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We Were Soldiers | DVD | (05/11/2007)
from £4.19 | Saving you £8.80 (67.70%) | RRP
In a place soon to be known as 'The Valley of Death' in a small clearing called landing zone X-Ray Lt. Colonel Hal Moore (Mel Gibson) and 400 young troops all from an elite American combat division were surrounded by 2 000 North Vietnamese soldiers. The ensuing battle was one of the most savage in U.S. history...
Trapped | DVD | (24/08/2009)
from £6.93 | Saving you £1.06 (13.30%) | RRP
Starring Lloyd Bridges Trapped is taut unpretentious film noir directed by Richard Fleischer. The film begins in semi-documentary style explaining the workings of the U.S. Treasury Department and then follows the chain of events set in motion when a forged 20 dollar bill is discovered in California. However it takes a dramatic turn when treasury agents in Washington D.C. recognise the source of the forged bill and travel to a penitentiary in Atlanta to interview forger Tris Stewart (Lloyd Bridges). The agents engineer a fake escape for Stewart so that he can lead them to the source of the forgeries. But Stewart has others ideas and slips his minders.
As You Like It | DVD | (25/02/2008)
from £6.29 | Saving you £11.70 (65.00%) | RRP
With a setting inspired by 19th Century Japan Kenneth Branagh adapts Shakespeare's lightest and most delightful comedy As You Like It. A celebration of the enduring power of love in all its many disguises. Witty playful and utterly magical the story is a compelling romantic adventure in which Rosalind and Orlando's famous courtship is played out against a backdrop of political rivalry banishment and exile in Forest of Arden.
Dracula Has Risen From The Grave | DVD | (28/06/2013)
from £16.98 | Saving you £1.01 (5.60%) | RRP
It took a long time for Hammer's 1958 version of Dracula to turn into a franchise, and it was ten years before Dracula Has Risen From the Grave, the third film in the series, continued where Dracula--Prince of Darkness (1965) left off. The vampire count is accidentally resurrected by the blood of a priest when Monsignor Muller (the excellent Rupert Davies replacing Peter Cushing, whose Professor Van Helsing is absent) exorcises Castle Dracula. The Lord of the Undead soon has the priest under his power, and sets about claiming the Monsignor's niece Maria (Veronica Carlson) as his bride. Maria is in love with Paul (Barry Andrews), more a 60's English "angry young man" than a Victorian hero, yet only he can save the day, the film contrasting his atheism against much Catholicism. Working as a taut, Gothic thriller, the intensity is maintained to a large degree by James Barnard's excellent score and, of course, by Christopher Lee's magnetic interpretation of Count Dracula. The eroticism is stronger than in previous Hammer Draculas, the palpably electric blood-lust marking the movie as a high-point before the series' gradual decline, beginning with Taste the Blood of Dracula (1970). --Gary S. Dalkin
M.A.S.H. | DVD | (29/04/2002)
from £5.85 | Saving you £13.11 (65.60%) | RRP
MASH--a 1970 comedy-drama set among surgeons drafted into the Korean war--was a breakthrough not just for director Robert Altman but for movie-making in general. Although set in the 50s, there are few who did not realise that the film's anti-war messages were directed at the US involvement in Vietnam. Indeed, the Pentagon banned US servicemen from seeing the film. Starring Donald Sutherland as Hawkeye Pierce and Elliot Gould as Trapper John McIntyre, two hip young surgeons drafted against their will. Their general attitude--while never corroding either their humanity or their professionalism as surgeons--is one of insolence towards military authority and the arbitrary structures and regulations continually droning from the tannoy system. The film, too, thrives on a lack of attention to conventional order, with its cross-dialogue and random, episodic style reflecting the vivacious and unbuttoned feel of the content. However, MASH has dated and much of what seemed like "liberating" high jinks, today smacks of sexist, frathouse boorishness and harassment, especially at the expense of Major "Hotlips" Hoolihan (Sally Kellerman), while the episode in which "Painless" plans a suicide out of a fear of being gay reflects the persistence of homophobia even in 60s counterculture. Despite this MASH feels ahead of its time and certainly sharper and blacker than the too-cute sitcom it spawned. On the DVD: this is an excellent restoration, overseen by Altman himself, in which any obfuscation from the original have been cleaned up, especially the sound quality. As well as a commentary from Altman, there are three separate documentaries, featuring interviews with Altman, the cast and screenwriter Ring Lardner Jr, who had been blacklisted during the anti-Communist witch-hunt which swept through Hollywood in the 1950s. We learn he was initially appalled at how little of his script Altman actually used but was mollified by the Academy Award he received. Altman is candid about the making of the movie ("It wasn't released by Fox, it escaped from Fox"). There's an abundance of similarly rich, anecdotal material here. --David Stubbs
Days Of Glory | DVD | (24/09/2007)
from £3.83 | Saving you £14.10 (70.50%) | RRP
The true story so controversial it couldn't be told until now. 1943. The young North Africans had never stepped foot on French soil but because France was at war Sad Abdelkader Messaoud and Yassir enlisted in the French Army along with 130 000 other ""indigenous soldiers "" to liberate the ""fatherland"" from the Nazi enemy. These heroes that history forgot won battles in Italy Provence and the Vosges before finding themselves alone to defend an Alsatian village against a German battalion. Winner of the 2006 Cannes best ensemble cast award.
Letters from Iwo Jima (2 Disc Special Edition) | DVD | (09/07/2007)
from £3.73 | Saving you £18.25 (76.10%) | RRP
Critically hailed as an instant classic, Clint Eastwood's Letters from Iwo Jima is a masterwork of uncommon humanity and a harrowing, unforgettable indictment of the horrors of war. In an unprecedented demonstration of worldly citizenship, Eastwood (from a spare, tightly focused screenplay by first-time screenwriter Iris Yamashita) has crafted a truly Japanese film, with Japanese dialogue (with subtitles) and filmed in a contemplative Japanese style, serving as both complement and counterpoint to Eastwood's previously released companion film Flags of Our Fathers. Where the earlier film employed a complex non-linear structure and epic-scale production values to dramatise one of the bloodiest battles of World War II and its traumatic impact on American soldiers, Letters reveals the battle of Iwo Jima from the tunnel- and cave-dwelling perspective of the Japanese, hopelessly outnumbered, deprived of reinforcements, and doomed to die in inevitable defeat. While maintaining many of the traditions of the conventional war drama, Eastwood extends his sympathetic touch to humanise "the enemy," revealing the internal and external conflicts of soldiers and officers alike, forced by circumstance to sacrifice themselves or defend their honour against insurmountable odds. From the weary reluctance of a young recruit named Saigo (Kazunari Ninomiya) to the dignified yet desperately anguished strategy of Japanese commander Tadamichi Kuribayashi (played by Oscar-nominated The Last Samurai costar Ken Watanabe), whose letters home inspired the film's title and present-day framing device, Letters from Iwo Jima (which conveys the bleakness of battle through a near-total absence of colour) steadfastly avoids the glorification of war while paying honorable tribute to ill-fated men who can only dream of the comforts of home. --Jeff Shannon
Flags of our Fathers (2 Disc Special Edition) | DVD | (09/07/2007)
from £2.94 | Saving you £19.26 (80.30%) | RRP
Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities - and resentful pawns in a wartime publicity campaign - after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history. As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatising the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon
The Fast And The Furious | DVD | (19/04/2010)
from £3.01 | Saving you £-1.02 (-51.30%) | RRP
Frank Webster is wrongly imprisoned for murder. He breaks out of jail in order to clear his name but with the police tailing him every step of the way he ends up having to take a young woman hostage...