Cowboy is both a sturdy Delmer Daves picture--his third with Glenn Ford, following Jubal and 3:10 to Yuma--and also one of the most offbeat Westerns ever. It must be the most true to form too, with Frank Harris's memoirs as the source and a picaresque screenplay by Edmund H. North and Dalton Trumbo (a blacklistee, credited only posthumously). There's a pileup of oddities and complications at the outset, with Chicago hotel clerk Harris (Jack Lemmon) already in mid-romance with a daughter of the Mexican aristocracy (Anna Kashfi--Mrs Marlon Brando at the time), and Texas cattleman Tom Reese (Ford) storming in to commandeer an entire floor of the hotel for him and his drovers so they can party 'till, well, the cows come home. Partying is curtailed when Reese loses big at cards; Harris bails him out with his savings, and Reese finds he's taken on not only an unwanted partner but a tenderfoot besides. Soon everyone is headed south. Cowboy merits its bedrock title. This is a rare Western in which the job of breaking horses, trail herding, and so on, figures as a dynamic aspect of the storytelling. The film also has a blunt and original way of looking at death, not as a genre convention but as something abrupt, ungainly, and often absurd, in both senses of the word. (This applies equally to men and cattle, by the way.) The camerawork is trim, angular, and somehow precarious, and the jagged editing hustles the very eventful proceedings to a close in barely an hour and a half. Saddle up. --Richard T. Jameson, Amazon.com
Tormented for years by a sense of guilt after inadvertently bombing a German orphanage during World War Two Parson Dean Hess (Rock Hudson) leaves his pulpit and wife (Martha Hyer) to return to the Air Force as a training officer during the Korean War. Posted near the remote village of Yungsan in South Korea Col. Hess is tasked with instructing the inexperienced Korean pilots but his mission takes a personal twist when he stumbles upon an opportunity to help local orphans. Between his battle against an evil foe and his determination to save the children Hess may just find the redemption he so desperately seeks.
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