high school cheerleader whose new boyfriend, Michael, might be the love of her life. But Tammy's jealous ex, Billy, won't stand for anyone coming between him and 'his' girl, so he and his friends kidnap Michael, leaving him to be mauled by a lion in a local wildlife reserve. Comatose and at death's door, Michael's body is stolen from the hospital by mad scientist Dr. Wachenstein, who extracts his brain and implants it into a giant robotic T-Rex. Horrified by his predicament and new dinosaur body, Michael escapes from the doctor's lab and begins brutally killing his former bullies. Meanwhile Tammy and her best friend Byron start searching for a suitable human corpse in which to re-transplant Michael's brain... Product Features Scanned & restored in 4k from its 35mm original camera negative Audio commentary with director Stewart Raffill and producer Diane Kirman Blood, Brains, and a Teenage T-Rex - an interview with director Stewart Raffill A Blast from the Past - an interview with actress Denise Richards Having the Guts - an interview with actor Sean Whalen A Testicular Stand-Off - an interview with actor George Pilgrim Full length PG-13 cut of Tammy and the T-Rex (SD)

• Hellboy | UMD | (01/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

• National Treasure | UMD | (03/10/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £18.99

  Treasure hunter Benjamin Franklin Gates looks to discover the truth behind the assassination of Abraham Lincoln, by uncovering the mystery within the 18 pages missing from assassin John Wilkes Booth's diary.

• A Knight's Tale | UMD | (01/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

• Terminator 3 - Rise Of The Machines | UMD | (05/12/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

• Alien | UMD | (05/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £21.99

• Saw II | UMD | (27/03/2006) from £5.71   |  Saving you £17.27 (634.93%)   |  RRP £19.99

• House Of Flying Daggers | UMD | (05/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £21.99

  No one uses colour like Chinese director Zhang Yimou--movies like Raise the Red Lantern or Hero, though different in tone and subject matter, are drenched in rich, luscious shades of red, blue, yellow, and green. House of Flying Daggers is no exception; if they weren't choreographed with such vigorous imagination, the spectacular action sequences would seem little more than an excuse for vivid hues rippling across the screen. Government officers Leo and Jin (Asian superstars Andy Lau and Takeshi Kaneshiro) set out to destroy an underground rebellion called the House of Flying Daggers (named for their weapon of choice, a curved blade that swoops through the air like a boomerang). Their only chance to find the rebels is a blind women named Mei (Ziyi Zhang, Crouching Tiger, Hidden Dragon) who has some lethal kung fu moves of her own. In the guise of an aspiring rebel, Jin escorts Mei through gorgeous forests and fields that become bloody battlegrounds as soldiers try to kill them both. While arrows and spears of bamboo fly through the air, Mei, Jin, and Leo turn against each other in surprising ways, driven by passion and honour. Zhang's previous action/art film, Hero, sometimes sacrificed momentum for sheer visual beauty; House of Flying Daggers finds a more muscular balance of aesthetic splendour and dazzling swordplay. --Bret Fetzer, Amazon.com

• Rush Hour | UMD | (01/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

  The plot line may sound familiar: Two mismatched cops are assigned as reluctant partners to solve a crime. Culturally they are complete opposites, and they quickly realize they can't stand each other. One (Jackie Chan) believes in doing things by the book. He is a man with integrity and nerves of steel. The other (Chris Tucker) is an amiable rebel who can't stand authority figures. He's a man who has to do everything on his own, much to the displeasure of his superior officer, who in turn thinks this cop is a loose cannon but tolerates him because he gets the job done. Directed by Brett Ratner, Rush Hour doesn't break any new ground in terms of story, stunts, or direction. It rehashes just about every "buddy" movie ever made--in fact, it makes films such as Tango and Cash seem utterly original and clever by comparison. So, why did this uninspired movie make over $120 million at the box office? Was the whole world suffering from temporary insanity? Hardly. The explanation for the success of Rush Hour is quite simple: chemistry. The casting of veteran action maestro Jackie Chan with the charming and often hilarious Chris Tucker was a serendipitous stroke of genius. Fans of Jackie Chan may be slightly disappointed by the lack of action set pieces that emphasize his kung-fu craft. On the other hand, those who know the history of this seasoned Hong Kong actor will be able to appreciate that Rush Hour was the mainstream breakthrough that Chan had deserved for years. Coupled with the charismatic scene-stealer Tucker, Chan gets to flex his comic muscles to great effect. From their first scenes together to the trademark Chan outtakes during the end credits, their ability to play off of one another is a joy to behold, and this mischievous interaction is what saves the film from slipping into the depths of pitiful mediocrity. --Jeremy Storey