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  • Ben 10 - Race Against Time [UMD Mini for PSP] [2007] Ben 10 - Race Against Time | UMD | (02/08/2010) from £11.61  |  Saving you £-5.62 (-93.80%)  |  RRP £5.99

  • Dukes Of Hazzard [UMD Universal Media Disc] [2005] Dukes Of Hazzard | UMD | (09/01/2006) from £11.59  |  Saving you £9.40 (44.80%)  |  RRP £20.99

  • Rush Hour [UMD Universal Media Disc] Rush Hour | UMD | (01/09/2005) from £17.59  |  Saving you £0.40 (2.20%)  |  RRP £17.99

    The plot line may sound familiar: Two mismatched cops are assigned as reluctant partners to solve a crime. Culturally they are complete opposites, and they quickly realize they can't stand each other. One (Jackie Chan) believes in doing things by the book. He is a man with integrity and nerves of steel. The other (Chris Tucker) is an amiable rebel who can't stand authority figures. He's a man who has to do everything on his own, much to the displeasure of his superior officer, who in turn thinks this cop is a loose cannon but tolerates him because he gets the job done. Directed by Brett Ratner, Rush Hour doesn't break any new ground in terms of story, stunts, or direction. It rehashes just about every "buddy" movie ever made--in fact, it makes films such as Tango and Cash seem utterly original and clever by comparison. So, why did this uninspired movie make over $120 million at the box office? Was the whole world suffering from temporary insanity? Hardly. The explanation for the success of Rush Hour is quite simple: chemistry. The casting of veteran action maestro Jackie Chan with the charming and often hilarious Chris Tucker was a serendipitous stroke of genius. Fans of Jackie Chan may be slightly disappointed by the lack of action set pieces that emphasize his kung-fu craft. On the other hand, those who know the history of this seasoned Hong Kong actor will be able to appreciate that Rush Hour was the mainstream breakthrough that Chan had deserved for years. Coupled with the charismatic scene-stealer Tucker, Chan gets to flex his comic muscles to great effect. From their first scenes together to the trademark Chan outtakes during the end credits, their ability to play off of one another is a joy to behold, and this mischievous interaction is what saves the film from slipping into the depths of pitiful mediocrity. --Jeremy Storey

  • The Day After Tomorrow [UMD Universal Media Disc] The Day After Tomorrow | UMD | (07/11/2005) from £14.30  |  Saving you £2.62 (11.90%)  |  RRP £21.99

  • The Evil Dead [UMD Universal Media Disc] The Evil Dead | UMD | (17/10/2005) from £14.61  |  Saving you £-8.62 (-143.90%)  |  RRP £5.99

  • Black Hawk Down [UMD Universal Media Disc] Black Hawk Down | UMD | (03/10/2005) from £4.49  |  Saving you £3.01 (16.70%)  |  RRP £17.99

  • Rush Hour 2 [UMD Universal Media Disc] Rush Hour 2 | UMD | (26/09/2005) from £17.59  |  Saving you £0.40 (2.20%)  |  RRP £17.99

  • Elf [UMD Universal Media Disc] Elf | UMD | (07/11/2005) from £17.59  |  Saving you £0.40 (2.20%)  |  RRP £17.99

  • The Football Factory [UMD Universal Media Disc] The Football Factory | UMD | (24/10/2005) from £19.37  |  Saving you £0.62 (3.10%)  |  RRP £19.99

  • Blade [UMD Universal Media Disc] Blade | UMD | (01/09/2005) from £17.59  |  Saving you £0.40 (2.20%)  |  RRP £17.99

    The recipe for Blade is quite simple; you take one part Batman, one part horror flick, and two parts kung fu and frost it all over with some truly campy acting. What do you get? An action flick that will reaffirm your belief that the superhero action genre did not die in the fluorescent hands of Joel Schumacher. Blade is the story of a ruthless and supreme vampire slayer (Wesley Snipes) who makes other contemporary slayers (Buffy et al.) look like amateurs. Armed with a samurai sword made of silver and guns that shoot silver bullets, he lives to hunt and kill "Sucker Heads". Pitted against our hero is a cast of villains led by Deacon Frost (Stephen Dorff), a crafty and charismatic vampire who believes that his people should be ruling the world, and that the human race is merely the food source they prey on. Born half-human and half-vampire after his mother had been attacked by a blood-sucker, Blade is brought to life by a very buff-looking Snipes in his best action performance to date. Apparent throughout the film is the fluid grace and admirable skill that Snipes brings to the many breathtaking action sequences that lift this movie into a league of its own. The influence of Hong Kong action cinema is clear, and you may even notice vague impressions of Japanese anime sprinkled innovatively throughout. Dorff holds his own against Snipes as the menacing nemesis Frost, and the grizzly Kris Kristofferson brings a tough, cynical edge to his role as Whistler, Blade's mentor and friend. Ample credit should also go to director Stephen Norrington and screenwriter David S. Goyer, who prove it is possible to adapt comic book characters to the big screen without making them look absurd. Indeed, quite the reverse happens here: Blade comes vividly to life from the moment you first see him, in an outstanding opening sequence that sets the tone for the action-packed film that follows. From that moment onward you are pulled into the world of Blade and his perpetual battle against the vampire race. --Jeremy Storey

  • 13 Going On 30 [UMD Universal Media Disc] 13 Going On 30 | UMD | (01/09/2005) from £16.61  |  Saving you £1.38 (7.70%)  |  RRP £17.99

  • Transformers: The Movie [UMD Universal Media Disc] Transformers: The Movie | UMD | (12/09/2005) from £16.61  |  Saving you £-1.62 (-10.80%)  |  RRP £14.99

    During the 1980s, one cartoon series ruled the airwaves...Transformers. This paragon of consumerism was created with a dual purpose: to entertain and to galvanise children to buy the toys. Somewhere along the line, the show became a cult favourite, so in 1986 they fashioned an epic tale of good versus evil specifically for the big screen. The result looked vaguely like an animated remake of Star Wars. Who are the Transformers? The good guys are the Autobots: Optimus Prime, SoundWave, Jazz, Ultra Magnus, and many more. Their mortal enemies are the evil Decepticons, led by Megatron and StarScream. The Autobots must save their home planet from an evil entity known as Unicron (voiced by Orson Welles). At the same time, they must defend themselves from an all-out attack from the Decepticons. Along the way, lives are lost, battles are fought, and a new Autobot leader is born as another dies. The story and action never stop in a thrilling ride that often makes you forget that you're watching an 80s cartoon with inferior graphics. The violence will also come as a mild shock to those who haven't seen this film for a while--definitely a movie for the 8 and over audience. --Jeremy Storey

  • Bad Boys [UMD Universal Media Disc] Bad Boys | UMD | (01/09/2005) from £16.61  |  Saving you £1.38 (7.70%)  |  RRP £17.99

    A cheerfully over-the-top action film, Bad Boys is notable chiefly for the rapport between its two stars, Will Smith and Martin Lawrence, as two Miami cops on the trail of a drug kingpin as they try to protect a witness (Tea Leoni). Smith is the swinging bachelor and Lawrence the family man, and both must juggle their personal lives as they baby-sit the one chance they have to recover a stolen drug shipment, save their jobs, and take down the drug dealer. While the film is almost always implausible and its story is something seen many times before, director Michael Bay (The Rock) keeps things moving stylishly and at a feverish pace, as Smith and Lawrence prove themselves a terrific comic pairing. Their odd couple banter flies at a faster clip than the bullets and explosions, and becomes the best reason to see this hyperbolic but entertaining action flick. --Robert Lane

  • Valiant [UMD Universal Media Disc] Valiant | UMD | (07/11/2005) from £19.37  |  Saving you £0.62 (3.10%)  |  RRP £19.99

  • Team America - World Police [UMD Universal Media Disc] [2004] Team America - World Police | UMD | (28/11/2005) from £19.37  |  Saving you £0.62 (3.10%)  |  RRP £19.99

  • Welcome To The Jungle [UMD Universal Media Disc] Welcome To The Jungle | UMD | (05/12/2005) from £17.59  |  Saving you £0.40 (2.20%)  |  RRP £17.99

  • Final Fantasy VII - Advent Children [UMD Universal Media Disc] Final Fantasy VII - Advent Children | UMD | (24/04/2006) from £11.59  |  Saving you £1.40 (10.80%)  |  RRP £12.99

  • Fantastic Four [UMD Mini for PSP] Fantastic Four | UMD | (07/12/2007) from £3.49  |  Saving you £-5.60 (-93.50%)  |  RRP £5.99

  • Predator [UMD Universal Media Disc] Predator | UMD | (07/11/2005) from £11.09  |  Saving you £10.90 (49.60%)  |  RRP £21.99

  • Matrix Revolutions [UMD Mini for PSP] Matrix Revolutions | UMD | (07/01/2008) from £11.59  |  Saving you £-5.60 (-93.50%)  |  RRP £5.99

    The opening reels of Matrix Revolutions do nothing to dispel the feeling of exhausted disappointment that set in during the second half of The Matrix Reloaded. There's plenty more talky guff combined with the picking-up of hard-to-remember plot threads as Neo (Keanu Reeves) lies in a coma in the "real" world and is stranded on a tube station in a limbo "beyond the Matrix" while his allies do a reprise of the shooting-their-way-past-the-bodyguards bit from the last film (this time, the baddies can walk on the ceiling). A new Oracle (Mary Alice) makes some pronouncements about the end being near and more things happen--including the evil Agent Smith (Hugo Weaving) manifesting in reality by possessing a minor character and perfidiously blinding our hero, who wears a becoming ribbon over his wounded eyes and perceives the world in an impressive "flaming truth vision". What about the action? The equivalent of the last film's freeway chase scene is a huge face-off as the Sentinels (robot squids) finally breach the caverns of Zion, "the last human city", and swarm against a battalion of pilot-manipulated giant robots: here, the effects are seamless and the images astonishing, though the fact that none of the major characters are involved and the whole thing goes on so long as if designed to top any previous robot-on-robot screen carnage means that it becomes monotonously amazing, like watching someone else play a great computer game. After a too-easily-managed major realignment of the enmities, the film--and the series--finally delivers a sign-off sequence that's everything you could want as Neo and Smith get into a kung fu one-on-one in a rain-drenched virtual city, flying as high as Superman and Brainiac in smart suits. It comes too late to save the day and the wrap-up is both banal and incoherent, but at least this single combat is a reward for hardy veterans who've sat through seven hours of build-up. --Kim NewmanOn the DVD: when the first Matrix DVD was released, with never-before-seen features such as the "Follow the White Rabbit" option, it set a benchmark against which subsequent discs were judged. But neither sequel has lived up to the original's high standards. The Matrix Revolutions two-disc set is an unexceptional package, with a routine "making of" featurette being the main bonus item. Amid all the usual backslapping guff about how great everyone is and what a great time they've all had, it's possible to glean some nuggets of useful information about the baffling plot--though cast and crew can't repress a note of weariness creeping in when discussing the horribly protracted shooting schedule. The feature on the CG Revolution is the most informative for people who like to know how everything was done, and, in the same vein, there's also a multi-angle breakdown of the Super Burly Brawl. A 3-D timeline gives a handy summary of the story so far, and there's a plug for The Matrix Online game. The anamorphic 2.40:1 picture is, of course, a real treat to look at, even if the movie is mostly shades of dark grey and dark green; soundwise the dynamic range of the Dolby Digital surround is extreme: all conversations are conducted in throaty whispers, while the action sequences will push your speakers to the limit. No DTS option, though. And as with Reloaded, there's no audio commentary either: the Wachowski's policy of not talking about their creation begins to seem like a ploy to avoid answering awkward questions. --Mark Walker

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