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  • Trapped [DVD] Trapped | DVD | (24/08/2009) from £6.93  |  Saving you £1.06 (13.30%)  |  RRP £7.99

    Starring Lloyd Bridges Trapped is taut unpretentious film noir directed by Richard Fleischer. The film begins in semi-documentary style explaining the workings of the U.S. Treasury Department and then follows the chain of events set in motion when a forged 20 dollar bill is discovered in California. However it takes a dramatic turn when treasury agents in Washington D.C. recognise the source of the forged bill and travel to a penitentiary in Atlanta to interview forger Tris Stewart (Lloyd Bridges). The agents engineer a fake escape for Stewart so that he can lead them to the source of the forgeries. But Stewart has others ideas and slips his minders.

  • Flags of our Fathers (2 Disc Special Edition) Flags of our Fathers (2 Disc Special Edition) | DVD | (09/07/2007) from £2.94  |  Saving you £17.85 (74.40%)  |  RRP £23.99

    Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities - and resentful pawns in a wartime publicity campaign - after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history. As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatising the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

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