Once upon a time long ago but perhaps not far away there were two brothers. Hawk (John Terry) the younger brother destined for greatness possessing gifts of strength honour duty and justice. Voltan (Jack Palance) the elder a man of cruel perversion who bore the mark of Cain. Hideously deformed Voltan roamed the land under a black mask so none could look on his ghastly face. When their father is killed at the hands of his firstborn Voltan Hawk swears vengeance. Into Hawk's hand his dying father places the magic mind-sword and Hawk has not only his death to avenge...
Black humour and biting social satire combine in this acclaimed feature of 1963, starring Alan Bates as an ambitious young real-estate clerk who s determined to crawl his way to the top of the social pile; Denholm Elliott is the disreputable aristocrat who teaches him all he needs to know, Millicent Martin the girl he sets out to woo and win. Nothing but the Best is scripted by Oscar winner Frederic Raphael, who received a Writers Guild of Great Britain Award for his screenplay, with Nic Roeg.
When a solar eclipse sends a colossal blast of super chilled air towards the earth it sets off a catastrophic chain of events that threatens to engulf the world in ice! A US research vessel sits on a calm Antarctic Ocean studying the thinning of the ozone when suddenly a blast of sub zero air strikes the vessel causing the horrific and instant deaths of the crew. When Jack Tate (Michael Shanks Stargate SG1) a brilliant yet troubled physicist learns about the bizarre deaths of his colleagues he tries desperately to piece together the chain of events. With the solar eclipse a sudden drop in temperature of the mesosphere and a rip in the ozone layer Jack concludes that these elements have combined to create the ultimate disaster - a new ice age.
New York 1963: f you're young you belong to a gang and if you're Italian you belong to 'The Wanderers'. A collection of kids caught up in love friendship and pubescent fumbles. Interspersed in their lives are bitter clashes with rival gangs - none more feared than the Baldies and their heavyweight leader Terror...
Comedy legends Bud Abbott and Lou Costello cemented their place in film history with the hilarious wartime comedy classic Buck Privates. After spending years on stage in burlesque and on radio perfecting classic routines such as 'Who's on First?', the duo transitioned to motion pictures at Universal in 1940. In their first leading roles, Bud and Lou play con artists who accidentally enlist in the U.S. Army to avoid going to jail. Making matters worse, their no-nonsense drill sergeant turns out to be the cop who tried to arrest them! Featuring classic routines such as 'Drill', 'Dice Game' and 'You're Forty, She's Ten', the film also starred the popular singing group The Andrews Sisters performing the Academy Award nominated song 'Boogie Woogie Bugle Boy'. Following the success of Buck Privates, Bud and Lou made an astounding 26 more movies at Universal leaving a legacy of laughter that will be treasured forever.
The Priory School: The son of the Duke Of Holderness is abducted and the school's German teacher disappears in a taxing case for Holmes and Watson. The Second Stain: Holmes is called in to investigate a missing letter stolen from the home of the secretary for European Affairs...
A welcome second volume of classics from the Master of Suspense, this seven-disc Hitchcock Collection box-set consists of the following: The Birds: Based on a Daphne Du Maurier short story, The Birds (1963) is Hitchcock at his most terrifying, as the residents of a small town are attacked by thousands of apparently homicidal birds. Marnie: Tippi Hedren and newly Bonded Sean Connery star in this excellent 1964 thriller, which finds a calculating thief who robs her employers pursued by a her new boss, who is desperate to unlock her secrets Torn Curtain: This 1966 spy thriller, pairing Paul Newman and Julie Andrews, finds Newman as a world-famous physicist intent on defecting to East Berlin in order to obtain funding for his latest project. Topaz: Based on the Leon Uris novel, Hitch's 51st film, made in 1969, concerns a CIA agent who learns of Russian missiles in Cuba. With the aid of a French agent, they negotiate a plethora of corruption and murder. Frenzy: This critically acclaimed 1972 film was Hitch's first British-made film for more than 20 years. A classic Hitch story of an innocent man accused of being the "necktie murderer"--a vicious sex criminal terrorising London--he eludes the authorities and seeks the real killer. Family Plot: Hitchcock's final film, made in 1976, is a blackly funny mix of murder, theft and kidnapping as a cab-driver and a psychic team up to find a dead man--not actually dead--in exchange for a $10,000 reward. Bonus Disc--Vertigo: An irreducible masterpiece, this 1958 double-identity thriller finds Hitch serving aces, as Jimmy Stewart's detective is drawn in to a complex plot when the girl he loves apparently falls to her death. On the DVD: Like the first volume, this is an equally impressive package that will satisfy the rotund fright-master's fans. Along with the standard selection of trailers, production notes and picture galleries, each disc houses an impressive "making of" documentary, each expertly detailing Hitch's meticulous work. The Birds features Tippi Hedren's screen test and--in storyboard form--deleted scenes and the alternative ending. Topaz has no less that three alternative endings, while Torn Curtain includes scenes scored by composer Bernard Herrmann before his music was rejected by Hitch. The Vertigo disc features an excellent group commentary from producer Herbert Coleman and restoration experts Robert A Harris and James Katz, as well as a documentary, "Obsessed with Vertigo". Housed in attractive fold-out packaging, this is an excellent opportunity to obtain a rich slice of Hitchcock's dark magic.--Danny Graydon
If Charles Martin's wisecracking 1948 period-piece My Dear Secretary hasn't quite endured as a classic of its kind, it still commands attention as an appealing and often very funny curiosity. Kirk Douglas rightly earned his status as one of the titans of big-screen epic drama, so it's a surprise to encounter him in this romantic comedy as a feckless writer who can always find something to do rather than get down to work, leaving a string of outraged, frustrated or compromised secretaries in his wake. Douglas has a reasonably light comic touch and spars well with Laraine Day, in determined form as the secretary whom finally tames him and, in a notable strike for women's liberation, becomes a successful author herself in the process. But this is a film in which the supporting cast steal the best lines and scenes. Keenan Wynn is delightful as Ronnie, Douglas' neighbour and partner in the pursuit of pleasure. Some splendid high campery offers ample evidence that in a more enlightened age, Ronnie would surely have been openly gay. How else to explain his hilarious last reel marriage of convenience to the wealthy dragon of a landlady, played by the irrepressible Florence Bates? It isn't vintage screwball by any means, but My Dear Secretary is witty and literate enough to make you long for a revival in sophisticated cinema comedy. Truly, they don't make 'em like they used to. On the DVD: As the rush to release long-forgotten gems on DVD turns into a deluge, we will probably have to get used to the sort of disappointment on offer here: unrestored prints with no digital remastering and lousy sound quality, simply slammed onto the disc. The film could hardly be served less adequately. There isn't even any static background information on the production or the actors, making the package rather poor. --Piers Ford
House (Dir. Steve Miner 1986): In his obsessive search for his missing child Vietnam veteran Roger Cobb returns to his Aunt's creepy house where his child disappeared. Evil zombies force Roger to relive his nightmares and Roger must battle these spirits in order to save his life and that of his child who is somewhere inside the house... Halloween 4: The Return Of Michael Myers (Dir. Dwight H. Little 1988): Psychotic slasher Michael Myers has spent the ten years since his 1978 attack on Laurie Strode in a coma but while being transported from a maximum security institution revives and makes his escape. He returns once again to his former home town of Haddonfield but upon learning that Laurie has reputedly died in a car crash sets his sights instead on his niece Jaime (Danielle Harris). Only one man can stop Michael in his bloody crusade - psychiatrist Doctor Loomis (Donald Pleasence).
If Charles Martin's wisecracking 1948 period-piece My Dear Secretary hasn't quite endured as a classic of its kind, it still commands attention as an appealing and often very funny curiosity. Kirk Douglas rightly earned his status as one of the titans of big-screen epic drama, so it's a surprise to encounter him in this romantic comedy as a feckless writer who can always find something to do rather than get down to work, leaving a string of outraged, frustrated or compromised secretaries in his wake. Douglas has a reasonably light comic touch and spars well with Laraine Day, in determined form as the secretary whom finally tames him and, in a notable strike for women's liberation, becomes a successful author herself in the process. But this is a film in which the supporting cast steal the best lines and scenes. Keenan Wynn is delightful as Ronnie, Douglas' neighbour and partner in the pursuit of pleasure. Some splendid high campery offers ample evidence that in a more enlightened age, Ronnie would surely have been openly gay. How else to explain his hilarious last reel marriage of convenience to the wealthy dragon of a landlady, played by the irrepressible Florence Bates? It isn't vintage screwball by any means, but My Dear Secretary is witty and literate enough to make you long for a revival in sophisticated cinema comedy. Truly, they don't make 'em like they used to. On the DVD: As the rush to release long-forgotten gems on DVD turns into a deluge, we will probably have to get used to the sort of disappointment on offer here: unrestored prints with no digital remastering and lousy sound quality, simply slammed onto the disc. The film could hardly be served less adequately. There isn't even any static background information on the production or the actors, making the package rather poor. --Piers Ford
If Charles Martin's wisecracking 1948 period-piece My Dear Secretary hasn't quite endured as a classic of its kind, it still commands attention as an appealing and often very funny curiosity. Kirk Douglas rightly earned his status as one of the titans of big-screen epic drama, so it's a surprise to encounter him in this romantic comedy as a feckless writer who can always find something to do rather than get down to work, leaving a string of outraged, frustrated or compromised secretaries in his wake. Douglas has a reasonably light comic touch and spars well with Laraine Day, in determined form as the secretary whom finally tames him and, in a notable strike for women's liberation, becomes a successful author herself in the process. But this is a film in which the supporting cast steal the best lines and scenes. Keenan Wynn is delightful as Ronnie, Douglas' neighbour and partner in the pursuit of pleasure. Some splendid high campery offers ample evidence that in a more enlightened age, Ronnie would surely have been openly gay. How else to explain his hilarious last reel marriage of convenience to the wealthy dragon of a landlady, played by the irrepressible Florence Bates? It isn't vintage screwball by any means, but My Dear Secretary is witty and literate enough to make you long for a revival in sophisticated cinema comedy. Truly, they don't make 'em like they used to. On the DVD: As the rush to release long-forgotten gems on DVD turns into a deluge, we will probably have to get used to the sort of disappointment on offer here: unrestored prints with no digital remastering and lousy sound quality, simply slammed onto the disc. The film could hardly be served less adequately. There isn't even any static background information on the production or the actors, making the package rather poor. --Piers Ford
Please wait. Loading...
This site uses cookies.
More details in our privacy policy