Legend has it that Orson Welles more or less conned studio boss Harry Cohn over the phone into making The Lady from Shanghai by grabbing the title from a nearby paperback. In any case, this is one of Welles's most fascinating works, a bizarre tale of an Irish sailor (Welles) who accompanies a beautiful woman (Rita Hayworth) and her handicapped husband (Everett Sloane) on a cruise and becomes involved in a murder plot. But never mind all that (the aforementioned legend also claims that Cohn offered a reward to anyone who could explain the plot to him). The film is really a dream of Welles's driving preoccupations both on and off-screen at the time: the elusiveness of identity, the mystique of things lost, and most of all the director's faltering marriage to Hayworth. In the tradition of male filmmakers who indirectly tell the story of their love affairs with leading ladies, Welles tells his own, photographing Hayworth as a deconstructed star, an obvious cinematic creation, thus reflecting, perhaps, a never-satisfied yearning that leads us back to the mystery of Citizen Kane. --Tom Keogh
The Rite was Ingmar Bergman's first made-for-television project. It explores an issue that he continued to return to throughout his career: the artist's place in society and the often troubled relationship betwen men and women. Filmed with a cast of just four principal actors the story revolves around three close friends including a husband and wife who make up a theatre troupe. They have been prohibited from performing a short play called 'The Rite' and are brought before the l
When The Legends Die
This box-office hit from 1969 is an important pioneer of the American independent cinema movement, and a generational touchstone to boot. Peter Fonda and Dennis Hopper play hippie motorcyclists crossing the Southwest and encountering a crazy quilt of good and bad people. Jack Nicholson turns up in a significant role as an attorney who joins their quest for awhile and articulates society's problem with freedom as Fonda's and Hopper's characters embody it. Hopper directed, essentially bringing the no-frills filmmaking methods of legendary, drive-in movie producer Roger Corman (The Little Shop of Horrors) to a serious feature for the mainstream. The film can't help but look a bit dated now (a psychedelic sequence toward the end particularly doesn't hold up well) but it retains its original power, sense of daring and epochal impact. -- Tom Keogh, Amazon.com
Presented by Nicolas Winding Refn in a new 4K restoration, Curtis Harrington's acclaimed fantasy-thriller, featuring Dennis Hopper (The Last Movie) in his first starring role, is an offbeat classic of American cinema. Hopper plays a sailor on shore leave, when he meets a young woman (Linda Lawson) who may not be as she seems Exclusive to this two-disc set is a bonus Blu-ray devoted to Harrington's short films, encompassing his seven decades as a filmmaker and featuring experimental works, documentaries, and the two adaptations of Edgar Allan Poe's The Fall of the House of Usher that bookended his career. INDICATOR LIMITED EDITION 2x BLU-RAY SPECIAL FEATURES: DISC ONE: NIGHT TIDE New 4K restoration Original mono audio Audio commentary with writer-director Curtis Harrington and actor Dennis Hopper (1998) Audio commentary with writer and film programmer Tony Rayns (2020) Harrington on Harrington (2018, 25 mins): wide-ranging archival interview with the filmmaker Sinister Image: Curtis Harrington (1987, 57 mins): two episodes from David Del Valle's series devoted to cult cinematic figures in conversation, featuring a career-spanning interview with the director Original theatrical trailer Image gallery: publicity and promotional material New and improved English subtitles for the deaf and hard-of-hearing DISC TWO: DREAM LOGIC: THE SHORT FILMS OF CURTIS HARRINGTON (LIMITED EDITION EXCLUSIVE DISC) High Definition remasters Original mono audio Eight short films spanning Harrington's seven decades as a filmmaker, including experimental works, documentaries and his career-bookending Edgar Allan Poe adaptations: The Fall of the House of Usher (1942, 10 mins); Fragment of Seeking (1946, 14 mins); Picnic (1948, 23 mins); On the Edge (1949, 6 mins); The Assignation (1953, 8 mins); The Wormwood Star (1956, 10 mins); The Four Elements (1966, 13 mins); Usher (2002, 37 mins) Image gallery: production photography and a rare selection from Harrington's personal collection New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive 80-page book featuring new writing on Night Tide by Paul Duane, Curtis Harrington on Night Tide and the short films, archival articles by Harrington on horror cinema, experimental films and the making of Picnic, an overview of critical responses, Peter Conheim on the restoration of Night Tide, and film credits Limited edition exclusive set of five facsimile lobby cards UK premieres on Blu-ray Limited edition of 3,000 copies
After fifty years of prosperous offshore drilling in one of the world's largest oil fields, a seismic rift rips through the ocean floor of the North Sea, causing an oil rig to collapse. A team of researchers, including submarine operator Sofia (Kristine Kujath Thorp), rushes in to search for the missing and assess the cause of the damage. But what they discover is that this is just the start of a possible apocalyptic catastrophe. From the team behind the highly acclaimed disaster thrillers THE WAVE and THE QUAKE, THE BURNING SEA is a nail biting, action-packed thriller for our times.
RESTORED! REJUVENATED! REBORN! By the end of the 1960s the boom in Old World gothic horror had begun to wane in the face of present day terrors like the Vietnam war. In response, American filmmakers brought horror out of the past and into the present, and the classic movie monsters packed their bags and headed for the New World. Count Yorga, Vampire was among the first to successfully transpose the classic vampire, cloak and all, to a modern day setting as the Count played unforgettably by Robert Quarry arrives in the United States and settles in a Southern California mansion with his mysterious brides. A drive-in favourite from the moment it was released, a sequel soon followed. The Return of Count Yorga ups the ante and sees the sardonic Count on the streets of San Francisco, his sights set on an orphanage as a potential source of sustenance. Director Bob Kelljan (Scream Blacula Scream) delivers a one-two punch of classic cult cinema mixing chills, thrills, style, and suspense with a knowing wit that revels in the genre trappings. Presented in all new restorations by Arrow Films from new scans of the original camera negative, The Count Yorga Collection is a full blooded feast to die for! Product Features Brand new 2K restorations by Arrow Films of Count Yorga, Vampire and The Return of Count Yorga from new 4K scans of the original 35mm camera negatives High Definition Blu-Ray (1080p) presentations of both films Original lossless mono audio Optional English subtitles for the deaf and hard of hearing Illustrated perfect bound collector's book featuring new writing by film critic Kat Ellinger and horror author Stephen Laws, plus archive contributions by critic Frank Collins and filmmaker Tim Sullivan Limited edition packaging with reversible sleeves featuring original and newly commissioned artwork by Heather Vaughan Fold-out double-sided posters for both films featuring original and newly commissioned artwork by Heather Vaughan Twelve double-sided, postcard-sized lobby card reproduction artcards Reproduction pressbook for Count Yorga, Vampire DISC ONE COUNT YORGA, VAMPIRE Brand new audio commentary by film critic Tim Lucas Archival audio commentary by film critics David Del Valle & C. Courtney Joyner The Count in California, a brand new appreciation by Heather Drain and Chris O'Neill I Remember Yorga, a brand new interview with Frank Darabont in which the award-winning filmmaker talks about his love for Count Yorga, Vampire A Vampire in L.A., a brand new interview with actor Michael Murphy Fangirl Radio Tribute to Robert Quarry, an archival episode featuring host Jessica Dwyer in conversation with Tim Sullivan filmmaker, Yorga fan and friend of Robert Quarry Theatrical trailer Radio spots Image galleries DISC TWO THE RETURN OF COUNT YORGA Brand new audio commentary by film critic Stephen R. Bissette Archival audio commentary by David Del Valle & C. Courtney Joyner The Count and the Counterculture, a brand new interview with film critic Maitland McDonagh Chamber-music of Horrors, a brand new interview with David Huckvale about the scores for both films Archival interview with film critic Kim Newman Theatrical trailer Radio spots Image gallery
The Last Detail nearly didn't get a release. Columbia, for whom it was made, was alarmed by the movie's barrage of profanity and resented the unorthodox working style of its director, Hal Ashby, who loathed producers and made no secret of it. Only when the film picked up a Best Actor Award for Jack Nicholson at Cannes did the studio reluctantly grant it a release--with minimal promotion--to widespread critical acclaim. Nicholson, in one of his best roles, plays "Bad-ass" Buddusky, a naval petty officer detailed, along with his black colleague "Mule" Mulhall (Otis Young), to escort an offender from Virginia to the harsh naval prison at Portsmouth, NH. The miscreant is a naïve youngster, Meadows (Randy Quaid), who's been given eight years for stealing $40 from his CO's wife's favourite charity. The escorts, at first cynically detached, soon start feeling sorry for Meadows and decide to show him a good time in his last few days of freedom. Ashby, a true son of 60s counterculture, avidly abets the anti-authoritarian tone of Robert Towne's script. Meadows is a sad victim of the system--but so too are Buddusky and Mulhall, as they gradually come to realise. A lot of the film is very funny. Nicholson gets to do one of his classic psychotic outbursts--"I am the fucking shore patrol!"--and there are some pungent scenes of male bonding pushed to the verge of desperation. But the overall tone is melancholy, pointed up by the jaunty military marches on the soundtrack. Shot amid bleak, wintry landscapes, in buses and trains and grey urban streets, The Last Detail is a film of constant, compulsive movement going nowhere--a powerful, finely acted study of institutional claustrophobia. On the DVD: The Last Detail disc doesn't have much in the way of extras. There are abbreviated filmographies for Ashby, Nicholson and Quaid (though not for Young) and a trailer for A Few Good Men (1992). The mono sound comes up well in Dolby Digital, and the transfer preserves DoP Michael Chapman's subtle, subfusc palette and the 1.85:1 ratio of the original. --Philip Kemp
After fifty years of prosperous offshore drilling in one of the world's largest oil fields, a seismic rift rips through the ocean floor of the North Sea, causing an oil rig to collapse. A team of researchers, including submarine operator Sofia (Kristine Kujath Thorp), rushes in to search for the missing and assess the cause of the damage. But what they discover is that this is just the start of a possible apocalyptic catastrophe. From the team behind the highly acclaimed disaster thrillers THE WAVE and THE QUAKE, THE BURNING SEA is a nail biting, action-packed thriller for our times.
Ingmar Bergman's early masterpiece, a wrenching battle of the sexes, in a new 2K restoration Ingmar Bergman (The Seventh Seal) presents the battle of the sexes as a ramshackle, grotesque carnival of humiliation in Sawdust and Tinsel, one of the master's most vivid early works and his first of many collaborations with the great cinematographer Sven Nykvist (Persona). The story of the charged relationship between a turnofthetwentieth century circus owner (A Lesson in Love's à ke Grönberg) and his younger mistress (Harriet Andersson), a horseback rider in the traveling show, the film features dreamlike detours and twisted psychosexual power plays, making for a piercingly brilliant depiction of physical and spiritual degradation. SPECIAL EDITION FEATURES: New 2K digital restoration, with uncompressed monaural soundtrack Audio commentary by Ingmar Bergman scholar Peter Cowie Introduction by Bergman from 2003 PLUS: An essay by critic John Simon
Academy Award-nominated Norwegian drama based on explorer Thor Heyerdahl's 1947 expedition in which he journeyed across the Pacific Ocean on a raft from South America to Polynesia. Heyerdahl (Pål Sverre Hagen) aims to prove his theory that the Hanau epe an ancient Peruvian tribe settled on the Polynesian islands 1500 years ago. To do so he builds a raft named Kon-Tiki which resembles the type of vessel the tribe would have had the technology to make. Then with five crew members and a parrot he sets off from Peru and takes to the ocean despite the fact he is unable to swim or sail to show that such a journey would have been possible even in the pre-Columbian era. During the 4300 nautical mile-voyage he and his crew encounter numerous difficulties. Will they make it safely to Polynesia and prove Heyerdahl's theory? This Blu-Ray contains both Norwegian and English-language versions of the film which were shot simultaneously by cast and crew on location.
Exiled to a video-only release when its distributor balked after the flop of Jean-Claude Van Damme's previous film Knock Off, this lavish adventure deserved a chance at theatrical success. Action icon Van Damme recasts himself as a tragic romantic hero in this entertaining old-fashioned adventure with a modern sensibility. "The Muscles from Brussels" is no Brando, but he acquits himself nicely as a cocky boxer who double-crosses a Marseilles mobster and joins the French Foreign Legion when his half-baked plan backfires with tragic consequences. Surrounded by a better than usual cast (including Steven Berkoff as a Teutonic drill sergeant, Jim Carter as the ruthless ganglord, and Nicholas Farrell as a gentleman soldier with a taste for gambling and a dark past), Van Damme's dour performance sometimes gets lost in the colourful characters around him. But that's okay--there's adventure enough to go around and he's willing to share it. The Marseilles scenes evoke a quaint movie past with their smoky bars and shadowy streets, but the film is reborn as an ambitious, stoic platoon drama in the sands of French Morocco. Legionnaire alludes to classic films from Beau Geste to Casablanca to Lawrence of Arabia, but ultimately marches its own macho course, revelling in testosterone-driven heroics and bonding-under-fire while acknowledging the irony of its colonial mission ("We're the intruders", realises one soldier). It's a calculated risk for Van Damme (who also co-wrote and co-produced), but if Legionnaire never quite grasps the epic scope it's reaching for, it remains one of his best films, an handsome, exciting and surprisingly grim desert adventure. --Sean Axmaker, Amazon.com
Desperately they fought the desires the passions that dragged them down deeper and deeper into... 'The Naked Night' On a gray morning a circus caravan arrives in the town where Albert the ringmaster's family lives. He hasn't seen them for three years and has taken a mistress the young and buxom Anne. Albert calls on his wife; Anne jealous and wanting out visits a theatrical troupe and lets an actor Frans seduce her in exchange for a necklace he says is valuable. Anne finds out it's worthless at about the same time Albert's wife declines to let him live with the family. Albert and Anne are stuck with the circus and each other; there's a show tonight Frans will be there smirking and sardonic the bear is mangy the clown is as sour as they come and suicide offers an exit.
A filmmaking couple living in America, Chris (Vicky Krieps) and Tony (Tim Roth), retreat to the mythical Fårö island for the Summer. In this wild, breathtaking landscape where Bergman lived and shot his most celebrated pieces, they hope to find inspiration for their upcoming films. As days spent separately pass by, the fascination for the island operates on Chris and souvenirs of her first love resurface. Lines between reality and fiction will then progressively blur and tear our couple even more apart.
True story of British and Australian POW's held by the Japanese in Thailand. Near the end of the war the fittest of the POW's were moved by rail and ship to Japan and during the sea journey the convoy comes under attack from an American submarine at the same time as the Allied POW's were making a daring attempt to take over the ship.
Relive the fall of one of history's greatest civilizations. Rome: Rise And Fall Of An Empire chronicles the story of one of history's greatest empires from its first major battle to its remarkable military feats and through its eventual fall. Told from the point of view of the Roman people under violent attack HISTORY takes viewers inside the fiery battles of a civilisation crumbling in the face of brutal invasions. From the first Roman-Barbarian War through the great empire's collapse HISTORY follows each harrowing moment of the famed empire's slow decline and the human cost. Rome was not only a city of battles but also one of incredible engineering feats. We take a close look at what set Rome apart from the rest of the ancient world uncovering the hidden treasures and secrets of the city.
Meet Dag, a couple's therapist who holds a 90% divorce rate. His philosophy in life is that people should live alone and he's happy to share that with his patients. Dag leads a quiet life and the only thing he loves more than his solitude is prescription drugs. However, Dag's peaceful existence is about to change radically when Eva enters his life. Dag is a sometimes cynical, yet often heartwarming comedy series, that features a star-studded cast of Norway's most celebrated actors.
About to be hung by a posse a man is given a second chance at redemption but the cost may be more than he's willing to pay: he must give up his wiley ways and marry a widow to help her work her mine.
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