José Bénazéraf (The French Love) was a filmmaker who specialised in stories of love and lust, and Naked Sex [Le Sex Nu] is one of his strongest efforts in every sense. It follows one man's sexual journey, from eager young whippersnapper to seasoned swordsman, with copious copulation en route. But it's not just wall-to-wall shagging. Naked Sex is also about memory, fantasy and modern relationships as close to an 'art' film as soft-core pornography gets, in fact. The innocents at 88 Films are proud to present an unexpected gem of French erotica, completely uncut. HIGH-DEFINITION BLU-RAY PRESENTATION IN 1.66:1 ASPECT RATIO ORIGINAL FRENCH MONO 2.0 AUDIO ENGLISH SUBTITLES
In a career-defining performance, Alain Delon (Purple Noon) plays Jef Costello, a contract killer with samurai instincts. After carrying out a flawlessly planned hit, Jef finds himself caught between a persistent police investigator and a ruthless employer, and not even his armour of fedora and trench coat can protect him. An elegantly stylized masterpiece of cool by maverick director Jean-Pierre Melville (Army of Shadows), Le samouraï is a razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture with a liberal dose of Japanese lonewarrior mythology.
Jean-Pierre Melville (1917 1974) is one of the most revered French film directors of all time. Born in Paris during WW1, he was to become a member of the French resistance in the Second World War, an experience which he drew on in his later career as a film director, routinely plunging his characters into an underworld of secrecy and deception. The reluctant godfather of the French New Wave, Melville's highly individual style was influenced by the ideas of existentialism and surrealism, but arguably his greatest debt was to classical American cinema, the traditions of which he wove with inimitable style into his quintessentially French films. Hailed by many as the father of the French gangster movie, he was inspired by the classic film noirs of 1930s and 40s Hollywood, imbuing many his films with a sense of menace and impending peril, creating a sinister underworld to be traversed by his ubiquitous gun-toting hoodlums. This set contains six of his finest films, from his early bittersweet masterpiece, Bob Le Flambeur, to his final film, Un flic, his wonderfully fatalistic study of loss and deception; a fitting epitaph to one of the finest careers in contemporary cinema. Included Extras: LE DOULOS - NEW Interview with first assistant director Volker Schlondorff - 20 mins BOB LE FLAMBEUR - NEW retrospective documentary by the film critic Dominique Maillet - 20 mins LEON MORIN PRETRE - NEW Master class with Philippe Labro (friend and apprentice of Melville) + Rémy Grumbach (Melville's nephew) - 59 mins LE CERCLE ROUGE Interview with Le Cercle Rouge's first assistant director Bernard Stora 30mins Code Name Melville - 76mins) Interview with first assistant director Bernard Stora - 30mins Interview with novelist José Giovanni - 15mins Présentation by Ginette Vincendeau 21'30
A 19th century Italian prince (Burt Lancaster) presides over the transition from his old world to a modern one where his class will no longer rule...
Billed as the first East meets West' Western and directed by Terence Young, cult classic RED SUN (1971) is based on a true story from the American Wild West of 1870. When an outlaw named Link (Charles Bronson) is betrayed by his gang during a train robbery, he is forced by the Japanese Ambassador to help recover a priceless sword stolen by Link's double-crossing partner Gauche (Alain Delon). Link and the Ambassador's bodyguard, Kuroda (Toshiro Mifune), travel the West in pursuit of Gauche, kidnapping his girlfriend (Ursula Andress) along the way to lure him out. Joined in an uneasy alliance, they have only seven days to find Gauche or Kuroda must follow his samurai code of honour and die by his own sword. Delve deeper into the STUDIOCANAL catalogue with the curated CULT CLASSICS collection. Discover eclectic, boundary pushing rarities, genre classics, and forgotten cinematic treasures.
French director Luc Besson broke the commercial taboo against female-driven action movies with Nikita, his seminal, seductively slick film about a violent street punk (Anne Parillaud) trained to become a smooth, stylish assassin. Though it amounts, in the end, to little more than disposable pop, the film has a cohesiveness in style and tone--akin to the early James Bond films--that gives it a sense of integrity. Parillaud is compelling both as a wild child and chic-but-lethal pro (trained in good manners by none other than Jeanne Moreau). Tchéky Karyo is also good as the cop mentor who develops feelings for her. --Tom Keogh
In a career-defining performance, Alain Delon plays Jef Costello, a contract killer with samurai instincts. After carrying out a flawlessly planned hit, Jef finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him. An elegantly stylized masterpiece of cool by maverick director Jean Pierre Melville, Le samouraï is a razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culturewith a liberal dose of Japanese lone-warrior mythology.
Revenge is the name of the game, as martial arts legend Jean-Claude Van Damme returns to his most famous film franchise! He is joined by Guardians of the Galaxy and Spectre star Dave Bautista in this bone-crunching action spectacular... After witnessing his brother being killed in the ring in a brutal bout in Thailand, young kickboxer Kurt (Alain Moussi) decides to train under the tutelage of his brother s legendary, no-nonsense coach Durand (Van Damme), in order to take-on Tong Po (Bautista), the man responsible for his brother s death. Durand doesn t feel Kurt has what it takes to defeat the awesome strength of Tong Po. But Durand doesn t reckon on Kurt s powerful and unquenchable thirst for vengeance.
Senna is the true story of Brazilian motor-racing legend, Ayrton Senna, whom many believe was the greatest driver who ever lived.Spanning Senna's titanic Formula One career, the film charts his physical and spiritual journey, both on track and off; his quest for perfection and his ultimate transformation from a supremely gifted novice, who exploded into F1 in 1984, to myth after the tragic events of Imola in 1994. Made with the full co-operation of the Senna family and Formula One Management, Senna is the first official documentary feature about his life, featuring astounding archive material, much of which is previously unseen.
Melville's masterful take on the American crime thriller perfectly combines the Hollywood gangster film with his uniquely French style. Starring Alain Delon as a master theif Yves Montand as an alcoholic ex-cop and Italian star Gian-Maria Volonte as an escaped criminal the trio plot a daring heist of an upmarket Parisian jewellery store against impossible odds.
Billed as the first East meets West Western, and directed by Terence Young, RED SUN is based on a true story from the American Wild West of 1870. When outlaw Link (Charles Bronson) is betrayed by his gang during a train robbery, he is forced by the Japanese Ambassador to help regain a priceless sword stolen by Link's double-crossing partner Gauche (Alain Delon). Link and the Ambassador's bodyguard, Kuroda (Toshiro Mifune), travel the West in pursuit of Gauche, attempting to lure him out by taking his girlfriend (Ursula Andress) as hostage. Although Kuroda plans to kill Gauche straight away, Link needs him alive to find the loot from their last robbery. Joined in an uneasy alliance, they have only seven days to find Gauche or Kuroda must follow his samurai code of honour and die by his own sword. EXTRAS: On the set of Red Sun - Extract from Pour le cinéma (Director: Pierre Mignot © INA 1971)NEW Interview with Steven Okazaki Original Trailer
A doctor and his wife go to Paris for a medical conference. While showering, his wife disappears.
Senna's remarkable story, charting his physical and spiritual achievements on the track and off, his quest for perfection, and the mythical status he has since attained, is the subject of this documentary feature.
Eureka Entertainment to release Luchino Visconti's ROCCO AND HIS BROTHERS, the melodramatic 1960 masterpiece with an extraordinary cast, on Blu-ray for the first time in the world on 14 March 2016 From Luchino Visconti the master director of such classics as La terra trema, Bellissima, and The Leopard comes this epic study of family, sex, and betrayal. Alongside Fellini's La dolce vita and Antonioni's L'avventura, Visconti's Rocco and His Brothers ushered Italian cinema into a new era, one unafraid to confront head-on the hypocrisies of the ruling class, the squalor in urban living, and the collision between generations. When a tight-knit family moves from Italy's rural south to metropolitan Milan, the new possibilities - and threats - present in their fresh surroundings have alarming, unforeseen consequences. Operatically weaving the five brothers' stories across a vast canvas, with an extraordinary cast including Alain Delon, Annie Girardot and Claudia Cardinale, Rocco and His Brothers stands as one of the most majestic and influential works of its era. The Masters of Cinema Series is proud to present one of Visconti's most revered films for the first time in the world on Blu-ray. Special Features: Gorgeous high-definition 1080p presentation from a new 4k restoration Optional English subtitles Two audio choices; the original Italian, and the French dub Les coulisses du tournage, a 2003 French documentary about the film A 1999 interview with Visconti's cinematographer Giuseppe Rotunno An interview with actress Claudia Cardinale A 2002 interview with actress Annie Girardot Luchino Visconti, an hour-long documentary about the life and work of Visconti Two vintage newsreels Original Italian trailer PLUS: A 40-PAGE BOOKLET featuring writing by Guido Aristarco, an essay written by the director in 1960, a vintage interview with Visconti and rare archival imagery. Click Images to Enlarge
The Red Balloon and White Mane remain timeless and wonderful children's classics. Unseen for years these award-winning short fi lms have been recently restored so as to present them in the best possible picture quality. The two films were both directed by the award-winning Albert Lamorisse a man who the New York Times has described as ...a remarkable artist: one of the cinema's best poets and a fearless explorer of the scary and exhilarating outbacks of the imagination. The Red Balloon: The award-winning and critically acclaimed fantasy short film directed by Albert Lamorisse follows the relationship between a little boy and a red balloon with a mind of its own that he befriends on the Parisian streets. Widely recognised as one of the most important films in children's cinema this 1956 classic is the only dialogue-free film to win an Oscar for Best Screenplay. White Mane: The 1953 French classic and winner of the 1958 Palme D'Or at Cannes tells the tale of a boy who tames a wild stallion called White Mane. Filmed in the marshes of the Camargue in south-west France White Mane is a beautiful journey into the wilderness that remains a groundbreaking work of children's cinema to this day.
L’Eclisse was the final film in Antonioni’s informal trilogy on contemporary malaise (following L’Avventura and La Notte), a series of films that redefined the concept of narrative cinema. Filmed in sumptuous black and white, and full of scenes of lush, strange beauty, it tells the story of Vittoria (the beautiful Monica Vitti - Red Desert - Antonioni’s partner at the time), a young woman who leaves her older lover (Francisco Rabal – Viridiana), then drifts into a relationship with a confident, ambitious young stockbroker (Alain Delon – Le Cercle Rouge). But this base narrative is the starting point for much, much more, including an analysis of the city as a place of estrangement and alienation and an implicit critique of colonialism. Using the architecture of Rome - old and new - as a backdrop for this doomed affair, Antonioni achieves the apotheosis of his style in this return to the theme that preoccupied him the most: the difficulty of forming true connections amidst the meaninglessness of the modern world. The final shot remains one of the greatest endings in cinema.
La Fille Mal Gardee Live From Royal Opera House Feb 2005
Nikita
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