Fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real-time. Special Features Looking At The World In A New Way: The Making Of Tenet - An Exploration Of The Development And Production Of The Film As Told By The Cast And Crew. Looking At The World In A New Way: The Making Of Tenet: I. The Principle Of Belief - Christopher Nolan Talks About Why He Wanted To Make This Film And The Twists He Wanted To Bring To The Spy Genre. Looking At The World In A New Way: The Making Of Tenet: Ii. Mobilizing The Troupe - The Filmmakers To Talk About Casting And What The Actors Brought To Their Roles. Looking At The World In A New Way: The Making Of Tenet: Iii. The Approach - The Company Discusses How Nolan&Rsquo;S Filmmaking Philosophies And In-Camera Approach Applied To The Challenges In This Film. Looking At The World In A New Way: The Making Of Tenet: Iv. The Proving Window - A Look At The Cinematography And The Unique Ways They Shot The Movie. Looking At The World In A New Way: The Making Of Tenet: V. The Roadmap - Examining The Ways The Cast And Crew Kept Track Of The Continuity Across Multiple Perspectives And Timelines. Looking At The World In A New Way: The Making Of Tenet: Vi. Entropy In Action - Breaking Down The Complex Action In The Film And The Stunt Requirements For The Actors. Looking At The World In A New Way: The Making Of Tenet: Vii. Traversing The Globe - Exploring The Logistics Of Travelling And Shooting In Real Locations As Well As Capturing The Epic Marine Sequences In Different Countries Around The World. Looking At The World In A New Way: The Making Of Tenet: Viii. How Big A Plane? - The Story Of The Dramatic Crashing Of A Real 747. Looking At The World In A New Way: The Making Of Tenet: Ix. The Dress Code - Costume Designer Jeffrey Kurland Takes Us Through Some Of The Iconic Costumes From The Film. Looking At The World In A New Way: The Making Of Tenet: X. Constructing The Twilight World - A Look At The Practical Sets Designed And Built By Nathan Crowley & Team And The Techniques They Used To Enhance The Scope And Scale Of The Film. Looking At The World In A New Way: The Making Of Tenet: Xi. The Final Battle - Inside The Epic Sequence Which Had The Cast And Crew Using Everything That They Had Learned On The Film To Pull It Off. Looking At The World In A New Way: The Making Of Tenet: Xii. Cohesion - Nolan Discusses His Approach Of Involving The Composer And The Editor Early On In The Pre-Production And All The Way Through The Completion Of The Film To Truly Integrate Them Into The Creative Process. Looking At The World In A New Way: The Making Of Tenet: Xiii. Doesn't Us Being Here Now Mean It Never Happened? - The Cast And Crew Discuss The Unique Experience Of Working On The Film.
The Bourne Identity (Dir. Doug Liman 2002): A man who may or may not be Jason Bourne (Matt Damon) is found floating in the Mediterranean Sea and is hauled onto a fishing boat. When the ship's doctor examines the unconscious castaway he discovers two bullet wounds and an implanted device that displays a Swiss bank account number. With nothing but this code the amnesiac Bourne travels to Zurich and gains access to a safe-deposit box containing a gun thousands of dollars in various currencies and valid passports from numerous countries - each listing a different identity. Within minutes Bourne is on the run from a seemingly ever-present agency relying on language and fighting skills he didn't even know he possessed! Offering 000 for a ride to Paris Bourne gains the reluctant help of the nomadic Marie (Franka Potente). Meanwhile the shadowy organization headed by a tough-talking bureaucrat (Chris Cooper) sends numerous assassins (including the Professor played by Clive Owen) after Bourne and Marie. As their situation grows more perilous the two strangers struggle to find out who Bourne really is and why they are being hunted... The Bourne Supremacy (Dir. Paul Greengrass 2004): Expert assassin Jason Bourne (Damon) who continues to find himself plagued by the splintered nightmares from his former life. The stakes are now even higher for the agent as he coolly maneuvers through the dangerous waters of international espionage - replete with CIA plots turncoat agents and constantly shifting covert alliances - all the while hoping to find the truth behind his haunted memories and answers to his own fragmented past... Paycheck (Dir. John Woo 2003): Ben Affleck stars as Michael Jennings a brilliant computer engineer hired by high-tech corporations for specialized top-secret projects. Once a job is complete Jennings routinely has his short-term memory erased so as not to divulge any sensitive company information to future clients. Highly paid for his work he expects to earn .4 billion at the end of his latest 3-year project. But upon completion of the job instead of a big paycheck Jennings is handed an envelope filled with random objects and told that he has agreed to forfeit all payment. With his memory erased as usual Jennings has no way to prove them wrong until he discovers the objects are clues to the puzzle that once was his past. But with Federal agents hot on his heels Jennings quickly learns that more than just his paycheck is at stake. In a race against time Jennings must put the pieces together with the help of Rachel (Uma Thurman) the woman he has worked with and loved for the past three years who rekindles his memory of their life together before the people he once worked for have him killed.
This 12-song collection is a work of both comforting familiarity and startling innovation with genre-crossing guest vocal appearances by Solomon Burke George Clinton Michael Franti Chrissie Hynde Shelby Lynne Les McCann Me'Shell NdegOcello Aaron Neville and Mavis Staples. There are special instrumental guest performances by Richard Thompson (electric guitar) and Robert Randolph (pedal steel guitar) in addition to a superb studio band led by organist John Medeski (of Medeski
The Devil gives a ouija-like board game to two couples which lets them experience their sexual fantasies directly. One of the couples becomes addictively ensnared and it's up to the other couple to free them before they become minions of the Devil.
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