A never-before-seen and newly restored cut of Francis Ford Coppola's spectacular cinematic masterpiece in a way which the director believes looks better than it has ever looked and sounds better than it has ever sounded. Apocalypse Now was nominated for 8 Academy Awards® (including Best Picture) and won 2 Academy Award® for Best Cinematography and Best Sound, 2 BAFTAs for Best Direction and Best Supporting Actor and the Palme d'Or in Cannes. Starring Academy Award® winner Marlon Brando (1972, Best Actor, The Godfather), Academy Award® winner Robert Duvall (1983, Best Actor, Tender Mercies), Golden Globe® winner Martin Sheen (2001, Best Actor TV Series, The West Wing), Academy Award® nominee Dennis Hopper (1986, Best Supporting Actor, Hoosiers), Academy Award® nominee Laurence Fishburne (1993, Best Actor, What's Love Got to Do with It), and Academy Award® nominee Harrison Ford (1985, Best Actor, Witness), the film follows Army Captain Willard (Martin Sheen), a troubled man sent on a dangerous and mesmerizing odyssey into Cambodia to assassinate a renegade American colonel named Kurtz (Marlon Brando), who has succumbed to the horrors of war and barricaded himself in a remote outpost. The best visual and sound technologies have been used to present Coppola's true vision of the film: one that delivers deep, visceral visual and auditory impact. The audience will be able to see, hear and feel this film how I always hoped it could befrom the first bang' to the final whimper said the film-maker. All three versions of this film are available on this release including Apocalypse Now: The Final Cut, Apocalypse Now: Theatrical Cut, and Apocalypse Now Redux Extended Cut. Restored from the original negative for the first time ever, Apocalypse Now Final Cut is Coppola's most complete version of his multi-awarded classic. This is the first time the original negative has ever been scanned and over 11 months and 2,700 hours were spent on cleaning and restoring the film's 300,173 frames. Brought to life through ultra-vivid picture quality with Dolby Vision®, delivering spectacular colours never before seen on a screen, with highlights that are up to 40 times brighter, and blacks that are 10 times darker. It has also been mixed in Dolby Atmos® to offer a truly immersive sound experience and it has been enhanced Meyer Sound Laboratories' newly developed Sensual Soundâ¢, a technology engineered to output audio below the limits of human hearing. Special Features: NEW - Introduction to Final Cut by Francis Ford Coppola Hearts of Darkness: A Filmmaker's Apocalypse NEW - Tribeca Film Festival Q&A with Francis Ford Coppola and Steven Soderbergh NEW - Super 8mm Behind-The-Scenes Footage NEW - Dutch Angle: Chas Gerretsen & Apocalypse Now NEW - Apocalypse Now: Remastering A Legend In Dolby Vision® and Dolby Atmos® NEW - Apocalypse Now: A Forty Year Journey NEW - Sensual Sound Technology from Meyer Sound Storyboard Collection (171 pages) John Milius script excerpt with Francis Coppola notes (still gallery) Photo Archive: Unit photography (30 pages) Mary Ellen Mark photography (12 pages) Marketing Archive: 1979 Teaser Trailer 1979 Theatrical Trailer 1979 Radio Spots (4 spots) 1979 Theatrical Program (16 pages) Lobby Card and Press Kit photos (78 pages) Poster Gallery Apocalypse Now Redux Trailer
One of the most iconic films ever made and one of the most disturbing dramatisations of the Vietnam War ever seen, Francis Ford Coppola's Apocalypse Now is cinema at its most epic and unforgettable. Traumatised soldier Captain Benjamin L. Willard has been chosen for a highly classified mission. He must journey along the notorious Nung river and into the savage depths of war torn Cambodia in search of the mysterious Colonel Kurtz. Deemed insane and a danger to the war effort, Kurtz must be terminated with extreme prejudice. But the closer he gets to Kurtz the closer he gets to his own heart of darkness. In 2001 Coppola re-approached his hallucinatory masterpiece to create a definitive version, reinstating 49 minutes of previously unseen material. The result is Apocalypse Now Redux. In a pristine new transfers supervised by Francis Ford Coppola Presented in the original (2.35:1) theatrical aspect ratio Contains both the original theatrical cut of Apocalypse Now and Apocalypse Now Redux
A never-before-seen and newly restored cut of Francis Ford Coppola's spectacular cinematic masterpiece in a way which the director believes looks better than it has ever looked and sounds better than it has ever sounded. Apocalypse Now was nominated for 8 Academy Awards® (including Best Picture) and won 2 Academy Award® for Best Cinematography and Best Sound, 2 BAFTAs for Best Direction and Best Supporting Actor and the Palme d'Or in Cannes. Starring Academy Award® winner Marlon Brando (1972, Best Actor, The Godfather), Academy Award® winner Robert Duvall (1983, Best Actor, Tender Mercies), Golden Globe® winner Martin Sheen (2001, Best Actor TV Series, The West Wing), Academy Award® nominee Dennis Hopper (1986, Best Supporting Actor, Hoosiers), Academy Award® nominee Laurence Fishburne (1993, Best Actor, What's Love Got to Do with It), and Academy Award® nominee Harrison Ford (1985, Best Actor, Witness), the film follows Army Captain Willard (Martin Sheen), a troubled man sent on a dangerous and mesmerizing odyssey into Cambodia to assassinate a renegade American colonel named Kurtz (Marlon Brando), who has succumbed to the horrors of war and barricaded himself in a remote outpost. The best visual and sound technologies have been used to present Coppola's true vision of the film: one that delivers deep, visceral visual and auditory impact. The audience will be able to see, hear and feel this film how I always hoped it could befrom the first bang' to the final whimper said the film-maker. All three versions of this film are available on this release including Apocalypse Now: The Final Cut, Apocalypse Now: Theatrical Cut, and Apocalypse Now Redux Extended Cut. Restored from the original negative for the first time ever, Apocalypse Now Final Cut is Coppola's most complete version of his multi-awarded classic. This is the first time the original negative has ever been scanned and over 11 months and 2,700 hours were spent on cleaning and restoring the film's 300,173 frames. Brought to life through ultra-vivid picture quality with Dolby Vision®, delivering spectacular colours never before seen on a screen, with highlights that are up to 40 times brighter, and blacks that are 10 times darker. It has also been mixed in Dolby Atmos® to offer a truly immersive sound experience and it has been enhanced Meyer Sound Laboratories' newly developed Sensual Soundâ¢, a technology engineered to output audio below the limits of human hearing. Special Features: NEW - Introduction to Final Cut by Francis Ford CoppolaHearts of Darkness: A Filmmaker's Apocalypse NEW - Tribeca Film Festival Q&A with Francis Ford Coppola and Steven Soderbergh NEW - Super 8mm Behind-The-Scenes Footage NEW - Dutch Angle: Chas Gerretsen & Apocalypse Now NEW - Apocalypse Now: Remastering A Legend In Dolby Vision® and Dolby Atmos® NEW - Apocalypse Now: A Forty Year Journey NEW - Sensual Sound Technology from Meyer Sound Storyboard Collection (171 pages) John Milius script excerpt with Francis Coppola notes (still gallery) Photo Archive: Unit photography (30 pages) Mary Ellen Mark photography (12 pages) Marketing Archive: 1979 Teaser Trailer 1979 Theatrical Trailer 1979 Radio Spots (4 spots) 1979 Theatrical Program (16 pages) Lobby Card and Press Kit photos (78 pages) Poster Gallery Apocalypse Now Redux Trailer
Francis Ford Coppola's 1979 classic tale of the Viet Nam war, re-released with almost an hour of additional footage. Captain Willard (Martin Sheen) is given the task of sailing upriver to find and execute renegade military officer Colonel Kurtz (Marlon Br
A terrific film noir full of skewed camera angles and mysterious whose-shoes-are-those shots, Kiss Me Deadly is about as dark and exciting as noir gets. A young woman (Cloris Leachman) in bare feet and a trench coat throws herself into the traffic to flag down help and the car she stops belongs to detective Mike Hammer. Not even 15 minutes into the film and there's already been a murder, a mysterious letter, an attempt to kill Hammer and, of course, a warning to stay out of it. Hammer, tired of lowlife divorce cases, smells something big and can't let it go. Mike Hammer is a detective so cool he can win a fight with nothing more than a box of popcorn as a weapon; he knows his opera singers as well as his amateur prize-fighters and he makes the ladies swoon--but he's far from a conventional hero. In fact, he's emphatically not a nice guy; Hammer happily whores out his secretary-girlfriend Velma to cinch up those divorce cases and has a penchant for slamming other people's fingers in drawers. Even the bad guys know he's a sleazebag ("What's it worth to you to turn your considerable talents back to the gutter you crawled out of?"). Ralph Meeker plays Hammer's ambivalence brilliantly, swinging easily between sexy and just plain mean. --Ali Davis
Collection of four classic children's films. 'Annie' (1982) is the story of the eponymous optimistic orphan (Aileen Quinn) who lives a miserable life in an children's home run by the awful Miss Hannigan (Carol Burnett). One day, she sees her chance to escape and sets off on a journey which will take her to the door of childless millionaire Daddy Warbucks (Albert Finney). In 'Oliver' (1968) young Oliver Twist (Mark Lester) escapes from the workhouse, where he has been brutally treated all of his life, and joins the gang of street urchins led by the rascal Fagin (Ron Moody). Oliver is trained as a pick-pocket, but ends up being caught for a crime he did not commit. However, this seemingly unfortunate accident brings him closer to his real family. 'Matilda' (1996) stars Mara Wilson as the exceptionally gifted and intelligent child who is ignored by her stupid parents Harry (Danny DeVito) and Zinnia (Rhea Perlman). A keen reader, her dearest wish is to be sent to school, but the establishment Harry selects is Crunchemhall, run by the tyrannical Miss Trunchball (Pam Ferris). Her cruelty to her pupils causes Matilda to vow revenge, and her newly discovered telekinetic powers give her the chance to do so. 'Madeline' (1998) stars Hatty Jones as the most mischievous of the twelve friends who live at a Parisian school run by Miss Clavel (Frances McDormand). Her sunny existence is threatened by starchy old Lord Covington (Nigel Hawthorne) who is on a campaign to have the school closed down. It is up to Madeline and her friends, who include the equally precocious Pepito (Kristian de la Osa) and a dog who saved her from drowning, to stop him.
Oprah Winfrey and Danny Glover play the unforgettable lead roles in a powerful widely acclaimed cinematic triumph from Oscar-winning director Jonathan Demme. On a different journey to find freedom Sethe (Winfrey) is constantly confronted by the secrets that have haunted her for years. Then an old friend from out of her past (Glover) unexpectedly re-enters her life. With his help Sethe may finally be able to rediscover who she is and regain her lost sense of hope. Also featuring outstanding performances from Thandie Newton and Lisa Gay Hamilton you'll agree with critics everywhere who've hailed this landmark adaptation of Toni Morrison's Pulitzer Prize-winning novel as one of the year's finest films!
In the late seventies celebrated director Francis Ford Coppola and his cast and crew ventured into the dense jungles of the Philippines to begin work on what would eventually become his masterpiece, ApocalypseNow. But the journey from page to screen soon spiralled into a hellish, life-threatening nightmare that echoed the film’s narrative. Plagued with adversity, one of the most influential films ever made had one of the most notorious shoots in cinema history that few survived unscathed. Compiled from rare on set footage filmed by Coppola’s wife Eleanor and interviews with the cast, Hearts Of Darkness is the ultimate feature-length documentary, capturing the explosive events that lead to Apocalypse Now becoming an acknowledged classic.
Join the whimsical Ally McBeal both in and out of the courtroom to watch her defend and prosecute the most flamboyant and comical cases whilst at the same time falling in and out of relationships. The introduction of icy Nelle Porter (Portia de Rossi) often known as 'sub-zero Nelle' and the tempestuous Ling Woo (Lucy Liu) into the firm creates an ever intriguing element of love and hate in Season 2. Amusing to some but a cause of great anguish to others both of them capture the h
Experience a magical journey of discovery as three children race against time to stop a group of greedy Artic oil prospectors from accidently blowing up Santa Claus! The children's father Michael - also the prospector's head geologist - is under pressure from his boss to strike it big before Christmas. In a desperate bid to save his job he begins blasting with dynamite but unknowingly also starts to cause serious damage to North Pole City - the fantastical home of Santa Claus an
In this hysterical satire of Reagan-era values, written and directed by ALBERT BROOKS (Modern Romance), a successful Los Angeles advertising executive (Brooks) and his wife (Airplane's JULIE HAGERTY) decide to quit their jobs, buy a Winnebago, and follow their Easy Rider fantasies of freedom and the open road. When a stop in Las Vegas nearly derails their plans, they're forced to come to terms with their own limitations and those of the American dream. Brooks's barbed wit and confident direction drive Lost in America, a high point in the string of restless comedies about insecure characters searching for satisfaction in the modern world that established his unique comic voice and transformed the art of observational humour. Special Features: New 2K digital restoration, with uncompressed monaural soundtrack New conversation with director Albert Brooks and filmmaker Robert Weide New interviews with actor Julie Hagerty, executive producer Herb Nanas, and comic writer and director James L. Brooks Trailer PLUS: An essay by critic Scott Tobias
The fifth season was the last series of Ally McBeal, and probably the least satisfying. While always at least slightly entertaining, it was troubled by two conflicting imperatives: first, to steer its neurotic characters and multiplicity of sub-plots towards a coherent and credible resolution; second, to sustain another series of a programme which had, by now, exhausted all the plot possibilities that were remotely believable. The result is a bemusing onslaught of new characters (Ally's Mini-Me Jenny and a barely distinguishable phalanx of lantern-jawed male leads), celebrity cameos (Edna Everage, Christina Ricci, Barry White, Matthew Perry, Jon Bon Jovi), several storylines that would test the credulity of any of the curiously indulgent judges before whom Ally's firm practises (notably the arrival of a 10-year-old daughter that Ally didn't know she had) and one misbegotten attempt to anchor the programme to the real world (the "Nine One One" episode, an unwatchably mawkish allegory about the 9/11 terrorist attacks on the United States). Granted that Ally McBeal was never intended to be realistic drama, but when the programme spirals entirely off into the realms of the surreal, any possibility of the sort of identification with the characters on which the programme once relied is lost. Though not without its moments, the sudden redemption of Fish, always the best-written character, is deftly handled. Series Five will be of chief interest to adherents who stuck with it through the first four and so wanted to see how it all ends; in keeping with the central character's defining motifs of solipsism and self-pity, it does so with a whimper. On the DVD: Ally McBeal has episode selector on each disc, and a scene selector within each of those. The final disc contains two short and desultory documentaries on the series billed, somewhat hopefully, as "Special Features". A French audio soundtrack is available, as are subtitles in English, French and Dutch. -Andrew Mueller
Frank and Jack Baker are professional musicians who play small clubs. Jack is the cynical talented one with a liking for casual relationships while Frank is more ordinary and organised with a suburban home and family. After a series of boring gigs they decide to hire a singer. Into their lives walks Susie Diamond a hard nosed woman with a face as beautiful as her voice. Their status begins to pick up but tensions are beginning to mount between the two brothers especially as romance is blossoming between Susie and Jack.
""Space... The final frontier... These are the voyages of the Starship Enterprise. Its continuing mission: To explore strange new worlds... To seek out new life; new civilisations... To boldly go where no one has gone before!"" - Jean-Luc Picard (Patrick Stewart) The complete third season of Star Trek: The Next Generation one of the finest sci-fi shows of all-time. Episodes Comprise: 1. Evolution 2. The Ensigns Of Command 3. The Survivors 4. Who Watches The
Filmmaker Spike Lee actor Denzel Washington and other top talents vividly portray the life and times of Malcolm X. ""Heres a man who rose up from the dregs of society spent time in jail re-educated himself and through spiritual enlightenment rose to the top "" Lee says. Academy Award winner Washington was an Oscar nominee and the New York Boston and Chicago Film Critics choice as 1992s Best Actor.
The Time: In 1989 the Berlin Wall for so long the symbol of the cold war came crashing down. 12 months later this defining moment was marked by one of the greatest rock concerts of all time. The Place: Postdamer Platz sat between the two Berlin walls which divided the city. For decades people had died trying to escape Communism to Capitalism. In 1990 this extraordinary concert would open up this historic landmark. The Performances: Special Guests: Bryan Adams The Band: Rick Danko Gareth Hudson Levon Helm Paul Carrack Thomas Dolby James Galway Jerry Hall The Hooters Cyndi Lauper Ute Lemper Paddy Maloney Joni Mitchell Van Morrison Sinead O'Connor and Scorpions.
What's a girl to do when she's about to turn 30? If you're Ally you'll have a sexual encounter with a stranger kiss Ling get sued defend Santa date a homeless guy and then decide that John Cage is ""the one"". Meanwhile John loses touch with his inner Barry White. Billy goes blonde and dumps Georgia. Ling gets arrested for pimping Richard and Ling breakup Nelle and John kiss and make up while Elaine tries to adopt a baby. Features the entire collection of Season 3 episodes.
Much lighter in tone than creator, producer and writer David E Kelley's other forays into legal drama LA Law, and The Practice, the slick thirtysomething series Ally McBeal has never been out-and-out comedy but it spikes its exploration of emotional territory with sharp funny lines. Ally (Calista Flockhart) is a kookie cutie, a ditzy, skinny, single lawyer and we are privy to scenes from her overactive imagination (courtesy of CGI), surrounded by larger-than-life peripheral characters--almost grotesques--like outspoken boss Richard Fish (Greg Germann), nervy courtroom wizz John "The Biscuit" Cage (Peter MacNicol) and nosy secretary Elaine Vassal (Jane Krakowski). In later series these characters (including popular newcomers Lucy Lui and Portia de Rossi as frosty law babes Ling and Nelle) would edge towards one-dimensional caricatures as the same ground was retrodden relentlessly, but in this first series there is something compelling about the intrusive dynamics of this group of oddballs. The point is you don't have to like them to find them entertaining. Ally herself can be extremely irritating in a love-to-hate-her kind of a way. She is a curious dichotomy, a 1990s woman with a go-getting career and a penchant for her own way and yet with the romantic ideals of someone from another generation. Basically still hung up on ex-boyfriend Billy (Gil Bellows) who works for same Boston practice, alongside wife Georgia (Courtney Thorne-Smith), Ally is on the look out for her Prince Charming. The first series and its lead both garnered Golden Globes, a lot of gossip and a healthy audience for the Fox television network in America. Channel 4 snapped it up for British audiences who were intrigued, not least by the unisex toilets and sophisticated afterwork bar soirées where chanteuse Vonda Shepherd was always to be found crooning away in the corner. All in all, Ally McBeal leaves you with the conundrum of wanting more but not being able to say why. --Emma Perry
FBI agent Cathy Weaver (Winger) goes undercover to investigate a suspect in the murder of a local radio personality. As she becomes romantically interested in the apparently innocent Simmons (Berenger) Weaver uncovers an extremist group armed for murder. A horrifying network of violence stretches from the ordinary man in the street to high level government officials. What follows is a shockwave of discovery as Weaver confronts the man she thought she loved and the criminal she mus
An inspired casting gimmick, a wonderful mood, a grown-up love story--all this in The Fabulous Baker Boys, but the only thing anybody ever talks about is Michelle Pfeiffer on top of a piano. Granted, it's a showstopper: clad in a slinky dress, Pfeiffer rolls around on the Steinway while she purrs out a languid version of "Makin' Whoopee". Adding to the seductive vibe is the fact that she's not singing to the audience, but to the sullen piano player (Jeff Bridges) whose fancy she has captured. Bridges and his real-life brother, Beau, play two lounge entertainers whose act has grown stale; they're not above doing "Feelings" for the tourist crowd. They've hired songbird Pfeiffer (who does her own sexy singing) to spice up the routine, a strategy that pays off in spades. The three actors are terrific, with the fabulous Bridges boys playing neatly off their own sibling rhythms. Writer-director Steve Kloves captures the feel of second-rate Seattle clubs, and Dave Grusin's jazzy score keeps propelling the film forward. The story itself might have come from a 1940s romance, yet Kloves and his actors keep it unusually modern and thoughtful. And then there's Michelle Pfeiffer rolling around on top of a piano.... --Robert Horton
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