BUILD YOUR OWN DOCTOR WHO ARCHIVE WITH THIS COLLECTORS' SET! The Leisure Hive Meglos Full Circle State Of Decay Warriors' Gate The Keeper Of Traken Logopolis K9 And Company The Fourth Doctor's classic final season all 28 episodes plus the one-off special. K9 And Company all newly restored for Blu-ray and packed with bonus material including: New Audio Commentaries Tom Baker On The Leisure Hive, Lalla Ward On State Of Decay Optional Updated Special Effects For Logopolis New Logopolis Making-Of Documentary The Writers' Room Season 18'S Writers Discuss Their Work A Weekend With Waterhouse Toby Hadoke Spends A Weekend With Matthew Waterhouse Behind The Sofa New Episodes With Tom Baker, John Leeson, June Hudson, Janet Fielding, Sarah Sutton & Wendy Padbury Rare Behind-The Scenes Footage From Logopolis New & Rarearchival Interviews With Tom Baker, Matthew Waterhouse & Ian Sears Immersive 5.1 Surround Sound Mix For Warriors' Gate Production Archive Material Rarities From The Bbc Archives (PDF) Special Features previously released on DVD include: Documentaries Featurettes Surround Sound Mixes Audio Commentaries Rare Footage Production Information Subtitles Isolated Music Scores And Much More Also includes 12-page booklet detailing disc contents.
The controversy that surrounded Stanley Kubrick's adaptation of Anthony Burgess's dystopian novel A Clockwork Orange while the film was out of circulation suggested that it was like Romper Stomper: a glamorisation of the violent, virile lifestyle of its teenage protagonist, with a hypocritical gloss of condemnation to mask delight in rape and ultra-violence. Actually, it is as fable-like and abstract as The Pilgrim's Progress, with characters deliberately played as goonish sitcom creations. The anarchic rampage of Alex (Malcolm McDowell), a bowler-hatted juvenile delinquent of the future, is all over at the end of the first act. Apprehended by equally brutal authorities, he changes from defiant thug to cringing bootlicker, volunteering for a behaviourist experiment that removes his capacity to do evil.It's all stylised: from Burgess' invented pidgin Russian (snarled unforgettably by McDowell) to 2001-style slow tracks through sculpturally perfect sets (as with many Kubrick movies, the story could be told through decor alone) and exaggerated, grotesque performances on a par with those of Dr Strangelove (especially from Patrick Magee and Aubrey Morris). Made in 1971, based on a novel from 1962, A Clockwork Orange resonates across the years. Its future is now quaint, with Magee pecking out "subversive literature" on a giant IBM typewriter and "lovely, lovely Ludwig Van" on mini-cassette tapes. However, the world of "Municipal Flat Block 18A, Linear North" is very much with us: a housing estate where classical murals are obscenely vandalised, passers-by are rare and yobs loll about with nothing better to do than hurt people. On the DVD: The extras are skimpy, with just an impressionist trailer in the style of the film used to brainwash Alex and a list of awards for which Clockwork Orange was nominated and awarded. The box promises soundtracks in English, French and Italian and subtitles in ten languages, but the disc just has two English soundtracks (mono and Dolby Surround 5.1) and two sets of English subtitles. The terrific-looking "digitally restored and remastered" print is letterboxed at 1.66:1 and on a widescreen TV plays best at 14:9. The film looks as good as it ever has, with rich stable colours (especially and appropriately the orangey-red of the credits and the blood) and a clarity that highlights previously unnoticed details such as Alex's gouged eyeball cufflinks and enables you to read the newspaper articles which flash by. The 5.1 soundtrack option is amazingly rich, benefiting the nuances of performance as much as the classical/electronic music score and the subtly unsettling sound effects. --Kim Newman
Stomping, whomping, stealing, singing, tap dancing, violating. Derby-topped hooligan Alex (Malcolm McDowell) has a good time - at the tragic expense of others. His journey from amoral dynamic arc of Stanley Kubrick's future-shock vision of Anothony Burgess' novel. Controversial when first released, A Clockwork Orange won New York Film Critics Best Picture and Director awards and earned four Oscar nominations, including Best Picture. Its power still entices, shocks and holds us in its grasp. Special Features Commentary by Malcolm McDowell and Historian Nick Redman Channel Four Documentary Still Tickin': The Return of Clockwork Orange Featurette Great Bolshy Yarblockos!: Making A Clockwork Orange Featurette Turning Like Clockwork Featurette Malcolm McDowell Looks Back Theatrical Trailer Note: Only 4K Disc is Region Free
Though not as widely known as Hammer's popular Dracula and Frankenstein series this is one of the studio's more stylish and intelligent projects. The tale is set in 17th century Serbia in the tiny burg of Stettel whose residents live in fear of an encroaching plague. The frightened villagers welcome the arrival of a colorful traveling troupe dubbed 'Circus of Nights ' unaware that the visiting entertainers pose a far more deadly threat: the entire company is composed of shape-shifting vampires capable of transforming themselves into animals to stalk their prey. The group's leader the most powerful monster of the bunch has returned to the village to exact revenge on those who murdered his cousin one hundred years earlier. Less a standard Hammer monster melodrama than a surreal journey through dark fantasy (reminiscent of Jean Rollin's erotic vampire series) with an unexpected (but not entirely inappropriate) surplus of nudity and bloodletting. The film's creepy highlights include the chilling extended prologue and scenes of vampire trapeze performers transforming into bats in mid-leap.
The twist of private-eye show Randall & Hopkirk Deceased is that in the first episode, gumshoe Marty Hopkirk (Kenneth Cope) is killed off by the villains, only to pop up in an immaculate white suit as a ghost visible only to his hardboiled partner Jeff Randall (Mike Pratt). In theory, the supernatural streak--which meant a complex set of rules about Marty's appearances and effects on the physical world--should lead the show into wilder territory, but most episodes squander the team's unique abilities on ordinary cases about blackmail and murder-for-profit. A persistent subplot has the living Jeff getting cosy with the dead Marty's widow Jean (Annette Andre) to the discomfort of her late husband. The elementary effects and the nice underplaying of the leads have a certain period charm, and the show could afford a high calibre of special guest villains and dolly birds. A 1990s remake with Vic Reeves and Bob Mortimer hasn't obliterated memories of the original. --Kim Newman
Countess Dracula The erotic horror tale of a countess who discovers that the blood of young virgin girls will restore her to the passionate beauty she was 25 years before... Twins Of Evil Both look exactly alike: which one was the twin of evil? Victims of a vampire curse lead to a witch-hunt headed by Gustav Weil (Peter Cushing) a fanatical Puritan leader of a bizarre religious sect. Only a vampire hunter can save the innocent! Vampire Circus A vampire's dying curse states that those present should all die. When a mysterious plague strikes the doctor's son battles to solve the terrible curse. Set in 1825.
A new restoration of the 1954 British black-and-white science fiction film DEVIL GIRL FROM MARS directed by David MacDonald and starring Patricia Laffan, Hugh McDermott, Hazel Court, Peter Reynolds, and Adrienne Corri.One winter evening in a lonely Scottish inn, guests become prisoners when Nyah, a pitiless Martian with a robot minion, lands on earth and traps them within an invisible wall. With Martian males extinct after a battle of the sexes, Nyah aims to capture breeding stock on Earth. As escape attempts falter, the helpless humans must decide which one of them will die to save the others and possibly the world!Product FeaturesNEW Interview with novelist and critic Kim NewmanNEW Audio Commentary with Kim Newman and writer & journalist Barry ForshawStills gallery
Directed by Philip Leacock (who was also nominated for The Jury's Grand Prize at Cannes in 1954 for this 1953 British film. Two Canadian orphans (Jon Whiteley & Vincent Winter) are starved for affection. Their cantankerous, self-absorbed grandfather (Duncan Macrae) pays very little attention to them. The boys borrow a baby so they can raise it as their very own, while the real parents--and the police--scour the countryside in search of the missing infant. Interesting to note that both Jon Whiteley & Vincent Winter won Honorary Juvenile Oscars for their perfomances.
Stomping, whomping, stealing, singing, tap-dancing, violating. Derby-topped hooligan Alex (Malcolm McDowell) has a good time - at the tragic expense of others. His journey from amoral punk to brainwashed proper citizen and back again forms the dynamic arc of Stanley Kubrick's future-shock vision of Anthony Burgess' novel. Controversial when first released, A Clockwork Orange won New York Film Critics Best Picture and Director awards and earned four Oscarr* nominations, including Best Picture. Its power still entices, shocks and holds us in its grasp.This 50th Anniversary Ultimate Collector’s Edition includes:. •A Clockwork Orange on 4K Ultra HD & Blu-ray. •Blu-ray Bonus Disc featuring Stanley Kubrick: A Life in Pictures and O Lucky Malcolm! documentaries. •32-page booklet. •Double-sided Poster. •Set of 3 Art Cards. •Behind the scenes stills. •Newspaper prop replica. Special Features:. • Commentary by Malcolm McDowell and Historian Nick Redman. • Channel Four Documentary Still Tickin’: The Return of Clockwork Orange. • New Featurette Great Bolshy Yarblockos!: Making A Clockwork Orange. • Career Profile O Lucky Malcolm! [in High Definition]. • Theatrical Trailer.
Strawberry Media is proud to present the 50th Anniversary Edition of Vampire Circus on Blu-Ray packed with Special Features.
It is an offbeat, highly surreal number with oodles of blood and gore thrown in. A Transylvanian village is sealed off from the outside world due to an outbreak of the plague. Anyone who tries to get in or out is shot dead by the police. Nevertheless a travelling circus somehow breaks through the lines, and boy, are all its bloodless-looking performers a wee bit strange! There is a gypsy male who seems to be able to turn himself into a panther, and a pair of very creepy acrobatic twins, who seem impervious to pain and can transform themselves into birds. All of it is presided over by Adrienne Corri, who makes a suitably vampy Ring-Mistress. Added to all this the village itself is living under a curse imposed on them by an aristocrat they killed several years before for being a vampire, all of which is related in the violent and blood-splattered opening sequence to the film. A Creepy Hammer horror with bite! Product Features 12 page booklet including a new essay by the evolution of horror's Mike Muncer Reversible sleeve artwork 'The bloodiest show on earth' documentary featuring interviews from renowned director Joe Dante and actor Dave Prowse Visiting the house of hammer - An insight into Britain's legendary horror magazine Gallery of grotesques - A brief history of circus horrors Vampire circus interactive comic book Stills gallery
This British B-movie cult classic stars Patricia Laffan as a vinyl-clad, raygun-toting Martian on the hunt for Earthmen to repopulate her home planet; John Laurie, Adrienne Corri and Hammer Horror queen Hazel Court star among her human victims in this cult classic from the Danziger brothers. Devil Girl from Mars is featured here in a brand-new transfer from original film elements in its as-exhibited theatrical aspect ratio. On a winter evening, assorted guests are at their supper in a remote...
In Sixteenth Century Florence, Marco del Monte, a dashing Robin Hood-like figure, leads the Republicans against the tyrannical Duke of de Medici and his minions. Episodes Comprise: Francesca The Sicillian A Choice Of Weapons Caterina The Hero A Portrait In Emerald Green The Duke The Eye Of The Artist The Tower Alessandro The Ship The Bracelet The Princess And The Slave The Bell The Suspects A Serenade In Red A Marriage Of Convenience The Value Of Paper The Pagan Venus A Forgery In Red Chalk Vespucci The School The Chart Of Gold The Ambassador The Lion And The Mouse Angelica's Past The Beseiged Duchess Cristina< The Strange Intruder The Primavera A Game Of Chance The Marionettes The Reluctant Duke The Vendetta Who Is Felicia? Violetta Adrianna The Assassin The Woman In The Picture
The controversy that surrounded Stanley Kubrick's adaptation of Anthony Burgess's dystopian novel A Clockwork Orange while the film was out of circulation suggested that it was like Romper Stomper: a glamorisation of the violent, virile lifestyle of its teenage protagonist, with a hypocritical gloss of condemnation to mask delight in rape and ultra-violence. Actually, it is as fable-like and abstract as The Pilgrim's Progress, with characters deliberately played as goonish sitcom creations. The anarchic rampage of Alex (Malcolm McDowell), a bowler-hatted juvenile delinquent of the future, is all over at the end of the first act. Apprehended by equally brutal authorities, he changes from defiant thug to cringing bootlicker, volunteering for a behaviourist experiment that removes his capacity to do evil.It's all stylised: from Burgess' invented pidgin Russian (snarled unforgettably by McDowell) to 2001-style slow tracks through sculpturally perfect sets (as with many Kubrick movies, the story could be told through decor alone) and exaggerated, grotesque performances on a par with those of Dr Strangelove (especially from Patrick Magee and Aubrey Morris). Made in 1971, based on a novel from 1962, A Clockwork Orange resonates across the years. Its future is now quaint, with Magee pecking out "subversive literature" on a giant IBM typewriter and "lovely, lovely Ludwig Van" on mini-cassette tapes. However, the world of "Municipal Flat Block 18A, Linear North" is very much with us: a housing estate where classical murals are obscenely vandalised, passers-by are rare and yobs loll about with nothing better to do than hurt people. On the DVD: The extras are skimpy, with just an impressionist trailer in the style of the film used to brainwash Alex and a list of awards for which Clockwork Orange was nominated and awarded. The box promises soundtracks in English, French and Italian and subtitles in ten languages, but the disc just has two English soundtracks (mono and Dolby Surround 5.1) and two sets of English subtitles. The terrific-looking "digitally restored and remastered" print is letterboxed at 1.66:1 and on a widescreen TV plays best at 14:9. The film looks as good as it ever has, with rich stable colours (especially and appropriately the orangey-red of the credits and the blood) and a clarity that highlights previously unnoticed details such as Alex's gouged eyeball cufflinks and enables you to read the newspaper articles which flash by. The 5.1 soundtrack option is amazingly rich, benefiting the nuances of performance as much as the classical/electronic music score and the subtly unsettling sound effects. --Kim Newman
A dark and dramatic adaption of Edgar Allan Poe's classic story. Laurence Payne stars as Edgar Marsh a shy and awkward librarian who becomes obsessed with his new neighbour Betty Clare. Despite Marsh's infatuation and determination to win her affections Betty Clare falls for Marsh's close friend Carl Loomis a charismatic man of the world. Discovering their affair Marsh's obsession turns to murderous rage and he kills Loomis. Consumed with guilt Marsh's mind begins to crumble as the sound of Loomis's still-beating heart haunts his every waking hour.
Includes the classic Renoir films La Bete Humaine La Grande Illusion and The Crime Of M. Lange. La Bete Humaine A mad train driver falls in love with a married woman. They plot to kill the wife's husband... La Grande Illusion One of the very first prison escape movies Grand Illusion is hailed as one of the greatest films ever made Jean Renoir's antiwar masterpiece of French soldiers held in a World War I German prison camp and Erich von Stroheim as the unforgettable Captain von Rauffenstein. Le Crime De Monsieur Lange Told in flashback this dramatic story revolves around the author Lange who is exploited by his ruthless boss who eventually may cause the downfall of his publishing house but disaster is averted by Lange's talent and the political will of the workforce who form a cooperative...
A fast paced 1950’s Noir thriller starring screen siren Adrienne Corri. How many people live as they want? Not Bill Anderson (William Russell) he has a mundane job as a clerk in a travel agency. Trapped in his loveless marriage Bill dreamt of a more exciting existence. His opportunity comes quite by chance. A client at the travel agency changes his travel plans and returns tickets to Panama just before a bank holiday. Bill figures he can steal the tickets be on a faraway beach before he is discovered. His plan is working he arrives at the airport with passport money and tickets. However his gaze is drawn to a beautiful woman (Adrienne Corri). They strike up a conversation. He quickly falls under her spell and when their flight is postponed for 24 hours she entices him away from the airport but all is not as it seems. Will Bill eventually escape the monotony of his existence or will he realise he is not cut out for life on the run?
The twist of private-eye show Randall & Hopkirk Deceased is that in the first episode, gumshoe Marty Hopkirk (Kenneth Cope) is killed off by the villains, only to pop up in an immaculate white suit as a ghost visible only to his hardboiled partner Jeff Randall (Mike Pratt). In theory, the supernatural streak--which meant a complex set of rules about Marty's appearances and effects on the physical world--should lead the show into wilder territory, but most episodes squander the team's unique abilities on ordinary cases about blackmail and murder-for-profit. A persistent subplot has the living Jeff getting cosy with the dead Marty's widow Jean (Annette Andre) to the discomfort of her late husband. The elementary effects and the nice underplaying of the leads have a certain period charm, and the show could afford a high calibre of special guest villains and dolly birds. A 1990s remake with Vic Reeves and Bob Mortimer hasn't obliterated memories of the original. --Kim Newman
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