The aristocratic sleuth Lord Peter Wimsey investigates the death of a young copywriter at a top advertising agency. Can Lord Peter solve the crime before more deaths occur?
In order to save the United States from mass destruction ATF agent Ethan Carter (Dean Cain) must go undercover and join the 'Brotherhood of Liberty' a subversive militia group who are determined to implement a 'new world order' headed by passionate radical right-wing talk show host George Montgomery (Stacey Keach). The militia has stolen three missiles whose warheads each contain enough anthrax to wipe out a city the size of Los Angeles. Agent Carter must team with his old nemesis and former militia member William Fain (Frederic Forrest) who Carter put behind bars three years ago. Having just completed her ATF agent training programme Julia Sanders (Jennifer Beals) is assigned to protect Carter. The Militia takes Carter and Fain hostage after they are caught breaking into Montgomery's headquarters. With the countdown already begun Carter and Fain must rely on each other and Agent Sanders to destroy Montgomery and save the millions of lives in jeopardy.
Fitz's two worlds collide when one of his students is brutally murdered on a moving train and the girl's grieving parents enlist him to help crack the case. The frenzied nature of the attack convinces the police that this is the work of the notorious 'Sweeney'. When an unconscious blood-soaked man is discovered close to the scene he becomes the prime suspect. Kelly (Adrian Dunbar) claims to be suffering from amnesia and Fitz is given the task of unlocking the dark recesses of his soul in a bid to find the truth.
While much of the world watched the early success of 'Mein Kampf' and the bombing of Pearl Harbour was ten years in the future few were aware of the existence of an oriental 'Hitler' ... Baron Giichi Tankara. But the war had already started in Japan for James Condon American journalist and editor of the Japanese Chronicle whose intuition has led him to believe that major trouble was brewing. The role of Condon man of hard words and harder fists is just the kind of tough guy that first brought James Cagney stardom and in this movie you will not be disappointed as he battles to stay alive long enough to warn the rest of the world against a Japanese militarist plot called the 'Tanaka Plan' that has world domination as its objective. This is one of the first American martial arts movies and features some gripping action with Cagney doing his own stunts for which he trained intensively with Ken Kuniyuki a fifth degree judo master before shooting. This is Cagney at his best.
Working class New York bus driver Ralph Kramden is still looking for a get rich quick scheme min this comedy.
Shy and retiring young executive Brandon Walker invites a select group of friends for a quiet weekend in the country. Denise a hitchhiker joins them and soon fills them with a sense of dread with her fireside tales of true revenge killing sprees. Nightmare tales can come true...
After the end of his workday staid schoolteacher Jim explores the disco's and secret meeting places of London's gay underground unable to reconcile his sexual identity with the rest of his life - until the strain of living a lie threatens to take its toll at last.
Alien Vs Predator: It may be our planet but it's their war! The deadliest creatures from the scariest sci-fi movies ever made face off for the first time on film beginning when the discovery of an ancient pyramid buried in Antarctica sends a team of scientists and adventurers to the frozen continent. There they make an even more terrifying discovery: two unstoppable alien races engaged in the ultimate battle... Aliens: In this action-packed sequel to Alien Sigourney
Newly restored and remastered in Dolby Vision, all three films in the landmark saga are released together on 4K Ultra HD Blu-ray⢠for the first time ever. This 4K Ultra HD Limited Collector's Edition will be released in deluxe packaging and includes a hardcover coffee table book featuring stunning photographs, as well as portrait art prints on archival paper. The Limited Collector's Edition set will include The Godfather, The Godfather: Part II, and three versions of The Godfather: Part III: the theatrical cut (first time ever on home media), Coppola's 1991 cut, and Coppola's recently re-edited version of the final film, Mario Puzo's The Godfather Coda: The Death of Michael Corleone on both 4K UHD and on blu-ray disc. The disc set includes commentaries by Coppola on The Godfather, The Godfather: Part II and the 1991 cut of The Godfather: Part III. More special features are included on a blu-ray disc. The Godfather Regarded as one of the best American films ever by the American Film Institute, Francis Ford Coppola's epic masterpiece features Marlon Brando in his Oscar®-winning* role as the patriarch of the Corleone family. The Godfather⢠is a violent and chilling portrait of the Sicilian family's struggle to stay in power in a post-war America of corruption, deceit and betrayal. Coppola begins his legendary trilogy, masterfully balancing the story of the Corleone's family life and the ugly crime business in which they are engaged. Based on Mario Puzo's best-selling novel and featuring career-making performances by Al Pacino, James Caan and Robert Duvall, this searing and brilliant film garnered ten Academy Award® nominations, and won three including Best Picture of 1972. The Godfather Part II In what is undeniably one of the best sequels ever made, Francis Ford Coppola continues his epic Godfather trilogy with this saga of two generations of power within the Corleone family. Coppola, working once again with the author Mario Puzo, crafts two interwoven stories that work as both prequel and sequel to the original. One shows the humble Sicilian beginnings and New York rise of a young Don Vito, now played in an Oscar®-winning* performance for Best Supporting Actor by Robert De Niro. The other shows the ascent of Michael (Al Pacino) as the new Don. Reassembling many of the cast members who helped make The Godfatherâ¢, Coppola has produced a movie of staggering magnitude and vision; the film received eleven Academy Awards® nominations, winning six including Best Picture of 1974. Mario Puzo's The Godfather Coda: The Death Of Michael Corleone Celebrating the 30th Anniversary of The Godfather: Part III, director/screenwriter Francis Ford Coppola brings a definitive new edit and restoration of the final film in his epic Godfather trilogy Mario Puzo's THE GODFATHER Coda: The Death of Michael Corleone. Michael Corleone (Al Pacino), now in his 60s, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. The film's meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending, as well as changes to scenes, shots, and music cues. The resulting project reflects author Mario Puzo and Coppola's original intentions of The Godfather: Part III, and delivers, in the words of Coppola, A more appropriate conclusion to The Godfather and The Godfather: Part II.
At a hospice facility nestled in the mountains of Southern California three very different families face the one thing they have in common: One member of each family is in the last stages of a terminal illness.
Nickelodeon recalls the early days of the motion picture industry and is based in part on Peter Bogdanovich's interviews with pioneering directors Raoul Walsh and Allan Dwan. Lawyer-turned-movie-director Leo Harrigan (Ryan O'Neal) and Buck Greenaway (Burt Reynolds) an actor are both sent to California to shut down a renegade group of silent movie makers. Joining forces with cameraman Franklin Frank (John Ritter) leading lady Kathleen Cooke (Jane Hitchcock) and precocious prop-girl
When a life is lost a community is divided... When a black Army lieutenant slain in Vietnam is denied burial in his Georgia hometown's all-white cemetery an Army major (John Lithgow) gets involved. Discovering that the Lieutenant's unit had recommended him for a Silver Star the major seeks information to get the community to accept the man as a hero. What he discovers is that the Lieutenant's own men may have killed him...
Airwolf appeared only two years after Knight Rider and, perplexingly, the same year as the short-lived Blue Thunder series. However, creator Donald P Bellisario had spent more than a little time in fully conceptualising this series. Although the format allowed for stories-of-the-week, a B-plot always ran as background motivation for the individual tales. This was a trick Bellisario would also use to good effect later in Magnum P.I. and Quantum Leap. The hook that sustains the audience here is an extremely bitter sub-plot: Stringfellow Hawke (Jan-Michael Vincent) is a peculiar anti-hero to root for since he is effectively being held to ransom and doing the same in return. His brother St. John is held captive somewhere and until his release the Airwolf chopper is Hawke's to keep hidden and use under the covert instructions of "Archangel". His best friend Dominic Santini (the ever-appealing Ernest Borgnine) is a surrogate father figure caught up in the family history. All this pre-determined angst means this is never a show that plays itself for laughs. Very specific character flaws are upfront from the beginning. We are hammered over the head with the idea of Hawke being a tortured intellectual; hence the cello, log cabin retreat and inability to smile. Of course the real star is the spurious technology showcased in the Mach One helicopter armed to the teeth and able to defy the laws of physics on a regular basis. As the mid-80s looked increasingly to the lighter side in most television successes, Airwolf is a rare display of aggression. Justice is fought, but dig only a little way and the moral motivations are often in question. Toward the end of its third season things began to lose coherence and after a year's pause the show was magically resurrected with an all-new cast. It didn't last. --Paul Tonks
The Overtons were a blissfully happy couple until tragedy struck and their little daughter was killed in a car crash. The mother fails to cope with the loss still believing that her little daughter is alive. A nurse is hired by her husband for her mental healing but Kathleen Randolph has more in mind than just to heal Allison...
Even though this violent indie film has "exploitation" stamped all over it--with its gratuitous car chases, shootouts, and anarchistic characters--it is a guilty pleasure. Unfolding in the future--well, at least at the time of its release it was a decade ahead of schedule--this movie shows how US urban schools have deteriorated to the point that gangs run the classroom and the police, scared to even go near these educational wastelands, use hired goons to keep law and order there. (In fact, the US government now has a Department of Educational Defence.) In Class of 1999, a corporate representative (Stacy Keach), eager to rake in potential billions in government contracts, convinces a Seattle-area school principal (Malcolm McDowell) to test out three lifelike android teachers (including Pam Grier). This technological trio possesses intelligence and superhuman strength, which offer to both educate and discipline the bad apples at school. Unfortunately, the androids quickly move from harsh discipline such as spankings and beatings to murder, and Keach's corporate scumbag convinces McDowell's educator that despite this, the program needs to stay its course. Thus it is up to a newly paroled ex-gang member (Bradley Gregg) and the principal's daughter (Traci Lind) to uncover the teachers' identities and alert students and rival gangs to the impending danger. Despite its formulaic approach and some plot implausibilities, Mark Lester's film is entertaining to watch, especially with such exchanges as this: "So they've been waging war with my students." "Well, isn't that what all teachers do?" --Bryan Reesman, Amazon.com
The connection between National Geographic and The Lord of the Rings may seem tentative, but the illuminating TV special Beyond the Movie proves otherwise. While incorporating cast and crew interviews and film clips from director Peter Jackson's 2001 blockbuster The Fellowship of the Ring, this hour-long documentary transcends timely opportunism to explore the myriad inspirations for JRR Tolkien's Middle-Earth fantasy classic, beginning with the influence of Tolkien's idyllic childhood in rural England, which served as the model for his threatened Hobbit paradise. Equally fascinating are the influences of Tolkien's experience in World War I and the "evil" of industrial development on his work, and more directly those of Anglo-Saxon poetry (notably Beowulf) and the mythology of the Finnish Kalevala, which formed the basis of Tolkien's elvish culture. The author's passion for nature conservancy and cultural preservation are what ultimately serve the National Geographic agenda, but eloquent testimonials by archaeologists, anthropologists, and filmmakers make this a most agreeable hour of justified propaganda. --Jeff Shannon, Amazon.com
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