There's really been only one rival to James Bond: Derek Flint in the swinging-60s action-comedies Our Man Flint (1966) and In Like Flint (1967). That's because of James Coburn's special brand of American cool. He's so cool, in fact, that he doesn't care to save the world. That is, until he's personally threatened. He's a true libertarian, with more gadgets and girls than Bond, but with none of his stress or responsibility. Our Man Flint finds our unflappable hero thwarting mad scientists who control the weather--and an island of pleasure drones. Lee J Cobb costars as Flint's flustered superior, and Edward Mulhare plays a British nemesis with snob appeal. For fans of Austin Powers, incidentally, the funny-sounding phone comes from the Flint films. However, Our Man Flint's best gadget remains the watch that enables Flint to feign death. There's a great Jerry Goldsmith score, too. There was bound to be a sequel, and In Like Flint delivers the same kind of zany fun as its predecessor. Flint is recruited once again by Lee J Cobb to be the government's top secret agent, this time to solve a mishap involving the President. It turns out, the Chief Executive has been replaced by an evil duplicate. The new plan for world domination involves feminine aggression, and Flint, with his overpowering charisma, is just the man to turn the hostile forces around. In Like Flint is still over the top, but some of the novelty has worn off, and it doesn't have quite the same edge as the original. Even Jerry Goldsmith's score is a bit more subdued. But the film still has James Coburn and that funny phone. --Bill Desowitz
Leeson (Ewan McGregor) is rightly proud of himself: despite his humble beginnings, the Watford lad is now a trusted employee of Barings Merchant Bank, the City of London's oldest Banking House founded in 1763.
George Clooney stars as Ryan Bingham, a corporate downsizing expert whose cherished life on the road is threatened just as he is on the cusp of reaching ten million frequent flyer miles and just after he's met the frequent-traveler woman of his dreams.
Directed by renowned producer/director Herbert Wilcox at the height of his career, this British post-War film drama spans four generations to tell the never-changing story of the soldier husband who returns home expecting to find everything just as he left it. Starring screen icon Anna Neagle, Elizabeth of Ladymead is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Ladymead is the gracious Georgian mansion in which El...
The Lion The Witch And The Wardrobe (2005): C.S. Lewis' timeless adventure follows the exploits of the four Pevensie siblings - Lucy Edmund Susan and Peter. Set in World War II England the children enter the world of Narnia through a magical wardrobe while playing a game of 'hide-and-seek' in the rural country home of an elderly professor. Once there the children discover a charming peaceful land inhabited by talking beasts dwarfs fauns centaurs and giants that has become a world cursed to eternal winter by the evil White Witch Jadis. Under the guidance of a noble and mystical ruler the lion Aslan the children fight to overcome the White Witch's powerful hold over Narnia in a spectacular climactic battle that will free Narnia from Jadis' icy spell forever. Prince Caspian (2008): The three siblings Peter Susan Edmund and Lucy are pulled back into the land of Narnia where a thousand years has passed since they left. The children are once again enlisted to join the colorful creatures of Narnia in combating an evil villain who prevents the rightful Prince from ruling the land.
Nativity Rocks! returns to St Bernadette's Primary School as the staff and students work together to win the coveted prize of ˜Christmas Town of the Year' by performing a spectacular rock music-themed nativity. Celia Imrie reprises her role as headmistress Mrs Keen, starring alongside a host of British talent including Simon Lipkin, Daniel Boys, Helen George, Hugh Dennis, Anna Chancellor, Ruth Jones, Meera Syal, Bradley Walsh and Craig Revel Horwood.
In the wake of the disastrous food storm at the end of the first movie Flint Lockwood and friends are forced to leave their town of Swallow Falls. But when it is discovered that sentient food beasts have overrun the island they are asked to return to save the world...again.
Made In USA
CS Lewis's timeless novel comes to life in this big budget adaptation.
Adapted from Tennessee Williams' play 'Orpheus Descending', this US drama stars Marlon Brando as drifter Val Xavier. Arriving in a small town Val gets a job working for miserable shopkeeper Lady Torrance (Anna Magnani) and later begins an affair with her while her cruel husband Jabe (Victor Jory) is dying of cancer. Discovering that Lady is pregnant, Val decides to stay in town even when he is threatened by Jabe's friend, Sheriff Talbott (R.G. Armstrong), but this only angers Jabe and results in tragedy.
A dark horror fantasy film, Rupert Everett is called Dellamorte Dellamore, a cemetery care taker who is faced with an epidemic of zombies rising from their graves. Dellamorte goes on an insane killing spree to prevent the living dead from contaminating the rest of the world.. his journey of surreal experiences will culminate with increasingly bizarre sexual encounters with Italian sex symbol Anna Falchi, a recent widow..Special Features: Commentary on the making of the film by Director Michele Soavi and author Gianni Romoli Photo Gallery Theatrical Trailer Shameless Trailer Park
From director Peter Horton (Grey's Anatomy) comes a complex journey through global politics military secrets and three strangers who only have one thing in common... the truth. In this Traffic-like action drama an international conspiracy explodes when three strangers' lives unexpectedly collide - a female soldier a corporate lawyer and a political activist. After a team of American soldiers battle Jihadists in North Africa they're shocked to find that one of the men they killed is Al Qaeda's top man. Sergeant Odelle Ballard - a soldier mother wife and the unit's only female member - discovers computer files that suggest a major U.S. corporation is funding the Jihadists. But before she can tell anyone her team is attacked and left for dead. News is reported that the unit was wiped out but the truth is that Odelle survived and is the only witness to her unit's assassination.
Oscar night. Who will win? Who will lose? And will someone please kick that numbskull offstage? Wait! That's no ordinary numbskull. That's Lt Frank Drebin crashing the ceremonies to stop a terrorist plot that could mean curtains for him - or will a simple window shade be enough? Yes back with a hilarious three-peat and a state-of-the art advance in sequel numbering are the filmmakers you love the returning stars you adore plus others getting Naked for the first time: Fred Ward
Politics is about people, former Sen. Selina Meyer is fond of saying. Unfortunately, the people Meyer, a charismatic leader and rising star in her party, meets after becoming vice president are nothing like she expected, but everything she was warned about. Veep follows the VP as she puts out political fires, juggles her public schedule and private life, and does everything within her limited powers to improve her dysfunctional relationship with the chief executive. Meyer's trusted, and some not-so-trusted, sidekicks include chief of staff Amy, one-time spokesperson Mike, and right-hand man Gary.
Camp Rock 2
After gaining experience with the football club Newcastle United, Santiago Munez gets a huge break when he's transferred to Real Madrid.
By the time Alfred Hitchcock's second-to-last picture came out in 1972, the censorship restrictions under which he had laboured during his long career had eased up. Now he could give full sway to his lurid fantasies, and that may explain why Frenzy is the director's most violent movie by far--outstripping even Psycho for sheer brutality. Adapted by playwright Anthony Shaffer, the story concerns a series of rape-murders committed by suave fruit-merchant Bob Rusk (Barry Foster), who gets his kicks from throttling women with a necktie. This being a Hitchcock thriller, suspicion naturally falls on the wrong man--ill-tempered publican Richard Blaney (Jon Finch). Enter Inspector Oxford from New Scotland Yard (Alex McCowan), who thrashes out the finer points of the case with his wife (Vivian Merchant), whose tireless enthusiasm for indigestible delicacies like quail with grapes supplies a classic running gag.Frenzy was the first film Hitchcock had shot entirely in his native Britain since Jamaica Inn (1939), and many contemporary critics used that fact to account for what seemed to them a glorious return to form after a string of Hollywood duds (Marnie, Torn Curtain, Topaz). Hitchcock specialists are often less wild about it, judging the detective plot mechanical and the oh-so-English tone insufferable. But at least three sequences rank among the most skin-crawling the maestro ever put on celluloid. There is an astonishing moment when the camera backs away from a room in which a murder is occurring, down the stairs, through the front door and then across the street to join the crowd milling indifferently on the pavement. There is also the killer's nerve-wracking attempt to retrieve his tiepin from a corpse stuffed into a sack of potatoes. Finally, there is one act of strangulation so prolonged and gruesome it verges on the pornographic. Was the veteran film-maker a rampant misogynist as feminist observers have frequently charged? Sit through this appalling scene if you dare and decide for yourself. --Peter Matthews
1965 saw Ken Loach working as one of the in house directors of the groundbreaking The Wednesday Play series at The BBC which included Three Clear Sundays Up the Junction and The End of Arthur's Marriage. Of these plays Up The Junction had the most impact telling the story of three young women factory workers in their work and home lives focusing on Rube as she meets her first boyfriend and chronicles the significant life changing events that follow including an illegal abortion. Not only controversial at the time Loach's inter-cutting of real life interviews mixed in with drama became a signpost for his future directing style striving for naturalism and realism. 1966 saw Ken Loach's breakthrough piece Cathy Come Home. The play follows the lives of young sweethearts Cathy (Carol White fresh from Up The Junction) and Reg (Ray Brooks) starting out as a newly married couple moving into a new place and having children. Reg then suffers an accident which means he is unable to work and they end up being evicted and separated. With Cathy homeless but still looking after the children she faces having her children taken away from her by Social Services. This is perhaps the play that has had more impact than any other on television highlighting the very real problem of homelessness. Even some forty years later the power of Cathy Come Home remains undiminished. In Two Minds charts the turbulent life of a young woman who endures a difficult family life and after throwing a kitchen knife at her mother is diagnosed as a schizophrenic. Much like Cathy Come Home the realistic documentary style helps provide veracity to the story. Written by Jim Allen The Big Flame is a story of striking Liverpool dock workers who decide that to safeguard their futures they must control the port themselves. This was the first of several Ken Loach / Jim Allen collaborations - many of which would be starkly political. The BAFTA nominated Days of Hope was Jim Allen's tale of a working-class family in the period from 1916 to 1926 taking in the First World War events in Ireland and the General Strike of 1926. Running to well over six hours the series tells an epic story particularly in the light of the parlous state of the economy and labour relations in Britain at the time. A radical series in every sense Jim Allen was able create real parallels in Days of Hope that resonated with the working class of the mid 1970's and the political climate at that time. Loach returned to the BBC with The Price of Coal (written by Kes author Barry Hines) a film which depicted the lives of those living in a coalfield community. The first part subtitled Meet The People is a comic tale surrounding the story of a colliery community in preparation for a visit by Prince Charles and the efforts being put on by the management to make the pit fit for a future king involving grassing over an unsightly coal slag heap and whitewashing everything in site. The second part Back To Reality is completely different in tone when the colliery suffers a sudden underground explosion trapping killing and injuring the miners and as the rescue team work frantically to rescue those trapped those above ground argue about who is to blame. The Rank and File which completes the collection again written by Jim Allen is a story based around the strike by the Pilkington Glass workers. This beautifully packaged collection displays some of Loach's very best work and gives a real insight into working class life in the 60's and 70's. The collection also features an interview with Ken Loach a documentary entitled Housing Problems and a commentary track for Cathy Come Home.
Episodes: Crocodile Tears Guess Who's Coming to Dinner Abide with Me The Weekend The Hostage The Path of True Love But Is It Art? A Christmas Story Speed's Return Rebel Without a Pause The Tooting Connection Working Class Hero Spanish Fly Right to Work Rock Bottom.
Sean Connery and Rob Brown star as an eccentric, reclusive novelist and a talented young scholar & athlete. As the young man gets to know his mentor he must face up to a tough decision about his dreams to write and play sport.
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