An iconic film of the German expressionist cinema and one of the most famous of all silent movies F. W. Murnau's Nosferatu: A Symphony of Horror continues to haunt - and indeed terrify - modern audiences with the unshakable power of its images. By teasing a host of occult atmospherics out of dilapidated set-pieces and innocuous real-world locations alike Murnau captured on celluloid the deeply-rooted elements of a waking nightmare and launched the signature Murnau-style that would change cinema history forever. In this first-ever screen adaptation of Bram Stoker's Dracula a simple real-estate transaction leads an intrepid businessman deep into the superstitious heart of Transylvania. There he encounters the otherworldly Count Orlok - portrayed by the legendary Max Schreck in a performance the very backstory of which has spawned its own mythology - who soon after embarks upon a cross-continental voyage to take up residence in a distant new land... and establish his ambiguous dominion. As to whether the count's campaign against the plague-wracked populace erupts from satanic decree erotic compulsion or the simple impulse of survival - that remains perhaps the greatest mystery of all in this film that's like a blackout... Remade by Werner Herzog in 1979 (and inspiring films as diverse as Abel Ferrara's King of New York and The Addiction and E. Elias Merhige's Shadow of the Vampire) F. W. Murnau's surreal 1922 cine-fable remains the original and landmark entry in the entire global tradition of the horror film. The Masters of Cinema Series is proud to present newly restored on 1080p Blu-ray at long last Nosferatu: A Symphony of Horror in its definitive restoration complete with original intertitles and accompanied by the score that played with the film at the time of its initial release. Special Features: Brand new high-definition restoration by Friedrich-Wilhelm-Murnau-Stiftung Two audio commentaries: one newly recorded by film historian David Kalat; the second by historian R. Dixon Smith and critic Brad Stevens The Language of Shadows a 53-minute documentary on Murnau's early years and the filming of Nosferatu New video interview with BFI Film Classics Nosferatu author Kevin Jackson Newly translated English subtitles with original German intertitles More surprises to be revealed closer to release date! PLUS: a 56-page booklet featuring writings and rare imagery
The girl's first live concert at the Royal Albert Hall is in just five day's time. With trusty bus driver Dennis (Meatloaf) at the wheel they hurtle from guest appearances to parties photoshoots and even dance camp! But when evil tabloid editor Kevin McMaxford steps up his campaign against them their best friend goes into labour and their manager collapses in hysterics the girls must draw on all their Girl Power to make it to the show on time...
Alien is the first movie of one of the most popular sagas in science fiction history, and introduces Sigourney Weaver as Ripley, the iron-willed woman destined to battle the galaxy's ultimate creature. The terror begin when the crew of the spaceship Nostromo investigates a transmission from a desolate planet and makes a horrifying discovery - a life form that breeds within a human host. Now the crew must fight now only for its survival, but for the survival of all mankind. The UHD has the following: Directors cut 2003: 2003 Audio Commentary by Ridley Scott and the Cast and Crew Theatrical Version 1979 1999 Audio Commentary by Ridley Scott [1979 Theatrical Version Only] Final Theatrical Isolated Score 5.1 Dolby Digital [1979 Theatrical Version Only] Composer's Original Isolated Score 5.1 Dolby Digital [1979 Theatrical Version Only] Deleted Scenes
Like the Greenwich Village courtyard view from its titular portal, Alfred Hitchcock's classic Rear Window is both confined and multileveled: both its story and visual perspective are dictated by its protagonist's imprisonment in his apartment, convalescing in a wheelchair, from which both he and the audience observe the lives of his neighbors. Cheerful voyeurism, as well as the behavior glimpsed among the various tenants, affords a droll comic atmosphere that gradually darkens when he sees clues to what may be a murder. Photographer L.B. "Jeff" Jeffries (James Stewart) is, in fact, a voyeur by trade, a professional photographer sidelined by an accident while on assignment. His immersion in the human drama (and comedy) visible from his window is a by-product of boredom, underlined by the disapproval of his girlfriend, Lisa (Grace Kelly), and a wisecracking visiting nurse (Thelma Ritter). Yet when the invalid wife of Lars Thorwald (Raymond Burr) disappears, Jeff enlists the two women to help him to determine whether she's really left town, as Thorwald insists, or been murdered. Hitchcock scholar Donald Spoto convincingly argues that the crime at the center of this mystery is the MacGuffin--a mere pretext--in a film that's more interested in the implications of Jeff's sentinel perspective. We actually learn more about the lives of the other neighbors (given generic names by Jeff, even as he's drawn into their lives) he, and we, watch undetected than we do the putative murderer and his victim. Jeff's evident fear of intimacy and commitment with the elegant, adoring Lisa provides the other vital thread to the script, one woven not only into the couple's own relationship, but reflected and even commented upon through the various neighbours' lives. At minimum, Hitchcock's skill at making us accomplices to Jeff's spying, coupled with an ingenious escalation of suspense as the teasingly vague evidence coalesces into ominous proof, deliver a superb thriller spiked with droll humour, right up to its nail-biting, nightmarish climax. At deeper levels, however, Rear Window plumbs issues of moral responsibility and emotional honesty, while offering further proof (were any needed) of the director's brilliance as a visual storyteller. --Sam Sutherland
In this poignant and humorous love story nominated for four Academy Awards, Cary Grant and Deborah Kerr meet on an ocean liner and fall deeply in love. Though each is engaged to someone else, they agree to meet six months later at the Empire State Building if they still feel the same way about each other. But a tragic accident prevents their rendezvous and the lovers' future takes an emotional and uncertain turn.
Blarney and bliss, mixed in equal proportions. John Wayne plays an American boxer who returns to the Emerald Isle, his native land. What he finds there is a fiery prospective spouse (Maureen O'Hara) and a country greener than any Ireland seen before or since--it's no surprise The Quiet Man won an Oscar for cinematography. It also won an Oscar for John Ford's direction, his fourth such award. The film was a deeply personal project for Ford (whose birth name was Sean Aloysius O'Fearna), and he lavished all of his affection for the Irish landscape and Irish people on this film. He also stages perhaps the greatest donnybrook in the history of movies, an epic fistfight between Wayne and the truculent Victor McLaglen--that's Ford's brother, Francis, as the elderly man on his deathbed who miraculously revives when he hears word of the dustup. Barry Fitzgerald, the original Irish elf, gets the movie's biggest laugh when he walks into the newlyweds' bedroom the morning after their wedding and spots a broken bed. The look on his face says everything. The Quiet Man isn't the real Ireland but as a delicious never-never land of Ford's imagination, it will do very nicely. --Robert Horton
One of several features pairing British screen sweetheart Anna Neagle with the ever-popular Michael Wilding, this jaunty 'upstairs-downstairs' romantic comedy could hardly have failed to triumph at the box-office, and Spring in Park Lane would indeed prove the most successful British film of 1948 - its fairytale scenes and witty reversal of social roles offering cinemagoers a welcome antidote to post-war austerity. The film, which also marked another major success for Neagle's husband, direct.
In 1996, Dr Lam with a team of medical and tai chi experts created this safe and easy to learn program. Medical studies confirm Tai Chi for Arthritis relieves pain, reduces falls and improves quality of life, that is why the Arthritis organisations around the world support the program. What is special about this edition is that you will feel as though you are participating in Dr Lam's class. After a brief introduction of what Tai Chi for Arthritis is and how this DVD can benefit you, Dr Lam...
With her husband Tim off at war Anne Hilton (Colbert) struggles to be a pillar of strength for her daughters Jane (Jones) and Bridget (Temple). During America's darkest hours she bravely steers her girls through heartbreak and hardships as she eagerly awaits news from overseas and wonders if life will ever be the same.
DVD1 25 Chapter Documentary (running 52.00 approx) Live at Metal Camp Open Air 2008 1. Dark saga 2. Vengeance is mine 3. Burning times 4. Declaration day 5. Violate 6. Pure Evil 7. Watching Over Me 8. Ten Thousand Strong 9. Dracula 10. The Coming Curse 11. I Died For You 12. Travel in Stygian 13. A Question Of Heaven 14. Melancholy (Holy Martyr) 15. My Own Savior 16. Iced Earth DVD2 - Live at Rock Hard Festival 2008 1. Dark Saga 2. Vengeance Is Mine 3. Burning Times 4. Declaration Day 5. Violate 6. Pure Evil 7. Watching Over Me 8. Ten Thousand Strong 9. Dracula 10. The Coming Curse 11. Travel In Stygian 12. A Question Of Heaven 13. Melancholy (Holy Martyr) 14. My Own Savior 15. Iced Earth Wacken 16. Burning Times 17. Declaration Day 18. Violate 19. Vengeance Is Mine 20. Ten Thousand Strong 21. The Hunter 22. Stormrider 23. A Charge To Keep 24. My Own Savior 25. Prophecy 26. Birth Of The Wicked 27. The Coming Curse 28. Iced Earth Bonus Video Clips & Pictures 29. Ten Thousand Strong 30. When The Eagel Cries 31. The Reconing 32. Declaration Day 33. Ten Thousand Strong - Commercial 34. Photo Sildeshow Ross Halfin 35. Photo Slideshow Rudy De Doncker
Exiled from their home nations, four strangers from separate corners of the earth agree to undertake a dangerous mission to transport unstable dynamite through the dense jungle of South America in order to earn their passage home. When the slightest bump in the road could equal instant death, the real question is not whether these men will survive this nerve-shredding ordeal but who will they have become if they return at all? After the success of The French Connection and The Exorcist, William Friedkin began work on his biggest project to date. Seizing the moment, he embarked on an ambitious and lengthy shoot in the dense jungles of the Dominican Republic and like Werner Herzog with Fitzcoraldo and Francis Ford Coppola on Apocalypse Now, Friedkin battled the elements, came face-to-face with nature and emerged victorious. Now, 40 years since its release, Sorcerer is regarded by critics and ï¬lmmakers alike as a true lost cinematic masterpiece a feat of ï¬lmmaking that encapsulates the revolutionary artistry of 1970s American cinema that is a triumph to behold Special Features: Sorcerers A Conversation with William Friedkin and Nicolas Winding Refn (74 mins) The Mystery of Fate A letter from director William Friedkin Newly commissioned artwork to celebrate the 40th Anniversary Reversible sleeve containing the newly commissioned and original theatrical artwork
Full Circle: The TARDIS falls through a CVE into E-Space and arrives on the planet Alzarius. There the inhabitants of a crashed Starliner and a group of young rebels called the Outlers led by a boy named Varsh and including his brother Adric are being terrorised by a race of Marshmen who emerge from the marshes at a time known as Mistfall. State Of Decay The Doctor Romana K9 and Adric - an Outler from Alzarius who has stowed away aboard the TARDIS - arrive on a planet where the native villagers live in fear of 'the Wasting' and of three Lords named Zargo Camilla and Aukon who rule from an imposing Tower. The Lords are soon revealed to be vampire servants of the last of the Great Vampires a race referred to in Time Lord mythology. Warrior's Gate: The TARDIS is hijacked in the vortex by a time sensitive Tharil named Biroc and brought to a strange white void. Biroc wants to free the others of his race who are being transported in a slave ship captained by Rorvik which is also trapped in the void. The only other thing present in the void is an ancient gateway leading to a decrepit banqueting hall.
His crime: nonconformity. His sentence: the chain gang. Now you can own the Director's Cut of the 1967 classic Cool Hand Luke in which Paul Newman plays one of his best-loved roles as the loner who won't or can't conform to the arbitrary rules of his captivity. A cast of fine character actors including George Kennedy in his Academy Award-winning role of Dragline gives Newman solid support as fellow prisoners. And Strother Martin is the Captain who taunts Luke with the famous line '""What we've got here is...failure to communicate."" No failure here. With rich humour and vibrant storytelling power 'Cool Hand Luke' succeeds resoundingly.
Directed by Anthony Asquith (The Yellow Rose Royce We Dive At Dawn) and adapted from the seminal play by Terence Rattigan (The Browning Version The Deep Blue Sea Separate Tables) The Winslow Boy is a classic tale of standing up to bureaucracy and one family''s testing fight for justice. Based on real life events The Winslow Boy follows the tribulations of an Edwardian naval cadet who is accused of robbery then expelled from his academy. On returning home his father becomes determined to clear his name and prove his innocence after what he considers an unfair internal enquiry. During his pursuit for justice the case eventually reaches The House Of Commons to cause public outcry and a political furore. A thoroughly British searing drama about the conquest for truth and the sacrifices that come with it The Winslow Boy still retains its ability to move audiences with its poignant and powerful story telling.
This new edition of Sunrise (for the first time anywhere in the world on Blu-ray) contains two versions of the film: the previously released Movietone version and an alternate silent version of the film, recently discovered in the Czech Republic, of a higher visualquality than any other known source.The culmination of one of the greatest careers in film history, F. W. Murnau’s Sunrise blends a story of fable-like simplicity with unparalleled visual imagination and technical ingenuity. Invited to Hollywood by William Fox and given total artistic freedom on any project he wished, Murnau’s tale of the idyllic marriage of a peasant couple (George O’Brien and Janet Gaynor) threatened by a vamp-like seductress from the city (Margaret Livingston) created a milestone of film expressionism.Made in the twilight of the silent era, Sunrise became both a swan song for a vanishing medium and one of the few films to instantly achieve legendary status. Winner of three Oscars for Best Actress (Gaynor), Cinematography, and a never-repeated award for “Unique and Artistic Picture”, its influence and stature has only grown with each passing year. SPECIAL DUAL FORMAT EDITION: Film-restored HD transfers of two different versions: Movietone and Czech Original English intertitles on the Movietone and optional English subtitles on the Czech Original Movietone score (mono) + alternate Olympic Chamber Orchestra score (stereo) Full-length audio commentary by cinematographer John Bailey on the Movietone version Rare outtakes with John Bailey commentary Murnau’s 4 Devils: Traces of a Lost Film – Janet Bergstrom’s updated documentary Original theatrical trailer 20-page booklet with details of the film restorations and comparison of versions
THE THIRD MAN has been beautifully restored in 4K for the first time showcasing the genius of this celebrated British noir voted the ‘The greatest British film of all time’ by a British Film Institute poll. Holly Martins (Joseph Cotton Citizen Kane ) a naïve writer of pulp westerns arrives in Vienna to meet his old friend Harry Lime (the incomparable Orson Welles) nut finds that Lime has apparently been killed in a suspicious accident. Martins too curious for his own good hears contradictory stories about the circumstances of Limes death and as witnesses disappear he finds himself chased by unknown assailants. Complicating matters are the sardonic Major Calloway (Trevor Howard Brief Encounter) head of the British forces and Lime’s stage actress mistress Anna Schmidt (Alida Valli). Will Martin’s curiosity lead him to discover things about his old friend that he’d rather not know? Brilliantly scripted by Graham Greene and set to Anton Karas’ evocative zither score this justly celebrated classic is further enhanced by Robert Karasker’s Academy Award winning cinematography and Orson Welles in one of his most iconic screen roles. Extras: Feature Audio Commentary Famous Fan Featurette Restoring the Third Man Interview & Zither Performance by Cornelia Mayer Guardian Interview Cotton (audio) Guardian Interview Greene (audio) Joseph Cotton’s Alternative Opening (Audio) Shadowing The Third Man Dangerous Edge Third Man on Radio (Audio) Trailer
Soar into the skies on a thrilling airborne adventure in this meticulously restored John Wayne film classic. In one of his most memorable roles Wayne plays Dan Roman a veteran pilot haunted by a tragic past. Now relegated to second-in-command cockpit assignments he finds himself scheduled on a routine Honolulu-to-San Francisco flight - one that takes a terrifying suspense-building turn when disaster strikes high above the Pacific Ocean at the point of no return. A ""Who's Who"" of Hollywood greats - Claire Trevor Laraine Day Robert Stack Jan Sterling Phil Harris and Robert Newton among others - are aboard for this celebrated drama bursting with conflict and excitement. Nominated for six Academy Awards including Best Director (William A. Wellman) and two Best Supporting Actress nods (Trevor and Sterling) the film nabbed the Oscar for Dimitri Tiomkin's unforgettable musical score.
An epic and extraordinary true story--or, at least, an extraordinary story based on a novel (Alan Burgess's The Small Woman) based on a true story. Gladys Aylward (an improbably mesmerizing Ingrid Bergman) is a British would-be missionary with an obsession about China. As she has no experience, the Missionary Society won't let her go, but she goes anyway, alone, to a remote northern province. She is hated, then loved; finally she becomes both a significant political figure and the heroine of a miraculous escape in which she shepherds 100 children to safety across the mountains just ahead of a Japanese invasion. Curt Jurgens is suitably stony as Lin Nan, the half-Dutch, half-Chinese military officer who falls in love with her, and a visibly ailing Robert Donat (who died before this, his final film, was released) is the wily local mandarin who sees and makes use of her extraordinary abilities. Directed by Mark Robson, The Inn of the Sixth Happiness is a sweeping, stirring tearjerker, a big tale told in a big landscape with acres of orchestrated strings by Malcolm Arnold. A beautiful and beautifully made film that's a classic of the "everyone said I couldn't but I did it anyway" genre. --Richard Farr
John Ford's beautiful, heartfelt drama about a close-knit family of Welsh coal miners is one of the greatest films of Hollywood's golden age--a gentle masterpiece that beat Citizen Kane in the Best Picture race for the 1941 Academy Awards. The picture also won Oscars for Best Director (Ford), Best Supporting Actor (Donald Crisp), Best Art Direction, and Best Cinematography; all of those awards were richly deserved, even if they came at the expense of Kane and Orson Welles. Based on the novel by Richard Llewellyn, the film focuses its eventful story on 10-year-old Huw (Roddy McDowall), youngest of seven children to Mr. and Mrs. Morgan (Donald Crisp, Sarah Allgood), a hardy couple who've seen the best and worst of times in their South Wales mining town. They're facing one of the worst times as Mr. Morgan refuses to join a miners union whose members have begun a long-term strike. Family tensions grow and Huw must learn many of life's harsher lessons under the tutelage of the local preacher (Walter Pidgeon), who has fallen in love with Huw's sister (Maureen O'Hara). As various crises are confronted and devastating losses endured, How Green Was My Valley unfolds as a rich, moving portrait of family strength and integrity. It's also a nod to a simpler, more innocent time--and to the preciousness of memory and the inevitable passage from youth to adulthood. An all-time classic, not to be missed. --Jeff Shannon
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