Witness the birth of England as you've never seen in the acclaimed series The Last Kingdom from the makers of Downton Abbey. At the end of the 9th century many of the separate kingdoms, which we now call England, have fallen in bloody conflict with invading Danes. Against this turbulent backdrop lives our hero, Uhtred (Alexander Dreymon). Born the son of a Saxon nobleman, he is captured by the Danes and raised as one of their own. For many years fate binds him to Alfred (David Dawson), Saxon King of Wessex. Uhtred must fight for Alfred's dream of uniting the kingdoms. Suffering great personal tragedy, Uhtred is torn between the country of his birth and the people of his upbringing. After Alfred's death, the turbulent reign of the new King Edward threatens his father's dream more than ever. Uhtred confronts a difficult choice - if he deserts Alfred's legacy, the future of the English people will be changed forever.
Divine action, Devilish thrills and a killer new look! The continuing blood sucking saga...unleashed again on DVD!Angel, a 240-year old vampire cursed with a conscience, haunts the dark streets of Los Angeles alone. But after he meets a half-demon with mysterious visions, Angel realises his true purpose: to help those in danger with the hope that he may have a chance to redeem himself and save his own soul. With Cordelia and Doyle at his side, he forms Angel Investigations, and is soon joined by Wesley, Gunn, Lorne and Fred. He will need all their expertise to fight the growing forces of evil, and the supernatural law firm of Wolfram and Hart.
By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd's The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters' great musical opus, and yet utterly devoid of the humour that Waters certainly found in his own material. Any attempt to visualise The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerising film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon
Years of peace have passed since the battles of last season, but as we rejoin Uhtred (Alexander Dreymon), he faces his greatest enemies, and suffers immeasurable loss, on his quest towards fulfilling his destiny.Now stationed at a northern port town, Uhtred has been entrusted with protecting the king's illegitimate son, Aethelstan. But following a horrific attack on his family, an old enemy threatens the life he has built.Meanwhile, King Edward (Timothy Innes) is still forging ahead with his ambitions to unite the SaxonKingdoms to fulfil his late father's dream, threatening the long-standing peace between Danes and Saxons. However, the treacherous Lord Aethelhelm (Adrian Schiller) has ambitions of his own, for his grandson Aelfweard Edward's other son to rule.As these plans lead to bloodshed and heartbreak, Uhtred finds his own fate may well be tied to the future of the nation Destiny Is All!Product FeaturesThe Making of Season 5Strength & Sensitivity - The Women of The Last Kingdom
BRUCE WILLIS IS JOHN McCLANE, a New York cop who flies to L.A. on Christmas Eve to visit his wife at a party in her company's lavish high-rise. Plans change once a group of terrorists, led by Hans Gruber (Alan Rickman), seize the building and take everyone hostage. McClane slips away and becomes the only chance anyone has in this beginning-to-end heart-stopping action thriller.
Reese Witherspoon, Nicole Kidman and Shailene Woodley star in an HBO limited drama series that tells the darkly comedic story of three northern-California mothers whose seemingly perfect lives unravel to the point of murder. In addition to Witherspoon (Oscar®-winner for Walk the Line, Oscar®-nominated for Wild) as Madeline, Kidman (Oscar®-winner for The Hours, HBO's Hemingway & Gellhorn) and Woodley (Divergent series, Golden Globe-nominated for The Descendants), the cast includes Alexander Skarsgård (True Blood, The Legend of Tarzan) as Perry, Celeste's handsome yet volatile husband; Laura Dern (Oscar®-nominated for Wild, Emmy®-nominated for HBO's Enlightened) as Renata Klein, a high-powered career mom; Adam Scott (Parks and Recreation) as Ed, Madeline's current husband; James Tupper (Revenge) as Nathan, Madeline's ex; Zoe Kravitz (the Divergent films) as Bonnie, Nathan's new wife; and Kathryn Newton (Supernatural) as Abigail, Madeline's teenaged daughter. Big Little Lies is based on the bestselling 2014 novel by Australian author Liane Moriarty. Big Little Lies is directed by Jean-Marc Vallée (Oscar®-nominated for Dallas Buyers Club) and written by Emmy®-winner David E. Kelley (Ally McBeal). EPs include Reese Witherspoon, Nicole Kidman, Bruna Papandrea, Per Saari, David E. Kelley, Jean-Marc Vallée and Gregg Fienberg. Episodes: Episode 1: Somebody's Dead Episode 2: Serious Mothering Episode 3: Living the Dream Episode 4: Push Comes to Shove Episode 5: Once Bitten Episode 6: Burning Love Episode 7: You Get What You Need Extra Content: Inside the Episodes About Big Little Lies
An anthology series centering on different characters and locations, including a house with a murderous past, an insane asylum, a witch coven, a freak show, a hotel, a possessed farmhouse, and a cult.
Samuel L. Jackson attempts to survive against hundreds of deadly snakes when they're released on a commercial airplane.
When a virus threatens to wipe out Earth, a super powered hybrid must lead a team of elite soldiers on a mission to the aliens' world in order to save what's left of humanity.
Years of peace have passed since the battles of last season, but as we rejoin Uhtred (Alexander Dreymon), he faces his greatest enemies, and suffers immeasurable loss, on his quest towards fulfilling his destiny.Now stationed at a northern port town, Uhtred has been entrusted with protecting the king's illegitimate son, Aethelstan. But following a horrific attack on his family, an old enemy threatens the life he has built.Meanwhile, King Edward (Timothy Innes) is still forging ahead with his ambitions to unite the SaxonKingdoms to fulfil his late father's dream, threatening the long-standing peace between Danes and Saxons. However, the treacherous Lord Aethelhelm (Adrian Schiller) has ambitions of his own, for his grandson Aelfweard Edward's other son to rule.As these plans lead to bloodshed and heartbreak, Uhtred finds his own fate may well be tied to the future of the nation Destiny Is All!Product FeaturesThe Making of Season 5Strength & Sensitivity - The Women of The Last Kingdom
Based on Liane Moriarty's bestselling book, this subversive, darkly comedic dramaseries tells the tale of three mothers of first-graders whose seemingly perfect lives unravel to the point of murder. Reese Witherspoon, Nicole Kidman and Shailene Woodley head up a stellar cast in this Monterey-set dramathat begins with a suspicious homicide at an elementary-school fundraiser. Though the victim and the perpetrator initially remain a mystery, it appears that the murder was spawned by rivalries and secrets surrounding the trio of young moms.
Reese Witherspoon, Nicole Kidman and Shailene Woodley star in an HBO limited drama series that tells the darkly comedic story of three northern-California mothers whose seemingly perfect lives unravel to the point of murder. In addition to Witherspoon (Oscar®-winner for Walk the Line, Oscar®-nominated for Wild) as Madeline, Kidman (Oscar®-winner for The Hours, HBO's Hemingway & Gellhorn) and Woodley (Divergent series, Golden Globe-nominated for The Descendants), the cast includes Alexander Skarsgård (True Blood, The Legend of Tarzan) as Perry, Celeste's handsome yet volatile husband; Laura Dern (Oscar®-nominated for Wild, Emmy®-nominated for HBO's Enlightened) as Renata Klein, a high-powered career mom; Adam Scott (Parks and Recreation) as Ed, Madeline's current husband; James Tupper (Revenge) as Nathan, Madeline's ex; Zoe Kravitz (the Divergent films) as Bonnie, Nathan's new wife; and Kathryn Newton (Supernatural) as Abigail, Madeline's teenaged daughter. Big Little Lies is based on the bestselling 2014 novel by Australian author Liane Moriarty. Big Little Lies is directed by Jean-Marc Vallée (Oscar®-nominated for Dallas Buyers Club) and written by Emmy®-winner David E. Kelley (Ally McBeal). EPs include Reese Witherspoon, Nicole Kidman, Bruna Papandrea, Per Saari, David E. Kelley, Jean-Marc Vallée and Gregg Fienberg. Episodes: Episode 1: Somebody's Dead Episode 2: Serious Mothering Episode 3: Living the Dream Episode 4: Push Comes to Shove Episode 5: Once Bitten Episode 6: Burning Love Episode 7: You Get What You Need Extra Content: Inside the Episodes About Big Little Lies
Ambitions threaten the Saxon kingdoms Alfred had once dreamed of uniting. In the wake of his father's death, the new King, Edward (Timothy Innes), is intent on isolating Wessex and strengthening his reinforcements against possible Dane incursions. Alliances are beginning to fracture as Lord Aethelred (Toby Regbo) of Mercia makes ambitious plans to establish himself as a rival to Wessex. When Northumbria also faces hostility, Uhtred (Alexander Dreymon) believes the timing is right to take back his ancestral home. Fate shifts in a different direction; news comes that Mercia is in turmoil, and Uhtred's affection for Aethelflaed (Millie Brady) drives him back into the politics that threaten to break out into war. Just as it seems as if peace can be found between the Saxons, a new and unprecedented Dane enemy takes them by surprise. Uhtred begins to realise that his destiny is tied to Alfred's dream and he becomes determined to resolve Saxon struggles before the possibility of a united England slips from their grasp forever.
Tyrin Turner may not have broken out into stardom as was initially expected, but his work in Menace II Society is one of the more powerful cinematic debuts. The film, from the brother writer-director team of Allen and Albert Hughes, chronicles life in the Los Angeles 'hood. Similar territory was covered in the equally commanding Boyz N the Hood, but what makes this cautionary tale stand out is not only the Hughes brothers' forceful story, (written with their friend, Tyger Williams) and direction, but the naturalness of then-newcomer leads Turner as Caine, Larenz Tate as O-Dog, and Jada Pinkett as Ronnie. They are so credible--occasionally frighteningly so--that the repressive universe of violent ghetto life is captured effectively. Life as portrayed here-and no doubt accurately so--is both figuratively and literally narrow. As a very young boy, Caine witnesses his dad murdered over something inconsequential, and his mom OD. His is a world where respect comes from intimidation, power from violence. Despite his understanding of right and wrong (values passed on by a good friend, his kind grandparents, a caring teacher), his life and its entrapments are too much to overcome. --N.F. Mendoza
When a double homicide happens in a Florida community, the chief of police finds himself in a race against time to solve the murders before he himself falls under suspicion in this modern noir thriller.
By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd's The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters' great musical opus, and yet utterly devoid of the humour that Waters certainly found in his own material. Any attempt to visualise The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerising film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon
Samuel L. Jackson attempts to survive against hundreds of deadly snakes when they're released on a commercial airplane.
Generation Kill is an authentic and vividly detailed 7 part HBO mini-series event that presents a uniquely epic and intimate portrait of the first 40 days of the Iraq war from the perspective of the Marines of the First Recon Battalion - a new breed of American soldiers. The mini-series tells the story of these young Marines physical and emotional journey into the heart of Baghdad in those initial weeks and how the war reveals to be much more complicated problematic and tragic than anyone had contemplated. Many of the complications and problems that arise are due to the unwieldy military bureaucracy which the Marines confront in the midst of the war the challenges of over-zealous and incompetent commanding officers ever-changing rules of engagement a non-existent strategy severe deficiencies in necessary armor and supplies and an enemy they don't understand. Generation Kill is a humorous and frightening first hand account of these remarkable men of the personal toll of victory and of the brutality camaraderie and bureaucracy of a new American war. It is a profoundly insightful and realistic look at the risk costs and ultimately the failures of the war. Written and produced by Emmy-award winner David Simon (The Wire) and also produced by the award-winning George Faber (Elizabeth I).
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