An epic rebirth to Toho's iconic Godzilla, this spectacular adventure pits the world's most famous monster against malevolent creatures who, bolstered by humanity's scientific arrogance, threaten our very existence.
Based on the 26 volume book series by Terry Brooks and Executive Produced by Jon Favreau (Iron Man), THE SHANNARA CHRONICLES is the epic series set in a world thousands of years after the destruction of our civilization. Earth is divided into what is known as the Four Lands, whose inhabitants are a mix of races including elves, dwarves, trolls, gnomes and humans. At the centre is the Shannara family, whose descendants are empowered with ancient magic and whose adventures continuously reshape the future of the world.
Fifteen-year-old Prep student Oscar Grubman (Aaron Stanford) feels that girls his own age haven't lived enough, which is why he's coming home to Manhattan's Upper East Side for Thanksgiving to profess his love to his stepmother, Eve (Sigourney Weaver) - whose marriage to his professor father (John Ritter) has become routine and uninspiring.Unable to find the right moment to express himself, Oscar slips out to a bar after dinner and finds himself drunk and missing his wallet. Walking home, he bumps into Eve's best friend, Diane (Bebe Neuwirth), a sexy chiropractor who offers to take him home to detox. A backrub leads to a kiss, which results in Oscar and Diane spending the night together. Oscar, feeling he has betrayed his true love, must now prevent Diane - who laughs at the whole situation - from telling Eve what has happened between them.
The transformation of Walter White (Emmy Award winner Bryan Cranston) continues in the final season of Breaking Bad. Join Walter and his erstwhile student and sometimes business partner Jesse Pinkman (Emmy Award winner Aaron Paul) as their corrosive story reaches its epic conclusion.
Jake Davis was the best-selling author of 'Fathers And Daughters', inspired by his daughter Katie. But when he started succumbing to seizures, Katie had to be adopted by another family.
Follows the journey of a time traveler from the post-apocalyptic future who appears in present day on a mission to locate and eradicate the source of a deadly plague that will nearly destroy the human race.
Two young boys in Venice are befriended by a gang of young urchins and their enigmatic leader, the Thief Lord.
This terrifying reimagining sees the makings of a natural born killer. Reacquaint yourself with cinema's deadliest monster...the machete wielding Jason Voorhees.
The trials and tribulations of criminal lawyer, Saul Goodman, in the time leading up to establishing his strip-mall law office in Albuquerque, New Mexico.
At a New York City wedding reception, two guests, seemingly strangers, become entangled in a sexually-charged battle of wits.
Kick-Ass tells the story of average teenager Dave Lizewski (Aaron Johnson), a comic-book fanboy who decides to take his obsession as inspiration to become a real-life superhero.
KINGSGLAIVE: FINAL FANTASY XV IS AN ACTION-PACKED FULL-LENGTH CG MOTION PICTURE! KINGSGLAIVE is told through the eyes of King Regis, while FINAL FANTASY XV follows the journey of Prince Noctis. The two tales entwine to weave a stirring story of father and son. The film also sheds light onto deeper discoveries of the game world. Featuring beautiful, state-of-the-art CG technology in all its glory, KINGSGLAIVE goes beyond the game franchise to deliver a true action film experiencean epic adventure for all. STORY The magical kingdom of Lucis is home to the sacred Crystal, and the menacing empire of Niflheim is determined to steal it. King Regis of Lucis (Sean Bean) commands an elite force of soldiers called the Kingsglaive. Wielding their king's magic, Nyx (Aaron Paul) and his fellow soldiers fight to protect Lucis. As the overwhelming military might of the empire bears down, King Regis is faced with an impossible ultimatum to marry his son, Prince Noctis to Princess Lunafreya of Tenebrae (Lena Headey), captive of Niflheim, and surrender his lands to the empire's rule. Although the king concedes, it becomes clear that the empire will stop at nothing to achieve their devious goals, with only the Kingsglaive standing between them and world domination. Click Images to Enlarge
Double Oscar-winner Kevin Spacey directs and stars in this biopic of popular crooner Bobby Darin.
Kick-Ass tells the story of average teenager Dave Lizewski (Aaron Johnson), a comic-book fanboy who decides to take his obsession as inspiration to become a real-life superhero.
This tedious remake of the classic Christmas movie The Bishop's Wife falls on its face by significantly altering the careful design of Pulitzer Prize-winning author Robert E Sherwood's story for the original film. In Sherwood's version, a rather wooden, inept bishop and his lonely wife unknowingly take into their lives a heaven-sent angel who aids the former and ends up falling in love with the latter. In this unnecessary update, an inner-city preacher (Courtney B. Vance) and his estranged spouse (Whitney Houston) are visited by a celestial goof (Denzel Washington), whose unsolicited offer of help is enough to galvanise Vance's character to fix his own problems. What that means is this: by the second act, there's no reason to have Washington's angel in the story. Even his infatuation with the missus isn't enough to warrant his hanging around this movie; the change is a colossal blunder by director Penny Marshall. Vance ends up stealing the film from Washington, but it's a Pyrrhic victory; for the most part this movie just seems like a series of random scenes between opportunities for Houston to belt out songs. --Tom Keogh
Renee and Valerie leave the city to spend the weekend at a remote cabin in the woods. But when they arrive at the retreat their friends are nowhere to be seen, and the locals appear strange and menacing. It doesn't take them long to realise they will have to fight to stay alive.
Set in a dystopic present where vigilant gargoyles and ferocious demons rage in a battle for ultimate power, Victor Frankenstein's creation Adam (Aaron Eckhart) finds himself caught in the middle.
X-Men 2 picks up almost directly where X-Men left off: misguided super-villain Magneto (Ian McKellen) is still a prisoner of the US government, heroic bad-boy Wolverine (Hugh Jackman) is up in Canada investigating his mysterious origin, and the events at Liberty Island (which occurred at the conclusion of X-Men) have prompted a rethink in official policy towards mutants--the proposed Mutant Registration Act has been shelved by US Congress. Into this scenario pops wealthy former army commander William Stryker, a man with the President's ear and a personal vendetta against all mutant-kind in general, and the X-Men's leader Professor X (Patrick Stewart) in particular. Once he sets his plans in motion, the X-Men must team-up with their former enemies Magneto and Mystique (Rebecca Romjin-Stamos), as well as some new allies (including Alan Cumming's gregarious, blue-skinned German mutant, Nightcrawler). The phenomenal global success of X-Men meant that director Bryan Singer had even more money to spend on its sequel, and it shows. Not only is the script better (there's significantly less cheesy dialogue than the original), but the action and effects are also even more stupendous--from Nightcrawler's teleportation sequence through the White House to a thrilling aerial dogfight featuring mutants-vs-missiles to a military assault on the X-Men's school/headquarters to the final showdown at Stryker's sub-Arctic headquarters. Yet at no point do the effects overtake the film or the characters. Moreso than the original, this is an ensemble piece, allowing each character in its even-bigger cast at least one moment in the spotlight (in fact, the cast credits don't even run until the end of the film). And that, perhaps, is part of its problem (though it's a slight one): with so much going on, and nary a recap of what's come before, it's a film that could prove baffling to anyone who missed the first instalment. But that's just a minor quibble--X-Men 2 is that rare thing, a sequel that's actually superior to its predecessor. --Robert Burrow
When neighbours John and Levi witness supernatural events in their Los Angeles apartment, they realise documenting the paranormal could inject some fame and fortune into their wasted lives. An ever-deeper, darker rabbit hole, their friendship frays as they uncover the dangers of the phenomena, the city and each other. Extras: Featurette Deleted Scenes Scene Zero VFX Featurette Trailer Teaser Trailer Stills Gallery
If the idea of an Oprah Winfrey-produced film detailing the last days of a dying man and his inspirational effect on those left behind sounds a little cloying, Tuesdays with Morrie will be a rather pleasant surprise. While the presentation of this true story is certainly very American in tone, and it was obviously made for television (the points where it faded to commercial breaks are clear), it's still a surprisingly satisfying piece of work. The credit for that can firmly be laid at the door of Jack Lemmon, appearing in what was to be his last film. He excels as the terminally ill college professor Morrie Schwartz, determined to use his passing as a medium for teaching others about life. Still showing signs of the spark that made the movies of his heyday so memorable, Lemmon is also capable of bringing a magnificent pathos to the role. Co-star Hank Azaria is a more-than-equal foil, instilling his character with a growing awareness of self that blossoms before the viewer. Yes, at times it is a little too schmaltzy for its own good, but Tuesdays with Morrie is a film capable of visiting emotional extremes with ease. On the DVD: A very scanty package, with the usual scene access and Dolby Digital stereo accompanied by a text-only resume of the movie and the briefest of biographies of its cast--in Lemmon's case a massively ineffectual effort.--Phil Udell
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