One of Jean Rollin's best-loved films, Lips of Blood (Lèvres de sang) finds the master of the fantastique marshalling all of his obsessions ruined châteaux, remote beaches, abandoned graveyards, mysterious twins, and female vampires. When a photograph of a decrepit seaside château evokes a childhood vision of an encounter with a mysterious girl, Frederick is compelled to investigate. Soon, he uncovers a surreal and erotic netherworld of vampirism from which he might never return. Starring regular Rollin actors Jean-Loup Philippe (The Rape of the Vampire), Natalie Perrey (The Iron Rose), and twins Cathy and Marie-Pierre Castel (Requiem for a Vampire), Lips of Blood is a tour de force within Rollin's inimitable oeuvre. Product Features INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES New 4K restoration from the original negative by Powerhouse Films Original French mono soundtrack Audio commentary with genre-film experts, critics and authors Stephen Jones and Kim Newman (2023) Selected scenes audio commentary with Jean Rollin (2005) Jean Rollin Introduces Lips of Blood' (1998): filmed appraisal The Beach That Follows Me (2005): Rollin reminisces about the beach in Dieppe, and his many experiences of filming there Newly edited archival interview with Rollin (2023) Newly edited archival interview with actor and frequent Rollin collaborator Natalie Perrey (2023) Newly edited archival interview with actor Jean-Loup Philippe (2023) Newly edited archival interview with actor Serge Rollin (2023) Newly edited archival interview with actor Cathy Tricot (2023) Critical appreciation by the author and film historian Virginie Sélavy (2023) Original theatrical trailer Image galleries: promotional and publicity material, and behind the scenes New and improved English translation subtitles Limited edition exclusive 80-page book with a new essay by Maitland McDonough, archival writing by Jean Rollin on the making of the film, archival interviews with Rollin and Annie Brilland, an analysis of Suck Me, Vampire, the hardcore film Rollin made using scenes from Lips of Blood, and full film credits Limited edition of 10,000 individually numbered units (6,000 4K UHDs and 4,000 Blu-rays) for the UK and US All extras subject to change
One of Jean Rollin's best-loved films, Lips of Blood (Lèvres de sang) finds the master of the fantastique marshalling all of his obsessions ruined châteaux, remote beaches, abandoned graveyards, mysterious twins, and female vampires. When a photograph of a decrepit seaside château evokes a childhood vision of an encounter with a mysterious girl, Frederick is compelled to investigate. Soon, he uncovers a surreal and erotic netherworld of vampirism from which he might never return. Starring regular Rollin actors Jean-Loup Philippe (The Rape of the Vampire), Natalie Perrey (The Iron Rose), and twins Cathy and Marie-Pierre Castel (Requiem for a Vampire), Lips of Blood is a tour de force within Rollin's inimitable oeuvre. Product Features INDICATOR LIMITED EDITION 4K UHD SPECIAL FEATURES New 4K HDR restoration from the original negative by Powerhouse Films 4K (2160p) UHD presentation in Dolby Vision (HDR10 compatible) Original French mono soundtrack Audio commentary with genre-film experts, critics and authors Stephen Jones and Kim Newman (2023) Selected scenes audio commentary with Jean Rollin (2005) Jean Rollin Introduces Lips of Blood' (1998): filmed appraisal The Beach That Follows Me (2005): Rollin reminisces about the beach in Dieppe, and his many experiences of filming there Newly edited archival interview with Rollin (2023) Newly edited archival interview with actor and frequent Rollin collaborator Natalie Perrey (2023) Newly edited archival interview with actor Jean-Loup Philippe (2023) Newly edited archival interview with actor Serge Rollin (2023) Newly edited archival interview with actor Cathy Tricot (2023) Critical appreciation by the author and film historian Virginie Sélavy (2023) Original theatrical trailer Image galleries: promotional and publicity material, and behind the scenes New and improved English translation subtitles Limited edition exclusive 80-page book with a new essay by Maitland McDonough, archival writing by Jean Rollin on the making of the film, archival interviews with Rollin and Annie Brilland, an analysis of Suck Me, Vampire, the hardcore film Rollin made using scenes from Lips of Blood, and full film credits World premiere on 4K UHD Limited edition of 10,000 individually numbered units (6,000 4K UHDs and 4,000 Blu-rays) for the UK and US All extras subject to change
The Salisbury Poisonings focuses on the impact the 2018 Novichok poisonings had on the local community. The drama tells the remarkable story of how ordinary people and public services reacted to a crisis on their doorstep, displaying extraordinary heroism as their city became the focus of an unprecedented national emergency. The Salisbury Poisonings captures the bravery, resilience and, in some cases, personal tragedy of the unsuspecting locals, who faced a situation of unimaginable horror so close to home.
It is summer 1962, and England is still a year away from huge social changes: Beatlemania, the sexual revolution and the Swinging Sixties. Florence (Ronan) and Edward (Howle) are just married and honeymooning on the dramatic coastline of Chesil Beach in Dorset. However, the hotel is old fashioned and stifling, and underlying tensions between the young couple surface and cast unexpected shadows over their long anticipated wedding night. From the precise depiction of two young lovers, to the touching story of how their unexpressed misunderstandings and fears shape the rest of their lives, ON CHESIL BEACH is a tender story which shows how the entire course of a life can be changed, by a gesture not made or a word not spoken.
Alice in Wonderland the haunting nightmarish 1966 BBC Television version writ-ten and directed by Jonathan Miller and starring Peter Sellers Sir John Gielgud Sir Michael Redgrave Wilfrid Brambell Peter Cook Alan Bennett John Bird Leo McKern and Anne-Marie Mallik as Alice. Shot in pinpoint ghostly black and white with a dream-like editing schematic actors dressed not in costumes but in period clothes and a jarring seductive beautiful score by Ravi Shankar this Alice in Wonderland is like no other version you'll see of the Lewis Carroll classic. Alice in Wonderland is a dark nightmarish excursion into pointless almost listlessmadness...which makes it even more off-putting and uncomfortable in its rigid diffidence. Alice in Wonderland doesn't look like anything I've ever associated with the literary source. Instead Miller gives us an Alice who sleepwalks through increasingly madden-ing scenes that although she says she's a bit confused by them on the soundtrack she doesn't appear fazed by them at all.
A travelling couple who unwittingly become trapped in the fictional town of Gatlin, Nebraska, and find themselves stalked by a creepy clan of young cultists. No adult is allowed to survive in Gatlin or else, their prophecy predicts, the harvest will collapse. Suffice to say, all hell soon breaks loose (literally) and demonic entities ensure that Hamilton and her husband are in for a long night. Children Of The Corn remains one of the most spine-tingling terror titles of the 1980s.
Charmed: The Complete Second Season finds San Francisco's favourite and fetching trio of witches, the Halliwell sisters, still battling supernatural forces while trying to make sense of their tricky personal lives. It has been a year since Prue (Shannen Doherty), Phoebe (Alyssa Milano), and Piper (Holly Marie Combs), were each endowed with a unique, magical ability after discovering the Book of Shadows in their attic, and while Phoebe and Piper are in the mood for celebrating, Prue is emotionally incapable of using her telekinetic gifts. Powerless to have saved her ex-lover, Andy Trudeau (Ted King), from death in Season 1, Prue's grief prevents her from cooperating with her sisters in a battle against a demon who steals the all-important Book. That's just the beginning of the Halliwells' otherworldly troubles. The second season finds the sisters also taking on brain-zapping Warlocks, a Demon of Hate, a Darklighter who inspires thoughts of suicide among the living, evil witches, and--get this--the Four Horsemen of the Apocalypse, who turn out to be quite dapper (albeit nasty) fellows. Meanwhile, Piper struggles to raise $60,000 to open a happening new club (at a site where two other clubs have failed) while also juggling romantic feelings for two guys, one a hunky new neighbor and the other last season's handyman character, Leo (Brian Krause), who turns out to be a Whitelighter (a kind of an angel). Prue's job at the art gallery gets a bit wobbly, and she gives unintentionally mixed signals to a very nice man who likes her a lot. Phoebe, for her part, is still in school and meets a handsome prospect at a dating service--then has to save him from a succubus (a female demon who seduces men and then kills them). Season highlights include the episode "She's a Man, Baby, a Man," in which Prue--due to a botched spell--becomes a man (a clever and funny performance by Doherty). In a reversal of Tootsie's feminist theme, Prue learns how to be a better woman for having a been a man, though a lot more repairs take place at the house while she's a he. "Animal Pragmatism" concerns yet another spell gone awry, this one turning a pig, a rabbit, and a snake into full-grown men with the characteristics of the creatures they were. The final show, "Be Careful What You Witch For," is a lot of fun, co-starring French Stewart as a genie who makes a lot of mischief at the same time the sisters are trying to put a Dragon Warlock in his place. --Tom Keogh
"The Last Station" is a love story set during the last year of the life and turbulent marriage of the great Russian writer Leo Tolstoy and his wife the Countess Sofya.
Experience a deliriously insane world of frog butlers topless princesses machine gun toting teachers chicken boys human chandeliers and the devil himself (Danny Elfman) all ruled by the lascivious midget king Fausto (Herve Villechaize - Fantasy Island The Man With The Golden Gun) and his deranged queen! Propelled by the incredible songs of the one and only Danny Elfman and the mystic kings of Oingo Boingo forbidden zone is an experience like no other with an eye popping
Francois Truffaut's classic tale of a love triangle which takes place over 20 years both before and after World War I. Jeanne Moreau stars as Catherine the beautiful and unpredictable woman who maintains a delicate relationship with two friends the quiet German Jules (Oskar Werner) and the romantic Parisian Jim (Henri Serre). The War intervenes and drives the men to the opposing fronts; afterwards the two quickly resume their friendship but the balance of their relationship with Catherine is now upset by more adult concerns.
When veteran detective, Danny Frater (played by James Nesbitt), turns up at a hospital mortuary for what he thinks is a routine ID check on a young woman's body, he gets a devastating shock; the corpse turns out to be his estranged daughter, Christina (played by Imogen King). Danny is traumatized by the news that according to the post-mortem report, she's taken her own life. Danny and Christina had a complicated father-daughter relationship in recent years, but he refuses to accept that she would have ended her own life. He sets out on a mission for the truth, retracing her last days and hours, in an agonising crusade to discover what really happened to his only child.
Famously described by Ingmar Bergman as ""a work of genius"" Peter Watkins' multi-faceted masterwork is more than just a biopic of the iconic Norwegian Expressionist painter it is one of the best films ever made about the artistic process. Focusing initially on Munch's formative years in late 19th Century Kristiana (now Oslo) Watkins uses his trademark style to create a vivid picture of the emotional political and social upheavals that would have such an effect on his art. The young artist (Geir Westby) has an affair with ""Mrs Heiberg"" (Gro Fraas) a devastating experience that will haunt him for the rest of his life. His work is viciously attacked by critics and public alike and he is forced to leave his home country for Berlin where along with the notorious Swedish playwright August Strindberg he becomes part of the cultural storm that is to sweep Europe. There have been countless film biographies of famous artists but only a handful can be considered major works in their own right. The Masters of Cinema Series is proud to present Watkins' original extended 211-minute TV version of what is regarded by many as an extraordinary feat of filmmaking.
With its campy combination of lightweight adventure and Spandex disco chic, Buck Rogers in the 25th Century is a nostalgic throwback to post-Star Wars opportunism. Series co-creator Glen A. Larson was incapable of originality, and former soap star Gil Gerard (in the title role) was a bland incarnation of the comic-strip hero, so the much-anticipated series premiered on September 20, 1979, with serious disadvantages. Although the two-hour pilot "Awakening" had tested successfully as a theatrical release, Gerard and the show's producers could never agree on a stable tone for the series, which presents Capt. William "Buck" Rogers as a jovial space cowboy who is accidentally time-warped from 1987 to 2491. Earth is engaged in interplanetary war following a global holocaust, and Buck's piloting skills make him an ideal starfighter recruit for the Earth Defense Directorate, where his closest colleagues are Dr. Huer (Tim O'Connor), squadron leader Col. Wilma Deering (former model Erin Gray, looking oh-so-foxy), the wisecracking robot Twiki (voiced by cartoon legend Mel Blanc), and a portable computer-brain named Dr. Theopolis, who's carried by Twiki like oversized bling-bling. The series struggled through an awkward first season, with routine plots elevated by decent special effects and noteworthy guest stars including Jamie Lee Curtis, ill-fated Playboy Playmate Dorothy Stratten (appearing, with her voice dubbed over, less than a year before her tragic murder), Batman alumnus Julie Newmar, Buster Crabbe (veteran of vintage Buck Rogers movie serials), and several others in a show that favored vamps and vixens over credible science fiction. A full-scale overhaul resulted in a disastrous second season, but devoted fans still gravitate to Hawk (Thom Christopher), the charismatic alien "birdman" who was introduced with new characters and a new, space-faring search for lost tribes from Earth (with echoes of Larson's own Battlestar Galactica). Behind-the-scenes squabbles continued, and by mid-season of 1981, NBC pulled the plug on a breezy, still-engaging series that suffered from uneasy chemistry and never realized its full potential. Existing somewhere between Galactica and Lost in Space in the TV sci-fi food chain, this Buck--with a dearth of DVD extras--now functions as a cheesy stroll down memory lane. --Jeff Shannon
With an ingenious script, engaging characters, nerve-shredding suspense, genuinely frightening set-pieces and laugh-out-loud funny bits An American Werewolf in London is a prime candidate for the finest horror-comedy ever made. Americans David (David Naughton) and Jack (Griffin Dunne) are backpacking in northern England when Jack is killed by a wild beast and David is bitten. Back in London David finds himself falling in love with a nurse, Alex (played with winning charm by Jenny Agutter), and turning into a werewolf. Adding to his problems, an increasingly decomposed Jack keeps coming back from the dead, and he is not a happy corpse. The Oscar winning make-up and transformation scenes still look good and rather than send itself up Werewolf plays its horror seriously, the laughs coming naturally from the surreal situation. Naughton is engagingly confused and disbelieving, desperately coping with the ever more nightmarish world, while Landis delivers one absolutely stunning dream sequence, an unbearably tense hunt on the London Underground and a breathtaking finale. Gory, erotic, shocking and romantic, this unforgettable horror classic has it all. Tom Holland's Fright Night (1985) remixed the formula with vampires, as did Landis himself in Innocent Blood (1992). A disappointing sequel, An American Werewolf in Paris, followed in 1997. --Gary S Dalkin
As the comfortable certainties of Edwardian England give way to chaos and destruction, English aristocrat Christopher Tietjens finds himself marrying Sylvia, a beautiful but cruel socialite who is pregnant with a child who may or may not be his. Christopher is determined to remain loyal to his wife despite her string of infidelities, but his life is transformed the day he meets Valentine Wannop, a fearless young suffragette. Moving from the glittering yet shallow world of London high society to the trench-scarred battlefields of France, Parade's End is the story of one of the defining eras of the last century; a time when old certainties are being torn down and lives are changed forever.
Mallory Jordan feels she can no longer face up to life after her family are wiped out in a brutal street robbery. Her only confidante is Detective DiMarco whose support and help makes her realise that after losing everything she now has everything to gain. Based on the novel by Barbara Taylor Bradford.
Jesus of Montreal is a surprising and dazzling tragi-comic satire on modern life based around a group of actors who gather together to perform a new interpretation of the Passion Play. Awarded the Grand Prix at Cannes in 1989 Denys Arcand's film has been a major success throughout the world combining wild comedy with the absurd dramas of life around us.
Jonathan Miller's terrific adaptation of Lewis Carroll's novel originally aired on BBC1 in 1966 featuring an all star cast.
Can we talk? Everybody is pretty well agreed that Great Britain's Ken Loach is one of our most important filmmakers. On the basis of his work with actors alone--often actors who are unknown until showcased in his films--he commands a place in the modern Pantheon. The problem is that he sounds terminally "worthy"; his films invariably reflect a commitment to framing harsh sociopolitical realities and steeping us in the fight for justice, a square deal or a square meal. They sound, in short, as if they're "good for you"--whereas the fact is that they are almost always damned good, period.My Name Is Joe makes for an excellent introduction to Loach country--partly because it's just a tad more immediate in its basic viewer appeal. Joe Kavanagh (Peter Mullan), out-of-work Glasgow housepainter, is a terrifically attractive fellow, and though he is also a recovering alcoholic, he seems eminently pulled-together and ready for yeoman service as a movie leading man. The main story line concerns his encounter with and growing attraction to a smart social worker (Louise Goodall). There is nothing star-crossed about their potential love, but each is tough enough to set limits till they've travelled over a distance of mutual ground. Meanwhile, Joe's status as role model among his more emotionally and economically precarious neighbours--an extended family of man--is good for a surprising number of lusty laughs and one fatal, criminal complication that could jeopardise his future. Peter Mullan won a well-deserved Best Actor award at Cannes in 1998, and subsequently directed a family comedy-drama of his own, Orphans. --Richard T. Jameson, Amazon.com
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