Master rifle sharpshooter Matt Quigley (Selleck) moves from the U.S. to Australia as a hired hand on an Australian ranch. He thinks his job will be to get rid of the dingoes plaguing the ranch but instead the ranch owner Elliot Marston (Rickman) wants him to kill the Aborigines. When Quigley refuses and turns the job down Elliot is incensed and tries to kill him. Quigley however manages to escape into the bush and takes the beautiful Cora (Laura San Giacomo) into the wilderness with him. Helped by the local aborigines Quigley takes it upon himself to wreak revenge on the evil rancher...
'Knight Errant '59. Quests undertaken, dragons defeated, damsels rescued. Anything, anywhere, for anyone, so long as it helps. Fees according to means.' Adam Knight is a young man who, having tried several jobs, decides to set up an agency, 'Knight Errant '59', to solve other people's problems - whatever they may be. There's plenty of scope and, assisted by former reporter Liz and idealistic young writer Peter, the latter-day Sir Lancelot is kept busy with a variety of curious and exciting c...
Living in the shadow of his curmudgeonly Nobel-prize winning father and struggling to finish his Phd are trouble enough for Barkley Michaelson. However things are about to get worse for him when he's kidnapped on the eve of his father's prize-giving and the requested ransom is the 000 000 that the Nobel foundation dole out to winners. His father in keeping with his selfish cavalier ways refuses to pay the fee and in doing so opens up a plethora of family divides and dysfunctions.
After an ecstatsy induced car accident 12 year old Lizzie lies dead on the roadside - slowly she is taken into the light - but is pulled back to earth when she is revived by the doctors. Lizzie feels sure that during the 184 seconds that she lay dead something latched on to her and came back into her world. The nightmares and visions that follow only crystalise her belief that she should have died in the crash... Then the disturbances start at first merely tappings and bad smells - but soon the activity escalates. Lizzie seems to be the focus but according to others she's just playing games for attention. Only when Kate her mother is confronted with inexplicable events does she face the possibility that they may be the victims of a poltergeist infestation.
Double the fear half the chance! After locating an abandoned laboratory animal rights activists start going missing one by one...
Contains;- A Place For Annie - A nurse battles to keep the AIDS baby she has looked after since it was abandoned.- First Do No Harm - A woman seeks help for her son as the medical establishment closes ranks against her.- Nicholas' Gift - Two grieving parents turn a tragedy into an act that would bring hope to other blighted lives.- The Shell Seekers - Rosamunde Pilcher's story centres on a mother and her troubled relationship with her 3 children.- Fifteen & Pregnant - The searing true story of a 15 year-old girl's experience of teenage parenthood.- Too Young To Die - Shocking drama about 2 teenagers and the death penalty.- Untamed Love - Through love patience and extraordinary commitment a teacher 'tames' a highly disturbed child.- A Message For Holly - Holly's daughter is her life. In six months she must give up both.- Ginger In The Morning - Whilst hitch-hiking in New Mexico Ginger is picked up by Joe and the attraction is mutual.- Circle Of Two - A 16 year-old girl finds comfort in an ageing artist leading to an ill-fated romance.- No One Could Protect Her - Jessica is raped and almost killed in her own home by an intruder...and he's coming back.- Sad Inheritance - To regain custody of her affected baby a drug addict must clean up her life.
Love Actually: (Dir. Richard Curtis) (2003): The story of a group of people who find themselves surrounded by love... There's the new Prime Minister who falls for his personal assistant the Prime Minister's sister Karan who realises that her husband is attracted to his secretary. Author Jamie who flees England to escape his unfaithful girlfriend and then falls for his housekeeper. Movie stand-ins John and Judy who become attracted to each other on the film set. Recently widowed Daniel who helps his stepson who is smitten with one of his class-mates and Billy Mack an ageing rock star who discovers that love can be found in the most unlikely of places... About A Boy (Dir. Paul Weitz Chris Weitz) (2002): Growing up has nothing to do with age... Will (Grant) is a 38-year old Londoner living a bachelor lifestyle on the back of royalties earned from a Christmas song penned by his father some years previously. A serial womaniser Will comes up with the idea of attending a single parents group as a new way to pick up women. Inventing a two-year old son for himself he meets lonely bullied schoolboy Marcus (Nicholas Hoult) and his depressed music therapist mother (Toni Collette). The intelligent Marcus soon learns Will's secret and so blackmails him into letting him hang out at his place and watch afternoon telly. However what starts out as an uneasy quiz show watching alliance turns into an unlikely friendship... Notting Hill (Dir. Roger Michell) (1999): A famous actress in disguise (Julia Roberts) in London runs into a divorced bookstore owner (Hugh Grant). They strike up a friendship with each other as they each find something that was previously missing from their own lives...
This is the story of Clinton and Nadine. Clinton is a small time bird smuggler who gets caught up in a twisted web of danger and deception. Nadine's an ex-hooker who is inexorably pulled in with him. So what could arms traffickers possibly want from them?
Det. Superintendent Jane Tennison's (Helen Mirren) relationship with psychologist Patrick Schofield (Stuart Wilson) has developed into a promisingly happy affair. When a series of murders take place which resemble those investigated in the first Prime Suspect she is faced with a possible miscarriage of justice and promptly suspended. Are they copy-cat crimes or is George Marlow (Tim Woodward) innocent as he always insisted? Prevented from working possibly betrayed by her lover and haunted by the past Tennison is forced to re-examine her most fundamental beliefs about her life and work.
Producers Guillermo del Toro (Pan's Labyrinth, The Orphanage) and Mark Johnson (Chronicles of Narnia) join forces to deliver Don't Be Afraid Of The Dark, a tale of hair-raising, spine-chilling horror.
This high rating critically acclaimed BBC Two series is a month-by-month journey through the world's greatest botanical garden narrated by Alan Tichmarsh. Contains the first three series.
In a remote little town in turn of the century Russia three sisters - Olga (Jeanne Watts) Irina (Louise Purnell) and Masha (Joan Plowight) - and their brother Andrei (Derek Jacobi) fantasise about their return to their former home in Moscow. For them Moscow is a city of dreams magnetism and inspiration - a far cry from their current life - an oppressive and overbearing existence devoid of hope. As they muddle through life they hold on to the memory of a place they once knew and
When John Vandermark (Alan Cumming) a music teacher with a weakness for young men with great aspirations and nothing much else encounters Sebastian (David Boreanaz) he is stirred to help him in any way he can. But Vandermark soon grows bitter when his charity is abused and he finds that every woman in town is getting a piece of Sebastian. Vandermark wants to teach Sebastian a lesson...and changes their lives forever.
Based on Ursula K. Le Guin's multiple award-winning classic tale comes this richly imagined epic mini-series. In the magical world of EarthSea the Amulet of Peace has ensured harmony between humans and dragons for centuries. But when the Amulet is broken and a piece of it disappears it's up to a neophyte wizard to restore balance and stop a nefarious king from conquering EarthSea's islands.
A mysterious event from Earth's past threatens to ignite a war so big that the TRANSFORMERS alone will not be able to save the planet. Sam Witwicky (Shia LaBeouf) and the AUTOBOTS⢠must fight against the darkness to defend our world from the DECEPTICONS'⢠all-consuming evil in the smash hit from director Michael Bay and executive producer Steven Spielberg.
Charlie (Dan Futterman) is a tormented young gay man who has recently become romantically unattached. Unable to reconcile himself to the loss of his long term companion Charlie decides to live on the edge. One night as he aimlessly wanders the streets of downtown Manhattan he locks gaze with a mysterious stranger. This chance encounter marks the beginning of a nightmarish quest as he haunts the city nightly in an increasingly desperate attempt to find him. Charlie meets a host of bizarre characters on his journey each of whom recounts an urban myth. Charlie finds his borders of reality quickly shifting - the lines separating past and present truth and illusion hate and healing gay and straight have been blurred. As a result the urban myths that are imparted - the man with the stolen kidney the poodle in the microwave - as well as his own visions fuse to create a new reality round him. Disturbed and dejected Charlie decides to punish those people responsible for his misery. 'Urbania' is a provocative sexually charged noir that probes the powerful and the trancendant nature of love
Britten's last opera, Death in Venice will always be associated with the two voices for which the major parts in it were written. It is the achievement of Robert Tear and Alan Opie, in this magisterial performance by Graeme Jenkins with the Glyndebourne touring company, to produce telling performances that are entirely separate from our memories. Tear's Aschenbach is more bull-like than Peter Pears' moralist dreamer; his drift into sentimental eroticisation of the boy Tadzio upsets him as much for the weakness it reveals as for the collapse of his virtue. Alan Opie is as much of a virtuoso as John Shirley-Quirk in the multiple roles that culminate in the corrupting voice of Dionysus--the hotelier who persuades Aschenbach to stay, the barber who gives him a toupee and paints his face, the street entertainer, the rake who flirts with sailors; the otherworldly counter-tenor of Michael Chance is spookily right as Apollo. The scenes for dancers manage to be at once dreams of the erotic and plausible adolescent sea-side wrestling; the direction by Stephen Lawless and Martha Clarke manages to capture the mistiness of the piece from which fate and strangeness suddenly emerge. On the DVD: The DVD has subtitles in German, French and Spanish, as well as an acoustic which brings out the subtleties of Britten's string, brass and percussion in this difficult work. --Roz Kaveney
Alan Carr and Justin Lee Collins bring you a selection of their very favourite clips & outtakes from the series in the new "The Sunday Late Night Project" DVD.
Set against the Iranian hostage crisis of 1979 and 1980, Ben Afflecks Argo is a nerve-jangling footnote to the birth of Ayatollah Khomeinis Islamic Republic. The movie opens at the crest of the 1979 revolution--the storming of the US embassy in Tehran, and the escape of six diplomats to the precarious safety of the Canadian ambassadors residence. To the rescue is Tony Mendez--a composed CIA agent whose heroism remained classified until 1997--and his state-approved plan to get the stranded embassy staff out of Iran under a brazen cover story: theyre an innocent film crew on a location hunt for the fake sci-fi blockbuster Argo. Hollywood is usually pressed into the service of the state in the name of comedy (either burying dictators in Team America: World Police or just bad news in Barry Levinsons Wag the Dog), but Argo is a true story, and the tone of Affleck's Oscar-winning script is carefully split, switching between mounting tension in consular Tehran and a satire of the Hollywood machine as fronted by Alan Arkin and John Goodman--two raffish producers hired by Mendez to reverse-engineer some convincing buzz for the Argo movie. Affleck himself takes the role of Mendez, the steady-eyed agent betting everything on Hollywoods age-old efficiency at creating a media circus for a project long before it exists. History starts out as farce and ends up a tragedy, remarks Goodman, but Argo ends on a patriotic upbeat, and doesnt reflect much on history. It politely nods at the context of Irans attitude to the West, and were told about but not shown--bar the blank rage of the revolutionary mob--Irans anger at the Westerly flow of resources under Shah Pahlavi. Instead, Argo concentrates on the eggshell complexities of deception in plain sight, including a climactic set-piece in which Mendez team must fend their way through layers of suspicious Iranian airport security--with imminent capture, execution and political calamity only on the other side of their paper-thin pretext. It may have the ring of historical escapism, but Argo holds its nerve as a great Hollywood escape. --Leo Batchelor /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";}
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