THIS GRITTY, SEXY, VIOLENT, PULSE-QUICKENING NEW ORIGINAL SERIESS FROM CINEMAX® is a crime drama set during the brutal Tong Wars of San Francisco's Chinatown in the latter part of the 19th century. Inspired by the writings of the late Bruce Lee, the story follows Ah Sahm (Andrew Koji), a martial arts prodigy who immigrates from China to San Francisco under mysterious circumstance and becomes a hatchet man for one of Chinatown's most powerful organised crime families.
An attractive and popular teenager who is mean spirited toward others, finds herself in the body of an older man, and must find a way to get back to her original body.
The true story of the 1973 tennis match between World number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.
Dominic 'Nicky' Cole has a reputation as an ambitious and diligent detective constable. But when he reports on a fellow officer he's promptly transferred to a new station - effectively in disgrace. Nicky takes his uncle and his abandoned nephew with him but finds himself working on the difficult night duty stretch. Often he finds himself looking after cases that his day colleagues have left unsolved - and that in itself brings risk dilemma and danger. The complete Series 1 and
THIS GRITTY, SEXY, VIOLENT, PULSE-QUICKENING NEW ORIGINAL SERIESS FROM CINEMAX® is a crime drama set during the brutal Tong Wars of San Francisco's Chinatown in the latter part of the 19th century. Inspired by the writings of the late Bruce Lee, the story follows Ah Sahm (Andrew Koji), a martial arts prodigy who immigrates from China to San Francisco under mysterious circumstance and becomes a hatchet man for one of Chinatown's most powerful organised crime families.
Brace yourself for a high-octane hurricane of a thrill ride from the creator of The Fast & The Furious. As an unstoppable and deadly hurricane bears down on the Gulf Coast of the US a manadatory emergency evacuation is underway clearing the city. The storm proves to be the perfect cover for a team of hackers to infiltrate a vulnerable Treasury facility and steal $600m. Stormchaser and meteorologist Will (Toby Kebbell) finds himself caught up in the chaos and teams up with Casey (Maggie Grace), the only Treasury agent left standing and his wayward brother, Breeze (Ryan Kwanten). Together they must stop the ruthless thieves from pulling of the heist of a lifetime and survive the storm of the century.
Matters of Honour" launches the third series of Babylon 5 with the introduction of the White Star, a spacecraft added to enable more of the action to take place away from the static space station. Also introduced is Marcus Cole (Jason Carter) who, in another nod to The Lord of the Rings, is a Ranger not so far removed from JRR Tolkien's Strider. In "Voices of Authority" the show finds an epic scale as Ivanova seeks the mysterious "First Ones" for allies against the Shadows, and evidence is discovered pointing to the truth behind President Santiago's assassination. A third of the way through the series "Messages from Earth", "Point of No Return" and "Severed Dreams" prove pivotal, changing the nature of the story in a way previously unimaginable on network TV. Earth slides into dictatorship, the fascistic Nightwatch takes control of off-world security and Sheridan takes decisive action by declaring Babylon 5 independent. "Interludes and Examinations" presents the death of a major supporting character, while the two-part "War Without End" reaches apocalyptic dimensions in a complex tale resolving the destiny of Sinclair and the fate of Babylon 4 (dovetailing elegantly with the events of Year One's "Babylon Squared"), resolving a 1,000-year-old paradox and presenting a vision of a very dark future for Sheridan and Delenn. All this is trumped by the monumental "Z'ha'dum". In the preceding "Shadow Dancing", Anna Sheridan (Melissa Gilbert, Bruce Boxleitner's real-life wife) returns from the dead, no longer entirely human. In the mythologically resonant climax Anna invites Sheridan back to the Shadow homeworld with no hope of survival. Just as Gandalf fell into the abyss at Khazad-Dum, so Sheridan takes a comparable leap into the unknown on an alien world. On the DVD: Babylon 5, Series 3 presents all 22 episodes anamorphically enhanced at 16:9 for widescreen TVs. While not up to blockbuster movie standards these are the finest looking B5 discs yet. Likewise the remixed Dolby Digital 5.1 sound packs a considerable punch in the many action scenes while remaining clear and atmospheric throughout. Reasonable though unremarkable extras are in line with previous box sets, with detailed and informative commentaries by series creator J Michael Straczynski on episodes "Z'Ha'Dum", and the Hugo Award-winning "Severed Dreams". Actors Bruce Boxleitner, Jerry Doyle, Richard Biggs and Ed Wasser offer a more jokey and backslapping appraisal of "Interludes and Examinations". Introduction to Point of Return is essentially a six-minute trailer for the season, while Behind the Mask: Creating the Aliens of B5 offers make-up artist John Vulich, JMS, and producer John Copland reflecting on the creation of various races. Complementing this is a seven-minute look at Building a Better Narn. Designing Tomorrow: The Look of Babylon 5 focuses on the work of production designer John Iacovelli. Finally The Universe of Babylon 5 presents five short character profiles. The set offers an alternative French soundtrack and subtitles in English, English for the hard-of-hearing, French and Dutch. --Gary S Dalkin
The fourth series of Babylon 5 begins on a high point with Centauri Prime in the grip of the insane Emperor Cartagia (Wortham Krimmer) and a run of six shows leading to the climax of the war against the Shadows in "Into the Fire". If this colossal narrative is resolved a little too easily and the ultimate aim of the Shadows turns out to be a tad disappointing, it's still one of the most powerful slices of space opera ever to grace the small screen. In the aftermath the sheer scale drops back a little but the pace never slows as the rest of the year plays out in one relentless cycle of conspiracy, betrayal and conflict, Babylon 5 siding with the rebel Mars colony against the totalitarian Earth regime. Meanwhile, Delenn finds herself increasingly in conflict with her own people and, paralleling her relationship with Sheridan, Garibaldi becomes involved with his ex-fiancée Lise Hampton (Denise Gentile); in addition, an intense platonic love grows between Ivanova and Marcus Cole. On an unstoppable wave fuelled by roller-coaster plot twists and spectacular action shows from "No Surrender, No Retreat"--when Sheridan avows to overthrow EarthGov--to "Rising Star"--when the aim is realised--this series of Babylon 5 achieved a consistent excellence rare in television. Yet within that run "Intersections in Real Time" stands out as a bold experiment; essentially a two-hand drama taking place entirely within one dimly lit room. Then in "The Deconstruction of Falling Stars", a descendant of humanity one million years hence reviews excerpts from the history of Babylon 5. In one sequence set in 2762 a Brother is devoted to the preservation of history some time after the "Big Burn". In a homage to Walter M Miller's SF classic A Canticle for Leibowitz, Sheridan and Delenn have themselves become the stuff of legend. --Gary S DalkinOn the DVD: All 22 episodes of Season 4 of Babylon 5 are presented on six DVDs. Anamorphically enhanced for widescreen TV, the picture is significantly stronger than on the original TV broadcasts, if not up to blockbuster movie standards. The remixed Dolby Digital 5.1 soundtrack is punchy and richly impressive, if again not quite state-of-the-art. As with previous seasons the main extras are three commentaries. The first, by actors Bruce Boxleitner, Jerry Doyle, Peter Jurasik and Patricia Tallman, finds these leading cast members having a great time joshing around on Falling Towards Apotheosis and failing to say anything very interesting. Series creator and writer J Michael Straczynski and director Michael Vejar discuss The Face of the Enemy, the conversation tending towards a technical scene-by-scene analysis, while by far the most interesting commentary is J Michael Straczynski alone on The Deconstruction of Falling Stars. JMS covers many aspects of the show, going into depth explaining both his ideas behind the series and the practicalities of realising his vision. Celestial Sounds is an interesting but too-short five-minute look at the scoring process with composer Christopher Franke, complemented by a powerful six-minute musical suite. The package also includes a six-minute introduction, a three-minute gag reel and video data files of characters, organisations and places. An Easter egg offers a comparison between untextured and completed CGI models of Babylon 5 itself. There is an optional French soundtrack, plus English, English for Hearing Impaired, French and Netherlands subtitles. --Gary S Dalkin
Paris is Burning is an intimate portrait of a time a place and a community of outsiders finding expression strength and pride in a world of their own creating.
In the gap between seasons four and five of Babylon 5, fans suffering withdrawal symptoms were sated by this first TV movie. As a prequel to the series' timeline, creator J. Michael Straczynski had an awful lot of continuity to consider. Amazingly, there's only one inconsistency throughout (a matter of who met whom and when), making this an essential part of the overall storyline. The tale is told cleverly from the future as the remembrances of Londo (Peter Jurasik), who is now Emperor of a dying Centauri homeworld. He looks back at the beginnings of the Earth-Minbari war and links together many clues strewn throughout the shows' early years. We see exactly how Delenn contributed to the first blows, the death of dignitary Dukhat, and most importantly what really happened to Sinclair (Michael O'Hare) at the Battle of the Line. The FX showcased by the battle are genuinely spectacular, but overshadowed by the make-up department which had the thankless task of making everyone look younger. Their best success is on an uncredited Claudia Christian who appears as an 18-year-old Susan Ivanova dealing with the death of her brother. Being a prequel there's little in the way of a surprise finale, but there's plenty of intrigue along the way. --Paul Tonks
A disappointment after the superb two previous seasons, the final run of Babylon 5 found Claudia Christian departed and Ivanova replaced by Captain Elizabeth Lochley (Tracy Scoggins), who in a soap-opera twist turned out to be Sheridan's first wife. Sheridan was promoted to President of the Interstellar Alliance and the action moved to a group of telepaths seeking sanctuary from the PSI-Corp on B5. Giving a prominent role to Patricia Tallman's Lyta Alexander, a love story for her was woven with the leader of the telepaths, Byron (Robin Atkin Downs). Meanwhile the aftermath of the Shadow War was explored as the origin of human telepaths became clear in "Secrets of the Soul," and the appearance of PSI-Corp's Bester (Walter Koenig) brought the plight of the refugees to a powerful close in "A Tragedy of Telepaths" and "Phoenix Rising." This was immediately followed by a rare episode not written by J. Michael Straczynski. Much was expected of "Day of the Dead," penned by Neil Gaiman, the British creator of DC's landmark Sandman comic and graphic novel series. Yet despite a change of tone including a guest appearance by Penn & Teller as 23rd-century comedy favorites Rebo & Zooty, the story proved an incongruous side trip into an unexplained twilight zone of fantasy. As usual the season picked up toward the end, with a string of fine political episodes leading to "The Fall of Centauri Prime" and the haunting "Objects at Rest," in which Sheridan and Delenn leave Babylon 5 for new quarters on Minbar. The final episode, "Sleeping in Light," was directed by J. Michael Straczynski and made an epilogue to the series. Set 20 years later, after all the sound and fury this quiet, elegiac tale is the apotheosis of the love story that proved the balance to the tragedy of the preceding darkness. A personal story resolved against a background of the epic, at once transcendent, deeply human, and profoundly optimistic, "Sleeping in Light" is as moving as any hour in the history of television drama and a thoroughly satisfying conclusion to one of the greatest series ever made. --Gary S. Dalkin
A gripping neo-noir detective drama about a small town policeman's consuming obsession with finding a young girl's killer.
James Farrow (Andrew Bowen) a young student pressures his girlfriend into having an illegal abortion. They soon head to see an abortionist whose negligence results in the death of the young girl. James begins to be haunted by visions of his girlfriend and is drawn to the house in which they met. He seeks advice from the mysterious Professor Ambrose (Michael York) whose life has been torn apart by a number of gruesome tragedies in his own family and who is tormented by the ghost of
A group of friends take a trip to a remote cabin for their summer vacation. All they want to do is relax and party in this idyllic surrounding. However they picked the wrong cabin in the wrong woods! Their partying attracts the attention of a local neighbour a sick and twisted psychotic killer who claims the cabin as his own. One by one the friends disappear as they are attacked and slaughtered by this homicidal maniac. What started out at as a fun summer vacation has just turned into a living nightmare and a desperate fight for survival. Stuck in the middle of nowhere with no one to help them...if they run there's nowhere to go but if they stay they'll become another permanent guest of the Blood Cabin. Special Features: The making of Director's take Featurette Creating a killer Featurette Scoring the film Featurette Title madness Featurette Image gallery Original trailer
One of the best directors of IMAX films, Stephen Low (Titanica) has always been a race fan. After obtaining permission from CART, a governing body of Indy car racing and Newman/Haas racing (a Championship team co-owned by Paul Newman), Low found his stars for Super Speedway: the racing Andrettis, father Mario and son Michael. Mounting cameras fore and aft on the Andrettis' cars, IMAX offers a better vantage point than an ESPN camera, at a superior grade of clarity. Add to that the excellent sound and you can "feel" the bumps on the asphalt as the cars zoom in and out of corners. The large format can turn a pit stop into a dramatic 12 seconds as we see the driver's eyes dart away from his cockpit for a few brief seconds. We watch Michael Andretti on oval tracks and exciting road courses going over hills and sharp turns. There's even a spin--probably staged--from an angle we've never seen before. Although true race conditions were impossible (the camera is just too bulky), Low sneakily edits his film to stretch the imagination. On race day, several Indy cars drove alongside the camera car hours before the main event, passing and drafting each other with crowds whizzing past them. When edited with footage of the race, it feels like the real thing. Low takes a few off-beat choices in setting up his story. The first image is the biggest chicken you've ever seen. The last shot is a 1950s car (lovingly restored during the film) racing through perfect golden foliage on an autumn day. It gives his movie of modern technology a wonderful sense of nostalgia. --Doug Thomas, Amazon.com
At Big Steve's Party everyone get wasted! Big Stevie knows that there is no better way for a repressed killer to blow off steam than killing a bunch of care-free free-spirited teens. Fortunately for him a group of fresh-faced teens have just arrived at a remote cabin in the woods.
One of the best directors of IMAX films, Stephen Low (Titanica) has always been a race fan. After obtaining permission from CART, a governing body of Indy car racing and Newman/Haas racing (a Championship team co-owned by Paul Newman), Low found his stars for Super Speedway: the racing Andrettis, father Mario and son Michael. Mounting cameras fore and aft on the Andrettis' cars, IMAX offers a better vantage point than an ESPN camera, at a superior grade of clarity. Add to that the excellent sound and you can "feel" the bumps on the asphalt as the cars zoom in and out of corners. The large format can turn a pit stop into a dramatic 12 seconds as we see the driver's eyes dart away from his cockpit for a few brief seconds. We watch Michael Andretti on oval tracks and exciting road courses going over hills and sharp turns. There's even a spin--probably staged--from an angle we've never seen before. Although true race conditions were impossible (the camera is just too bulky), Low sneakily edits his film to stretch the imagination. On race day, several Indy cars drove alongside the camera car hours before the main event, passing and drafting each other with crowds whizzing past them. When edited with footage of the race, it feels like the real thing. Low takes a few off-beat choices in setting up his story. The first image is the biggest chicken you've ever seen. The last shot is a 1950s car (lovingly restored during the film) racing through perfect golden foliage on an autumn day. It gives his movie of modern technology a wonderful sense of nostalgia. --Doug Thomas, Amazon.com
Featuring the smooth surfing of Joel Trudor CJ Nelson Alex Knost and many more. According to Devon Howard editor Longboard Magazine Way of Life is a must see for any surfing enthusiast.
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