This is classic British comedy at it's best! This DVD box set contains all 30 hilarious Carry On movies plus a host of DVD extras! Starring: Kenneth Williams Charles Hawtrey Jim Dale Joan Sims Barbara Windsor Hattie Jacques Windsor Davies Valerie Leon Peter Butterworth Bernard Bresslaw Terry Scott Bill Maynard Phil Silvers Patsy Rowlands and Frankie Howerd. Episodes Comprise: Carry On Sergeant Carry On Nurse Carry On Teacher Carry On Constable Carry On Regardless Carry On Cruising Carry On Cabby Carry On Jack Carry On Spying Carry On Cleo Carry On Cowboy Carry On Screaming! Carry On Don't Lose Your Head Carry On Follow That Camel Carry On Doctor Carry On Up the Khyber Carry On Camping Carry On Again Doctor Carry On Up the Jungle Carry On Loving Carry On Henry Carry On at Your Convenience Carry On Matron Carry On Abroad Carry On Girls Carry On Dick Carry On Behind Carry On England That's Carry On!' and 'Carry On Emmanuelle Special Features: 30 feature-length audio commentaries Trailers All 13 Episodes of the ATV situation comedy series: 'Carry On Laughing' Archive interviews with Sid James Terry Scott and Phil Silvers On location featurette hosted by June Whitfield The official 40th anniversary documentary: 'What's A Carry On?' Textless footage from 'Carry On Jack' and 'Carry On Spying' An alternative Director's cut presentation of 'Carry On England' Extensive production notes for all 30 films Stills Gallery
The most widely seen movie produced by a Hollywood studio, The Sound of Music grows fresher with each viewing. Though it was planned meticulously in pre-production (save for the scene where Maria and the children take a dipping in an Austrian lake that nearly cost a life), on each viewing one is struck anew by the spontaneous almost improvisatory air of the acting, notably of Julie Andrews under Robert Wise's direction. There are also the little human touches he brings to, for instance, the scene where Maria leads the children to the hills, over bridges and along tow paths where the smallest boy trips up and momentarily gets left behind: it creates a feeling that most of us have encountered. From the opening pre-credit sequence of muted excitement as the camera roves over the Austrian Alps (photographed in magnificent colour), where little phrases from the wind instruments on the soundtrack are flung as if on the breeze, foreshadowing the title song to follow, the production never puts a foot wrong. On the DVD: On the first disc the film itself has never looked or sounded better since its original presentation in Todd AO (prints of which are said to have disappeared forever). The disc also contains a separate audio guide that takes the viewer through the film sequence by sequence, with director Robert Wise commenting on the weather, the production design by Boris Leven, the sequences filmed on location and in Hollywood (like the interiors of the Von Trapp villa), and the naming of other actors who were eager for the lead roles, notably Doris Day and Yul Brynner. On the second disc there are the documentaries. "Salzburg Sight and Sound" was Charmian Carr's own record of her time on location in the summer of 1964, playing Liesl, the eldest Von Trapp daughter. "From Fact to Fiction", running two hours, begins with the birth of Maria in 1905 who inspired the film, charts her subsequent marriage to Captain Von Trapp, their escape from Nazi Germany not across the Alps but via a train across the Italian boarder, their home in Vermont and thence to the German film of the family that was brought to the attention of Rodgers and Hammerstein as an ideal vehicle for a stage musical. A second group of documentaries covers previews, television and radio commercials and a 1973 interview with Wise and Andrews. Overall, this is a marathon package but in its way is as compelling as the film itself. --Adrian Edwards
Classic musical adaptation of the L. Frank Baum novel starring Judy Garland, Ray Bolger, Bert Lahr and Jack Haley. A tornado whisks Dorothy (Garland) and her house from Kansas to Munchkin City, squashing the Wicked Witch of the East upon landing. The Wicked Witch of the West (Margaret Hamilton) vows revenge, while Dorothy sets off on the yellow brick road to see the Wizard of Oz (Frank Morgan), hoping he can tell her how to get home. On the way she makes friends with a scarecrow (Bolger), a t.
Billy Liar was the multimedia phenomenon of its era. Starting out as a novel by Yorkshire writer Keith Waterhouse, it rapidly became a long-running stage play, adapted by Waterhouse with playwright Willis Hall, which lead to the movie, scripted by Waterhouse and Hall for John Schlesinger to direct, then a stage musical and finally a spin-off TV series. Do you get the feeling it caught the mood of the times? The basic set-up owes a lot to James Thurber's classic short story The Secret Life of Walter Mitty. Our hero, Billy Fisher, lives at home in a Bradford semi with his nagging parents and works as a lowly clerk in an undertaker's parlour. But, in his imagination he lives a rich and varied fantasy life as gallant military leader, suave socialite, best-selling novelist and so forth. Trouble is, he can't always keep fantasy and reality apart, any more than he can the keep two girls he's engaged to separate. Not to mention his other problems . Schlesinger's direction brings out the desperation behind the comedy, and Tom Courtenay, at once defiant and hangdog, slips perfectly into the role created on stage by Albert Finney. But the whole cast's a joy, not least the great Leonard Rossiter as undertaker Mr Shadrach, Billy's saturnine boss. And then there's Julie Christie--the luminous spirit of the Swinging 60s--in her first starring role as the girl who offers Billy a chance of real escape. At the end, when she takes the train to London, away from the smoke and the grimness "oop" north, the whole British New Wave went with her. On the DVD: just the theatrical trailer which is a fairly crass affair. There's been no remastering, it seems, but both sound and vision are clean enough and the print preserves the original's full 2.35:1 widescreen ratio. --Philip Kemp
Joseph Mankiewicz's moody classic is less ghost story than romantic fantasy, a handsome 1947 drama of impossible love. Independent young widow Lucy Muir (the luminous Gene Tierney), desperate to escape her uptight in-laws, falls in love with a grand seaside house and moves in, only to discover the cantankerous ghost of the hot-tempered Captain Gregg (a histrionically flamboyant performance by Rex Harrison). Lucy refuses to let the bombastic captain frighten her away, earning his respect, his friendship, and later his love. They team up to turn the captain's salty memoirs into a bestseller, but as his affection grows he fades away, leaving Lucy free to undertake a more worldly suitor, notably a charismatic children's author (George Sanders at his smarmy smoothest) with his own guarded secret. Charles Lang's melancholy black-and-white photography and Bernard Herrmann's haunting score set the tone for this sublime adult drama, and Tierney delivers one of her most understated performances as the resolute Mrs. Muir. Mankiewicz turns this ghost story into a refreshingly mature and down-to-earth romance. --Sean Axmaker
The Robe was designed by 20th Century-Fox to show off the wonders of CinemaScope, and taken simply as a vehicle for widescreen photography the movie is undeniably a visual treat. Perhaps the clumsy early 'Scope cameras were partly to blame, but from any other perspective--plot, dialogue and acting--The Robe is a flat, overly reverential and turgid piece of film making. Richard Burton is the Roman Centurion on duty at Christ's crucifixion who bets on and wins Jesus' robe, then spends the rest of the movie agonising about becoming a Christian. Victor Mature is his sanctimonious slave Demetrius. So confident were the producers of box-office success that they commissioned the sequel, Demetrius and the Gladiators, even before The Robe had been released. --Mark Walker
One of several features pairing British screen sweetheart Anna Neagle with the ever-popular Michael Wilding, this jaunty 'upstairs-downstairs' romantic comedy could hardly have failed to triumph at the box-office, and Spring in Park Lane would indeed prove the most successful British film of 1948 - its fairytale scenes and witty reversal of social roles offering cinemagoers a welcome antidote to post-war austerity. The film, which also marked another major success for Neagle's husband, direct.
With her husband Tim off at war Anne Hilton (Colbert) struggles to be a pillar of strength for her daughters Jane (Jones) and Bridget (Temple). During America's darkest hours she bravely steers her girls through heartbreak and hardships as she eagerly awaits news from overseas and wonders if life will ever be the same.
His crime: nonconformity. His sentence: the chain gang. Now you can own the Director's Cut of the 1967 classic Cool Hand Luke in which Paul Newman plays one of his best-loved roles as the loner who won't or can't conform to the arbitrary rules of his captivity. A cast of fine character actors including George Kennedy in his Academy Award-winning role of Dragline gives Newman solid support as fellow prisoners. And Strother Martin is the Captain who taunts Luke with the famous line '""What we've got here is...failure to communicate."" No failure here. With rich humour and vibrant storytelling power 'Cool Hand Luke' succeeds resoundingly.
Directed by Anthony Asquith (The Yellow Rose Royce We Dive At Dawn) and adapted from the seminal play by Terence Rattigan (The Browning Version The Deep Blue Sea Separate Tables) The Winslow Boy is a classic tale of standing up to bureaucracy and one family''s testing fight for justice. Based on real life events The Winslow Boy follows the tribulations of an Edwardian naval cadet who is accused of robbery then expelled from his academy. On returning home his father becomes determined to clear his name and prove his innocence after what he considers an unfair internal enquiry. During his pursuit for justice the case eventually reaches The House Of Commons to cause public outcry and a political furore. A thoroughly British searing drama about the conquest for truth and the sacrifices that come with it The Winslow Boy still retains its ability to move audiences with its poignant and powerful story telling.
Soar into the skies on a thrilling airborne adventure in this meticulously restored John Wayne film classic. In one of his most memorable roles Wayne plays Dan Roman a veteran pilot haunted by a tragic past. Now relegated to second-in-command cockpit assignments he finds himself scheduled on a routine Honolulu-to-San Francisco flight - one that takes a terrifying suspense-building turn when disaster strikes high above the Pacific Ocean at the point of no return. A ""Who's Who"" of Hollywood greats - Claire Trevor Laraine Day Robert Stack Jan Sterling Phil Harris and Robert Newton among others - are aboard for this celebrated drama bursting with conflict and excitement. Nominated for six Academy Awards including Best Director (William A. Wellman) and two Best Supporting Actress nods (Trevor and Sterling) the film nabbed the Oscar for Dimitri Tiomkin's unforgettable musical score.
An epic and extraordinary true story--or, at least, an extraordinary story based on a novel (Alan Burgess's The Small Woman) based on a true story. Gladys Aylward (an improbably mesmerizing Ingrid Bergman) is a British would-be missionary with an obsession about China. As she has no experience, the Missionary Society won't let her go, but she goes anyway, alone, to a remote northern province. She is hated, then loved; finally she becomes both a significant political figure and the heroine of a miraculous escape in which she shepherds 100 children to safety across the mountains just ahead of a Japanese invasion. Curt Jurgens is suitably stony as Lin Nan, the half-Dutch, half-Chinese military officer who falls in love with her, and a visibly ailing Robert Donat (who died before this, his final film, was released) is the wily local mandarin who sees and makes use of her extraordinary abilities. Directed by Mark Robson, The Inn of the Sixth Happiness is a sweeping, stirring tearjerker, a big tale told in a big landscape with acres of orchestrated strings by Malcolm Arnold. A beautiful and beautifully made film that's a classic of the "everyone said I couldn't but I did it anyway" genre. --Richard Farr
Arguably the greatest of American films, Orson Welles' 1941 masterpiece, made when he was only 25, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contradictions and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mother as a boy and made the ward of a rich industrialist. The result is that every well-meaning or tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event. Written by Welles and Herman J. Mankiewicz, and photographed by Gregg Toland, the film is the sum of Welles's awesome ambitions as an artist in Hollywood. He pushes the limits of then-available technology to create a true magic show, a visual and aural feast that almost seems to be rising up from a viewer's subconscious. As Kane, Welles even ushers in the influence of Bertolt Brechton film acting. This is truly a one-of-a-kind work, and in many ways is still the most modern of modern films this century. --Tom Keogh
The Doctor arrives on Gallifrey where he is accused of the assassination of the Time Lord President. Investigating with the aid of Co-ordinator Engin and Castellan Spandrell he discovers that this is part of a plot hatched by his old adversary the Master. Having used up all twelve of his regenerations the Master is now a wizened husk. He is seeking to control the presidency in order to obtain the official regalia the Sash and Rod of Rassilon which are really keys to the Eye of Harmony the source of all the Time Lords' power.
Specially filmed footage of 43 species of our commoner birds. It begins with an introduction to bird songs and then features close-up footage of the birds. The bird songs are superb viewing in their own right but the commentary provides a wealth of hints and tips on the diagnostic features of each species and how to recognise them. Includes: Collared Dove Wood Pigeon Cuckoo Swallow Skylark Meadow Pipit Tree Pipit Wren Dunnock Robin Nightingale Thrushes: Blackbird Mistle Thrush Song Thrush Warblers: Common Whitethroat Lesser Whitethroat Blackcap Garden Warbler Sedge Warbler Reed Warbler Chiffchaff Willow Warbler Wood Warbler Goldcrest Tits: Blue Tit Great Tit Coal Tit Willow Tit Marsh Tit Long-tailed Tit Nuthatch Treecreeper Starling House Sparrow Tree Sparrow Finches: Chaffinch Greenfinch Goldfinch Linnet Buntings: Yellowhammer Reed Bunting Corn Bunting Dawn Chorus.
A sonic time scan draws the TARDIS to the Fetch Priory on Earth. There the Doctor and Leela discover an impossibly old human skull that is the key to a nightmare from the Time Lords' past. A murderous monster stalks the priory grounds; and within someone is intent on unleashing a malevolent creature that feeds on death itself... This story was originally broadcast on BBC1 between 29th October - 19th November 1977
This classic noir mystery from the team of Carol Reed and Graham Greene is regarded to be the best filmwork of both of these extreme talents. The Third Man features Joseph Cotten as Holly Martins a pulp novelist who has come to post-WWII Vienna with the promise of work from his friend Harry Lime (Orson Welles). When he finds that Lime has just been killed in a questionable car accident he decides to remain in the city to investigate his friend's mysterious death. The Third Man is a masterpiece of melancholia featuring extraordinary writing acting and directing as well as a classic zither score by Anton Karas.
Henry Horatio Hobson (Academy Award -Winner Charles Laughton) is the owner of a well-established boot shop in nineteenth century Salford Lancashire and the father of three daughters. The oldest Maggie (Brenda De Banzie) shoulders both home and business responsibilities while Hobson whiles the time away at the local pub. The younger sisters are both being courted by neighbours but Hobson refuses to give the couples settlements. Maggie becomes tired of his oafish behaviour and decides to take matters into her hands by seeking a husband. Much to the hilarity and consternation of her father aged spinster Maggie sets her sights on shy Will Mossop (John Mills) Hobson's master boot-maker. Mossop is at first stunned by the suggestion but eventually agrees to Maggie's authoritative persuasion and together they set up a rival boot shop. A timeless masterpiece that marked a temporary return to David Lean's period adaptations of Dickens (Great Expectations Oliver Twist). The film went on to win multiple awards. This film has been digitally restored to its former glory. Special Features: New and exclusive interviews with Prunella Scales and screenwriter Norman Spencer
Following the huge success of the BBC's production of Bleak House BBC Drama Production is set to breathe new life into Oliver Twist Charles Dickens' much-loved novel
Walking with DinosaursIn 1999 the BBC's Walking with Dinosaurs TV series changed the way we saw dinosaurs forever. This revolutionary show takes viewers right into the dinosaurs' world showing them as if they were alive and filmed in the wild. Since then the series has been seen by millions of people around the world and has won three Emmy awards. It brings to life the mystery and excitement of the age when these reptiles roamed our planet. The makers of Walking with Dinosaurs returned to make two specials The Ballad of Big Al and Land of Giants and The Giant Claw to continue to delight fans of the original series. Special Features: Enhanced Picture-in-Picture Sequences The Making of Walking with Dinosaurs The Ballad of Big AlYears ago an amazing fossil was unearthed in Wyoming USA. Not only were the bones they found those of a dinosaur 'Big Al' but the skeleton of this creature was very nearly complete. The first programme follows his life – a 15-year story of a lone battle against formidable prey and voracious predators whilst the second programme traces the scientific evidence of Big Al. Special Features: Photo Gallery Storyboard Comparison Land of Giants and The Giant ClawIn Land of Giants we join the adventuring zoologist Nigel Marven as he visits the Argentinean landscape of 100 million years ago to attempt to see the biggest land predator bring down the biggest land prey but will he succeed? In The Giant Claw Nigel travels back 75 million years to Mongolia to track down the owner of the largest claws ever discovered. Negotiating the hazards of the Cretaceous is no walk in the park - will he live to discover the true nature of his quarry? Special Features: Fact Files Interviews with Tim Haines Jasper James and Nigel Marven
Please wait. Loading...