Romance never dies. Sam (Andrew Lincoln) and Baggy (Andrew Rajan) share a house in London play cricket visit the pub and watch porn. It's not much of a life but it's better than coal mining. Sam secretly wants to be a singer and has a deeper interest in his friend Alison than he's willing to admit. Baggy? He's never been able to trust a girl since his fiance jilted him at the altar - besides married women seem safer. Of course commitment is a lot harder than smoking a
This documentary follows a group of people who discover the ultra-scary, psycho-sexual horror experience Blackout, and develop an obsession that hijacks their lives and blurs the line between reality and paranoid fantasy.
Micawber was ITV's big weapon in the Christmas 2001 television ratings war. With its gritty recreation of Dickensian London and David Jason--a name guaranteed to attract viewers regardless of the programme--in the title role it certainly had all the hallmarks of blockbusting television drama. Jason is certainly a fine Micawber, wringing every ounce of pathos and relentless optimism from one of Dickens' most well loved characters. And he is ably abetted by Annabelle Apsion as his put-upon wife who stands by him through thick and thin and who "never will desert him". The trouble is that if you're going to lift a familiar fictional character out of his original context and give him a whole new life and set of adventures, they really have to match or improve on the original. And Micawber has already been through so much during the course of David Copperfield that stretching him across four episodes and a plot which can only really offer a series of variations on the original theme doesn't give much room for development or dramatic impact. In the writer's corner, Jason's long-term collaborator John Sullivan (creator of Only Fools and Horses) makes a valiant attempt to generate some authentic Dickensian atmosphere. Touches of authentic Victoriana abound in the backstage theatre scenes, a dancing bear, the pawn shop and the highly imaginative flashbacks to the source of Micawber's straightened state. The script tends to combine gritty costume drama with modern comedy in an occasionally uneasy mixture; sometimes we see the ghosts of Del Boy or Pa Larkin rather than Dickens' hapless, pathetic but great-hearted victim of circumstance. But fans of Jason won't complain and there's enough soul in the story to make it compelling. --Piers Ford
My Favourite Broadway--The Love Songs, the follow-up to 1998's My Favourite Broadway--The Leading Ladies, allows the gentlemen in, but that's not always an advantage. Sure, Michael Crawford developed a great following as the Phantom and Nathan Lane is a comedian nonpareil, but Tom Wopat, Brent Spiner, Peter Gallagher, Adam Pascal, and Ron Raines, while all fine performers with good career histories, simply can't match the marquee power of the original's Liza Minnelli, Audra McDonald, Jennifer Holliday, Nell Carter, and many others. And even when old-timers appear, Robert Goulet seems closer to Las Vegas than Lancelot, and Barry Manilow (mostly making his name as a composer these days) looks pretty awkward. That said, this is still an enjoyable live show from New York's City Centre. Among the ladies returning, Rebecca Luker and Marin Mazzie shine in songs from the revivals they star in, and super diva Linda Eder raises the roof with a three-song medley. And there are other additions to the roster, one legend, Chita Rivera (reprising her "English Teacher" from Bye Bye Birdie), and one up-and-comer, Heather Headley (sharing her "Elaborate Lives" duet with Aida co-star Pascal). But the first 100 minutes is all prologue, anyway. The real star is the host, Julie Andrews, who also hosted the original show and conspicuously did not sing in it, following her infamous, lawsuit-laden vocal-chord surgery that effectively ended her music career. Throughout the evening she teases the audience, reciting lyrics and making references to My Fair Lady. So when Crawford begins the finale "I've Grown Accustomed to Her Face" and Andrews enters, the audience holds its breath: Will she or won't she? It's an electric moment, and perfect theatre. --David Horiuchi, Amazon.com
Tracklisting: 'Overture' 'Love Is Sweeping The Country/'Til There Was You/ Lover/ So In Love' - Adam Pascal Brent Spiner Rebecca Luker Peter Gallagher and Marin Mazzie 'Music Is Better Than Words' 'Lullaby Of Broadway' - Tom Wopat and dancers 'Sue Me' - Nathan Lane and Doo Wop Trio 'He Touched Me' - Heather Headley 'La Donna E Mobile/ Let The Good Times Roll/ Standing On The Corner' - Three Mo' Tenors 'Gigi' - Ron Raines 'No Longer Shy' 'Smoke Gets In Your Eyes' - Jeffrey Denman a
Beers Burgers Bloodshed.... It's going to be a scream! Welcome to Memorial Lake - where just under the calm icy surface something unspeakable is waiting to rise. Rachel can't remember the last time she fell asleep without hearing the screams from her past. Three years ago her brother mysteriously died while she and a group of friends partied by the lakeside. But this weekend they are returning to the very same lake to finally put the nightmares to rest. To come to grips
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