Dick Clement and Ian La Frenais returned to the world of The Likely Lads with this sequel series which is generally considered to be even better than the original show. Terry Collier (James Bolam) returns from his stint in the army to find his north-east home-town and its inhabitants have changed beyond recognition. Out of contact during the intervening years his best friend Bob Ferris (Rodney Bewes) has settled into a respectable white-collar job and is engaged to his boss'
Loosely based on Edgar Allan Poe's classic tale The Black Cat, Your Vice Is a Locked Room and Only I Have the Key, from director Sergio Martino (Torso), weaves the key motifs from Poe's gothic yarn into one of the most sensual films from the Golden era of giallo. Luigi Pistilli (Milano Calibro 9, A Bay of Blood) plays writer Oliviero, an abrasive drunk who amuses himself by holding drunken orgies at his grand country manor much to the displeasure of his long-suffering wife (Anita Strindberg). But this decadence is soon rocked by a series of grisly murders, in which Oliviero finds himself implicated. Notable for giving screen starlet Edwige Fenech her first bad girl role, Your Vice Is a Locked Room and Only I Have the Key, with its many unexpected twists and turns, is just as bewitching as its title would suggest. Special Edition Features: Brand new 2K restoration of the film from the original camera negative Original Italian and English soundtracks in DTS-HD mono audio English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack Through the Keyhole a brand new interview with director Sergio Martino Unveiling the Vice making-of retrospective featuring interviews with Martino, star Edwige Fenech and screenwriter Ernesto Gastaldi Dolls of Flesh and Blood: The Gialli of Sergio Martino a visual essay by Michael Mackenzie exploring the director's unique contributions to the giallo genre The Strange Vices of Ms. Fenech film historian Justin Harries on the Your Vice actress' prolific career Eli Roth on Your Vice and the genius of Martino Reversible sleeve featuring original and newly commissioned artwork by Matthew Griffin
She's the One is actor-writer-director Edward Burns' second film, following the widely acclaimed The Brothers McMullen. Given a slightly larger budget to play with ($3m as against his debut project's $25,000), Burns revisits much the same territory--love and sibling rivalry within a New York Irish-American family--but rather more expansively. This time, too, he can run to a few stars-in-the-making (Cameron Diaz, Jennifer Aniston, and John Mahoney from Frasier) to jazz up his cast of relative unknowns. Burns himself plays Mickey, a cab-driver in the Big Apple, with Mike McGlone as his yuppie stockbroker brother, and Maxine Bahns as Hope, the girl Mickey falls for and impulsively marries, much to the romantic delight of Francis' neglected wife Renee (Aniston). Francis, meanwhile, is having a clandestine affair with Heather (Diaz), Mike's former girlfriend--something Mike has yet to learn. Dispensing flawed wisdom and generally muddying the waters yet further is the lads' blunt-spoken father (Mahoney). Plotwise that's about it. Burns relies on his appealing cast and some amiably barbed repartee to hold our interest in what's essentially a dialogue-driven movie. He makes shrewd and sometimes unexpected use of his New York locations, too--it's a fair bet most people's mental image of Brooklyn wouldn't include a waterfront fishing community. This is a good-natured, slightly old-fashioned movie whose benevolent view of the battle of the sexes (where the women are invariably smarter than the men) never digs too deep or hits too hard. On the DVD: She's the One is presented on disc in its original widescreen ratio (1.85:1) and Dolby 4.0 sound that does the movie fair justice. Along with the original trailer, we get a seven-minute "making-of" featurette and a music video of the title song "Walls" from Tom Petty, who composed the film's score. Burns provides an unpretentious voice-over commentary, dealing mainly with matters of casting and the problems of shooting on location. --Philip Kemp
There's no director like Jean Rollin, the French horror fantasist who mixes the poetry of Jean Cocteau with the emotionless performances of Robert Bresson in his erotic vampire films. Lips of Blood is one of his best, an Oedipal tale of a young man haunted by visions of a forgotten childhood when he spies a poster of a coastal castle at a party. Jean-Louis Philippe, a hopelessly bland and flat performer, wanders through the deserted piazzas and fountains of his suddenly odd and alien hometown, eerily lit up in the dead of night. He's a man lost in a world where a woman in white silently materialises like a supernatural muse, gunmen appear from the inky-black night, and four naked vampire girls prowl the streets for blood and watch over him like dark angels. It's a tale of blood, sex, and haunting desire full of nudity and death and told in an austere, surreal style born of forced budgetary austerity. Rollin is slipshod with his action scenes and stiff with performers, but once he leaves the confines of the "real" world (where he's oddly uncomfortable) his style creates a trancelike mood to complement the beauty of his poetically macabre vision. The film our hero watches early in the picture is Rollin's own Shiver of the Vampires. --Sean Axmaker
No one brings more death-defying entertainment to the screen than fearless martial arts superstar Jackie Chan. In this awe-inspiring and often amusing action-thriller Chan outdoes himself with the most eye-popping stunts ever filmed each more amazing than the last! Chan plays Keong a Hong Kong cop who gets more than he bargained for when he visits relatives in a crime-ridden section of New York. Soon Keong is brawling with Mafia kingpins and unleashing his lethal skills on unsuspecting thugs. From the first astonishing action sequence to the last in which Chan is matched against a giant hovercraft in a deadly show of brute strength 'Rumble in the Bronx' is the definitive action-adventure film; one your have to see to believe!
The 1959 Newport Jazz Festival was a true musical watershed, as Jazz on a Summers Day reveals. This 75-minute film captures an event poised on the cusp of a new era, as the cool jazz of Jimmy Guiffre and the effortless scat of Anita ODay intermingle with the hard bop of the Gerry Mulligan Quartet and the smouldering fusion overtones of the Chico Hamilton Quintet. Theres a crisp contribution from Chuck Berry, a typically feel-good set from Louis Armstrong--including a hilarious duo with Jack Teagarden--and, as evening shades into night, a heartfelt performance from Mahalia Jackson, closing with a melting rendition of "The Lords Prayer". Bert Stern has assembled all these and more into a satisfying sequence, complete with footage of an enthusiastic and informal audience. Shots of the yachting line-up from the Americas Cup round out a blissful and what now seems blissfully naïve occasion. On the DVD: Colour picture quality has worn well, whereas sound has deteriorated notably at times: Thelonius Monks quarter-tones could easily be a semitone flat! Even so, its worth putting up with this to enjoy a tour through music-making whose relaxed spontaneity would be impossible to emulate today. --Richard Whitehouse
First Among Equals: The Complete Series (3 Discs)
From the books of Peter Tinniswood comes one of television's greatest comedy families The Brandons. There's miserable pessimist Uncle Mort his sharp-tongued sister Annie who is constantly arguing with husband Les their laid-back son Carter and his not so laid-back fianc Pat and finally old Uncle Stavely who carries his friend's ashes around his neck in a box and only enters the constant bickering with a cry of ""I 'eard that! Pardon?"" Series 1: 1. Cause For Celebration 2. A Knitter In The Family 3. The Old Tin Trunk 4. After The Ball Was Over 5. Aye ... Well ... Mm ... 6. Large Or Small Big Or Tall 7. The Axe And Cleaver Series 2: 1. The Way My Wife Looks At Me 2. Chez Us 3. A Woman's Work 4. A Signal Disaster 5. You Should See Me Now 6. Good Wood God! Series 3: 1. Men At Work 2. A Grave Decision 3. Party Games 4. A Bleak Day 5. Stout Deeds 6. Paradise Lost 7. The Last Tram Series 4: 1. The Love Match 2. Love Is A Many Splendoured Thing 3. A Tip Top Day 4. Don't Answer That 5. The Great Escape 6. What's In A Name? 7. The Great Day
Marvellous Jackie Chan action-fests including Shanghai Noon Twin Dragons and Rumble In The Bronx. Shanghai Noon (2000): Two cultures collide when East meets West in Shanghai Noon a wildly hilarious stunt-filled action-adventure-comedy starring the death-defying action hero Jackie Chan Owen Wilson and Lucy Liu. Chan plays Chinese Imperial Guard Chon Wang (say it out loud) who hightails it to the wild and woolly West to rescue the beautiful kidnapped Princess Pei Pei (Liu). When he meets up with laid-back outlaw cowboy dude Roy O'Bannon (Wilson) - the best mismatch ever made in the rough and tumble Old West - the two face jail brawls bordellos and the vilest villains this side of the Great Wall! Spectacular stunts outrageous irreverence and epic vistas reign as East meets West in a battle for honor royalty and a fortune in gold! It's a real kick. Twin Dragons (1992): The night that wealthy Mrs Chan gives birth to identical twins all hell breaks loose in the hospital! A wounded gangster escapes from a police escort in the emergency room and snatches one of the twins as hostage. The distraught parents lavish all their love and affection on the remaining twin throughout his childhood. He studies music and becomes a world-famous conductor. The abducted baby is abandoned by the gangster and found by a dance hall hostess who takes the infant home and brings him up as best she can. His youth is spent in the company of thieves and gangsters but he manages to get a job as a mechanic. Years later when the two Chans by coincidence meet face to face - chaos reigns. There is no time to establish a relationship but they both run headlong into great danger and a series of mind blowing stunts that only Jackie Chan & Jackie Chan can deliver. Rumble In The Bronx (1995): No one brings more death-defying entertainment to the screen than fearless martial arts superstar Jackie Chan. In this awe-inspiring and often amusing action-thriller Chan outdoes himself with the most eye-popping stunts ever filmed each more amazing than the last! Chan plays Keong a Hong Kong cop who gets more than he bargained for when he visits relatives in a crime-ridden section of New York. Soon Keong is brawling with Mafia kingpins and unleashing his lethal skills on unsuspecting thugs. From the first astonishing action sequence to the last in which Chan is matched against a giant hovercraft in a deadly show of brute strength 'Rumble in the Bronx' is the definitive action-adventure film; one your have to see to believe!
All 50 episodes from seasons 1-3 of the Adult Swim animated comedy series following the exploits of the American/Scandinavian death metal band Dethklok, who are so popular with their fans that they will do anything the band's songs tell them, even if it means certain death. Episodes Comprise: Season 1: The Curse of Dethklok Dethwater Birthdayface Dethtroll Dethkomedy Dethfam Performance Klok Snakes 'n' Barrels Mordland Fat Kid at the Detharmonic Skwisklok Murdering Outside the Box Go Forth and Die Bluesklok Religionklok Dethkids Dethclown Girlfriendklok Dethstars The Metalocalypse Has Begun Season 2: Dethecution Dethlessons Dethvengeance Dethdoubles Dethfashion Cleanso P.R. Pickles Deth Wedding Dethcarraldo Dethgov Dethrace The Revengencers Klokblocked Dethsources Dethdad Snakes N Barrels II (Part 1) Snakes N Barrels II (Part 2) Dethrecord Dethrelease (Part 1) Dethrelease (Part 2) Season 3 : RenovationKlok TributeKlok DethHealth Dethmas FatherKlok Fertilityklok Dethsiduals Rehabklok Dethzazz Doublebookedklok
François Girard's The Red Violin (1998) is a good-looking but ultimately insubstantial piece from a director who seems more concerned with tone, colour and style than narrative coherence. The film traces the story of a violin originally made in 17th-century Italy, which is taken to an 18th-century monastery to be played by a child prodigy. The violin later comes into the hand of a virtuoso in 19th-century Oxford, from there to China in the Cultural Revolution and on to Montreal, where--before it can be auctioned--it is "acquired"' by Samuel L Jackson. Unfortunately, none of these stories make much of an impression: the episode in Oxford is particularly weak, with Greta Scacchi wasted, and the film is even less than the sum of its parts. Jackson is completely miscast as an expert on musical instruments, even if a criminal one. To be frank, this is a poor effort, though well photographed and with a pleasing score by composer John Corigliano performed by violinist Joshua Bell. On the DVD:The disc contains a theatrical trailer but no other features. The soundtrack is excellent, in Dolby Surround. The image is equally good, in a 1.78:1 anamorphic print. --Ed Buscombe
Kay Mellor's gritty drama revolves around a murder and the upheaval it creates in the lives of four women who live and work in a red light area. Featuring all the episodes from the three series. Estranged from her violent husband mother-of-three Gina Dixon is quickly running out of options to keep an aggressive loan shark from the front door. When she meets another single mother Carol who appears to have no financial worries she is keen to know her secret. Her new found friendsh
Meera Nair's Salaam Bombay was her first film, and one of only three Indian films nominated for an Oscar (the others being Mother India and Lagaan). The deceptively simple documentary style hides a meticulously planned feature in which nothing is left to chance. Real street kids play the leads alongside veteran actors, such as Nana Patekar and Shaukat Azmi, as we follow Chaipau, the urchin who wants to save his 500 rupees to "go home", and his encounters with prostitutes, thugs and drug addicts among whom he finds love and companionship. The story avoids sentimentality by endowing the characters with humanity while never romanticising their plight. Nair eschews the obvious "city of contrasts" theme, presenting only the view from the street, shooting in real locations of Grant Road and its environs. This is one of the greatest presentations of Bombay to date, comparable across genres to Raghu Rai's photography or Vikram Chandra's fiction. On the DVD: Salaam Bombay on DVD includes a compelling scene-by-scene commentary, in which Nair discusses the problems of location shooting, training the children and the impact of the film on the lives of so many of its characters. The film is in Hindi with English subtitles. --Rachel Dwyer
Two adolescents meet and cautiously fall in love at the peak of an idyllic Swedish summer. Oblivious to social boundaries they innocently create their own milieu in contrast to the distorted relationships and disillusionment of the adult world around them. Beautifully shot by 'Elvira Madigan' cinematographer Jrgen Persson Roy Andersson's debut feature drew favourable comparisons with the work of the great Ingmar Bergman.
The Terry Thomas of children's television returns to the screen in Boom, Boom! The Best Of The Original Basil Brush Show. The raffish star, with his distinctive laugh, trademark tweeds and enduring catchphrase, was created in 1963, diligently learning his trade before hitting the big time in the 1970s in his own show. The cheeky vulpine host went on to vex a succession of "Mr"s with his continual interrupting, ad-libbing and appalling jokes:Mr Roy: "Do you know about ethics?"Basil, lisping: "Yes, it's somewhere near Sussex, isn't it?"The show's guest list boasted the best of 1970s celebrity: Alvin Stardust, Cilla Black, John Inman and Demis Roussos to mention just a few--all treated to Basil's unique blend of charm and brusque wit in a series of excruciating sketches.The show was dropped in the 1980s but Boom, Boom! The Best Of The Original Basil Brush Show proves that Basil, now a pop-culture icon, is a truly 21st-century fox. --Helen Baker
The story of ""Demon"" continues as a birthday party in a high-security apartment building (with bullet-proof windows) is interrupted when the birthday girl is transformed by a horror movie on TV into a demon. All hell breaks loose as the residents unable to escape the building are forced to battle the zombie-demon neighbors
"I'm not a drinker--I'm a drunk." These words, and the serious message behind them, were still potent enough in 1945 to shock audiences flocking to The Lost Weekend. The speaker is Don Birnam (Ray Milland), a handsome, talented, articulate alcoholic. The writing team of producer Charles Brackett and director Billy Wilder pull no punches in their depiction of Birnam's massive weekend bender, a tailspin that finds him reeling from his favorite watering hole to Bellevue Hospital. Location shooting in New York helps the street-level atmosphere, especially a sequence in which Birnam, a budding writer, tries to hock his typewriter for booze money. He desperately staggers past shuttered storefronts--it's Yom Kippur, and the pawnshops are closed. Milland, previously known as a lightweight leading man (he'd starred in Wilder's hilarious The Major and the Minor three years earlier), burrows convincingly under the skin of the character, whether waxing poetic about the escape of drinking or screaming his lungs out in the D.T.'s sequence. Wilder, having just made the ultra-noir Double Indemnity, brought a new kind of frankness and darkness to Hollywood's treatment of a social problem. At first the film may have seemed too bold; Paramount Pictures nearly killed the release of the picture after it tested poorly with preview audiences. But once in release, The Lost Weekend became a substantial hit, and won four Oscars: for picture, director, screenplay, and actor. --Robert Horton
A man inherits his dead father's estate in the shape of an elephant. To sell his inheritance he must first cross America taking his oversized companion along for the ride...
'Waiting Women' is an episodic work composed of three segments thr third of which represents Bergman's first foray into comedy later honed in the erotic farce 'A Lesson In Love'. Three women (all sisters-in-law) talk about their marital problems while waiting for their husbands at a summer cottage. The first story concerns Rakel (Anita Bjrk) and an adulterous episode that changed her marriage forever. In the next intensely visual segment featuring only limited dialogue Marta (M
Comedy with Stan Laurel and Oliver Hardy. Contains: Blotto (b/w) Blotto (colourised) Blotto (Spanish version titled as 'La Vida Nocturna') Be Big (b/w) Be Big (colourised) Be Big / Laughing Gravy (Spanish version) In 'Blotto' Stan needs to contrive an excuse to spend a night out with Ollie. Mrs. Laurel overhears their plans but decides to go along with them but not before replacing their bottle of genuine booze - this being the Prohibition era - with an entirely different mixture! 'Be Big' starts with Stan and Ollie ready to go away for the weekend with their wives only to learn that their hunting lodge is holding a testimonial dinner for them that evening. Ollie feigns illness and the wives go away without them but there remains the problem of getting into the hunting regalia and riding boots. 'Los Calaveras' is a feature-length Spanish edition combining a version of 'Be Big' (incorporating some comedy material unseen in English) with another short of this period 'Laughing Gravy'.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy