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• Final Destination 2 | UMD | (30/01/2006) from £20.00   |  Saving you £-2.01 (N/A%)   |  RRP £17.99

  Kimberly, a regular teenage girl, ends up escaping the clutches of death, and saves others, as well. But soon the survivors start dropping dead and Kimberly realizes you can't cheat Death.

• Final Destination | UMD | (30/01/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

• Constantine | UMD | (25/11/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

• Blade 2 | UMD | (26/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

• Amityville Horror | UMD | (24/10/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  There's no place like home...for bloodcurdling horror! James Brolin Margot Kidder and Academy Award winner Rod Steiger fall prey to the powers of darkness in this spine-tingling tale of a house possessed by unspeakable evil. One of the most talked-about haunted-house stories of all time The Amityville Horror will hit you where you live. For George and Kathy Lutz the colonial home on the river's edge seemed ideal: quaint spacious and amazingly affordable. Of course six brutal murders had taken place there just a year before but houses don't have memories....or do they? Soon the Lutz dream house becomes a hellish nightmare as walls begin to drip blood and satanic forces threaten to destroy them. Now the Lutzes must try to escape or forfeit their lives - and their souls!

• Fantastic Four | UMD | (02/12/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £24.99

  Fantastic Four is a light-hearted and funny take on Marvel Comics' first family of superheroes. It begins when down-on-his-luck genius Reed Richards (Ioan Gruffudd) has to enlist the financial and intellectual help of former schoolmate and rival Victor Von Doom (Julian McMahon) in order to pursue outer-space research involving human DNA. Also on the trip are Reed's best friend, Ben Grimm (Michael Chiklis); his former lover, Sue Storm (Jessica Alba), who's now Doom's employee and love interest; and her hotshot-pilot brother, Johnny Storm (Chris Evans). Things don't go as planned, of course, and the quartet becomes blessed--or is it cursed--with superhuman powers: flexibility, brute strength, invisibility and projecting force fields, and bursting into flame. Meanwhile, Doom himself is undergoing a transformation. Among the many entries in the comic-book-movie frenzy, Fantastic Four is refreshing because it doesn't take itself too seriously. Characterisation isn't too deep, and the action is a bit sparse until the final reel (like most "first" superhero movies, it has to go through the "how did we get these powers and what we will do with them?" churn). But it's a good-looking cast, and original comic-book co-creator Stan Lee makes his most significant Marvel-movie cameo yet, in a speaking role as the FF's steadfast postal carrier, Willie Lumpkin. Newcomers to superhero movies might find the idea of a family with flexibility, strength, invisibility, and force fields a retread of The Incredibles, but Pixar's animated film was very much a tribute to the FF and other heroes of the last 40 years. The irony is that while Fantastic Four is an enjoyable B-grade movie, it's the tribute, The Incredibles, that turned out to be a film for the ages. --David Horiuchi

• Dark Water | UMD | (21/11/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £18.99

• Underworld Special Edition | UMD | (01/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

  Underworld is a hybrid thriller that rewrites the rulebook on werewolves and vampires--imagine Blade meets The Crow and The Matrix. It's a "cuisinart" movie (blend a lot of familiar ideas and hope something interesting happens) in which immortal vampire "death dealers" wage an ancient war against "Lycans" (werewolves), who've got centuries of revenge--and some rather ambitious genetic experiments--on their lycanthropic agenda. Given his preoccupation with gloomy architecture (mostly filmed in Budapest, Hungary), frenetic mayhem and Gothic costuming, it's no surprise that first-time director Len Wiseman gained experience in TV commercials and the art departments of Godzilla, Men in Black and Independence Day. His work is all surface, no substance, filled with derivative, grand-scale action as conflicted vampire Selene (Kate Beckinsale, who later became engaged to Wiseman) struggles to rescue an ill-fated human (Scott Speedman) from Lycan transformation. It's great looking all the way, and a guaranteed treat for horror buffs, who will eagerly dissect its many strengths and weaknesses. --Jeff Shannon

• Resident Evil: Apocalypse | UMD | (01/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

  Milla Jovovich's video game action girl Alice has escaped the hive of the first flick and must now find a way through the hordes of zombies to escape Racoon City.

• Resident Evil | UMD | (05/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £21.99

  Given that Resident Evil is a Paul Anderson movie based on a computer game which was itself highly derivative (especially of George A Romero and James Cameron films), it's probably unfair to complain that it hasn't got an original idea or moment in its entire running time. In the early 1980s, Italian schlock films such as Zombie Flesh Eaters and Zombie Creeping Flesh tried to cram in as many moments restaged from American originals as possible, strung together by silly characters wandering between monster attacks. This is a much-improved, edited, photographed and directed version of the same gambit. As amnesiac Milla Jovovich remembers amazing kung fu skills and anti-globalist Eric Mabius mutters about evil corporations, a gang of clichéd soldiers without a distinguishing feature between them (except for Michelle Rodriguez as a secondary tough chick) are trapped in an underground scientific compound at the mercy of a tyrannical computer--which manifests as a smug little-girl-o-gram--fending off flesh-eating zombies (though gore fans will be disappointed by the film's need to stay within the limits of the 15 certificate) and CGI mutants, not to mention the ever-popular zombie dogs. It's tolerably action-packed, but zips past its borrowings (Aliens, Cube, Deep Blue Sea) without adding anything that future schlock pictures will want to imitate. -- Kim Newman

• Dawn Of The Dead | UMD | (01/09/2005) from £26.29   |  Saving you £-8.30 (N/A%)   |  RRP £17.99

• The Fog | UMD | (26/06/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  A quiet seaside town is engulfed by a thick fog in this chilling horror remake.

• Species | UMD | (21/11/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

• I Am Legend | UMD | (28/04/2008) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £9.99

  A mainstream Hollywood actor who seems committed to igniting science fiction features, Will Smith chalked up another sizeable hit in the shape of I Am Legend, the latest cinematic adaptation of Richard Matheson’s book of the same name. This time, Smith plays Robert Neville, the last man on an Earth emptied by a deadly virus that he continues to try and find a working vaccine for. With just his dog for company, and the fear of the vampires that haunt the night never far away, I Am Legend quickly establishes itself as a taut, highly watchable blockbuster, with plenty of reasons to gnaw at your nail. Where I Am Legend really scores is in the excellent first half. The scenes of a deserted New York are quite staggering, and it’s also to Smith’s immense credit that he holds the attention even though for the most part he’s the only person on the screen. It’s a quite wonderful opening hour that the film enjoys, and one that easily stands repeat viewings alone. The back half of I Am Legend is, almost inevitably, not quite the match of what’s gone before, as the threats of the night don’t, when you finally see them, live up to expectations. Nonetheless, for Smith’s performance, and the sheer quality of the build up, I Am Legend can stand side-by-side with the last take on the story, the Charlton Heston-starrer The Last Man On Earth. Take either home, and you’re in for a rollicking good night in front of the telly. --Jon Foster

• Cursed | UMD | (03/10/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £18.99

• Alien Vs Predator | UMD | (10/12/2007) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

• Alien vs Predator | UMD | (05/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £21.99

  In delivering non-18-rated excitement, Alien vs. Predator is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its opportunity to intelligently combine two popular franchises. Rabid fans can justifiably ask: "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical connections to the Alien legacy and the still-kicking Predator franchise (which hinted at AVP rivalry at the end of Predator 2); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic AVP smackdown that's not half bad. This disposable junk should've been better, but nobody who's seen Mortal Kombat or Resident Evil should be surprised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right ! up to his shameless opening for yet another sequel.--Jeff Shannon

• Fantastic Four | UMD | (07/12/2007) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

• The Silence of the Lambs | UMD | (11/08/2008) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

  Based on Thomas Harris's novel, Jonathan Demme's terrifying adaptation of Silence of the Lambs contains only a couple of genuinely shocking moments (one involving an autopsy, the other a prison break). The rest of the film is a splatter-free visual and psychological descent into the hell of madness, redeemed astonishingly by an unlikely connection between a monster and a haunted young woman. Anthony Hopkins is extraordinary as the cannibalistic psychiatrist Dr Hannibal Lecter, virtually entombed in a subterranean prison for the criminally insane. At the behest of the FBI, agent-in-training Clarice Starling (Jodie Foster) approaches Lecter, requesting his insights into the identity and methods of a serial killer named Buffalo Bill (Ted Levine). In exchange, Lecter demands the right to penetrate Starling's most painful memories, creating a bizarre but palpable intimacy that liberates them both under separate but equally horrific circumstances. Demme, a filmmaker with a uniquely populist vision (Melvin and Howard, Something Wild), also spent his early years making pulp for Roger Corman (Caged Heat) and he hasn't forgotten the significance of tone, atmosphere and the unsettling nature of a crudely effective close-up. Much of the film, in fact, consists of actors staring straight into the camera (usually from Clarice's point of view), making every bridge between one set of eyes to another seem terribly dangerous. --Tom Keogh, Amazon.com On the DVD: On disc one, the film itself looks clinically sharp in a faultless widescreen (1.85:1) anamorphic transfer, while the Dolby 5.1 soundtrack makes the most of the chilling sound effects and Howard Shore's masterfully understated score. Unlike the Region 1 Criterion Collection, however, there is no audio commentary at all. On the second disc, the all-new hour-long "making-of" documentary features contributions from the screenwriter, producer, composer, costume designer, make-up effects people and even the moth wrangler ("There were no moths harmed in the filming!") as well as Ted Levine (Buffalo Bill) and Anthony Hopkins, who talks at length about creating Lecter. Conspicuous by their absence are Jonathan Demme and Jodie Foster. Aside from the usual trailers and stills gallery there are 21 deleted scenes, many of which are not whole scenes but deleted excerpts, a promotional featurette made in 1991 and an outtakes reel that proves the cast really did have fun making this scary picture. For those who want to scare all their friends, there's also an answerphone message from Anthony Hopkins "in character". --Mark Walker

• Silent Hill | UMD | (07/12/2007) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99