This is classic British comedy at it's best! This DVD box set contains all 30 hilarious Carry On movies plus a host of DVD extras! Starring: Kenneth Williams Charles Hawtrey Jim Dale Joan Sims Barbara Windsor Hattie Jacques Windsor Davies Valerie Leon Peter Butterworth Bernard Bresslaw Terry Scott Bill Maynard Phil Silvers Patsy Rowlands and Frankie Howerd. Episodes Comprise: Carry On Sergeant Carry On Nurse Carry On Teacher Carry On Constable Carry On Regardless Carry On Cruising Carry On Cabby Carry On Jack Carry On Spying Carry On Cleo Carry On Cowboy Carry On Screaming! Carry On Don't Lose Your Head Carry On Follow That Camel Carry On Doctor Carry On Up the Khyber Carry On Camping Carry On Again Doctor Carry On Up the Jungle Carry On Loving Carry On Henry Carry On at Your Convenience Carry On Matron Carry On Abroad Carry On Girls Carry On Dick Carry On Behind Carry On England That's Carry On!' and 'Carry On Emmanuelle Special Features: 30 feature-length audio commentaries Trailers All 13 Episodes of the ATV situation comedy series: 'Carry On Laughing' Archive interviews with Sid James Terry Scott and Phil Silvers On location featurette hosted by June Whitfield The official 40th anniversary documentary: 'What's A Carry On?' Textless footage from 'Carry On Jack' and 'Carry On Spying' An alternative Director's cut presentation of 'Carry On England' Extensive production notes for all 30 films Stills Gallery
Alien is the first movie of one of the most popular sagas in science fiction history, and introduces Sigourney Weaver as Ripley, the iron-willed woman destined to battle the galaxy's ultimate creature. The terror begin when the crew of the spaceship Nostromo investigates a transmission from a desolate planet and makes a horrifying discovery - a life form that breeds within a human host. Now the crew must fight now only for its survival, but for the survival of all mankind. The UHD has the following: Directors cut 2003: 2003 Audio Commentary by Ridley Scott and the Cast and Crew Theatrical Version 1979 1999 Audio Commentary by Ridley Scott [1979 Theatrical Version Only] Final Theatrical Isolated Score 5.1 Dolby Digital [1979 Theatrical Version Only] Composer's Original Isolated Score 5.1 Dolby Digital [1979 Theatrical Version Only] Deleted Scenes
One of Alfred Hitchcock's classics, this romantic thriller features a cast to die for: Ingrid Bergman, Cary Grant and Claude Rains. Bergman plays the daughter of a disgraced father who is recruited by American agents to infiltrate a post-World War II spy ring in Brazil. Her control agent is Grant, who treats her with disdain while developing a deep romantic bond with her. Her assignment: to marry the suspected head of the ring (Rains) and get the goods on everyone involved. Danger, deceit, betrayal--and, yes, romance--all come together in a nearly perfect blend as the film builds to a terrific (and surprising) climax. Grant and Bergman rarely have been better. --Marshall Fine
Back in 1927, The Jazz Singer entered the history books as the first true, sound-on-film talking picture, with Al Jolson uttering the immortal words, "You ain't heard nothing yet!" But even then it was a creakingly sentimental old yarn. By the time this second remake showed up in 1980 (there was a previous one in 1953) it looked as ludicrously dated as a chaperone in a strip club. Our young hero, played by pop singer Neil Diamond in a doomed bid for movie stardom, is the latest in a long line of Jewish cantors, but secretly moonlights with a Harlem soul group. When his strictly Orthodox father (Laurence Olivier, complete with painfully hammy "oya-veh" accent) finds out, the expected ructions follow. Though the lad makes it big in showbiz, it all means nothing while he's cut off from family and roots. But in the end--well, you can guess, can't you? Diamond comes across as likeable enough in a bland way, but unencumbered by acting talent, and the music business has never looked so squeaky clean--nary a trace of drugs, and precious little sex or rock 'n' roll. As for anything sounding remotely like jazz, forget it. This is one story that should have been left to slumber in the archives. --Philip Kemp
One of Alfred Hitchcock's finest pre-Hollywood films, the 1936 Secret Agent stars a young John Gielgud as a British spy whose death is faked by his intelligence superiors. Reinvented with a new identity and outfitted with a wife (Madeleine Carroll), Gielgud's character is sent on assignment with a cold-blooded accomplice (Peter Lorre) to assassinate a German agent. En route, the counterfeit couple keeps company with an affable American (Robert Young), who turns out to be more than he seems after the wrong man is murdered by Gielgud and Lorre. Dense with interwoven ideas about false names and real identities, about appearances as lies and the brutality of the hidden, and about the complicity of those who watch the anarchy that others do, Secret Agent declared that Alfred Hitchcock was well along the road to mastery as a filmmaker and, more importantly, knew what it was he wanted to say for the rest of his career. --Tom Keogh
Boxset Contains: 1. Pool Of London 2. The Small World Of Sammy Lee 3. The Yellow Balloon 4. The London Nobody Knows / Les Bicyclettes De Bellsize
Salome, composed by Richard Strauss. Performed by The Orchestra of the Royal Opera House and conducted by Philippe Jordan.
With her Oscar-winning turn in Klute, Jane Fonda (9 to 5) arrived full-fledged as a new kind of movie star. Bringing nervy audacity and counterculture style to the role of Bree Daniels a call girl and aspiring actor who becomes the focal point of a missing person investigation when detective John Klute (Donald Sutherland) turns up at her door Fonda made the film her own, putting an independent woman and escort on-screen with a frankness that had not yet been attempted in Hollywood. Suffused with paranoia by the conspiracy-thriller specialist Alan J. Pakula (All the President's Men), and lensed by master cinematographer Gordon Willis (The Godfather), Klute is a character study thick with dread, capturing the mood of early-1970s New York and the predicament of a woman trying to find her own way on the fringes of society.
In a way, Scarlet Street is a remake. It's taken from a French novel, La Chienne (literally, "The Bitch") that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang's version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang's previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett's streetwalker, with Dan Duryea as her low-life pimp. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold. The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture". But even on autopilot Welles still leaves most filmmakers standing. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi to a sleepy New England town where he's living in concealment as a respected college professor. Welles wanted Agnes Moorehead as the investigator and Robinson as the Nazi Franz Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clocktower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: sparse pickings. Both films have a full-length commentary by Russell Cawthorne which adds the occasional insight, but is repetitive and not always reliable. The box claims both print have been "fully restored and digitally remastered", but you'd never guess. --Philip Kemp
In this classic 1963 adaptation of William Golding's novel Lord of the Flies, a planeload of schoolboys are stranded on a tropical island. They've got food and water; all that's left is to govern themselves peacefully until they are rescued. "After all", says choir leader Jack, "We're English. We're the best in the world at everything!" Unfortunately, living peacefully is not as easy as it seems. Though Ralph is named chief, Jack and the choristers quickly form a clique of their own, using the ever-effective political promise of fun rather than responsibility to draw converts. Director Peter Brook draws some excellent performances out of his young cast: the moment when Ralph realises that even if he blows the conch for a meeting people might not come is an excruciating one. Well acted and faithfully executed, Lord of the Flies is as compelling today as when first released. --Ali Davis
Rediscover one of the Big Screen's most-loved actors in this beautifully packaged Blu-ray boxset. Includes 8 of Clint's best works: Coogan's Bluff Two Mules for Sister Sara The Beguiled Play Misty for Me Joe Kidd High Plains Drifter Breezy The Eiger Sanction Special Features: High Plains Drifter Theatrical Trailer
The secrets of a street you know. An escaped convict tries to hide out at his former lover's house but she has since married and is far from keen on the idea....
A collection of animated shorts by Jan Svankmajer.
Titles Comprise: Kind Hearts And Coronets: Set in the stately Edwardian era Kind Hearts And Coronets is black comedy at is best with the most articulate and literate of all Ealing screenplays. Sir Alec Guinness gives a virtuoso performance in his Ealing comedy debut playing all eight victims standing between a mass-murderer and his family fortune. Considered by some to be Ealing's most perfect achievement of all the Ealing films. The Ladykillers director Alexander Mackendrick's third Ealing farce is the final comedy produced by the famous British studio and one of its most celebrated. Like the equally applauded Kind Hearts And Coronets the film is more sophisticated and blacker in tone than typically lighthearted Ealing fare (such as Mackendrick's Whiskey Galore!). Alec Guinness stars as the superbly shifty toothily threatening Professor Marcus the leader of a crime ring planning a heist. Marcus rents rooms from a sweet eccentric old lady Mrs. Wilberforce (Katie Johnson) in her crooked London house. The professor and his co-conspirators blowhard Major Courtney (Cecil Parker) creepily suave Louis (Herbert Lom) chubby Harry (Peter Sellers) and muscleman One-Round (Danny Green) pose as an unlikely string quartet using the rooms for rehearsal. Dodging Mrs. Wilberforce's constant interruptions the hoods hit upon the idea to use her in the daring daylight robbery (filmed in and around London's King's Cross station). When the old girl discovers the truth Marcus and company cannot persuade her to stay buttoned up about it and thus decide to do her in. Accompanied by a noirish cacophony of screeching trains parrots and little old ladies at afternoon tea a series of unlikely events builds to the hilarious surprising finale. The Man In The White Suit: Sidney Stratton (Alec Guinness) works quietly at Michael Corland's (Michael Gough) textile mill until his mysterious costly lab experiment is discovered. Fired by Corland Stratton takes a menial job at Alan Birnley's (Cecil Parker) mill in order to continue his work on the sly. When Daphne (Joan Greenwood) Corland's fianc''e and Birnley's daughter discovers his secret she threatens to expose Stratton. The desperate scientist reveals to Daphne that he has invented an indestructible cloth that never gets dirty. Close to realizing his vision Stratton celebrates by having a white suit made of the fabric (because it repels dye). The trouble however is just beginning. The lowly mill workers (who spout market economics in rough accents) fear for their jobs while the mill owners led by the decrepit Godfather-esque Sir John Kierlaw (Ernest Thesiger) worry about their profits. Passport To Pimlico: An archaic document found in a bombsite reveals that the London district of Pimlico has for centuries technically been part of France. The local residents embrace their new found continental status seeing it as a way to avoid the drabness austerity and rationing of post-war England. The authorities do not however share their enthusiasm... The Lavender Hill Mob: Mr. Holland (Alec Guinness) has supervised the bank's bullion run for years. He is fussy and unnecessarily overprotective but everyone knows he is absolutely trustworthy. And so on the day the bullion truck is robbed he is the last person to be suspected. But there is another side to Mr. Holland; he is also Dutch the leader of the Lavender Hill Mob.
A pioneering film within Animation, Musicals and Fantasy, Walt Disney's Mary Poppins is possibly one of the warmest and dearest films ever made. Based on a story by PL Travers we find Julie Andrews on fine form in her debut lead role (for which she would win the "Best Actress" Oscar). She is practically perfectly teamed with Dick Van Dyke as the lovable chimney sweep Burt, whose cockney accent is endearingly inaccurate. Along with a fine supporting cast, where even the child actors hold their own without appearing like stage school wannabes, Poppins and her crew take you on a magical ride through chalk pictures, the roof tops of London and show you that laughter is not always the best medicine (even with a spoon full of sugar) when you can't get down. In total Mary Poppins clocked up five Academy Awards including Best Song and Best Visual Effects and has made it into the staple diet of family viewing across the world. On the DVD: Mary Poppins has certainly cleaned up a treat, restoring her to 1.85:1 widescreen glory and 5.1 Dolby digital sound--which is guaranteed to be music to your ears. The special features are "supercalifragilisticexpialidocious" with the "Sing Along with the Movie" subtitles for all your favourite songs when they appear in the movie and the "I Love to Laugh" game offering Uncle Albert flying high in his parlour once more. "The Movie Magic of Mary Poppins" lets you look behind the scenes at how the magic was done and is fun, informative and easily understandable--pity the same cannot be said about the narrator. "Hollywood goes to a World Premiere" is a warm and amusing reminder about how premieres and stars used to be in 1964. The only disappointment is the lack of commentary--Dick Van Dyke would surely have offered a gem of a cockney voice-over! --Nikki Disney
Ealing Studio output from the 1940s and the 1950s helped define what was arguably the golden age for British cinema. This Blu-ray collection brings together three much loved comedy classics directed by Ealing stalwarts Robert Hamer Charles Crichton and Alexander Mackendrick and starring the great Sir Alec Guinness in some of his most memorable roles.
Maciek a young Resistance fighter is ordered to kill Szczuka a Communist district leader on the last day of World War II.
This world premiere of a gripping new work by composer Harrison Birtwistle and librettist David Harsent, commissioned by The Royal Opera, brings the monstrous, Greek mythological character to the stage. The Minotaur, part man, part beast, trapped in his labyrinth, longs to discover his true identity and his own voice. Theseus, sent as part of a debt sacrifice to the monster, is determined to kill him; he attracts the attention of Ariache, half-sister and keeper of The Minotaur, and it is her help than ensures his success.
Please wait. Loading...