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The Lord of the Rings: The Return of the King (Two Disc Theatrical Edition) | DVD | (25/05/2004)
from £2.89 | Saving you £12.10 (80.70%) | RRP
Peter Jackson's Lord of the Rings trilogy, triumphantly completed by the 11-Oscar-winning The Return of the King, sets out to show that Tolkien's epic work, once derided as mere adolescent escapism, is not just fodder for the best mass entertainment spectacle ever seen on the big screen, but is also replete with emotionally satisfying meditations on the human condition. What is the nature of true friendship? What constitutes real courage? Why is it important for us to care about people living beyond our borders? What does it mean to live in harmony with the environment and what are the consequences when we do not? When is war justifiable and when is it not? What things are really worth fighting for? These are the questions that resonate with a contemporary audience: to see our current social and political concerns mirrored--and here finally resolved--in Middle-earth is to recognise that Jackson's Lord of the Rings is both a parable for our times and magical cinematic escapism. As before, in this concluding part of the trilogy the spectacle never dwarfs (sic) the characters, even during Shelob the spider's pitiless assault, for example, or the unparalleled Battle of the Pelennor Fields, where the white towers of Minas Tirith come under ferocious attack from Troll-powered siege weapons and--in a sequence reminiscent of the Imperial Walkers in The Empire Strikes Back--Mammoth-like Mumakil. The people and their feelings always remain in focus, as emphasised by Jackson's sensitive small touches: Gandalf reassuring a terrified Pippin in the midst of battle that death is not to be feared; Frodo's blazing anger at Sam's apparent betrayal; Faramir's desire to win the approval of his megalomaniac father; Gollum's tragic cupidity and his final, heartbreaking glee. And at the very epicentre of the film is the pure heart of Samwise Gamgee--the real hero of the story. At over three hours, there are almost inevitably some lulls, and the film still feels as if some key scenes are missing: a problem doubtless to be rectified in the extended DVD edition. But the end, when it does finally arrive--set to Howard Shore's Wagnerian music score--brings us full circle, leaving the departing audience to wonder if they will ever find within themselves even a fraction of the courage of a hobbit. --Mark Walker
The Lord of the Rings: The Return of the King (Extended Edition) | DVD | (10/12/2004)
from £4.99 | Saving you £29.90 (83.10%) | RRP
The greatest trilogy in film history, presented in the most ambitious sets in DVD history, comes to a grand conclusion with the extended edition of The Lord of the Rings: The Return of the King. Not only is the third and final installment of Peter Jackson's adaptation of the works of J.R.R. Tolkien the longest of the three, but a full 50 minutes of new material pushes the running time to a whopping 4 hours and 10 minutes. The new scenes are welcome, and the bonus features maintain the high bar set by the first two films, The Fellowship of the Ring and The Two Towers. What's New? One of the scenes cut from the theatrical release but included here, the resolution of the Saruman storyline, generated a lot of publicity when the movie opened, as actor Christopher Lee complained in the press about losing his only appearance. It's an excellent scene, one Jackson calls "pure Tolkien," and provides better context for Pippin to find the wizard's palantir in the water, but it's not critical to the film. In fact, "valuable but not critical" might sum up the ROTK extended edition. It's evident that Jackson made the right cuts for the theatrical run, but the extra material provides depth and ties up a number of loose ends, and for those sorry to see the trilogy end (and who isn't?) it's a welcome chance to spend another hour in Middle-earth. Some choice moments are Gandalf's (Ian McKellen) confrontation with the Witch King (we find out what happened to the wizard's staff), the chilling Mouth of Sauron at the gates of Mordor, and Frodo (Elijah Wood) and Sam (Sean Astin) being mistaken for Orc soldiers. We get to see more of Éowyn (Miranda Otto), both with Aragorn and on the battlefield, even fighting the hideously deformed Orc lieutenant, Gothmog. We also see her in one of the most anticipated new scenes, the Houses of Healing after the battle of the Pelennor Fields. It doesn't present Aragorn (Viggo Mortensen) as a savior as the book did, but it shows the initial meeting between Éowyn and Faramir (David Wenham), a relationship that received only a meaningful glance in the theatrical cut. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. And for those who complained, no, there are no new endings, not even the scouring of the Shire, which many fans were hoping to see. Nor is there a scene of Denethor (John Noble) with the palantir, which would have better explained both his foresight and his madness. As Jackson notes, when cuts are made, the secondary characters are the first to go, so there is a new scene of Aragorn finding the palantir in Denethor's robes. Another big difference is Aragorn's confrontation with the King of the Dead. In the theatrical version, we didn't know whether the King had accepted Aragorn's offer when the pirate ships pulled into the harbor; here Jackson assumes that viewers have already experienced that tension, and instead has the army of the dead join the battle in an earlier scene (an extended cameo for Jackson). One can debate which is more effective, but that's why the film is available in both versions. If you feel like watching the relatively shorter version you saw in the theaters, you can. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. How Are the Bonus Features? To complete the experience, The Return of the King provides the same sprawling set of features as the previous extended editions: four commentary tracks, sharp picture and thrilling sound, and two discs of excellent documentary material far superior to the recycled material in the theatrical edition. Those who have listened to the seven hours of commentary for the first two extended editions may wonder if they need to hear more, but there was no commentary for the earlier ROTK DVD, so it's still entertaining to hear him break down the film (he says the beacon scene is one of his favorites), discuss differences from the book, point out cameos, and poke fun at himself and the extended-edition concept ("So this is the complete full strangulation, never seen before, here exclusively on DVD!"). The documentaries (some lasting 30 minutes or longer) are of their usual outstanding quality, and there's a riveting storyboard/animatic sequence of the climactic scene, which includes a one-on-one battle between Aragorn and Sauron. One DVD Set to Rule Them All Peter Jackson's trilogy has set the standard for fantasy films by adapting the Holy Grail of fantasy stories with a combination of fidelity to the original source and his own vision, supplemented by outstanding writing, near-perfect casting, glorious special effects, and evocative New Zealand locales. The extended editions without exception have set the standard for the DVD medium by providing a richer film experience that pulls the three films together and further embraces Tolkien's world, a reference-quality home theater experience, and generous, intelligent, and engrossing bonus features. --David Horiuchi
Batman Begins (2 discs) | DVD | (21/10/2005)
from £4.75 | Saving you £11.74 (69.10%) | RRP
In the wake of his parents' murder, disillusioned industrial heir Bruce Wayne (Christian Bale) travels the world seeking the means to fight injustice and turn fear against those who prey on the fearful.
Casino Royale | DVD | (19/03/2007)
from £2.50 | Saving you £17.62 (76.60%) | RRP
Bond is back! Back to the beginning of James Bond's career MI6's newest recruit (Daniel Craig the first blonde 007) is tasked with taking down a man known as ""Le Chiffre"" (Mads Mikkelsen) a money launderer for terrorists who is raising operational funds at a high-stakes poker game in the exclusive Montenegro establishment of Casino Royale... Exhilarating breathless and at times brutal this is the first Bond adventure since 1987 to be based on one of Ian Fleming's original novels. Paul Haggis (Oscar winning writer/director of Crash) adapts Casino Royale for a new generation as Daniel Craig new Aston Martin DBS in tow fills out the tuxedo of the ultra-smooth and ultra-deadly superspy.
King Kong | DVD | (10/04/2006)
from £4.00 | Saving you £19.99 (80.00%) | RRP
Movies don't come any bigger than Peter Jackson's King Kong, a three-hour remake of the 1933 classic that marries breathtaking visual prowess with a surprising emotional depth.
The Hulk | DVD | (17/11/2003)
from £3.30 | Saving you £14.40 (72.00%) | RRP
Amazingly, Ang Lee's Hulk makes a fair fist of pleasing everybody. The latest in a run of Marvel Comic-to-film transfers, it acknowledges the history of a character who dates back to 1962 while recreating him in contemporary terms. Though this, Hulk's origin still draws on the 1960s iconography of bomb tests and desert bases, this new take mixes gene-tampering with gamma radiation and never forgets that poor Bruce Banner (Eric Bana) has been psychologically primed by a mad father (Nick Nolte) and a disappointed girlfriend (Jennifer Connelly) to transform from repressed wimp to big green powerhouse even before the mad science kicks in. The long first act is enlivened by comic book-style split-screen effects and multiple foreshadowings--Lee keeps finding excuses to light Bana's face green--but is also absorbing personal drama from the man who gave you The Ice Storm before flexing his action muscles on Crouching Tiger Hidden Dragon. When Banner begins his Jekyll-and-Hyde seizures, the ILM CGI boys step in and use Bana as a template for the most fully-realised digital characterisation yet seen in the movies. Comics fans will thrill as a credibly bulky, superswift, super-green behemoth tangles with mutated killer dogs (including a very vicious poodle) in a night time forest, bursts out of confinement in an underground secret base, takes on America's military might while bouncing around a Road Runner and Coyote-like South Western desert and then invades San Francisco for some major "Hulk... smash" action. Artful and entertaining, engaging and explosive, this is among the most satisfying superhero movies. On the DVD: Hulk two-disc set doesn't quite hulk-out as well comparative Marvel movie releases for the X-Men films, Spider-Man and Daredevil. Disc 2 assembles a pile of those infotainment documentaries prepared to drum up pre-publicity but which feel a bit redundant once the movie is out, especially since there's so much repetition between the featurettes. It's all very well, and some of the technical stuff is fascinating, but this particular film could do with a more in-depth thematic approach: there's a lot about how the CGI Hulk was realised but little on the development of the story, the performances or the general tone, though Ang Lee's slightly sparse commentary makes interesting stabs in that direction. The biggest revelation in the background material is that Lee, known for his delicacy of touch, himself wore the motion capture suit and smashed up plywood tanks as a guide for the CGI animators. --Kim Newman
Hellboy | DVD | (10/01/2005)
from £2.99 | Saving you £20.00 (87.00%) | RRP
In the ongoing deluge of comic-book adaptations, Hellboy ranks well above average. Having turned down an offer to helm Harry Potter and the Prisoner of Azkaban in favor of bringing Hellboy's origin story to the big screen, the gifted Mexican director Guillermo del Toro compensates for the excesses of Blade II with a moodily effective, consistently entertaining action-packed fantasy, beginning in 1944 when the mad monk Rasputin--in cahoots with occult-buff Hitler and his Nazi thugs--opens a transdimensional portal through which a baby demon emerges, capable of destroying the world with his powers. Instead, the aptly named Hellboy is raised by the benevolent Prof. Bloom, founder of the Bureau for Paranormal Research and Defense, whose allied forces enlist the adult Hellboy (Ron Perlman, perfectly cast) to battle evil at every turn. While nursing a melancholy love for the comely firestarter Liz (Selma Blair), Hellboy files his demonic horns ("to fit in," says Bloom) and wreaks havoc on the bad guys. The action is occasionally routine (the movie suffers when compared to the similar X-Men blockbusters), but del Toro and Perlman have honored Mike Mignola's original Dark Horse comics with a lavish and loyal interpretation, retaining the amusing and sympathetic quirks of character that made the comic-book Hellboy a pop-culture original. He's red as a lobster, puffs stogies like Groucho Marx, and fights the good fight with a kind but troubled heart. What's not to like? --Jeff Shannon
The Day After Tomorrow - Two Disc Edition | DVD | (18/10/2004)
from £3.99 | Saving you £21.00 (84.00%) | RRP
Supreme silliness doesn't stop The Day After Tomorrow from being lots of fun for connoisseurs of epic-scale disaster flicks. After the blockbuster profits of Independence Day and Godzilla, you can't blame director Roland Emmerich for using global warming as a politically correct excuse for destroying most of the northern hemisphere. Like most of Emmerich's films, this one emphasises special effects over such lesser priorities as well-drawn characters and plausible plotting, and his dialogue (cowritten by Jeffrey Nachmanoff) is so laughably trite that it could be entirely eliminated without harming the movie. It's the spectacle that's important here, not the lame, recycled plot about father and son (Dennis Quaid, Jake Gyllenhaal) who endure an end-of-the-world scenario caused by the effects of global warming. So sit back, relax and enjoy the awesome visions of tornado-ravaged Los Angeles, blizzards in New Delhi, Japan pummelled by grapefruit-sized hailstones, and Manhattan flooded by swelling oceans and then frozen by the onset of a modern ice age. It's all wildly impressive, and Emmerich obviously doesn't care if the science is flimsy, so why should you? --Jeff Shannon
Spider-Man | DVD | (25/11/2002)
from £2.99 | Saving you £22.00 (88.00%) | RRP
Marvel Comics fans have been waiting for this big-screen Spider-Man since the character made his print debut in 1962, which attaches impossible expectations to a film that rates as a solid success without breaking out of the spandex ghetto in the way that Batman Returns or X-Men did. Tobey Maguire is ideally cast as speccy Peter Parker, a high school swot with personal problems. The suit and effects take over when he gets bitten by a genetically engineered (i.e., no longer radioactive) spider and transforms into a web-swinging superhero who finds that these super-powers don't really help him get close to the girl next door (Kirsten Dunst) or protect his elderly guardian (Cliff Robertson) from random violence. The villain of the peace is Peter's best friend's industrialist father (Willem Dafoe) who has dosed himself on an experimental serum which makes him go all Jekyll-and-Hyde and emerge as the cackling Green Goblin, who soon gets a grudge against Spider-Man. Sam Raimi gives it all a bright, airy, kinetic feel, with wonderful aerial stuff as Spider-Man escapes from his troubles by swinging between skyscrapers, and the rethink of Stan Lee and Steve Ditko's origin story is managed with a canny mix of faithfulness (JK Simmons' as the crass editor JJ Jameson is the image of the comic character) and send-up (after a big introduction, Spider-Man finally appears in a really rubbish first attempt at a spider costume). Maguire and the impossibly sweet Dunst make it work as a hesitant teen romance, but somehow the second half, which brings on the villain to give the hero someone to fight, is only exciting when it wants to be affecting too. --Kim Newman On the DVD: Spider-Man's two-disc offering is nothing out of the ordinary, but fans will find some gems here including Stan Lee's thoughts, a gallery of comic cover art and profiles on the baddies. The two commentaries (cast and crew, and Special Effects) both have long periods with pauses, but the special effects guys are full of insight. The DVD-ROM section offers some of the more exciting features, including three comics transferred onto your computer, page by page, although be aware that the "Film to Comic" comparison is not for the original but for the new comic of the film. As you would expect from a blockbuster superhero film, the sound and vision are immaculate. --Nikki Disney
The Adjustment Bureau Triple Play | Blu Ray | (04/07/2011)
from £6.99 | Saving you £20.00 (74.10%) | RRP
Do we control our destiny or do unseen forces manipulate us? Matt Damon stars in the thriller The Adjustment Bureau as a man who glimpses the future Fate has planned for him and realises he wants something else. To get it he must pursue the only woman he's ever loved across under and through the streets of modern-day New York. On the brink of winning a seat in the U.S. Senate ambitious politician David Norris (Damon) meets beautiful contemporary ballet dancer Elise Sellas (Emily Blunt)-a woman like none he's ever known. But just as he realizes he's falling for her mysterious men conspire to keep the two apart. David learns he is up against the agents of Fate itself-the men of The Adjustment Bureau - who will do everything in their considerable power to prevent David and Elise from being together. In the face of overwhelming odds he must either let her go and accept a predetermined path...or risk everything to defy Fate and be with her. The Adjustment Bureau is written for the screen and directed by George Nolfi (writer of Ocean's Twelve co-writer of The Bourne Ultimatum). It is based on a short story by Philip K. Dick (Total Recall Minority Report and Blade Runner).
Catch Me If You Can | DVD | (28/07/2003)
from £5.57 | Saving you £14.42 (72.10%) | RRP
A lot less momentous in subject matter than most recent Steven Spielberg films, Catch Me If You Can is the "inspired by a true story" tale of Frank Abagnale Jr (Leonardo di Caprio), a mature-looking teenager who spent the 1960s as an odd type of conman: passing himself off as an airline pilot to get free flights, holding down a job as supervisor of an ER team, and even passing a bar exam after only two weeks study, all the while dealing in forged cheques. As his illicit earnings spiral up above four million dollars, Frank is dogged by FBI agent Hanratty (Tom Hanks), a plodder who begins to have a relationship with his quarry--the boy politely telephones him every Christmas to catch up. It may have a Spielbergian running time (two hours and 20 minutes) and boast big stars usually found only in thumping epics, but its basically a breezy character piece with tactful shots of melancholy amid the high-flying, no-harm-done criminality. DiCaprio does his best screen work as the compulsive impersonator, turning his rather vague presence to his advantage as he slips into his various roles, and the typical Spielberg fathers-and-sons theme is delicately played in the kids scenes with his real (Christopher Walken) and surrogate dads. Its a pleasure to find that Spielberg can play it light without sacrificing depth. Set in the pastel 1960s, with James Bond and vintage Flash comics for context, the film has smart patter, a terrific mod-look credits animation and John Williams most finger-snappin score in decades. --Kim Newman
Iron Man 2 - Triple Play (Blu-ray + DVD + Digital Copy) | Blu Ray | (25/10/2010)
from £5.99 | Saving you £22.00 (78.60%) | RRP
Robert Downey Jr. returns to play Tony Stark in Iron Man 2 the eagerly anticipated sequel to the 2008 superhero smash Iron man. In this sensational follow-up Stark must become iron man once more and do battle with whiplash (Mickey Rourke - The Wrestler) and corporate rival Justin Hammer (Sam Rockwell - Moon). Scarlett Johansson (Lost In Translation) stars as sexy Russian spy Black Widow and Don Cheadle (Boogie Nights) assumes the role of Colonel James Rhodes from Terrence Howard.
Master and Commander: The Far Side of the World (Double Disc Edition) | DVD | (05/04/2004)
from £2.75 | Saving you £20.24 (88.00%) | RRP
Aside from some gripping battles and a storm sequence to rival anything seen on screen, Peter Weir's Master and Commander: The Far Side of the World is as much about daily shipboard life during the Napoleonic era--especially the relationship between Captain Aubrey (Russell Crowe) and Doctor Stephen Maturin (Paul Bettany)--as it is about spectacle. Aubrey is a powerful figure whose experience and strength of character commands unwavering trust and respect from his crew; Crowe seems in his element naturally enough. Bettany, though, is his match on screen as Aubrey's intellectual foil. Director Weir successfully translates their relationship from novel to screen by subtly weaving in their past history and leaving viewers--whether they've read Patrick O'Brian's books or not--to do the thinking. Although the film's special effects ate up a huge budget they never overtake the drama, with characterisation and painstaking attention to historical accuracy taking centre stage. Matching action to detail, drama to humour, and special effects to well-sketched characters, Master and Commander is a deeply satisfying big-screen experience, breathing a bracing gust of sea air into Hollywood megabuck filmmaking. --Laura Bushell
Terminator 3: Rise of the Machines (Two Disc Set) | DVD | (28/11/2003)
from £3.00 | Saving you £21.84 (87.40%) | RRP
Terminator 3: Rise of the Machines starts in high gear and never slows down. The apocalyptic "Judgment Day" of T2 was never prevented, only postponed: John Connor (Nick Stahl, replacing T2's Edward Furlong), now 22 and disconnected from society, is being pursued yet again, this time by the advanced T-X, a sleek "Terminatrix" (coldly expressionless Kristanna Loken) programmed to stop Connor from becoming the saviour of humankind. Originally programmed as an assassin, a disadvantaged T-101 cyborg (Arnold Schwarzenegger, bidding fond farewell to his signature role) arrives from the future to join Connor and future wife Kate (Claire Danes) in thwarting the T-X's relentless pursuit. The plot presents a logical fulfilment of T2's prophecy, disposing of Connor's mother (Linda Hamilton is sorely missed) while computer-driven machines assume control, launching a nuclear nightmare that Connor must survive. With Breakdown and U-571 serving as rehearsals for this cautionary epic of mass destruction, director Jonathan Mostow wisely avoids any stylistic connection to James Cameron's classics; instead he's crafted a fun, exciting popcorn thriller, humorous and yet still effectively nihilistic, and comparable to Jurassic Park III in returning the Terminator franchise to its potent B-movie roots. --Jeff Shannon On the DVD: Terminator 3 two-disc set has only one deleted scene, but it's first-class. The "Sgt Candy Scene" is a must-see and, unfortunately, the best thing on the second disc. The rushed HBO documentary shows us far more flash than substance. Better is the Visual Effects Lab that goes more in-depth with four sequences, although you need to wade through a weak interface for each segment. Making your "own" effects isn't that much fun; you can only choose a few effects that change in two scenes. Anyone looking to get the complicated backstory of the trilogy figured out should dig into the "Sky Net Database" and an intricate timeline. Disc 1 has a 30-second intro from the Governator himself, plus two commentary tracks: director Jonathan Mostow goes into great detail on how the little things (from lighting street scenes to tricks for destroying buildings) count; the second track is pieced together from the actors recorded separately--here Mostow appears with actress Claire Danes doing her first commentary track. The anamorphic 2.40:1 widescreen picture and thunderous DTS 5.1 or Dolby Digital 5.1 sound options deliver everything you would expect. --Doug Thomas
Minority Report | DVD | (17/05/2010)
from £3.94 | Saving you £1.20 (20.00%) | RRP
Full of flawed characters and shot in grainy de-saturated colours, Steven Spielberg's Minority Report is futuristic film noir with a far-fetched B-movie plot that's so feverishly presented the audience never gets a chance to ponder its many improbabilities. Based on a short story by Philip K Dick, Minority Report is set in the Orwellian near-future of 2054, where a trio of genetically modified "pre-cogs" warn of murders before they happen. In a sci-fi twist on the classic Hitchcockian wrong man scenario, Detective John Anderton (Tom Cruise) is the zealous precrime cop who is himself revealed as a future-killer. Plot twists and red herrings drive the action forward and complications abound, not least Anderton's crippling emotional state, his drug habit, his avuncular-yet-sinister boss (Max Von Sydow), and the ambitious FBI agent Witwer (Colin Farrell) snapping at his heels. Though the film toys with the notion of free will in a deterministic universe, this is not so much a movie of grand ideas as forward-looking ones. Its depiction of a near-future filled with personalised advertising and intrusive security devices that relentlessly violate the right of anonymity is disturbingly believable. Ultimately, though, it's a chase movie and the innovative set-piece sequences reveal Spielberg's flair for staging action. As with A.I.. before it, there's a nagging feeling that the all-too-neat resolution is a Spielbergian touch too far: the movie could satisfactorily have ended several minutes earlier. Though this is superior SF from one of Hollywood's greatest craftsmen, it would have been more in the spirit of Philip K Dick to leave a few tantalisingly untidy plot threads dangling.
The League Of Extraordinary Gentlemen - 2 disc Special Edition | DVD | (03/05/2004)
from £2.99 | Saving you £20.00 (87.00%) | RRP
The heroes of 1899 are brought to life with the help of some expensive special effects in The League of Extraordinary Gentlemen. From the pages of Victorian literature come Captain Nemo, Dr Jekyll (and his alter ego Mr Hyde), Dorian Gray, Tom Sawyer, the Invisible Man, Mina Harker (from Dracula), and the hunter Allan Quatermain (Sean Connery), all assembled to combat an evil megalomaniac out to conquer the world. It's hardly an original plot, but perhaps that's fitting for a movie sewn together like Frankenstein's monster. It rushes from one frenetic battle to another, replacing sense with spectacle--Nemo's submarine rising from the water, a warehouse full of zeppelins bursting into flame, Venice collapsing into its own canals. It's flashy, dumb, and completely incoherent. Fans of the original comic book will be disappointed. --Bret Fetzer
Hellboy | DVD | (09/01/2006)
from £6.66 | Saving you £10.00 (50.00%) | RRP
Give evil hell! In the final days of World War II the Nazis attempt to use black magic to aid their dying cause. The Allies raid the camp where an occult ceremony is taking place but not before a demon Hellboy has already been conjured. Joining the Allied forces Hellboy eventually grows to adulthood under the supervision of his adopted 'father' Trevor Bruttenholm serving the cause of good rather than evil. When the powerful and evil Nazi figure who unleashed Hellboy sud
Top Gun (Special Edition) | DVD | (04/04/2005)
from £3.99 | Saving you £N/A (N/A%) | RRP
Master And Commander: The Far Side Of The World (Special Edition) | DVD | (08/02/2006)
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In Peter Weir's Master And Commander Russell Crowe stars as Captain ""Lucky"" Jack Aubrey renowned as a fighting captain in the British Navy. After a French ship almost sinks them in a battle the ship's surgeon and Aubrey's closest friend Stephen Maturin (Paul Bettany) cautions him about letting revenge cloud his judgement. With the HMS Surprise badly damaged and much of his crew injured Aubrey is torn between duty and friendship as he pursues a high-stakes chase across two o
Superman Returns - 2 Disc | DVD | (04/12/2006)
from £2.51 | Saving you £22.01 (84.70%) | RRP
It'd be remiss to call Superman Returns a flawless film. After all, the running time could use fifteen minutes taking off, there's not enough Kevin Spacey and there are occasional moments when the pacing feels a little off. But it is a superb return to form for the classic superhero, with the modern day blockbuster ingredients of some meat to go with the action firmly in place. Further instalments, Mr Singer, will be more than welcome.