Inspired by a true story. Young Amy (Anna Paquin) is reunited with her father (Jeff Daniels) after a nine-year separation. One day Amy discovers a nest of orphaned goose eggs and decides to take them home and nurture them until they hatch. When the newly hatched goslings adopt her as their Mother Goose Amy and her father become airborne adventurers battling against bad weather and a host of other pitfalls in their efforts to teach the geese to fly...
Friday is the rarest specimen of African American cinema: a hood movie refreshingly free of the semi-seriousness and moralism of shoot-'em-up soaps such as Boyz N the Hood, yet still true to the inner-city experience. Scripted by rapper Ice Cube, Friday is a no-frills tale of a typical day in the life of a pair of African American youth in South Central. Cube plays Craig, a frustrated teen who endures the ultimate humiliation: getting fired on his day off. Then unknown Chris Tucker plays Smokey, a marijuana-worshipping homeboy whose love for the green stuff lands him in predicament after predicament. Sitting on the stoop of Craig's rundown home, the two hilariously confront a kaleidoscopic array of gangbangers, weed dealers, crack heads, prostitutes, scheming girlfriends and neighbourhood bullies--all of whom, it should be noted, come off as sympathetic even as they are being caricatured, a true achievement in the crass, "booty call" environment of 1990s African American comedy. --Ethan Brown, Amazon.com
Eddie Murphy takes on a plethora of roles in this hit comedy, as Professor Sherman Klump finds his life once again being taken over by his suave alter ego Buddy Love.
This gentle comedy almost seems like something out of Hollywood's Golden Age, a movie that might have been made by a talented contract director, perhaps featuring Don Ameche and Claudette Colbert. But in fact One Fine Day stars George Clooney as an investigative columnist for a New York newspaper and Michelle Pfeiffer as an architect. Both single parents, the two meet and bicker and develop a relationship over the course of a day while their young children play together. Michael Hoffman (Restoration) directs with a good sense of what's funny about harried caretakers and kids who do whatever they want to do. The story stretches out of shape a bit when Clooney's character has to rally to prove some point of corruption at City Hall; nobody involved seems quite up to making that subplot believable, but all that really matters about this very nice movie is the winning love story. --Tom Keogh
The glowering brutality that is aikido head-banger Steven Seagal's substitute for a star persona at least gives us a rancid taste of authenticity in Marked for Death, a cookie-cutter action picture. This glum lug seems really to enjoy hurting people; he snaps limbs and shatters noses with visible relish. Pitted against a gang of Jamaican gangsters who invade his (white ethnic) Chicago neighbourhood and threaten his family, retired DEA agent John Hatcher sets out to solve the case with robotic efficiency, kicking butt in just about every scene. Not quite as pudgy in this 1990 outing as he became a few films later, Seagal looks like the genuine, lethal article in the fight sequences but like a hopeless amateur when he tries to act his way out of the waterlogged-paper-bag of a script. So what else is new? The one bright spot here is Basil Wallace, a mostly unsung actor who throws himself into the showy role of the Rasta gang-boss Screwface, a garishly scarred psycho with piercing ice-blue eyes. --David Chute, Amazon.com
Heartburn is an autobiographical tale based on the marriage of high-flying journalists Carl Bernstein (who helped uncover the Watergate scandal for the Washington Post) and Nora Ephron. When the two meet at a friends wedding they fall in love and subsequently marry. Living in different cities the relationship begins to unravel as the pair slowly drift apart and infidelities eventually wreck the marriage. Focusing on social events like weddings parties and birthdays the film exp
It is Christmas Eve for most of the Christian world but when Craig (Ice Cube) and Day-Day (Mike Epps) are rudely awaken by a burglar in a Santa suit it is definitely another FRIDAY in the ghetto. The phony Santa gets away with all the cousins' Christmas gifts and their overdue rent money after assaulting Craig with a paltry Christmas tree. Cops are called in and do little more than confiscate Craig and Day-Day's pot stash. Though the cousins may be used to such adversity in the 'hood they have never before had to think about getting real jobs in order to pay the bills. This third installment in the hip-hop stoner series follows L.A.'s lovable losers through their first day as rent-a-cops at a South Central strip mall.
Rich with ambiguity, this smooth adaptation of Scott Turow's bestselling mystery novel stars Harrison Ford as Rusty Sabich, the prosecuting attorney assigned to a case involving the murder of a beautiful, seductive lawyer (Greta Scacchi) with whom he'd been having a secret affair. After the investigation gets off to a slow start, damning evidence points to Rusty as the prime suspect. His career is destroyed when his superior and secondary suspect Raymond Horgan (Brian Dennehy) sets him up for the fall. Bonnie Bedelia plays Rusty's wife Barbara, who is not above suspicion herself. While Ford's performance rides a fine line between presumed innocence and possible guilt, director Alan J Pakula (All the President's Men) maintains a consistent tone of uncertainty that keeps the viewer guessing. --Jeff Shannon, Amazon.com
When shy working-class girl Celia Crowson (Roc) is called up for war service during World War Two, she dreams of a glamorous job in one of the services. But as a young unmarried woman, she is given a position in a local factory manufacturing aircraft parts. There she makes friends with other girls from very different social backgrounds, and begins a tentative relationship with a young airman, Fred Blake (Gordon Jackson).
Grab your favourite munchies: Red and Meth, that dope-addled dynamic duo, are going to Harvard. And while it's not exactly demanding viewing, How High is destined to become a guilty pleasure of the cannabis crowd. The plot's a familiar one--take the basic selling points of any Cheech & Chong movie (a pair of shambolic protagonists who smoke lots of weed and drive funky 70s-style cars), graft them onto a generic "raising hell on campus" teen movie scenario and shake vigorously. The result is a prosaic effort that does contain some all-too-brief moments of genuine humour. Red and Meth, aka Redman and Method Man, may look like the world's oldest freshmen, but both offer genial performances, especially Method Man, who imbues the character of Silas with a dog-eared gentleness that raises him above the film's leaden script and plastic directing. --Rebecca Levine
A rambunctious group of five college friends steals away for a weekend of debauchery in an isolated country cabin, only to be attacked by horrific supernatural creatures in a night of endless terror and bloodshed. Sound familiar? Just wait. As the teens begin to exhibit standard horror-movie behaviour, a group of technicians in a control room are scrutinizing, and sometimes even controlling, every move the terrified kids make! With their efforts continually thwarted by an all-powerful eye in the sky, do they have any chance of escape? Disc 1 4K Ultra HD (Movie + Special Features) AUDIO COMMENTARY WITH WRITER/DIRECTOR DREW GODDARD & WRITER/PRODUCER JOSS WHEDON WE ARE NOT WHO WE ARE: MAKING THE CABIN IN THE WOODS PRIMAL TERROR: VISUAL EFFECTS AN ARMY OF NIGHTMARES: MAKE-UP & ANIMATRONIC EFFECTS Disc 2 Blu-Ray (Movie + Special Features) THE SECRET SECRET STASH WONDERCON Q&A THEATRICAL TRAILER IT'S NOT WHAT YOU THINK: THE CABIN IN THE WOODS BONUSVIEW⢠MODE (BLU-RAY⢠ONLY)
Young Amy (Anna Paquin) is reunited with her father (Jeff Daniels) after a nine-year separation. One day Amy discovers a nest of orphaned goose eggs and decides to take them home and nurture them until they hatch. When the newly hatched goslings adopt her as their Mother Goose Amy and her father become airborne adventurers battling against bad weather and a host of other pitfalls in their efforts to teach the geese to fly...
Helle (Anna Demetriou) is the only child of King Asmund and Queen Alva and the one true heir to the Viking kingdom of Volsung. Yet she is unaware of her true lineage, for Helle was switched at birth with her cousin, her evil uncle Bard having convinced King Asmund that a female heir would weaken the kingdom. As Helle grows into womanhood, the King realises his mistake. She is strong, brave and good, and the best choice to succeed Asmund on the throne. However, Bard has designs on the throne himself and has Asmund killed before the truth is revealed. On the run and framed for the murder of the King, Helle seeks guidance from the god Odin (Terence Stamp) to gain the training and wisdom she needs to take back Volsung and fulfil her destiny.
A woman arrives in a sleepy seaside town after receiving unsettling letters from her father, only to discover the town is under the influence of a strange cult that weeps tears of blood and hunger for human flesh.Product FeaturesComing Soon
X-Men 2 picks up almost directly where X-Men left off: misguided super-villain Magneto (Ian McKellen) is still a prisoner of the US government, heroic bad-boy Wolverine (Hugh Jackman) is up in Canada investigating his mysterious origin, and the events at Liberty Island (which occurred at the conclusion of X-Men) have prompted a rethink in official policy towards mutants--the proposed Mutant Registration Act has been shelved by US Congress. Into this scenario pops wealthy former army commander William Stryker, a man with the President's ear and a personal vendetta against all mutant-kind in general, and the X-Men's leader Professor X (Patrick Stewart) in particular. Once he sets his plans in motion, the X-Men must team-up with their former enemies Magneto and Mystique (Rebecca Romjin-Stamos), as well as some new allies (including Alan Cumming's gregarious, blue-skinned German mutant, Nightcrawler). The phenomenal global success of X-Men meant that director Bryan Singer had even more money to spend on its sequel, and it shows. Not only is the script better (there's significantly less cheesy dialogue than the original), but the action and effects are also even more stupendous--from Nightcrawler's teleportation sequence through the White House to a thrilling aerial dogfight featuring mutants-vs-missiles to a military assault on the X-Men's school/headquarters to the final showdown at Stryker's sub-Arctic headquarters. Yet at no point do the effects overtake the film or the characters. Moreso than the original, this is an ensemble piece, allowing each character in its even-bigger cast at least one moment in the spotlight (in fact, the cast credits don't even run until the end of the film). And that, perhaps, is part of its problem (though it's a slight one): with so much going on, and nary a recap of what's come before, it's a film that could prove baffling to anyone who missed the first instalment. But that's just a minor quibble--X-Men 2 is that rare thing, a sequel that's actually superior to its predecessor. --Robert Burrow
Erotic drama written, directed by and starring Anna Biller, filmed in the distinctive retro style of the sexploitation cinema of the 1970s. When a bored suburban housewife in 1972 Los Angeles is abandoned by her husband, she finds herself in the middle of the swinging sexual revolution. Looking for love and adventure, she is dragged into the worlds of nudist colonies, hippies, modelling, orgies, prostitution, drugs, bisexuality and bohemia, finding liberation along the way.
Henry Fonda is the strict new commander of a frontier fort (Henry Fonda) who soon clashes with his more experienced second in command (John Wayne), jepordising the fragile peace with the native americans.
From the director of "Changing Lanes" and the writer of "The Buddha of Suburbia" comes a bittersweet tale of a mother whose life is transformed when she embarks on an intense affair with a younger man.
Morgan Freeman stars once agin as detective Alex Cross in this sequel to "Kiss The Girls." A congressman's daughter under Secret Service protection is kidnapped from a private school by an insider who calls Cross.
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