The searing classic of paradise lost. The 24-year old idol-to-be James Dean plays Cal a wayward Salinas Valley youth who vies for the affection of his hardened father (Raymond Massey) with his favored brother Aron (Richard Davalos). Playing off the haunting sensitivity of Julie Harris Dean's performance earned one of the film's four Academy Award nominations. Among the movie's stellar performers Jo Van Fleet won the Oscar for Best Supporting Actress.
That Charles Chaplin's Little Fellow (his own name for the Little Tramp) is such a Comic Everyman enabled the master moviemaker to place the character in all manner of situations. That versatility abounds in this treasure chest of seven marvelous movies made for First National between 1918 and 1923. Included are such touchstones as Shoulder Arms (his popular portrayal of World War I trench life) The Idle Class (skewering the rich) and The Pilgrim (lampooning smal
In a small Irish village, strong-willed Tara shocks the townspeople by having a baby out of wedlock and refusing to name the father. During Sunday mass she goes into labour giving birth to a baby boy. The town's constable, Brendan Hegarty, and Mick, a local landowner, vie for Tara's hand in marriage, but she refuses them both. When Tara instead falls for Tom Casey, an actor in a lewd wandering theater troupe called the Playboys, Hegarty plots to keep Tara and Tom apart.
Trinity And Beyond - Atomic Bomb Movie
One of the greatest screen biographies ever produced, Patton is a monumental film that won seven Academy Awards and gave George C Scott the greatest role of his career. It was released in 1970 when protest against the Vietnam War still raged in the States and abroad. Inevitably, many critics and filmgoers struggled to reconcile the events of the day with the film's glorification of US General George S Patton as a crazy-brave genius of World War II; how could a film so huge in scope and so fascinated by its subject be considered an anti-war film? The simple truth is that it's not--Patton is less about World War II than about the rise and fall of a man whose life was literally defined by war and who felt lost and lonely without the grand-scale pursuit of an enemy. George C Scott embodies his role so fully, so convincingly, that we can't help but be drawn to and fascinated by Patton as a man who is simultaneously bound for hell and glory. The film's opening monologue alone is a masterful display of acting and character analysis and everything that follows is sheer brilliance on the part of Scott and director Franklin J Schaffner, aided in no small part by composer Jerry Goldsmith's masterfully understated score. Filmed on an epic scale at literally dozens of European locations, Patton does not embrace war as a noble pursuit, nor does it deny the reality of war as a breeding ground for heroes. Through the awesome achievement of Scott's performance and the film's grand ambition, General Patton shows all the complexities of a man who accepted his role in life and (like Scott) played it to the hilt. --Jeff Shannon, Amazon.comOn the DVD: The widescreen print of the movie (which was originally filmed using a super-wide 70mm process called "Dimension 150") is handsomely presented on the first disc, with a remastered Dolby 5.1 soundtrack. It is accompanied by a rather dry "Audio essay on the historical Patton" read by the president and founder of the General George S. Patton Jr. historical society. The second, supplementary disc carries a new and impressive 50-minute "making-of" documentary, with significant contributions from Fox president Richard Zanuck, as well as composer Jerry Goldsmith and Oliver Stone. Director Franklin J. Schaffner (who died in 1989) and star George C. Scott are heard in interviews from 1970. In the documentary, Stone provocatively complains that Patton glorified war and that President Nixon's enthusiasm for the movie was directly responsible for his decision to invade Cambodia. Also on this disc, in a separate audio-only track, is Jerry Goldsmith's magnificent music score--one of his greatest achievements--heard complete with studio session takes for the famous "Echoplex" trumpet figures. --Mark Walker
Four classic Gregory Peck films are featured on this fantastic box set. Gentleman's Agreement: Director Elia Kazan and producer Darryl F. Zanuck caused a sensation with ""the most spellbinding story ever put on celluloid"" (Hollywood Reporter) recipient of three Academy Awards including Best Picture. One of the first films to directly tackle racial prejudice this acclaimed adaptation of Laura Z. Hobson's bestseller stars Gregory Peck as a journalist assigned to write a series
Set in 1901 against the backdrop of the Anglo-Boer War, this powerful, period epic follows Willem Morkel - a Boer and family man whose wife and son are murdered during the conflict. Captured as a prisoner of war, Willem must survive incarceration in the notorious St. Helena concentration camp. Constantly tortured and humiliated by the camp commander (Colonel Swannell) and his soldiers in an effort to break the prisoners emotionally and cripple them physically, it only serves to fuel their resistance and quest for vengeance So, when the Colonel throws down the gauntlet of a rugby match: prisoners vs soldiers they see their chance!
September 1916 - a young aristocrat Baron Manfred von Richthofen (Matthias Schweigh''fer - Valkyrie) is transferred to a German fighter division. Numerous kills his trademark bright red plane and the heroic conquests of his 'Flying Circus' squadron soon make him a German hero. Yet manipulated by the High Command propaganda machine and distracted by fame he remains blind to the true cost of conflict. Only when injured and shown the horrors of a field hospital by a German nurse (Lena Headley - Terminator Sarah Connor Chronicles) does he begin to understand there is more to war than his beloved aerial duels. Reticent and disillusioned but unflinchingly loyal to his men the feared Baron knows he cannot stop flying. But even for this living legend each new mission could be his last. Packed with incredible aerial combat scenes this is the story of the greatest fighter pilot of all time.
Filmed during the Nazi occupation of Denmark Carl Dreyer's Day of Wrath is a harrowing account of individual helplessness in the face of growing social repression and paranoia. Anna the young second wife of a well-respected but much older pastor falls in love with his son when he returns to their small 17th century village. Stepping outside the bounds of the village's harsh moral code has disastrous results: Anna faces the stake accused of witchcraft. Exquisitely photog
In a small Irish village, strong-willed Tara shocks the townspeople by having a baby out of wedlock and refusing to name the father. During Sunday mass she goes into labour giving birth to a baby boy. The town's constable, Brendan Hegarty, and Mick, a local landowner, vie for Tara's hand in marriage, but she refuses them both. When Tara instead falls for Tom Casey, an actor in a lewd wandering theater troupe called the Playboys, Hegarty plots to keep Tara and Tom apart.
Francis Ford Coppola's 1979 classic tale of the Viet Nam war, re-released with almost an hour of additional footage. Captain Willard (Martin Sheen) is given the task of sailing upriver to find and execute renegade military officer Colonel Kurtz (Marlon Br
Alex Gardner (Dennis Quaid) is a talented young psychic who is frittering his gifts away betting on the ponies. That is, until he's coerced by his old pal and mentor Dr Paul Novotny (Max von Sydow) into taking part in a dream research project in which his psychic abilities make him indispensable. The project concerns "dreamlinking", whereby talented individuals like Alex hook up via electrodes and project themselves into some troubled subject's nightmares, in which they not only observe but participate in the dream, hopefully effecting some remedy. Alex is by nature a feckless guy, a charismatic scoundrel sporting a Cheshire cat's grin. But he warms easily to his new role as dream-dwelling psychotherapist, having a core of decency. Not so his nemesis, Tommy Ray Glatman (David Patrick Kelly), a dreamlink prodigy and pawn of Bob Blair (Christopher Plummer), who runs the research project for the government (he's described as the "head of covert intelligence"). Blair is worried about the President (Eddie Albert), whose nightmares of nuclear holocaust cause him to escalate disarmament talks with the Russians, much to Blair's dismay, being your basic evil, slick, smarmy covert kind of guy. Turns out Blair's real aim is to use the project to train dreamlink assassins, his star pupil being psycho Tommy Ray and his test case the President. Only Alex is there to stop them.Dreamscape is all business, with a well-structured screenplay that lays the groundwork for the film's many admirable performances. Kate Capshaw in particular is very dreamy as a research scientist and Dennis Quaid's love interest. And David Patrick Kelly is likely to become your worst nightmare, especially when he's the Snakeman, giving an often fantastical performance. But what you are most likely to remember from this wonderful thriller is the many vivid dream sequences, aptly surreal images from the troubled psyche. --Jim Gay
One of the great late period films by Sacha Guitry - the total auteur who delighted (and scandalised) the French public and inspired the French New Wave as a model for authorship as director-writer-star of screen and stage alike. In every one of his pictures (and almost every one served as a rueful examination of the war between the sexes), Guitry sculpted by way of a rapier wit - one might say by way of the Guitry touch - some of the most sophisticated black comedies ever conceived... and La Poison [Poison] is one of his blackest. Michel Simon plays Paul Braconnier, a man with designs on murdering his wife Blandine (Germaine Reuver) - a woman with similar designs on her husband. When Braconnier visits Paris to consult with a lawyer about the perfect way of killing a spouse - that is, the way in which he can get away with it - an acid comedy unfolds that reaches its peak in a courtroom scene for the ages. From the moment of Guitry's trademark introduction of his principals in the opening credits, and on through the brilliant performance by national treasure Michel Simon (of Renoir's Boudu sauve des eaux and Vigo's L'Atalante, to mention only two high-water marks), here is fitting indication of why Guitry is considered by many the Gallic equal of Ernst Lubitsch. The Masters of Cinema Series is proud to introduce Sacha Guitry into the catalogue with La Poison for the first time on video in the UK in a dazzling new Gaumont restoration. Special Features: New HD restoration of the film, presented in 1080p on the Blu-ray Newly translated optional subtitles Substantial booklet containing writing on the film, vintage excerpts, and rare archival imagery
She has the lineage of a goddess, a touch of the diva, good story sense, the basic instincts of a freeloader, and the look of love. When she was made, the mould was broken. Who is this woman? 100% pure Muse.
The Longest Day, producer Darryl F Zanuck's epic account of June 6, 1944, is Hollywood's definitive D-Day movie. More modern accounts such as Saving Private Ryan and the mini-series Band of Brothers are more vividly realistic, but Zanuck's production is the only one to attempt the daunting task of covering that fateful day from all perspectives. From the German high command and front line officers to the French Resistance and all the key Allied participants, the screenplay by Cornelius Ryan, based on his own authoritative book, is as factually accurate a depiction of events as possible. Zanuck picked three different directors to handle the German, French and Allied sequences respectively and the result should have been a grittily realistic semi-documentary work of unparalleled authenticity. That it is not is due to the unfortunate decision to populate the movie with an apparently endless parade of stars: John Wayne, Henry Fonda, Robert Mitchum, Sean Connery and Kenneth Moore to name a few all pop up from time to time; while Roddy McDowall and Richard Burton, on leave from the set of Cleopatra, also get cameos. The end result is an uneasy mix of verisimilitude and Hollywood star-power. Add to that the need for every character to provide almost endless explanatory exposition and the film falls a little flat for too much of its running time. The set-piece battles are still spectacular, however, and if the landings on Omaha beach lack the graphic gore of Private Ryan they nonetheless show the sheer scale and audacity of the invasion. Despite its top-heavy cast, The Longest Day is still the best D-Day movie ever made.On the DVD: The black and white print is in excellent condition, as is the remixed Dolby 5.0. Made in 1969, the 50-minute supplementary documentary "D-Day Revisited" has producer Zanuck revisiting key locations in Normandy, chatting to the locals in rather stiff French and providing a personal narrative of the events of June 6, 1944 intercut with scenes from his film. The sight of the elderly Zanuck standing on Omaha Beach or beside the headstone of an unknown soldier is easily as poignant as the bookend scenes of Saving Private Ryan, but without the Spielbergian sentiment. --Mark Walker
Paris in the 1920s. The American journalist Jake and his friends spend the time at cafés. He has a special interest in his ex-fiancée Lady Ashley. They take a vacation in Pamplona to watch the bull-fights. High Definition Transfer Commentary by film historians Patricia King Hanson and Frank Thompson Featurette: The Old Men and The Bulls: The Making of The Sun Also Rises Featurette - Hemingway on Film Audio conversation with director Henry King Promotional Materials Still Gallery Original Theatrical Trailer
The ever so popular Twilight Zone comes to the big screen with this 1983 movie with four segments each directed by a different director, Joe Dante (The Burbs’, Gremlins), Steven Spielberg (Jaws, Schindler’s List), George Miller (Mad Max, Happy Feet) and John Landis (The Blues Brothers, An American Werewolf in London). Each popular director directed their own version of classic stories from Rod Serling’s original tv series. In ‘Time Out’ by John Landis, a man must experience life through the eyes of a select group of ethnicities as punishment for his racial remarks he has made in his life. In ‘Kick the Can’ by Steven Spielberg, a new resident to a retirement home convinces the other residents to play a game of Kick the Can with him. Unaware that this will literally take them back to their younger days they reluctantly agree. In ‘It’s a Good Life’ by Joe Dante, a woman gives a boy a ride home after she accidently runs over her bike with her car. She soon discovers that the boy has an incredible skill to control things with his brain power. In ‘Nightmare at 20,000 Feet’ by George Miller, a man slowly starts to go insane as he sees a gremlin on the wing of the plane that no one else can see.
Ken Annakin directs this 1950s comedy starring Yvonne De Carlo, Peter Ustinov and David Tomlinson. The Hotel Sahara, located in the middle of the desert, is run by husband and wife team Emad and Yasmin Pallas (Ustinov and De Carlo). As the devastation of World War II reaches North Africa, Yasmin takes it upon herself to figure out a way to save the hotel from destruction.
The Best Things In Life: Students to the rescue when Jeremy and the gang assist Jamila who has been detained at the police station for shoplifting. Will Jeremy's donation to the police help free her? Come Back All Is Forgiven: A birthday to remember for Jeremy as Ranjeet Max Taro and Juan all buy him the same gift. More importantly he has a battle on his hands to keep his job from the clutches of Miss Hardacre. The Cheating Game: When the gang must pass exams in order to keep the class going cheating becomes the name of the game with Jeremy lending a helping hand. Better To Have Loved And Lost: Love blossoms when Ali and Chung plan to marry. However there is one small problem Jeremy must deal with first and that is... Ali is already married!
At the age of 12 Antoine's life is dominated by twin passions dancing to Arabic music and getting his hair cut by the voluptuous middle-aged local hairdresser who inadvertently provides him with his first experience of the opposite sex. Antoine reaches middle age with his passion undiminished: upon meeting shy hairdresser Mathilde he is so taken by her that he proposes marriage. She accepts and he moves into her salon where they pursue their romance with an intensity that blind
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