A relic certainly, but a fascinating one, Der Golem is perhaps the screen's first great monster movie. Though it was actually the third time director-star Paul Wegener had played the eponymous creation, the earlier efforts (sadly lost) were rough drafts for this elaborate dramatisation of the Jewish legend. When the Emperor decrees that the Jews of mediaeval Prague should be evicted from the ghetto, a mystical rabbi creates a clay giant and summons the demon Astaroth who breathes out in smoky letters the magic word that will animate the golem. Intended as a protector and avenger, the golem is twisted by the machinations of a lovelorn assistant and, like many a monster to come, runs riot, terrorising guilty and innocent alike until a little girl innocently ends his rampage. Wegener's golem is an impressively solid figure, the Frankenstein monster with a slightly comical girly clay-wig. The wonderfully grotesque Prague sets and the alchemical atmosphere remain potent. On the DVD: Der Golem on disc has an imaginative menu involving the rabbi opening a book of spells that leads to alternate versions of the film with German or English inter-titles. The print is cobbled from several sources and tinted to the original specifications, with an especially impressive crimson glow as the ghetto burns. The extras are an audio essay, illustrated with clips, on Der Golem and German Expressionist cinema in general, plus a gallery of stills and other illustrations. --Kim Newman
The hit Broadway musical from the 1940s gets a lavish if not always exciting workout in this 1955 film version directed by old lion Fred Zinnemann (High Noon). Gordon MacRae brings his sterling voice to the role of cowboy Curly and Shirley Jones plays Laurie, the object of his affection. The Rodgers and Hammerstein score includes "The Surrey with the Fringe on Top", "Oh, What a Beautiful Mornin'" and "People Will Say We're in Love", and Agnes DeMille provides the buoyant choreography. Among the supporting cast, Gloria Grahame is memorable as Ado Annie, the "girl who cain't say no", and Rod Steiger overdoes it as the villainous Jud. --Tom Keogh
A Hollywood stunt performer who moonlights as a wheelman discovers that a contract has been put on him after a heist gone wrong.
Tim Burton brings his inimitable imagination to a story about an adventurous story-telling father and his estranged son.
Karaoke and Cold Lazarus were two television dramas written by the acclaimed TV playwright Dennis Potter. Having been diagnosed with terminal cancer and with less than six months to live Potter undertook a race against mortality to complete two television dramas which were uniquely to be shared between Channel 4 and the BBC. In a televised interview with Melvyn Bragg he said My only regret is if I die four pages too soon. He didn't - and the result is a fitting tribute to a life committed to the creation of some of the finest television drama ever written. Titles Comprise: Karaoke: Daniel Feeld (Albert Finney) is working on a fictional play for television. The play entitled Karaoke concerns a beautiful young woman working in a sleazy karaoke bar run by Arthur Pig Mallion. Fiction and reality begin to intertwine when Feeld overhears snatches of his dialogue in the world around him - and encounters real people bearing his character's names. The lines between the world he has created and the world in which he lives begin to blur - and a desperate struggle to control both becomes enmeshed in his evolving sickness and a terminal diagnosis. Re-writing his will to right wrongs leaving his body to a cryogenics laboratory and plotting to go out with a bang Daniel Feeld is about to write an ending for one world that will have great repercussions in the next. Cold Lazarus: In Cold Lazarus we find the cryogenically stored brain of Daniel Freed trapped in a future world where scientists gather to watch his projected memories. Under pressure from rival corporate interests the scientists fall victim to the tricks that memory can play picking at threads as they try to comprehend how personal histories are written - and can be rewritten. As elements of truth and fiction explosively intertwine will the mind of Daniel Feeld finally be set free?
Elegant, all-star production, introducing Albert Finney as the first screen Hercule Poirot. A no-good American tycoon lies dead with twelve dagger wounds, but which of the passengers is the guilty party? Includes an Oscar® winning performance from Ingrid Bergman
Just before his daughter is to be married, a mild-mannered foot doctor discovers his in-laws are not what they seem...
Collection of four classic children's films. 'Annie' (1982) is the story of the eponymous optimistic orphan (Aileen Quinn) who lives a miserable life in an children's home run by the awful Miss Hannigan (Carol Burnett). One day, she sees her chance to escape and sets off on a journey which will take her to the door of childless millionaire Daddy Warbucks (Albert Finney). In 'Oliver' (1968) young Oliver Twist (Mark Lester) escapes from the workhouse, where he has been brutally treated all of his life, and joins the gang of street urchins led by the rascal Fagin (Ron Moody). Oliver is trained as a pick-pocket, but ends up being caught for a crime he did not commit. However, this seemingly unfortunate accident brings him closer to his real family. 'Matilda' (1996) stars Mara Wilson as the exceptionally gifted and intelligent child who is ignored by her stupid parents Harry (Danny DeVito) and Zinnia (Rhea Perlman). A keen reader, her dearest wish is to be sent to school, but the establishment Harry selects is Crunchemhall, run by the tyrannical Miss Trunchball (Pam Ferris). Her cruelty to her pupils causes Matilda to vow revenge, and her newly discovered telekinetic powers give her the chance to do so. 'Madeline' (1998) stars Hatty Jones as the most mischievous of the twelve friends who live at a Parisian school run by Miss Clavel (Frances McDormand). Her sunny existence is threatened by starchy old Lord Covington (Nigel Hawthorne) who is on a campaign to have the school closed down. It is up to Madeline and her friends, who include the equally precocious Pepito (Kristian de la Osa) and a dog who saved her from drowning, to stop him.
Lulu Belle (1948)
After achieving international renown as one of the finest actors of his generation in films such as Saturday Night and Sunday Morning (1960) and Tom Jones (1963), Albert Finney turned director for this surreal comic twist on the 'kitchen sink' dramas in which he'd made his name. Finney plays Charlie Bubbles, a successful writer suffering a mid-life crisis, who attempts to re-connect with his northern working-class roots and estranged family. Based on a screenplay by Shelagh Delaney (A Taste of Honey), the script clearly references both her and Finney's personal experience of their shared working-class origins (both were Salford natives), and the consequences of achieving great success. INDICATOR LIMITED EDITION SPECIAL FEATURES: High Definition remaster Original mono audio New and exclusive audio commentary with film historians Thirza Wakefield and Melanie Williams Danny Leigh on Charlie Bubbles (2018): the journalist and broadcaster discusses one of his favourite films Interview with producer Michael Medwin (2018) Interview with Director of Photography Peter Suschitzky (2018) John Harding on Shelagh Delaney (2018): the author of Sweetly Sings Delaney: A Study of Shelagh Delaney's Work 1958-68 discusses the author's work on the film Original theatrical trailer Image gallery: promotional photography and publicity material New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Thirza Wakefield, an overview of contemporary critical responses and historic articles on the film. World premiere on Blu-ray Limited Edition of 3,000 copies
Just the name "Orient Express" conjures up images of a bygone era. Add an all-star cast (including Sean Connery, Ingrid Bergman, Jacqueline Bisset and Lauren Bacall, to name a few) and Agatha Christie's delicious plot and how can you go wrong? Particularly if you add in Albert Finney as Christie's delightfully pernickety sleuth, Hercule Poirot. Someone has knocked off nasty Richard Widmark on this train trip and, to Poirot's puzzlement, everyone seems to have a motive--just the set-up for a terrific whodunit. Though it seems like an ensemble film, director Sidney Lumet gives each of his stars their own solo and each makes the most of it. Bergman went so far as to win an Oscar for her role. But the real scene-stealer is the ever-reliable Finney as the eccentric detective who never misses a trick. --Marshall Fine
Rodgers and Hammerstein's charming and vigorous tale of romance and adventure set in the Wild West. Songs include 'People Will Say We're In Love' 'Oh What A Beautiful Morning' and the title song 'Oklahoma!'
An all-star dramatization of the Japanese attack on the island of Midway in 1942, which saw US forces finally wresting control of the waves and staving off the threat of its West Coast being invaded. Henry Fonda heads the cast as Pacific Fleet Commander Chester W. Nimitz.
Inspired by a true incident during World War II in 'The Train' Burt Lancaster plays a French Resistance fighter doggedly attempting to stop a train used by the Nazis (led by Paul Scofield as Colonel Von Waldheim) to steal precious French art treasures in the summer of 1944. Featuring spectacular action sequences expertly directed by John Frankenheimer 'The Train' is a truly thrilling war film. The Oscar-nominated screenplay by Franklin Coen and Frank Davis superbly recreates the te
Is there love after death? Acerbic everyman ALBERT BROOKS (Lost in America) finds a perfect balance between satirical bite and romantic comedy charm as the writer, director, and star of this wonderfully warm and imaginative existential fantasy. After he dies suddenly, the hapless advertising executive Daniel Miller (Brooks) finds himself in Judgment City, a gleaming way station where the newly deceased must prove they lived a life of sufficient courage to advance in their journey through the universe. As the self-doubting Daniel struggles to make his case, a budding relationship with the uninhibited Julia (The French Lieutenant's Woman's MERYL STREEP) offers him a chance to finally feel alive. Buoyed by a brilliant supporting cast that includes RIP TORN, LEE GRANT, and BUCK HENRY, Defending Your Life is a rare feat of personal, philosophical filmmaking that happens to also be divinely entertaining. Special Features: New 4K digital restoration, supervised by director Albert Brooks, with 2.0 surround DTS-HD Master Audio soundtrack New conversation between Brooks and filmmaker Robert Weide New interview on the afterlife with theologian and critic Donna Bowman New program featuring excerpts from 1991 interviews with Brooks and actors Lee Grant and Rip Torn Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by filmmaker Ari Aster
JAILBIRDS (1940) 73 mins Colour. Charles Hawtrey stars as Nick a prisoner who escapes along with Bill (Albert Burdon) dressed in drag. Both get jobs in a bakery where they hide some stolen jewellery in a loaf ! Hawtry at his "campest" best SAILORS DON’T CARE (1940) 74 mins Black & White.Boatbuilding father and Son Nobby Clark (Edward Rigby Tom Gamble) join the River Patrol service. They are 'vamped' by two nightclub girls mixed up with their manager in spy work. Manning a listening post on the ship 'Terrific' Joe and Nobby see a parachutist landing in the river with a time bomb in his hands....
Winner of four Academy Awards including Best Director (Tony Richardson), Best Adapted Screenplay (John Osbourne) and Best Picture, this raucous and innovative adaptation of Henry Fielding's classic novel is directed with a real sense of adventure. John Osbourne captures the spirit of the novel in his sophisticated screenplay and Albert Finney gives a dashing Oscar® nominated performance as the much sought-after Tom Jones, enjoying marvellous support from Joan Greenwood as Lady Bellaston and Susannah York as the wellborn Sophie Western. The BFI is proud to showcase the new 4K digital restorations of not just the theatrical cut but of Tony Richardson's preferred 1989 director's cut, both of which were supervised by director of photography Walter Lassally. Special features: Features both the director's cut (1989) and theatrical versions of the film The Guardian Interview: Albert Finney (1982, 35 mins audio only) Vanessa Redgrave on Tony Richardson (2017, 10mins): Vanessa Redgrave discusses Tony Richardson's career in this short interview by the Criterion Collection USSR Today: Meeting to Mark the 200th Anniversary of Henry Fielding (1954, 1 min) George Devine Memorial Play: Luther (Peter Whitehead, 1966, 7 mins) Walter Lassally on Tom Jones (2017, 25 mins): the Oscar® winning cinematographer discusses Tom Jones Stills galleries Original trailers Fully illustrated booklet with writing on the film and full film credits
With a company of American soldiers trapped by the Germans during The Battle of the Bulge their captain is an abject psychopathic coward who has a record of exposing his men to danger. When his cowardice turns to sheer panic during combat it becomes necessary for the enlisted men to take things into their own hands...
A couple try to save their relationship with a two-day break in the most romantic city in the world. However ex-boyfriends and overbearing parents complicate things.
Orders To Kill
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