70-year-old widower Ben Whittaker has discovered that retirement isn't all it's cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin. Click Images to Enlarge
Kevin Costner's former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
This fabulous boxed set contains the complete Lethal Weapon collection. Lethal Weapon:Martin Riggs (Mel Gibson) is no ordinary cop. He's a Mad Max gone maniacal a man whose killing expertise and suicidal recklessness make him a Lethal Weapon to anyone he works against. Or with. Roger Murtaugh (Danny Glover) is an easygoing homicide detective with a loving family a big house and a pension he doesn't want to lose. Imagine Murtaugh's shock when he learns his partner is a guy w
Despite making many other distinguished films in his long, wandering career, Francis Ford Coppola will always be known as the man who directed The Godfather trilogy, a series that has dominated and defined their creator in a way perhaps no other director can understand. Coppola has never been able to leave them alone, whether returning after 15 years to make a trilogy of the diptych, or re-editing the first two films into chronological order for a separate video release as The Godfather Saga. The films are an Italian-American Shakespearian cycle: they tell a tale of a vicious mobster and his extended personal and professional families (once the stuff of righteous moral comeuppance), and they dared to present themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, was a serious business. The first film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone into the family business, the transition of power from his father, the ruthless dispatch of his enemies--all this is told with an assurance that is breathtaking to behold. And it turned out to be merely prologue; two years later The Godfather, Part II balanced Michael's ever-greater acquisition of power and influence during the fall of Cuba with the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate and the isolated despair at the end wholly earned. (Has there ever been a cinematic performance greater than Al Pacino's Michael, so smart and ambitious, marching through the years into what he knows is his own doom with eyes open and hungry?) The Godfather, Part III was mostly written off as an attempted cash-in but it is a wholly worthy conclusion, less slow than autumnally patient and almost merciless in the way it brings Michael's past sins crashing down around him even as he tries to redeem himself. --Bruce Reid, Amazon.com On the DVD: Contained in a tasteful slipcase, the three movies come individually packaged, with the second instalment spread across two discs. The anamorphic transfers are acceptable without being spectacular, with Part 3 looking best of all. Francis Ford Coppola--obviously a DVD fan--provides an exhaustive and enthusiastic commentary for all three movies, although awkwardly these have to be accessed from the Set Up menu. The fifth bonus disc is a real goldmine: the major feature is a 70-minute documentary covering all three productions, which includes fascinating early screen-test footage. There's also a 1971 making-of featurette about the first instalment, plus several shorter pieces with Coppola, Mario Puzo and others talking about specific aspects of the series, including a treasurable recording of composer Nino Rota performing the famous theme. Another section contains all the Oscar-acceptance speeches and Coppola's introduction to the TV edit, plus a whole raft of additional scenes that were inserted in the 1977 re-edited version. Text pieces include a chronology, a Corleone family tree and biographies of cast and crew. Overall, this is a handsome and valuable package that does justice to these wonderful movies. --Mark Walker
Kevin McCallister's parents have split up. Now living with his mom he decides to spend Christmas with his dad at the mansion of his father's rich girlfriend Natalie. Meanwhile robber Marv Merchants partners up with a new criminal to hit Natalie's mansion with only Kevin left inside to fend them off in any devious and destructive way he can!
An iconic TV classic is back and better than ever in the reinvented, updated, and super-charged Knight Rider. Season One from executive producers Doug Liman (The Bourne Identity franchise), David Bartis (The O.C.) and Glen Larson (Battlestar Galactica) comes this action-packed series about the coolest car ever created, K.I.T.T. (Knight Industries Three Thousand), that s equipped with artificial intelligence capable of hacking into any computer, the weapons system of a jet fighter and incredible custom body technology that allows it to transform into other vehicles. Relive every Season One episode as an elite team of crime- fighters work with K.I.T.T. (voiced by acting legend Val Kilmer) to track down elusive, high-tech villains. Presented in uninterrupted Dolby Digital 51. Surround Sound, you won't want to miss this fast-paced ride to the wild side!
70-year-old widower Ben Whittaker has discovered that retirement isn't all it's cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin. Click Images to Enlarge
A Sci-Fi classic! A desert exploration leads to an explosive discovery for Billy - his own personal laser gun. Each time he fires the laser he begins to mutate into an alien. Billy terrorizes the town but it's only a matter of time before the aliens return to reclaim their weapon and his life. With Roddy McDowall and Keenan Wynn. Special Features: All Region Codes Anamorphic Widescreen Numbered Spine Original Trailer Full Moon Trailer Park Reversible Sleeve Incorporating Original Artwork Red Case
The lightest of the first three films, Lethal Weapon 3 finds everyone occupying comfortable positions like students who always choose to sit in the same classroom seats. Mel Gibson and Danny Glover return as LAPD partners whose working method consists of the former diving into danger and the latter holding back. (The sequence set in the parking garage of a building, in which Gibson inadvertently trips a switch that makes a timed explosive device speed up, is priceless.) Joe Pesci once again plays a motor-mouth pest, and while the story is pretty much forgettable, it does introduce the best new dynamic in the series, a romance between Gibson and Rene Russo's equally tough but attractive cop. --Tom Keogh
In the fourth and reportedly final film of the Lethal Weapon series, director Richard Donner reunites with Mel Gibson and Danny Glover, who reprise their roles as Martin Riggs and Roger Murtaugh for one last hurrah in a film that is decidedly better than the third and first chapters. This time the pair are pitted against Jet Li, who plays the leader of a Chinese organised crime unit. Li, a veteran of hundreds of Hong Kong action films, more than holds his own against the more established team of Gibson, Glover, Rene Russo and Joe Pesci with his subtle yet strong portrayal of the quietly irrepressible Wah Sing Ku. As always with the Lethal series, the plot is incredibly simple to follow: someone steals something, someone gets killed and Murtaugh is reluctantly thrown into the mix while Riggs dives into the case with gleeful aplomb. As with the previous movies, we watch for the sheer action and chemistry alone. The action sequences throughout the fourth instalment are exquisite, from the opening scene involving a flame-thrower, a burning building and a half-naked Murtaugh strutting like a chicken (don't ask, just watch), to the climactic showdown that pays genuine tribute to Jet Li's masterful martial art skills. As for chemistry, the bond between these characters is so strong by now that you sometimes feel like you're watching a TV series in its sixth season, such is the warm familiarity between the audience and the personalities on the screen. The humour is more fluid than ever, aided immeasurably by the casting of comedian Chris Rock, who like Li does a great job of making his presence known in some memorable verbal tirades that would bring a smile out of the Farrelly brothers. But it's the verbal and emotional jousting between Glover and Gibson that makes this fourth episode especially appealing; both are in peak form with great physical and verbal timing. One can only hope that if this is indeed the last of the Lethal films, that it won't be the last time we see Glover and Gibson together on screen. --Jeremy Storey
An unusual new perspective on the life of Italian dictator Benito Mussolini. Viewed via the story of Ida Mussolini's mistress-cum-wife who had a relationship with him through his early years and rise to power. Director Marco Bellocchio brilliantly conjures up this extraordinary period in Italian history while managing to convey a very intimate and personal story. Highly acclaimed on it's Cannes debut Vincere is another significant film in the ultra-impressive canon of it's directors work.
An unusual new perspective on the life of Italian dictator Benito Mussolini. Viewed via the story of Ida Mussolini's mistress-cum-wife who had a relationship with him through his early years and rise to power. Director Marco Bellocchio brilliantly conjures up this extraordinary period in Italian history while managing to convey a very intimate and personal story. Highly acclaimed on it's Cannes debut Vincere is another significant film in the ultra-impressive canon of it's directors work.
A young mother moves back to her hometown where she becomes the focus of her neighbor's teenage son. The temptation to re-discover her youth and have an affair with the boy is soon put dramatically into perspective as several deaths in the neighborhood are linked to an evil slasher that stalks the suburbs in an ice cream truck.
The lightest of the first three films, Lethal Weapon 3 finds everyone occupying comfortable positions like students who always choose to sit in the same classroom seats. Mel Gibson and Danny Glover return as LAPD partners whose working method consists of the former diving into danger and the latter holding back. (The sequence set in the parking garage of a building, in which Gibson inadvertently trips a switch that makes a timed explosive device speed up, is priceless.) Joe Pesci once again plays a motor-mouth pest, and while the story is pretty much forgettable, it does introduce the best new dynamic in the series, a romance between Gibson and Rene Russo's equally tough but attractive cop. --Tom Keogh
Raw fear rules in Rest Stop the first film from Raw Feed the newest brand name in horror sci-fi and thrillers. Jess is at the wheel. Nicole rides shotgun. And at the end of the road stretching before them is glittering glamorous Hollywood. They're on a road trip all right...straight to hell. When the runaway lovers pause at an abandoned rest stop Jess disappears. And someone else appears - someone with his own demented sense of fun. With drills. Staple guns. Box cutters.
‘Pariah’ tells the story of Steve (Damon Jones) and Sam an interracial couple attacked by Neo-Nazi Skinheads one unexpected night. The brutal attack has a scarring effect on their lives. Although Steve’s physical bruises heal Sam’s rape leads to her subsequent suicide leaving Steve without direction and bent on revenge. He decides to go undercover as a skinhead to learn about these people whose lives have become entrenched in hate and violence. Steve must learn to act like them think like them and eventually to become one of them. With this accomplished ‘He can kill them!’
At the height of the great depression in the early 1930's a full scale gang war is underway. On revenge killing follows another in the battle for supremecy...
Following a car accident Michelle wakes up with amnesia and bandages over her face. Her nightmares hint that she's done something very bad. Now as people around her are murdered she must piece together her past... before it kills her.
They're the target of a madman. Denise Richards and Casper Van Dien take you to the beaches of Malibu where anything can happen. Stacey is a gorgeous model and Randy is the perfect ladykiller - together with their group of friends they lead the ideal beach life playing by day and partying all night. But this perfect world suddenly becomes a dangerous game when a killer begins to stalk the group.
While working late one night an ambitious and high-ranking state official is brutally assassinated. Stabbed through the heart he is left in a pool of blood near his office. The entire community stunned by the murder of his popular politician.The police are quick to attribute the murder to a burglary gone wrong. His family are told to asking questions. Important evidence is censored and ignored.Festering under the surface is evidence that points to a chilling conspiracy at the highest level of both the government and Police department.
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