Spy Kids: Bursting with an awesome array of ultra cool high-tech gadgetry box office smash Spy Kids delivers enough thrilling entertainment to satisfy the entire family. Nine years ago top international spies Gregorio and Ingrid Cortez (Antonio Banderas and Carla Gugino) traded the excitement of espionage for the adventure of parenthood. But when they are called out on a secret mission the Cortezes are separated from their family and kidnapped by the evil Fegan Floop. Fortunately there are two people who possess the skills and know-how to reunite the family: Carmen and Juni Cortez their kids. Your family will love every fun-filled second as Carmen and Juni bravely crisscross the globe in a thrilling quest to save their parents. All the while they discover that keeping the family together is the most important mission in the world. Spy Kids 2:The coolest Spy Kids anywhere are back for a huge new adventure! This time Carmen and Juni are on a mission to recover a device that threatens the entire world! They enlist the skills of Mum and Dad (Carlo Gugino and Antonio Banderas) - and even their SPY grandparents (Holland Taylor and Ricardo Montalban) - in a thrilling show of family teamwork. With even more cool gadgets imaginative creatures and awesome special effects... it's a nonstop high-tech adventure for everyone! Spy Kids 3:The Spy Kids are back again. This time their trademark action delivers a motion picture event that pushes family fun to the next level. Secret agents Juni (Daryl Sabara) and Carmen Cortez (Alexa Vega) set out on their most mind-blowing mission yet: a journey inside the virtual reality world of a video game where awe-inspiring graphics and creatures come dangerously to life. As they face escalating challenges through increasingly difficult levels of the game the Spy Kids must rely on humour high-tech gadgets and the bonds of family in order to stop power-hungry villain (Sylvester Stallone) set on controlling the youth of the world.
A retired veterinarian living in a remote Scottish village encounters a goat who thinks he's a dog, an Admiral who's afraid of the water and a beaver who was raised by rabbits.
X-Men 2 picks up almost directly where X-Men left off: misguided super-villain Magneto (Ian McKellen) is still a prisoner of the US government, heroic bad-boy Wolverine (Hugh Jackman) is up in Canada investigating his mysterious origin, and the events at Liberty Island (which occurred at the conclusion of X-Men) have prompted a rethink in official policy towards mutants--the proposed Mutant Registration Act has been shelved by US Congress. Into this scenario pops wealthy former army commander William Stryker, a man with the President's ear and a personal vendetta against all mutant-kind in general, and the X-Men's leader Professor X (Patrick Stewart) in particular. Once he sets his plans in motion, the X-Men must team-up with their former enemies Magneto and Mystique (Rebecca Romjin-Stamos), as well as some new allies (including Alan Cumming's gregarious, blue-skinned German mutant, Nightcrawler). The phenomenal global success of X-Men meant that director Bryan Singer had even more money to spend on its sequel, and it shows. Not only is the script better (there's significantly less cheesy dialogue than the original), but the action and effects are also even more stupendous--from Nightcrawler's teleportation sequence through the White House to a thrilling aerial dogfight featuring mutants-vs-missiles to a military assault on the X-Men's school/headquarters to the final showdown at Stryker's sub-Arctic headquarters. Yet at no point do the effects overtake the film or the characters. Moreso than the original, this is an ensemble piece, allowing each character in its even-bigger cast at least one moment in the spotlight (in fact, the cast credits don't even run until the end of the film). And that, perhaps, is part of its problem (though it's a slight one): with so much going on, and nary a recap of what's come before, it's a film that could prove baffling to anyone who missed the first instalment. But that's just a minor quibble--X-Men 2 is that rare thing, a sequel that's actually superior to its predecessor. --Robert Burrow
Pierce Brosnan assumed the role of James Bond for the first time in Goldeneye, the 17th entry in the series. Brosnan looks a little light on the big screen under any circumstances, and he does take some getting used to as 007. But this busy film keeps him hopping as freelance terrorists from the former Soviet Union get their hands on super-high-tech weapons. The film's challenge is to bring free-spirited Bond up to date in the age of AIDS and in the aftermath of the cold war: director Martin Campbell (The Mask of Zorro) succeeds on both counts with a cheeky hint of irony. The best moment in the film is a chase scene that finds Bond tearing up the streets of Moscow in a tank. But Brosnan's most interesting contributions are reminiscent of the dark streak that occasionally showed up in Sean Connery's Bond. --Tom Keogh
When John Vandermark (Alan Cumming) a music teacher with a weakness for young men with great aspirations and nothing much else encounters Sebastian (David Boreanaz) he is stirred to help him in any way he can. But Vandermark soon grows bitter when his charity is abused and he finds that every woman in town is getting a piece of Sebastian. Vandermark wants to teach Sebastian a lesson...and changes their lives forever.
Charlie (Dan Futterman) is a tormented young gay man who has recently become romantically unattached. Unable to reconcile himself to the loss of his long term companion Charlie decides to live on the edge. One night as he aimlessly wanders the streets of downtown Manhattan he locks gaze with a mysterious stranger. This chance encounter marks the beginning of a nightmarish quest as he haunts the city nightly in an increasingly desperate attempt to find him. Charlie meets a host of bizarre characters on his journey each of whom recounts an urban myth. Charlie finds his borders of reality quickly shifting - the lines separating past and present truth and illusion hate and healing gay and straight have been blurred. As a result the urban myths that are imparted - the man with the stolen kidney the poodle in the microwave - as well as his own visions fuse to create a new reality round him. Disturbed and dejected Charlie decides to punish those people responsible for his misery. 'Urbania' is a provocative sexually charged noir that probes the powerful and the trancendant nature of love
From the makers of the hit series The Take the latest tale of crime and corruption from best-selling crime writer Martina Cole follows the lives of two childhood sweethearts. Cathy Connor and Eamonn Docherty are brought up together in the East End. As the daughter of a prostitute Madge Cathy's life is difficult especially when everyone assumes that she will be following in her mother's footsteps. But when Cathy is forced to protect Madge from a violent attack by a punter it changes her life forever. Cathy is taken into care but she suffers institutional abuse which leaves her with no choice but to run away. She ends up destitute on the streets of Soho when Desrae a transvestite unexpectedly comes to her rescue. Meanwhile Eamonn is rising up the ranks of the East End criminal underworld.
One of the reasons that the Spice Girls remain so much fun is that in the great British tradition, they don't take themselves too seriously. Like The Beatles before them, the girls are more than happy to take pot-shots at their own manufactured image, something that Spiceworld: The Movie revels in. It doesn't hurt, of course, that plenty of others are along for the ride: Richard E. Grant chews scenery as the road manager; Meat Loaf is the kindly, ever-reliable bus driver; Elvis Costello (!) makes a tongue-in-cheek cameo; and Roger Moore is... well, bizarre. The plot, as such, is merely a convenience, somehow tying together the girls' first-ever live concert, a pregnant friend, a documentary film crew, a non-Spice love story, and something or other about a tabloid photographer. But that's not the point--what matters here is a surprisingly deft touch by director Bob Spiers and a script that refuses to take anything too seriously; the result is a gentle self-parody that knows just how far to take the joke. --Randy Silver
Over the course of one Broadway musical season (2003-2004) Show Business follows the four high-profile productions that would eventually become Tony nominees for Best Musical: the retelling of the story of the witches of Oz Wicked the Rosie O'Donnell / Boy George collaboration Taboo the much-anticipated Tony Kushner musical Caroline or Change and an irreverent puppet show named Avenue Q. From casting to staging from previews to red-carpeted opening nights from the announcement of Tony nominations to the suspense-filled Tony Awards Show Business provides a never-before-seen look at the inner workings of Broadway musicals. Allowed unprecedented backstage access director Dori Berinstein casts a camera's eye on rehearsals backstage highs and lows and the mysterious and wondrous creative process. Featuring a star-studded array of Broadway icons as well as ambitious new faces Show Business proves that 2003-2004 was truly a season to remember.
Pip is a young street kid trying to deal with life in the big city. On his eighteenth birthday he receives a tape of his grandfather's World War II memoirs which awakens the ghosts of a long lost time and place. His grandfather graphically narrates the story of the day he turned eighteen fleeing German forces through the woods of France with a dying comrade hanging on for life. Soon Pip finds that his own contemporary life story is beginning to parallel that of his grandfathers. He stumbles into an unlikely alliance with Clark a gay street hustler on the make and Jenny an aspiring social worker who tempts him emotionally. He also forges a relationship with a local priest in whom he confides his deepest darkest secrets: The death of his brother and the heinous act his father committed against him before his demise. Generations apart but both lost in their own environments at eighteen years of age Pip and his grandfather have a supernatural connection that surpasses time itself.
X-Men 2 picks up almost directly where X-Men left off: misguided super-villain Magneto (Ian McKellen) is still a prisoner of the US government, heroic bad-boy Wolverine (Hugh Jackman) is up in Canada investigating his mysterious origin, and the events at Liberty Island (which occurred at the conclusion of X-Men) have prompted a rethink in official policy towards mutants--the proposed Mutant Registration Act has been shelved by US Congress. Into this scenario pops wealthy former army commander William Stryker, a man with the President's ear and a personal vendetta against all mutant-kind in general, and the X-Men's leader Professor X (Patrick Stewart) in particular. Once he sets his plans in motion, the X-Men must team-up with their former enemies Magneto and Mystique (Rebecca Romjin-Stamos), as well as some new allies (including Alan Cumming's gregarious, blue-skinned German mutant, Nightcrawler). The phenomenal global success of X-Men meant that director Bryan Singer had even more money to spend on its sequel, and it shows. Not only is the script better (there's significantly less cheesy dialogue than the original), but the action and effects are also even more stupendous--from Nightcrawler's teleportation sequence through the White House to a thrilling aerial dogfight featuring mutants-vs-missiles to a military assault on the X-Men's school/headquarters to the final showdown at Stryker's sub-Arctic headquarters. Yet at no point do the effects overtake the film or the characters. Moreso than the original, this is an ensemble piece, allowing each character in its even-bigger cast at least one moment in the spotlight (in fact, the cast credits don't even run until the end of the film). And that, perhaps, is part of its problem (though it's a slight one): with so much going on, and nary a recap of what's come before, it's a film that could prove baffling to anyone who missed the first instalment. But that's just a minor quibble--X-Men 2 is that rare thing, a sequel that's actually superior to its predecessor. --Robert Burrow
A tent-pole miniseries release from RHI Entertainment and Sci Fi Channel, Tin Man is a modern science fiction update of L. Frank Baum's timeless The Wonderful Wizard of Oz. When a sorceress named Azkadellia scorches the once-beautiful land of Oz into a desolate wasteland the only hope lies in an outsider named DG, a young Midwestern woman whose troubling dreams have summoned her to the doomed paradise. D.G. embarks on a journey to find the great mystic man to save the Oz and on her way she befriends a scarecrow named Glitch a tin cop named Cain and a gentle manimal named Raw. Take a journey beyond the yellow brick road with Tin Man.
James Bond is back in an adventure, which is bigger, better, and more explosive than ever before. It's packed with incredible stunts, glamorous locations, beautiful women and fast cars! Bond has a dangerous new enemy to face in his deadly mission. Aided by the Russian underworld, his treacherous foe has stolen a top-secret helicopter and the lethal Soviet space weapon 'GoldenEye' with which he plans to obliterate the Western world.
Marvel Comics' team of mutant superheroes The X-Men return in a sequel to the blockbuster hit of 2001.
A big time movie producer invites Eloise and Nanny to Hollywood and the Plaza Hotel's most famous six-year-old is instantly overcome by visions of overnight stardom and red-carpet premieres. When Eloise arrives in Tinseltown only to be asked to audition for a role in a major studio film she thinks her glamorous dreams may actually be coming true. It's an adventure full of famous actors crazy directors and behind the scenes fun. But Eloise soon discovers making a movie isn't always as exciting as it seems. Will she be able to pull off her secret plan to stop from becoming a huge Hollywood star and go back to being just plain fabulous Eloise?
This delightfully fun and lighthearted comedy is based on Jane Austen's classic novel. Dazzling Gwyneth Paltrow (Shakespeare In Love) shines as Emma a mischievous young beauty who sets up her single friends. Funny thing is...she's not very good at it! So when Emma tries to find a man for Harriet (Toni Collette Knives Out) she makes a hilariously tangled mess of everyone's lives. You'll enjoy all the comic confusion... until Emma herself falls in love, finally freeing everyone from her outrageously misguided attempts at matchmaking!
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