Fantastic Four | UMD | (02/12/2005)
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| RRP Fantastic Four is a light-hearted and funny take on Marvel Comics' first family of superheroes. It begins when down-on-his-luck genius Reed Richards (Ioan Gruffudd) has to enlist the financial and intellectual help of former schoolmate and rival Victor Von Doom (Julian McMahon) in order to pursue outer-space research involving human DNA. Also on the trip are Reed's best friend, Ben Grimm (Michael Chiklis); his former lover, Sue Storm (Jessica Alba), who's now Doom's employee and love interest; and her hotshot-pilot brother, Johnny Storm (Chris Evans). Things don't go as planned, of course, and the quartet becomes blessed--or is it cursed--with superhuman powers: flexibility, brute strength, invisibility and projecting force fields, and bursting into flame. Meanwhile, Doom himself is undergoing a transformation. Among the many entries in the comic-book-movie frenzy, Fantastic Four is refreshing because it doesn't take itself too seriously. Characterisation isn't too deep, and the action is a bit sparse until the final reel (like most "first" superhero movies, it has to go through the "how did we get these powers and what we will do with them?" churn). But it's a good-looking cast, and original comic-book co-creator Stan Lee makes his most significant Marvel-movie cameo yet, in a speaking role as the FF's steadfast postal carrier, Willie Lumpkin. Newcomers to superhero movies might find the idea of a family with flexibility, strength, invisibility, and force fields a retread of The Incredibles, but Pixar's animated film was very much a tribute to the FF and other heroes of the last 40 years. The irony is that while Fantastic Four is an enjoyable B-grade movie, it's the tribute, The Incredibles, that turned out to be a film for the ages. --David Horiuchi
Species | UMD | (21/11/2005)
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I Am Legend | UMD | (28/04/2008)
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| RRP A mainstream Hollywood actor who seems committed to igniting science fiction features, Will Smith chalked up another sizeable hit in the shape of I Am Legend, the latest cinematic adaptation of Richard Mathesons book of the same name. This time, Smith plays Robert Neville, the last man on an Earth emptied by a deadly virus that he continues to try and find a working vaccine for. With just his dog for company, and the fear of the vampires that haunt the night never far away, I Am Legend quickly establishes itself as a taut, highly watchable blockbuster, with plenty of reasons to gnaw at your nail. Where I Am Legend really scores is in the excellent first half. The scenes of a deserted New York are quite staggering, and its also to Smiths immense credit that he holds the attention even though for the most part hes the only person on the screen. Its a quite wonderful opening hour that the film enjoys, and one that easily stands repeat viewings alone. The back half of I Am Legend is, almost inevitably, not quite the match of whats gone before, as the threats of the night dont, when you finally see them, live up to expectations. Nonetheless, for Smiths performance, and the sheer quality of the build up, I Am Legend can stand side-by-side with the last take on the story, the Charlton Heston-starrer The Last Man On Earth. Take either home, and youre in for a rollicking good night in front of the telly. --Jon Foster
Alien Vs Predator | UMD | (10/12/2007)
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Alien vs Predator | UMD | (05/09/2005)
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| RRP In delivering non-18-rated excitement, Alien vs. Predator is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its opportunity to intelligently combine two popular franchises. Rabid fans can justifiably ask: "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical connections to the Alien legacy and the still-kicking Predator franchise (which hinted at AVP rivalry at the end of Predator 2); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic AVP smackdown that's not half bad. This disposable junk should've been better, but nobody who's seen Mortal Kombat or Resident Evil should be surprised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right ! up to his shameless opening for yet another sequel.--Jeff Shannon
Fantastic Four | UMD | (07/12/2007)
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Final Fantasy VII - Advent Children | UMD | (24/04/2006)
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X-Men 2 | UMD | (08/05/2006)
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Serenity | UMD | (27/02/2006)
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Final Fantasy - The Spirits Within | UMD | (24/04/2006)
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Equlibrium | UMD | (10/10/2005)
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The Chronicles Of Riddick | UMD | (24/10/2005)
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Appleseed | UMD | (31/10/2005)
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Doom | UMD | (03/04/2006)
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| RRP The legendary computer game comes to life in this all-action sci-fi adventure.
X-Files - I Want To Believe | UMD | (02/08/2010)
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| RRP The X Files The Sequel
Zathura / Jumanji | UMD | (26/06/2006)
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V for Vendetta | UMD | (07/01/2008)
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| RRP "Remember, remember the fifth of November," for on this day, in 2020, the minds of the masses shall be set free. So says code-name V (Hugo Weaving), a man on a mission to shake society out of its blank complacent stares in the film V For Vendetta. His tactics, however, are a bit revolutionary to say the least. The world in which V lives is very similar to Orwell's totalitarian dystopia in 1984: after years of various wars, England is now under "big brother" Chancellor Adam Sutler (played by John Hurt, who ironically played Winston Smith in the movie 1984) whose party uses force and fear to run the nation. After gaining power, minorities and political dissenters were rounded up and removed; artistic and unacceptable religious works were confiscated. Cameras and microphones are littered throughout the land, and the people are perpetually sedated through the governmentally controlled media. Taking inspiration from Guy Fawkes, the 17th century co-conspirator of a failed attempt to blow up Parliament on November 5, 1605, V dons a Fawkes mask and costume and sets off to wake the masses by destroying the symbols of their oppressors, literally and figuratively. At the beginning of his vendetta, V rescues Evey (Natalie Portman) from a group of police officers and has her live with him in his underworld lair. It is through their relationship where we learn how V became V, the extremities of the party's corruption, the problems of an oppressive government, V's revenge plot and his philosophy on how to induce change. Based on the popular graphic novel by Alan Moore, V For Vendetta's screenplay was written by the Wachowski Brothers (of The Matrix fame) and directed by their protégé James McTeigue. Controversy and criticism followed the film since its inception, from the hyper-stylized use of anarchistic terrorism to overthrow a corrupt government and the blatant jabs at the current US political arena, to graphic novel fans complaining about the reconstruction of Alan Moore's original vision (Moore himself has dismissed the film). Many are valid critiques and opinions, but there's no hiding the message the film is trying to express: Radical and drastic events often need to occur in order to shake people out of their state of indifference in order to bring about real change. Unfortunately, the movie only offers a means with no ends, and those looking for answers may find the film stylish, but a bit empty. --Rob Bracco
Zathura | UMD | (26/06/2006)
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Starship Troopers | UMD | (05/12/2005)
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Godzilla | UMD | (03/10/2005)
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