Land Of The Dead: In Romero's harrowing newest vision the world (as humankind has known it) is merely a memory. In its place is the never-ending nightmare existence of us-the living-versus them-the ""walkers."" What's left of mankind is cordoned off behind the walls of a fortified city while the walking dead roam the vast wasteland beyond. The few wealthy and powerful try to maintain an illusion of life as it was dwelling high above the city in the exclusive towers of Fiddler's Green the last bastion of the ruling class. On the streets below however the remaining less fortunate of the city's inhabitants eke out a hard-scrabble life seeking what little solace they can in the vices available-gambling flesh trade drugs-anything that offers even a fleeting respite from the hell their lives have become. Both the lofty heights of Fiddler's Green and the demoralizing lows of the city below are lorded over by a handful of ruthless opportunists led by Kaufman (Dennis Hopper) who keeps his hands in everything from real estate to less above-board pursuits. To bring food and other essential supplies to the occupants of the city and to allow the Green's well-to-do to acquire the scarce luxury items to which they were once accustomed a hardened group of mercenaries-headed by Riley (Simon Baker) and his second-in-command Cholo (John Leguizamo)-run retrieval missions outside the city protected by their massive armored vehicle Dead Reckoning. Riley and Cholo like Kaufman are in it for the money which they hope to use for their own escapes- Riley to the North with promises of ""a world without fences"" and freedom and Cholo to the luxury of Fiddler's Green far away from the violent life he has known. Texas Chainsaw Massacre: First released to a shocked public in 1974 The Texas Chainsaw Massacre has a deserved reputation as a compelling part of a new wave of American horror films. Terrifyingly dark and based on factual events Tobe Hooper's controversial and chillingly atmospheric film involves the tragedy that befell a group of five teenagers one summer afternoon. by time this disturbing film deserves its unique status as a true cult classic.
The 2003 version of The Texas Chainsaw Massacre adheres to the pure-and-simple slasher-movie formula: introduce a gaggle of sexy young people, make vague gestures to distinguish them--Jessica Biel wants to get married and doesn't like pot, so she's our moral compass--then start hacking them to pieces one by one. The visual palette includes grimy crucified dolls, fly-specked pig carcasses, body parts floating in murky jars, a tobacco-chewing redneck sheriff and many slender beams of sunlight cutting through dank, dusty interiors. The camera lovingly photographs Biel's tank-topped bosom and sculpted abs as she's running in terror from a bloated, chainsaw-wielding, human-skin-wearing maniac. This remake lacks the macabre comedy of the original; it's all about the nauseating sensation of waiting for something to jump out of the dark. --Bret Fetzer
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