If Robert Zemeckis's mega-hit Forrest Gump was too sweet for your taste, you may enjoy the undiluted bitterness of his previous movie, a cynical black comedy that was ahead of its time. Death Becomes Her, an outlandish parable about America's obsession with youth and vanity, exposes the corrosive side of Zemeckis's comic sensibility, the sort of scathing satirical edge he gleefully flourished in his overlooked 1980 Used Cars, which has developed a cult following. Meryl Streep has a ball as the deliciously vicious Madeline Ashton, a flamboyantly mannered actress who makes Bette Davis's formidable Margo Channing in All About Eve look like a wallflower. Goldie Hawn is also in razor-sharp comedic form as Madeline's long-time "best friend," Helen. Sensing a bargain she just can't resist, Madeline steals Helen's meek, plastic-surgeon husband Ernest (Bruce Willis) for her own convenience, and the two women become sworn enemies. But the real complications arise when the two are introduced to a secret anti-aging formula by a mysterious and exotic woman (Isabella Rossellini, delightfully ridiculous) that not only smoothes away wrinkles but actually guarantees immortality. As their undying bodies are twisted and mutilated by violent attacks on each other, both women grow increasingly dependent on Ernest for cosmetic repair. The pioneering digital effects inflicted on Streep and Hawn are as grotesque as they are imaginative and hilarious. Like James Cameron (The Abyss, Titanic), Zemeckis loves a technical challenge, and the new visual tools developed for this movie made his later work (in Forrest Gump and Contact) possible. The digital video disc includes a short feature on the movie's production. --Jim Emerson, Amazon.com
Adam Sandler vaulted into the US$20-million-salary stratosphere with this, his second US$100-million hit in 1998--a movie that further shows just how deeply embedded he is in the Jerry Lewis tradition of idiot comedy. He plays Bobby Boucher, a backwoods Cajun and a mentally challenged individual with a fixation on water: specifically, on serving the coolest, most refreshing H2O available to the college football team he has served since he was an adolescent. But when he's fired from his position, he takes up a similar job with a lowlier college team coached by neurotic Henry Winkler. One day at practice, Bobby loses his temper and delivers a bone-shaking tackle to the starting quarterback; before he can say, "blackened crawdads", he's the star of the team and leading it to a bowl game. But it's all against the wishes of his overprotective mother (Kathy Bates), who wants to keep her Bobby to herself--and that includes keeping him away from the floozy girlfriend (Fairuza Balk) who's sweet on him. There are two kinds of people in this world: People who find Sandler funny and people who view him as a neon-lit symbol of the decline of popular taste. You know who you are and, based on that, you can decide whether this is a movie for you. --Marshall Fine
Three people, three extraordinary stories. All lived out within a hundred London streets
Based on the stage production by Anthony Besch.
No film better utilises Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewellery. George Peppard is her upstairs neighbour, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay and Hepburn's mix of knowing experience and naivety combine to create one of the great screen romances and a refined slice of high-society bohemian chic. --Sean Axmaker
The Final Countdown: Due to a freak electrical storm the USS Nimitz the world's largest nuclear-powered aircraft carrier is transported back to December 6 1941 in time to head off the Japanese attack on Pearl Harbor. As the fateful hour grows near the ship's commanders must wrestle with the moral and ethical dilemmas of interfering with the progress of history. Creator Nobel laureate Harry Wolper (Peter O'Toole) is obsessed with a project to recreate his wife from cells he has kept since her death 30 years ago. He needs some assistance so he hires graduate student Boris (Vincent Spano). However Wolper is distracted not only by the attentions of Meli (Mariel Hemingway) but also by his attempts to set up Boris with Barbara (Virginia Madsen) a beautiful medical student. When Wolper's dream is finally destroyed Boris pleads with him to channel his talents into saving Barbara's life. This unique love story is guaranteed to make you laugh and cry.
The best 'Adult Swim' show since Aqua Teen!
The Waterboy: (Dir. Frank Coraci) (1998): Just an oddball mama's boy who grew up on a farm Bobby Boucher (Sandler) never wanted anything more than to quench the thirst of the dehydrated athletes who treat him like dirt! But when Coach Klein (Henry Winkler) makes the call that allows Bobby to finally stand up for himself it unleashes a torrent of bottled-up frustration and exposes a talent for defense that transforms him from a meek ""water distribution engineer"" to the hardest hitter ever to roam the athletic playing field!Hollywood's wild and zany funnyman Adam Sandler scores big laughs in a smash comedy hit where the laughs never run dry! Just an oddball mama's boy who grew up on a farm Bobby Boucher (Sandler) never wanted anything more than to quench the thirst of the dehydrated athletes who treat him like dirt! But when Coach Klein (Henry Winkler) makes the call that allows Bobby to finally stand up for himself it unleashes a torrent of bottled-up frustration and exposes a talent for defense that transforms him from a meek ""water distribution engineer"" to the hardest hitter ever to roam the athletic playing field! Holy Man: (Dir. Stephen Herek) (1998): A stressed out senior executive at the Good Buy home shopping channel Ricky Hayman (Goldblum) is praying for a miracle that will lift the network's lousy ratings and save his job. Then from out of nowhere ""G"" (Murphy) walks into his life! An outrageous self-styled inspiration guru with a knack for showing up where he isn't exactly wanted ""G"" proceeds to wander in front of the cameras just long enough to exude the irresistible star quality that will make him the sales-boosting saviour Ricky's network has been looking for!
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