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• 24 - Redemption | UMD | (09/03/2009) from £11.33   |  Saving you £-2.35 (N/A%)   |  RRP £5.99

  24 Redemption

• The Exorcism Of Emily Rose | UMD | (20/03/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  A lawyer takes on a negligent homicide case involving a priest who performed an exorcism on a young girl.

• Tammy and the T-Rex | UMD | (05/09/2022) from £20.22   |  Saving you £N/A (N/A%)   |  RRP £N/A

  101 Films presents Tammy and the T-Rex, a jaw-dropping assault on good taste from cult filmmaker Stewart Raffill (The Ice Pirates), released for the first time in the UK. Starring Denise Richards and Paul Walker in early roles, the film was originally released in the USA with a PG-13 rating. This release features the recently restored 'Gore Cut', presented as originally conceived in all its gore-filled glory, featuring the stellar work of special make-up effects legend John Carl Buechler. Tammy is a popular high school cheerleader whose new boyfriend, Michael, might be the love of her life. But Tammy's jealous ex, Billy, won't stand for anyone coming between him and 'his' girl, so he and his friends kidnap Michael, leaving him to be mauled by a lion in a local wildlife reserve. Comatose and at death's door, Michael's body is stolen from the hospital by mad scientist Dr. Wachenstein, who extracts his brain and implants it into a giant robotic T-Rex. Horrified by his predicament and new dinosaur body, Michael escapes from the doctor's lab and begins brutally killing his former bullies. Meanwhile Tammy and her best friend Byron start searching for a suitable human corpse in which to re-transplant Michael's brain... Product Features Scanned & restored in 4k from its 35mm original camera negative Audio commentary with director Stewart Raffill and producer Diane Kirman Blood, Brains, and a Teenage T-Rex - an interview with director Stewart Raffill A Blast from the Past - an interview with actress Denise Richards Having the Guts - an interview with actor Sean Whalen A Testicular Stand-Off - an interview with actor George Pilgrim Full length PG-13 cut of Tammy and the T-Rex (SD)

• Saw II | UMD | (27/03/2006) from £5.71   |  Saving you £17.27 (634.93%)   |  RRP £19.99

• Kiss Of The Dragon | UMD | (05/12/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £21.99

• Seven | UMD | (01/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

  The most viscerally frightening and disturbing homicidal maniac picture since The Silence of the Lambs, Seven is based on an idea that's both gruesome and ingenious. A serial killer forces each of his victims to die by acting out one of the seven deadly sins. The murder scene is then artfully arranged into a grotesque tableau, a graphic illustration of each mortal vice. From the jittery opening credits to the horrifying (and seemingly inescapable) concluding twist, director David Fincher immerses us in a murky urban twilight where everything seems to be rotting, rusting, or moulding; the air is cold and heavy with dread. Morgan Freeman and Brad Pitt are the detectives who skillfully track down the killer--all the while unaware that he has been closing in on them, as well. Gwyneth Paltrow and Kevin Spacey are also featured, but it is director Fincher and the ominous, overwhelmingly oppressive atmosphere of doom that he creates that are the real stars of the film. --Jim Emers

• Perfect Blue | UMD | (20/03/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

• Saw Uncut | UMD | (01/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

  Adam (Leigh Whannell) wakes up in a dank room across from Dr. Lawrence Gordon (Cary Elwes) and the body of a guy who has blown his own brains out. Not a happy place, obviously, and it gets worse when both men realise that they've been chained and pitted against one another by an unseen but apparently omniscient maniac who's screwing with their psyches as payment for past sins. Director James Wan, who concocted this grimy distraction with screenwriter Whannell, has seen Seven and any number of other arty existential-psycho-cat-and-mouse thrillers, so he's provided Saw with a little flash, a little blood, and a lot of ways to distract you from the fact that it doesn't make a whole hell of a lot of sense. Wan and Whannell (who's not the most accomplished actor, either) pile on the plot twists, which after some initially novel ideas become increasingly juvenile. Elwes works hard but looks embarrassed, and the estimable Danny Glover suffers as the obsessed detective on the case. The denouement will probably surprise you, but it won't get you back the previous 98 minutes. --Steve Wiecking

• White Noise | UMD | (01/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

• Flightplan | UMD | (27/03/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £20.99

• The Bone Collector | UMD | (05/06/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

• The Da Vinci Code | UMD | (16/10/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

• Hackers | UMD | (31/10/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

• Hostage | UMD | (03/10/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

• Rock N Rolla | UMD | (02/08/2010) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Rock N Rolla

• The Sixth Sense | UMD | (06/03/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £18.99

• The Happening | UMD | (02/03/2009) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

  The Happening

• Phone Booth | UMD | (27/03/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  Stu Shepard (Colin Farrell) is an arrogant publicist lying his way to success in New York. Everything changes however when he unknowingly answers a call in a phone booth he's been using to cheat on his wife. Now he is at the mercy of the caller (Kiefer Sutherland) who as an invisible sniper somewhere in the buildings above is holding him hostage with demands to come clean with his wife (Radha Mitchell) and his girlfriend (Katie Holmes). Relying on his wits and the unlikely help of Capt. Ramey (Forest Whitaker) Stu's life will change even if he does manage to escape alive. This highly original suspense thriller from director Joel Schumacher (Batman Forever 8MM Falling Down) is filled with action and unbelievable moments when all of New York comes to a standstill for one harrowing conclusion.

• The Informant! | UMD | (29/03/2010) from £7.98   |  Saving you £4.00 (66.78%)   |  RRP £9.99

  Steven Soderbergh's The Informant!, like the director's one-two Oscar® punch Erin Brockovich and Traffic, is an energetic exposé of corporate/criminal chicanery with wide-ranging implications for life in these United States. Not so much like those movies, it plays as hyper-caffeinated comedy. At its center is Mark Whitacre (Matt Damon), a biochemist and junior executive at agri-giant Archer Daniels Midland who, in 1992, began feeding the FBI evidence of ADM's involvement in price fixing. Mark's motive for doing so is elusive, sometimes self-contradictory, and subject to mutation at any moment. To describe him as bipolar would be akin to finding the Marx Brothers somewhat zany. His Fed handlers, along with the audience, start thinking of him as a hapless goofball. Then they and we get blind-sided with the revelation of further dimensions of Mark's life at ADM, and the nature of the investigation, and the movie, changes. That will happen again. And again. It's Soderbergh's ingenious strategy to make us fellow travelers on Mark's crazy ride, virtually infecting us with a short-term version of his dysfunctional being. Props to screenwriter Scott Z. Burns for boiling down Kurt Eichenwald's 600-page book The Informant: A True Story without sacrificing coherence. And Matt Damon, bulked up by two stones and spluttering his manic lines from under a caterpillar mustache, reconfirms his virtuosity and his willingness to dive deep into such a dodgy personality. On the downside, despite a small army of comedians in cameo roles, The Informant! has nothing like the rich field of subsidiary characters encountered in Erin Brockovich and Traffic. That lack of vibrancy is aggravated by the dominance of prairie-flat Midwest speech patterns and cadences (most of the film unreels in Illinois), and the razzmatazz score by veteran tunesmith Marvin Hamlisch sounds like pep-rally music on an industrial film. Soderbergh also photographed the movie (under his pseudonym Peter Andrews), and his decision to show everything through a corn-mush filter turns it into a big-screen YouTube experience. --Richard T. Jameson

• Dirty | UMD | (05/06/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99