Originally broadcast in 1971 the intriguing detective drama The Moonstone is a series based on the hugely popular novel by Wilkie Collins. Starring Robin Ellis (The Negotiator) and Colin Baker (Doctor Who) the plot centres around The Moonstone an Indian treasure given to Rachel Verrinder as an 18th birthday present. It has been stolen from a temple in colonial India and a number of misfortunes have followed it into the hands of Rachel. The Moonstone goes missing and the plot
The story of Queen Victoria from her coronation, focused on her meeting and marriage to Prince Albert and the way they established shared responsibilities until his death.
A vibrant and dazzling production.
Touted as the next great family drama Brothers And Sisters explores the highs and lows of The Walkers - a postmodern American family and their delicate relationships. This is the complete season 1 - 3 collection.
Northfork: Northfork is a mythical tale of loss and resurrection continuing The Polish Brothers' cinematic obsession with the American heartland and the country's shifting dreams and visions. It is 1955 and the barren town of Northfork is quite literally about to be 'dammed'. Plans for a new hydro-electric plant in the area mean that the plains on which the town stands are soon to be flooded. With most of the townsfolk already evacuated several stoic citizens remain among them a lustful young couple a modern-day Noah who has built an ark for his two wives and a frail orphan boy who dreams he is the lost member of a host of wandering angels. Charged with removing the last of the residents is an Evacuation Committee comprising of six trench-coated agents some of whom will discover their own lives profoundly changed before the deluge is over. (Dir. Michael Polish 2003) Twin Falls Idaho: A different kind of love story. The minute he wakes up and the minute before sleep - for two minutes each day Blake Falls feels alone. He tries to grab those minutes before they vanish. They are enough to remind him who he is. Francis Falls understands that if it weren't for Blake he wouldn't be able to make it. His conjoined twin's heart is very strong. Blake he knows could live without him. The brothers live quietly in an eccentric hotel peopled with odd characters talking in a shorthand formed over 25 years. They dress impeccably in a custom-tailored suit adjusting each other's ties; they dine on cotton candy and on their birthday their only meal is their trademark chocolate cake; they blow out two candles one at a time. They can keep straight faces while telling outrageous tales from their earlier days in show business. When Francis becomes ill Blake holds him through the night the way he always has. Together they feel complete. When Penny (Michele Hicks) a beautiful young woman enters their lives for the first time someone sees the brothers' world from the inside. She makes them think of possibilities when they're certain there aren't any. They start to wonder how it would be to feel complete in new ways. ""Maybe I'll call you when I'm single "" Blake quips. They imagine living not as medical anomalies but as individuals who can breathe walk and dream on their own. (Dir. Michael Polish 1999)
The important balance to be struck in any production of Eugene Oneginis between, on the one hand, the long lyrical monologues--Tatiana's letter scene, Lensky's aria, Gremin's praise of his wife--and the crucial confrontations between Tatiana and Onegin with the more public scenes in which these private emotions evolve into tragedy and disillusion. Rozhdestvensky finds this balance effortlessly--the chorus that dances its way through the small-town ball that ends in Lensky's challenge is as much a character in the tragedy as the principals. The principals are excellent, too. Orla Boylan is as good as the mature Tatiana as she is as the callow girl who first falls for Onegin, while Vladimir Gluschak's Onegin is as convincing as the object of her devotion as he is as the self-pitying egoist who wrecks his own life and those of Olga and Lensky. The orchestral sound is convincing but unexciting. --Roz KaveneyOn the DVD: The DVD has subtitles in German, English and French, and the menu is also in Spanish. --Roz Kaveney
It is 200 years in the future. Twenty years of war between Earth and the colonies has finally come to an end. Earth has been devastated as the alliance of colonies battled Earth's evil fascist government led by General Tunis. Realising the scale in which his forces have been defeated. General Tunis commandeers a space ship equipped with a time generator and escapes to Earth in the late 1990's. Tunis's objective is to replicate himself in the image of the next president of the United States. A team of four death row inmates are assembled for a suicide mission to save the Earth from its own dark future.
Tom Hanks was a relatively unknown TV actor with a sitcom as his biggest credit when relatively unknown director Ron Howard (best known for his own sitcom acting) cast him in this surprise hit. It made stars of Hanks, Daryl Hannah and John Candy and an A-list director out of Howard. Hannah is a mermaid who comes to Manhattan in search of Hanks, the guy she has twice saved from drowning. Hanks runs a business with his loveable, blowhard brother (Candy), whose goal in life is to have a letter published in Penthouse. When this perfect woman shows up, Hanks can't believe his luck and plunges into a dizzyingly romantic relationship, unaware of her sea-water secret. But the mermaid needs to soak and unfurl her tail from time to time, which leads to complications, including her capture by the government for scientific study (what else?). Hanks is winningly charming and Hannah is a perfect match in this enjoyably high-spirited comedy, though the biggest laughs belong to Candy. --Marshall Fine
Please wait. Loading...
This site uses cookies.
More details in our privacy policy