The creators of Merlin position their hero as the original Harry Potter: a headstrong young wizard with mixed feelings about--and sometimes outright hostility toward--the destiny that's been thrust upon him. Merlin is a reboot of Arthurian legend, starting when all the heroes and sorcerous folk were teenagers, bursting with hormones and wrestling with the powers-that-be, particularly Arthur's heavy-handed father, Uther Pendragon (Anthony Head, best known as Giles from Buffy the Vampire Slayer), a benevolent tyrant who's banished magic from Camelot. Merlin (Colin Morgan, an impish lad with prominent ears) comes to the kingdom with high hopes and innate magical powers. He's taken under the wing of the court physician, Gaius (Richard Wilson, One Foot in the Grave), but additionally becomes the servant of young Arthur (Bradley James), a handsome and talented fighter who's also a bully and a snob. Rounding out the main cast are Morgana (Katie McGrath), who will one day be Merlin's foe but is now Uther's ward, and Gwen (Angel Coulby), a.k.a. Guinevere, the woman who will one day be the center of a legendary love triangle--but who is now Morgana's maid. Clearly, Merlin wants to shake up any preconception about these stuffy old stories, presenting a multi-ethnic Camelot with contemporary language and attitudes. Despite all this, Merlin quickly becomes addictive. The dialogue and special effects can be cheesy (particularly when the CGI monsters have to interact with actors), but the cast is charming and the stories, while a tad formulaic, keep things moving. Morgan is appropriately dweeby (but also has killer cheekbones), James combines football-quarterback good looks with a hint of sensitivity, McGrath is luscious and impetuous, and Coulby has earthy spunk. The heavy lifting, acting-wise, is ably handled by Head and Wilson. The first season deftly explores the origins of the pillars of Arthurian mythos, from the sword Excalibur to a very dashing (but born of peasant stock) Lancelot to the mysterious birth of Arthur himself. Add to it all an imprisoned dragon, voiced by John Hurt (Alien, The Elephant Man) and prone to cryptic but sometimes helpful advice, and you have an engaging fantasy series.--Bret Fetzer, Amazon.com
Action-packed Season Three develops major characters and plot lines brewing over the last couple of years. The Mayor, this season's major baddie, wants to become an invincible demon by slaughtering everyone at Sunnydale High's graduation ceremony but he's going to torture them all by giving his speech first. Bad-girl vampire-slayer Faith wants to get one over on Buffy and becomes even more rotten. Angel comes back from hell but isn't sure what to do about his girlfriend. Willow meets her evil gay vampire duplicate from another dimension. Xander loses his virginity but still has to contemplate his essential uselessness. Cordelia gets less whiny and has to work in a dress-shop when her father becomes bankrupt. Giles wears tweed and drinks tea, though it is revealed that he used to be a warlock and in a punk band. Besides the soap opera, there are monsters, curses and vampires (inevitably). --Kim Newman On the DVD: The DVDs are presented in a standard television 4:3 picture ratio and in a clear Dolby sound that does full justice both to the sparkling dialogue and to the always impressive indie-rock and orchestral scores. Special features include an overview of Season Three by its creator Joss Whedon, and by writers Marti Noxon, David Fury, Doug Petrie and Jane Espenson and documentaries on the weapons, clothes special effects of the show and the speech/verbal tone which makes it what it is-"Buffyspeak". The episodes "Helpless", "Bad Girls", "Consequences" and "Earshot" have commentaries by, Fury, Petrie, director James Gershman and Espenson, in which we find out some fascinating details about the way the scripts mutate and about the particular illuminations added to scripts by actors' performances. After complaints about the Season 2 DVD packaging, the disc envelopes include a protective coating. --Roz Kaveney
Merlin: Series 3 - Volume 1 Box Set (3 Discs)
Based on the true life story and international best-selling book, A STREET CAT NAMED BOB is a moving and uplifting film that will touch the heart of everyone. When London busker and recovering drug addict James Bowen finds injured ginger street cat Bob in his sheltered accommodation, he has no idea just how much his life is about to change.Click Images to Enlarge
Having battled a hellish vampire master, an evil boyfriend, a rogue slayer, a giant man-eating demon-snake thing, and a particularly nasty high school principal, Buffy Summers embarked on one of her biggest challenges in the fourth season of Buffy the Vampire Slayer: college. With boyfriend Angel out of the picture (and on his own show) and Sunnydale High destroyed, new horizons were to be tackled for Buffy and the rest of the Scooby gang. There were cute guys (Buffy's new boyfriend Riley), cute girls (Willow's new girlfriend Tara--yes, Willow's gay!), frat parties, irritating roommates, harsh professors, and, oh yes, a secret military initiative that was experimenting on the demon population (Riley's part of it). Buffy truly hit its golden years in the fourth season--just when you thought this show couldn't get any better, Joss Whedon and his creative team pulled out all the stops and took Buffy and co. into rich new territory. By far, the highlight of the season (and the entire series) was the Emmy-nominated "Hush," a nearly dialogue-free episode in which the creepy "Gentlemen" rob Sunnydale of its collective voice, and Buffy and Riley finally come face to face with each other's hidden identities. While Frankenstein-esque monster Adam wasn't the show's best villain (you'll have to wait until next season's Glory for that), he was a worthy adversary for the biotech age, and the military milieu was a nice contrast to Buffy's previous gothic outings. Season 4 also marked the return of blonde vampire Spike (who developed a crush on Buffy), the ascension of vengeance demon Anya to full-time cast status, and the brief return of bad slayer Faith (in a fab two-part body-switching episode). Throughout, the entire cast, headed by the unparalleled Sarah Michelle Gellar, worked television magic of the kind rarely seen on the small screen. This is Buffy at its best. --Mark Englehart
At the heart of the first years of Joss Whedon's Buffy the Vampire Slayer was the romance between Buffy (Sarah Michelle Gellar), slayer of all things evil, and hunky Angel (David Boreanaz), the tortured vampire destined to walk the earth with a soul. The second season of Buffy took the Buffy-Angel pas de deux from ecstasy to agony in a now-classic plot arc that catapulted the show from WB teen drama to true TV greatness. You see, if the cursed Angel ever experiences true happiness for a moment, he'll revert to being an evil vampire again. And guess what happens after Buffy and Angel finally declare their love for one another and consummate their relationship... Buffy found its true momentum during the second season, as geeky Xander (Nicholas Brendon) fell in love with popular girl Cordelia (Charisma Carpenter), Willow (Alyson Hannigan) gave up her crush on Xander in favour of werewolf boy Oz (Seth Green), and watcher Giles (Anthony Stewart Head) began a sweetly tentative relationship with computer teacher (and witch) Jenny Calendar (Robia LaMorte). Mayhem came to Sunnydale, though, in the form of evil vampires Drusilla (Juliet Landau) and Spike (drolly wicked James Marsters), who were more than ready to aid and abet Angel as he turned bad. It all sounds like horror-action mayhem (and there are great fight scenes), but Buffy took on its plotlines with amazing depth, intelligence, and humour. And oh, man, the love story! Buffy and Angel's tragic relationship is one of the most heartbreaking you'll ever find. Buffy's final dilemma finds her having to save the world at Angel's expense, and Gellar (who deserves a passel of Emmys for her work) is phenomenal at telegraphing Buffy's swirling conflicts between love and duty. This is some of the best TV ever made, period. --Mark Englehart
After the first season of Buffy The Vampire Slayer became a ratings success the show was renewed with a bigger budget and twice as many episodes. Seeds are sown through the early episodes for many of the stunning plot developments later in the season: there's a slow burn for the relationships building between Buffy and Angel (no surprise), Giles and Jenny (nice surprise), and Xander and Cordelia (huge surprise). Most importantly, we're introduced to important semi-regulars Spike and Drusilla ("School Hard"), Oz ("Inca Mummy Girl") and fellow Slayer Kendra ("What's My Line Part 1"). Their appearances tackle youth issues such as sibling rivalry, sexual maturity and rejection. But nothing that came before it prepared audiences for the latter half of season 2. In the extraordinary double act of "Surprise" and "Innocence" every aspect of the show grows up in a big hurry: the result of Buffy sleeping with Angel is a series of tragedies everyone is powerless to predict or prevent, a piece of powerful storytelling conveyed with pared-down dialogue and remarkable performances from the young cast. All of these threads are tied together then torn apart by the two-part finale "Becoming". With a cliffhanger ending to rival The Empire Strikes Back, the second chapter of Buffy The Vampire Slayer closes in tantalising style leaving everything at stake. --Paul Tonks On the DVD: The computer-animated menu opens this gorgeous box set in style with a tour through a dark and oppressive cemetery, a lavish display of graphics that's all the more impressive when compared to the uneventful DVD for the first season. Most of the extra features are concentrated on the last disc, which includes the obligatory biographies, trailers and TV spots that add little value to hardcore fans but serve as a good introduction to the world of Buffy for non-adepts. The three featurettes are captivating: "Designing Buffy" offers a wealth of information about the set designs, and even includes a walk through of Buffy's home; "A Buffy Bestiary" features every monster from the second season, and "Beauty and the Beats" explores the make-up artistry and special effects. There are also brief cast interviews, in which James Masters ("Spike") reveals his American accent. All in all the extras make a worthy accompaniment to the spectacular season 2 episodes, though one might regret that Joss Whedon did not offer a commentary on the double bill season finale "Becoming". --Celine Martig
The fifth season of Joss Whedon's hit series started out in excellent form as slayer extraordinaire Buffy Summers (Sarah Michelle Gellar) did battle with the most famous of vampires (that Dracula guy) and then went on to spar with another nemesis, little sister Dawn (Michelle Trachtenberg). Wait--Buffy has a teenage sister? Where has she been the past four years? And why is everyone acting like she's always been around? Turns out that young Dawn is actually "The Key," a form of pure energy that, true to its name, helps open the gates between different dimensions. To protect said key from falling into the wrong hands, a group of monks gave it human form and sent it to the fiercely protective Buffy for safekeeping, creating new memories of Dawn for everyone as if she'd existed... well, always. Why all the super secrecy? There's this very, very, very bad girl named Glory (Clare Kramer) who wants the key very badly, and will do anything to get it. Oh, and by the way, Glory isn't just a run-of-the-mill demon... she's way worse. Some fans will tell you that Buffy "jumped the shark" with the introduction of Dawn, when in actuality this season was the pinnacle of the show's achievement, as there was superb comedy to be had ("Buffy Vs. Dracula," the double-Xander episode "The Replacement," the introduction of the "Buffybot" in "Intervention") as well as some of television's best drama. The Whedon-scripted and -directed "The Body" remains one of Buffy's best episodes, when the young woman who faces down supernatural death on a daily basis finds herself powerless in the wake of her mother's sudden passing. The first third or so of the season was a bit choppy, but once the evil Glory came into her own, Buffy was a television force to be reckoned with. Kramer was the show's best villain (after the evil Angel, natch), and the supporting cast was never better. But as always, it was the superb Gellar who was the powerful centre of the show, sparking opposite lovelorn vampire Spike (James Marsters) and wrestling with moral dilemmas rarely seen on television. With this season, Buffy Summers became, like Tony Soprano, one of television's true greats. --Mark Englehart
The third season of Joss Whedon's Buffy the Vampire Slayer was marked by the arrival in Sunnydale of renegade slayer Faith (Eliza Dushku), a moody loner who seemed to like her demon-staking calling just a little too much. While Buffy (Sarah Michelle Gellar) was always wary of Faith, the two developed a deep friendship and appreciative rapport--that is, until the evil mayor of Sunnydale (Harry Groener) tapped into Faith's dark side and lured her into his plot to take over the world, first as a double agent spying on Buffy, then as out-and-out nemesis. And as the mayor's ascension approached--which happened to fall on Sunnydale High's graduation day--Buffy and Faith's battles got nastier and nastier, as Buffy attempted to wrestle with her dark side (literally and figuratively), save the world and her friends, and keep her lover Angel (David Boreanaz) out of Faith's evil clutches. Chock-full of exceptional episodes, this third season started out with a bang (the superb season opener "Anne," in which a runaway Buffy finally returns to her Slayer calling) and never let up. Among other highlights, the season introduced former vengeance demon and soon-to-be regular Anya (Emma Caulfield), fleshed out Angel's tortured character (and readied him for his own series), and featured a hilarious doppelganger Willow (Alyson Hannigan), a vampire from a parallel universe, who in Willow's own words was "evil and... skanky... and kinda gay!" (Total foreshadowing there, folks.) The season's pièce de résistance, though, was the two-parter "Graduation Day," wherein Faith tries to kill Angel, and the students of Sunnydale High prepare to do battle with a mutated mayor and his army of demons. Aside from the series' exceptional writing and acting, this compelling year of Buffy was anchored by the consistently excellent Gellar, as well as Dushku's complicated Faith, a girl you truly love to hate. By the time you finish these episodes, Faith will have cast a spell on you that you'll find very hard to shake. --Mark Englehart
A specially created box set containing all 7 seasons of Buffy The Vampire Slayer: over 100 hours of vampire ass-kicking action!
Based on the true life story and international best-selling book, A STREET CAT NAMED BOB is a moving and uplifting film that will touch the heart of everyone. When London busker and recovering drug addict James Bowen finds injured ginger street cat Bob in his sheltered accommodation, he has no idea just how much his life is about to change.Click Images to Enlarge
The fifth season of Buffy the Vampire Slayer is about illusions and the truth that they often reveal; suddenly Buffy has a younger sister, has always had a younger sister. Michelle Trachtenberg as the moody, gawky Dawn achieves the considerable triumph of walking into an established stock company of well-known characters--Xander, Willow, Giles and so on--with the perfect assurance of a long-term member of the cast. Of course, nothing is as it seems; even Glory, the mad brain-sucking beauty in a red dress who is the villain of the year, turns out to be even more than she seems. Sarah Michelle Gellar as Buffy manages to convey heartbreak, self-involvement and real heroism as her relationship with her emotionally dense soldier boyfriend Riley hits the shoals and the blonde vampire Spike starts to show an altogether inappropriate interest. This season is also about the hard truth that there are some enemies it is impossible to fight. Even being around Buffy and Dawn is dangerous for their friends, as Glory and her minions proceed by a process of elimination. The eventual confrontation, when it comes, is genuinely shocking. Meanwhile, the vampire Spike's obsessed desire for Buffy takes them both to some very strange places and Willow and Tara have their love tested in the most gruelling of ways. And in the quietly upsetting episode "The Body", the cast produce their most impressive performances yet as they have to deal with another enemy they cannot fight. --Roz Kaveney
Phyllida Lloyd, who directed Meryl Streep in Mamma Mia!, takes a less exuberant tack in this unexpectedly poignant biopic. In the script, written by Shame's Abi Morgan, Lloyd depicts the elderly Dame Thatcher (Streep in a thoroughly convincing performance) as a frail figure replaying key moments in her life while her mind still continues to function. Her trajectory begins with grocer Alfred Roberts (Downton Abbey's Iain Glen), who became the mayor of Grantham, instilling in his daughter, Margaret (Alexandra Roach), a passion for politics. After graduating from Oxford, she felt ready to enter the fray, at which point she met Denis Thatcher (Harry Lloyd), who cheered her along on the road from Parliament to 10 Downing Street, where they lived during her time as Britain's first female prime minister (Jim Broadbent portrays the grey-haired and ghostly Denis). While closing mines, dodging IRA hits, and overseeing a war, the blue-clad titan built alliances with Airey Neave (Nicholas Farrell) and Geoffrey Howe (Anthony Head), but she would lose them both. If her will was strong, she had no time for feminine niceties like conciliation and forgiveness. The film goes on to suggest that she never cultivated the kinds of female friendships that might have sustained her in retirement, though her daughter (Tyrannosaur's Olivia Colman) did what she could. Instead, Denis remained her closest confidante until his departure, after which she had nothing but fading memories. The upshot is an uneasy combination of admiration for her leadership qualities and disappointment in her interpersonal skills. --Kathleen C. Fennessy
The sixth season of Buffy the Vampire Slayer followed the logic of plot and character development into some gloomy places. The year begins with Buffy being raised from the dead by the friends who miss her, but who fail to understand that a sacrifice taken back is a sacrifice negated. Dragged out of what she believes to have been heavenly bliss, she finds herself "going through the motions" and entering into a relationship with the evil, besotted vampire Spike just to force her emotions. Willow becomes ever more caught up in the temptations of magic; Xander and Anya move towards marriage without ever discussing their reservations; Giles feels he is standing in the way of Buffy's adult independence; Dawn feels neglected. What none of them need is a menace that is, at this point, simply annoying--three high school contemporaries who have turned their hand to magical and high-tech villainy. Added to this is a hungry ghost, an invisibility ray, an amnesia spell and a song-and-dance demon (who acts as rationale for the incomparable musical episode "Once More, with Feeling"). This is a year in which chickens come home to roost: everything from the villainy of the three geeks to Xander's doubts about marriage come to a head, often--as in the case of the impressive wedding episode--through wildly dark humour. The estrangement of the characters from each other--a well-observed portrait of what happens to college pals in their early 20s--comes to a shocking head with the death of a major character and that death's apocalyptic consequences. The series ends on a consoling note which it has, by that point and in spite of imperfections, entirely earned. --Roz Kaveney
Only 12 hours until clocking off time. Levi (Vicky McClure) chews gum, bored in a quiet Petrol Station Convenience Store. BANG! Ajay (Adeel Akthar) & SHAAN (Ray Panthaki) blunder in to rob the place, two hapless friends who need to find money to pay a debt inadvertently owed to some Russian gangsters. Unfortunately, after taking the staff hostage, they realise the safe wont open until 6am. So they must work there all night to avoid anyone raising the alarm before they get their money
Merlin is back for a fourth series of the hit BBC adventure as Camelot stands on the brink of a golden age. But its birth will not be an easy one. For the forces of evil are gathering and the darkest hour is just before the dawn… This series sees the arrival of the fearless Knights of Camelot and a fantastic guest cast featuring Gemma Jones (Bridget Jones’ Diary, Harry Potter), Phil Davis (Doctor Who, Brighton Rock) and Nathaniel Parker (Stardust, The Chronicles of Narnia) as well as the return of Santiago Cabrera (Heroes, Che) as the dashing Lancelot. With its thrilling mix of action, adventure and pure magic, the fourth series of Merlin will captivate the imagination as never before…The complete box set contains all 13 episodes of series four plus exclusive extras and free gifts.
An off-beat comedy about a former 80s pop star whose downward spiral is halted when he discovers he has a teenage daughter, the product of a weekend love affair
A new comedy about a large loving close knit chaotic extended family. When two people fall in love they don't just get each other; they get each other's family too. Whether they like it or not. When Lauren and Ed realise they are soul mates their respective families think they are crazy - a twenty six year age difference it'll never work! But it quickly turns out that Ed and Lauren have the most 'normal' of relationships and it's the whole chaotic extended family who have problems including the sister who settled down too young the teenage daughter who wants to get out fast the mother who only wants what's best for her grown up daughters (as long as she gets to decide what that is) the middle-aged over-weight younger brother who just wants to find love (and a job) and the monstrous ex wife who just loves to pop up at the most inappropriate moments. Starring Anthony Head Eve Myles Lindsay Duncan Susie Blake and Jeff Rawle. Special Features: Bloopers Behind the Scenes Footage Cast Interviews
Strippers Vs. Zombies... When a drug experiment goes horribly wrong it's up to a small group of exotic dancers working in a gentleman's club to fight back against the hordes of zombies who are descending on them. They must use their wits and skills to survive the night and not become victims of the flesh-eating zombies!
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