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• Final Destination 2 | UMD | (30/01/2006) from £20.00   |  Saving you £-2.01 (N/A%)   |  RRP £17.99

  Kimberly, a regular teenage girl, ends up escaping the clutches of death, and saves others, as well. But soon the survivors start dropping dead and Kimberly realizes you can't cheat Death.

• Final Destination | UMD | (30/01/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

• Constantine | UMD | (25/11/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

• WWE - Rob Van Dam - One Of A Kind | UMD | (06/02/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

• Blade 2 | UMD | (26/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

• Amityville Horror | UMD | (24/10/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  There's no place like home...for bloodcurdling horror! James Brolin Margot Kidder and Academy Award winner Rod Steiger fall prey to the powers of darkness in this spine-tingling tale of a house possessed by unspeakable evil. One of the most talked-about haunted-house stories of all time The Amityville Horror will hit you where you live. For George and Kathy Lutz the colonial home on the river's edge seemed ideal: quaint spacious and amazingly affordable. Of course six brutal murders had taken place there just a year before but houses don't have memories....or do they? Soon the Lutz dream house becomes a hellish nightmare as walls begin to drip blood and satanic forces threaten to destroy them. Now the Lutzes must try to escape or forfeit their lives - and their souls!

• Dark Water | UMD | (21/11/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £18.99

• Underworld Special Edition | UMD | (01/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

  Underworld is a hybrid thriller that rewrites the rulebook on werewolves and vampires--imagine Blade meets The Crow and The Matrix. It's a "cuisinart" movie (blend a lot of familiar ideas and hope something interesting happens) in which immortal vampire "death dealers" wage an ancient war against "Lycans" (werewolves), who've got centuries of revenge--and some rather ambitious genetic experiments--on their lycanthropic agenda. Given his preoccupation with gloomy architecture (mostly filmed in Budapest, Hungary), frenetic mayhem and Gothic costuming, it's no surprise that first-time director Len Wiseman gained experience in TV commercials and the art departments of Godzilla, Men in Black and Independence Day. His work is all surface, no substance, filled with derivative, grand-scale action as conflicted vampire Selene (Kate Beckinsale, who later became engaged to Wiseman) struggles to rescue an ill-fated human (Scott Speedman) from Lycan transformation. It's great looking all the way, and a guaranteed treat for horror buffs, who will eagerly dissect its many strengths and weaknesses. --Jeff Shannon

• Resident Evil: Apocalypse | UMD | (01/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

  Milla Jovovich's video game action girl Alice has escaped the hive of the first flick and must now find a way through the hordes of zombies to escape Racoon City.

• Resident Evil | UMD | (05/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £21.99

  Given that Resident Evil is a Paul Anderson movie based on a computer game which was itself highly derivative (especially of George A Romero and James Cameron films), it's probably unfair to complain that it hasn't got an original idea or moment in its entire running time. In the early 1980s, Italian schlock films such as Zombie Flesh Eaters and Zombie Creeping Flesh tried to cram in as many moments restaged from American originals as possible, strung together by silly characters wandering between monster attacks. This is a much-improved, edited, photographed and directed version of the same gambit. As amnesiac Milla Jovovich remembers amazing kung fu skills and anti-globalist Eric Mabius mutters about evil corporations, a gang of clichéd soldiers without a distinguishing feature between them (except for Michelle Rodriguez as a secondary tough chick) are trapped in an underground scientific compound at the mercy of a tyrannical computer--which manifests as a smug little-girl-o-gram--fending off flesh-eating zombies (though gore fans will be disappointed by the film's need to stay within the limits of the 15 certificate) and CGI mutants, not to mention the ever-popular zombie dogs. It's tolerably action-packed, but zips past its borrowings (Aliens, Cube, Deep Blue Sea) without adding anything that future schlock pictures will want to imitate. -- Kim Newman

• Dawn Of The Dead | UMD | (01/09/2005) from £26.29   |  Saving you £-8.30 (N/A%)   |  RRP £17.99

• The Fog | UMD | (26/06/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  A quiet seaside town is engulfed by a thick fog in this chilling horror remake.

• FIFA Fever - Best Of The World Cup | UMD | (17/04/2006) from £11.45   |  Saving you £3.54 (23.60%)   |  RRP £14.99

• Cursed | UMD | (03/10/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £18.99

• WWE - From The Vault: Shawn Michaels | UMD | (06/02/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

• The Silence of the Lambs | UMD | (11/08/2008) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

  Based on Thomas Harris's novel, Jonathan Demme's terrifying adaptation of Silence of the Lambs contains only a couple of genuinely shocking moments (one involving an autopsy, the other a prison break). The rest of the film is a splatter-free visual and psychological descent into the hell of madness, redeemed astonishingly by an unlikely connection between a monster and a haunted young woman. Anthony Hopkins is extraordinary as the cannibalistic psychiatrist Dr Hannibal Lecter, virtually entombed in a subterranean prison for the criminally insane. At the behest of the FBI, agent-in-training Clarice Starling (Jodie Foster) approaches Lecter, requesting his insights into the identity and methods of a serial killer named Buffalo Bill (Ted Levine). In exchange, Lecter demands the right to penetrate Starling's most painful memories, creating a bizarre but palpable intimacy that liberates them both under separate but equally horrific circumstances. Demme, a filmmaker with a uniquely populist vision (Melvin and Howard, Something Wild), also spent his early years making pulp for Roger Corman (Caged Heat) and he hasn't forgotten the significance of tone, atmosphere and the unsettling nature of a crudely effective close-up. Much of the film, in fact, consists of actors staring straight into the camera (usually from Clarice's point of view), making every bridge between one set of eyes to another seem terribly dangerous. --Tom Keogh, Amazon.com On the DVD: On disc one, the film itself looks clinically sharp in a faultless widescreen (1.85:1) anamorphic transfer, while the Dolby 5.1 soundtrack makes the most of the chilling sound effects and Howard Shore's masterfully understated score. Unlike the Region 1 Criterion Collection, however, there is no audio commentary at all. On the second disc, the all-new hour-long "making-of" documentary features contributions from the screenwriter, producer, composer, costume designer, make-up effects people and even the moth wrangler ("There were no moths harmed in the filming!") as well as Ted Levine (Buffalo Bill) and Anthony Hopkins, who talks at length about creating Lecter. Conspicuous by their absence are Jonathan Demme and Jodie Foster. Aside from the usual trailers and stills gallery there are 21 deleted scenes, many of which are not whole scenes but deleted excerpts, a promotional featurette made in 1991 and an outtakes reel that proves the cast really did have fun making this scary picture. For those who want to scare all their friends, there's also an answerphone message from Anthony Hopkins "in character". --Mark Walker

• Silent Hill | UMD | (07/12/2007) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

• Blade | UMD | (01/09/2005) from £21.99   |  Saving you £-4.00 (N/A%)   |  RRP £17.99

  The recipe for Blade is quite simple; you take one part Batman, one part horror flick, and two parts kung fu and frost it all over with some truly campy acting. What do you get? An action flick that will reaffirm your belief that the superhero action genre did not die in the fluorescent hands of Joel Schumacher. Blade is the story of a ruthless and supreme vampire slayer (Wesley Snipes) who makes other contemporary slayers (Buffy et al.) look like amateurs. Armed with a samurai sword made of silver and guns that shoot silver bullets, he lives to hunt and kill "Sucker Heads". Pitted against our hero is a cast of villains led by Deacon Frost (Stephen Dorff), a crafty and charismatic vampire who believes that his people should be ruling the world, and that the human race is merely the food source they prey on. Born half-human and half-vampire after his mother had been attacked by a blood-sucker, Blade is brought to life by a very buff-looking Snipes in his best action performance to date. Apparent throughout the film is the fluid grace and admirable skill that Snipes brings to the many breathtaking action sequences that lift this movie into a league of its own. The influence of Hong Kong action cinema is clear, and you may even notice vague impressions of Japanese anime sprinkled innovatively throughout. Dorff holds his own against Snipes as the menacing nemesis Frost, and the grizzly Kris Kristofferson brings a tough, cynical edge to his role as Whistler, Blade's mentor and friend. Ample credit should also go to director Stephen Norrington and screenwriter David S. Goyer, who prove it is possible to adapt comic book characters to the big screen without making them look absurd. Indeed, quite the reverse happens here: Blade comes vividly to life from the moment you first see him, in an outstanding opening sequence that sets the tone for the action-packed film that follows. From that moment onward you are pulled into the world of Blade and his perpetual battle against the vampire race. --Jeremy Storey

• The Descent | UMD | (31/10/2005) from £36.60   |  Saving you £-11.61 (N/A%)   |  RRP £24.99

• Halloween | UMD | (17/10/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

  Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more instalments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton