The seventh and final season of Buffy's vampire vanquishing adventures. Episodes Comprise: 1. Lessons 2. Beneath You 3. Same Time Same Place 4. Help 5. Selfless 6. Him 7. Conversations With Dead People 8. Sleeper 9. Never Leave Me 10. Bring On The Night 11. Showtime 12. Potential 13. The Killer In Me 14. First Date 15. Get It Done 16. Storyteller 17. Lies My Parents Told Me 18. Dirty Girls 19. Empty Places 20. Touched 21. End Of Days 22. Chosen
The incomparable Alfred Hitchcock presents a collection of his finest suspenseful thrillers! Includes: 1. Strangers On A Train (1951) 2. Stage Fright (1950) 3. I Confess (1953) 4. Dial M For Murder (1954) 5. The Wrong Man (1956) 6. North By Northwest (1959)
Stomping, whomping, stealing, singing, tap-dancing, violating. Derby-topped hooligan Alex (Malcolm McDowell) has a good time - at the tragic expense of others. His journey from amoral punk to brainwashed proper citizen and back again forms the dynamic arc of Stanley Kubrick's future-shock vision of Anthony Burgess' novel. Controversial when first released, A Clockwork Orange won New York Film Critics Best Picture and Director awards and earned four Oscarr* nominations, including Best Picture. Its power still entices, shocks and holds us in its grasp.This 50th Anniversary Ultimate Collector’s Edition includes:. •A Clockwork Orange on 4K Ultra HD & Blu-ray. •Blu-ray Bonus Disc featuring Stanley Kubrick: A Life in Pictures and O Lucky Malcolm! documentaries. •32-page booklet. •Double-sided Poster. •Set of 3 Art Cards. •Behind the scenes stills. •Newspaper prop replica. Special Features:. • Commentary by Malcolm McDowell and Historian Nick Redman. • Channel Four Documentary Still Tickin’: The Return of Clockwork Orange. • New Featurette Great Bolshy Yarblockos!: Making A Clockwork Orange. • Career Profile O Lucky Malcolm! [in High Definition]. • Theatrical Trailer.
In its fourth season, Buffy the Vampire Slayer had to change its formula radically. Two major characters--the vampire-with-a-soul Angel and Cordelia, the queen bitch of Sunnydale High--had gone off to be in their own show, Angel, and soon after the start of the season Willow's werewolf boyfriend Oz left when Seth Green needed to concentrate on his film career. Buffy and Willow started college, where they met new characters like Riley, the All-American Boy with a double life, and Tara, the sweet stuttering witch; but Xander and Giles found themselves at something of a loose end. Several characters were subjected to the radical re-envisioning possible in a show that deals with the supernatural: the blond vampire Spike came back and soon found himself with an inhibitor chip in his head, forced into reluctant alliance with Buffy; the former vengeance demon Anya became passionately smitten with Xander. Not all fans were happy with the central story arc about the sinister Dr Walsh (Lindsay Crouse) and her Frankensteinian creation Adam, though Crouse's performance was memorable. The strength of Season Four was perhaps most in impressive stand-alone episodes like the silent "Hush", the multiple dream sequence "Restless" and the passionate, moving "New Moon Rising", in which Oz returns, apparently cured, only to find that Willow is no longer waiting for him. This was one of the high points of the show as a vehicle for intense acting, perhaps only equalled by "Who Are You?", in which the evil slayer Faith takes over Buffy's body and Sarah Michelle Gellar gets to play bad girl for once. --Roz KaveneyOn the DVD: Buffy Season 4 was a hit and so is this sublime box set. The commentaries for "The Initiative", "This Year'sGirl", "Superstar" and "Primaveral" are all well above average, but are nothing compared to "Hush" and "Restless" where Joss Whedon gives out all the information and insights any fan would dream of. The four featurettes included are a pleasure to watch, especially the evolution of the sets for the show. The scripts, trailers and cast biographies complete the set and make for a decent addition to your Buffy archive. The soundtrack is in 2.0 Dolby surround, but the image is as grainy and dark as the previous seasons on DVD. --Celine Martig
The seventh and final series of Buffy the Vampire Slayer begins with a mystery: someone is murdering teenage girls all over the world and something is trying hard to drive Spike mad. Buffy is considerably more cheerful in these episodes than we have seen her during the previous year as she trains Dawn and gets a job as student counsellor at the newly rebuilt Sunnydale High. Willow is recovering from the magical addiction which almost led her to destroy the world, but all is not yet well with her, or with Anya, who has returned to being a Vengeance demon in "Same Time, Same Place" and "Selfless", and both women are haunted by their decisions. Haunting of a different kind comes in the excellent "Conversations with Dead People" (one of the show's most terrifying episodes ever) where a mysterious song is making Spike kill again in spite of his soul and his chip. Giles turns up in "Bring on the Night" and Buffy has to fight one of the deadliest vampires of her career in "Showtime". In "Potential" Dawn faces a fundamental reassessment of her purpose in life. Buffy was always a show about female empowerment, but it was also a show about how quite ordinary people can decide to make a difference alongside people who are special. And it was also a show about people making up for past errors and crimes. So, for example, we have the excellent episodes "Storyteller", in which the former geek/super villain Andrew sorts out his redemption while making a video diary about life with Buffy; and "Lies My Parents Told Me", in which we find out why a particular folk song sends Spike crazy. Redemption abounds as Faith returns to Sunnydale and the friends she once betrayed, and Willow finds herself turning into the man she flayed. Above all, this was always Buffy's show: Sarah Michelle Gellar does extraordinary work here both as Buffy and as her ultimate shadow, the First Evil, who takes her face to mock her. This is a fine ending to one of television's most remarkable shows. --Roz Kaveney
The discovery of furry remains believed to be the Devil sparks a barrage of evil un-doings in a small town. Soon after their discovery the Devil's remains disappear hampering the investigation by the local Judge (Patrick Wymark). But the evil forces that take over are frightening proof that the Devil may indeed be among the villagers...
Anthony Hopkins Oscar winning pyschopath Hannibal Lector comes back into the life of FBI Agent Clarice Starling in this long awaited sequel to The Silence Of The Lambs.
Set in Wyoming in 1881 during the sunset years of the Wild West, 1992's Unforgiven was directed by and starred Clint Eastwood, and is generally considered to be the towering achievement of his twilight years. Eastwood plays William Munny, once a vicious, whisky-swilling bounty hunter, brought to heel by his marriage to a good woman. When she dies, he must raise two children and run a hog farm alone, something which we see him make a comically poor fist of doing. Then, in a twist of fate, a young outlaw called the Schofield Kid trots up to his farm and invites him to collect on a $1,000 reward raised by a group of prostitutes. However, Clint must not only face up to his own somewhat rusty skills as a gunslinger, but also to genial-but-psychopathic lawman Little Bill Daggett (Gene Hackman in superb form). Unforgiven ultimately conforms to the expectations of the genre, while subverting quite a few of them on the way. There's brooding on the consequences of violence ("It's a hell of a thing to kill a man"), as Munny's ineptitude with a rifle is matched by his feelings of penitence for his younger wrongdoings. Finally, however, Eastwood casts aside age and inhibition in a chillingly ruthless shootout, his powers miraculously (improbably?) restored, in what could also be seen as an assertion on the part of the ageing Eastwood of his own potency as a major player in Hollywood. On the DVD: Unforgiven is presented in this Special Edition release in a 2.35:1 widescreen transfer that gives due emphasis to what critic David Thomson described as the "drained, wintry" feel of the movie. There are numerous bonus features in addition to the original trailer. Eastwood official biographer Richard Schickel offers a particularly copious and detailed audio commentary which touches on all aspects of the film. The 64-minute 1997 documentary Clint on Clint offers a detailed if inevitably worshipful account of Eastwood's career. Finally, there's a 47-minute 1959 episode of Maverick, the old James Garner TV series, guest-starring a 29-year-old Clint, several years away from his big Hollywood break. --David Stubbs
Every college in the country wants Johnny. 'Cause when he's good he's very very good. And when he's bad he's better. It's an avalanche of wine women and cash kickbacks when two of the biggest college football factories in the country scramble to get Johnny Walker on their rosters. They'd give anything for an arm like Johnny's. And they're willing to offer anybody to see that they get him. Moving from lusty limousine rides to all-night strip joints Johnny (Anthony Michael Hall The
This lavish adaptation of Charles Dickens immortal tale follows Pip an orphan given the chance to break free from poverty and live life as a gentleman. The stunning performances by an all-star cast are unforgettable. James Mason is Magwitch the escaped convict Pip helps in an act which is to affect his whole life; Robert Morley plays his kindly uncle; Anthony Quayle is Jaggers the lawyer who intercedes for Pip's anonymous benefactor; and the rich but deeply troubled Miss Havisha
The sixth series of Buffy the Vampire Slayer followed the logic of plot and character development into some gloomy places. The year begins with Buffy being raised from the dead by the friends who miss her, but who fail to understand that a sacrifice taken back is a sacrifice negated. Dragged out of what she believes to have been heavenly bliss, she finds herself "going through the motions" and entering into a relationship with the evil, besotted vampire Spike just to force her emotions. Willow becomes ever more caught up in the temptations of magic; Xander and Anya move towards marriage without ever discussing their reservations; Giles feels he is standing in the way of Buffy's adult independence; Dawn feels neglected. What none of them need is a menace that is, at this point, simply annoying--three high school contemporaries who have turned their hand to magical and high-tech villainy. Added to this is a hungry ghost, an invisibility ray, an amnesia spell and a song-and-dance demon (who acts as rationale for the incomparable musical episode "Once More With Feeling"). This is a year in which chickens come home to roost: everything from the villainy of the three geeks to Xander's doubts about marriage come to a head, often--as in the case of the impressive wedding episode--through wildly dark humour. The estrangement of the characters from each other--a well-observed portrait of what happens to college pals in their early 20s--comes to a shocking head with the death of a major character and that death's apocalyptic consequences. The series ends on a consoling note which it has, by that point and in spite of imperfections, entirely earned. --Roz Kaveney
Tyrin Turner may not have broken out into stardom as was initially expected, but his work in Menace II Society is one of the more powerful cinematic debuts. The film, from the brother writer-director team of Allen and Albert Hughes, chronicles life in the Los Angeles 'hood. Similar territory was covered in the equally commanding Boyz N the Hood, but what makes this cautionary tale stand out is not only the Hughes brothers' forceful story, (written with their friend, Tyger Williams) and direction, but the naturalness of then-newcomer leads Turner as Caine, Larenz Tate as O-Dog, and Jada Pinkett as Ronnie. They are so credible--occasionally frighteningly so--that the repressive universe of violent ghetto life is captured effectively. Life as portrayed here-and no doubt accurately so--is both figuratively and literally narrow. As a very young boy, Caine witnesses his dad murdered over something inconsequential, and his mom OD. His is a world where respect comes from intimidation, power from violence. Despite his understanding of right and wrong (values passed on by a good friend, his kind grandparents, a caring teacher), his life and its entrapments are too much to overcome. --N.F. Mendoza
The 6th Day: Arnold Schwarzenegger is Adam an ace pilot in the very near future who is having a serious identity crisis. An illegal corporation illegally cloned him and now they're trying to kill him to hide the evidence. Torn from his beloved family and faced with a shocking exact duplicate of himself Adam races against time to reclaim his life and save the world from the underground cloning movement. Last Action Hero: Danny Madigan (Austin O'Brien) a young cinem
Howards End is E M Forster's beautifully subtle story of the criss-crossing paths of the privileged and those they disdain--and of a remarkable pair of women who can see beyond class distinctions. Dramatic and tragic but also surprisingly funny, this James Ivory film focuses on a pair of unmarried sisters (Emma Thompson, who won an Oscar, and Helena Bonham Carter) who befriend a poor young clerk (Sam West) and, without meaning to, ruin his life. Meanwhile, Thompson also makes the acquaintance of a dying neighbour (Vanessa Redgrave), who leaves her a family home in her will--which her husband (Anthony Hopkins) destroys. But, ironically, he meets and falls in love with Thompson, even as their paths once more intersect with the increasingly miserable young clerk. Ruth Prawer Jhabvala's beautifully economical script also won an Oscar.--Marshall Fine
Once More With Feeling", a much needed shaft of lightness in Buffy the Vampire Slayer's dark sixth series, demonstrates that a "special" episode can be genuinely special. It preserves the show's continuity for its regular watchers and also delights people who have never experienced it before. This is creator Joss Whedon's tribute to all the masters of the stage musical whom he admires--most obviously Stephen Sondheim--and a chance for his talented cast to display their usual tight ensemble and sing and dance while doing it. The premise is typical Buffy both in its whimsy and its emotional truth--a demon forces the inhabitants of Sunnydale to express their emotions truthfully and uncovers a variety of embarrassing secrets. The actual musical ability of the Buffy cast is variable--Amber Benson as Tara and Anthony Stewart Head as Giles are perhaps the only ones with enough musical talent to carry purely lyrical tunes, but Sarah Michelle Gellar as Buffy is a game little trooper who delivers her various patter songs with her usual efficiency and charm. Emma Caulfield as the ex-demon Anya is the big surprise, her short paranoid riff on the subject of that ultimate evil, bunny rabbits is quite extraordinary; Broadway hoofer Hinton Battle is fabulous as Sweet: "I can bring whole cities to ruin and find time to get some soft shoe in." --Roz Kaveney
The Girls' Night of the title refers to Friday night, the one time of escape from the daily grind for longstanding best friends and factory co-workers, Dawn and Jackie. And Friday night means bingo. One evening their dream comes true when Dawn (the cautious, caring one) scoops £100,000, but the savage twist in the tale is that even before she gets the cheque she discovers she has an inoperable brain tumour. Cue Jackie (the spontaneous, irresponsible one) fulfilling Dawn's lifetime ambition with a holiday in Las Vegas ("Come on, we've got an hour to get the plane"). And from then on it's a buddy movie with inescapable resonances of Thelma and Louise, though the difference here is that the protagonists are two ordinary middle-aged women. Brenda Blethyn and Julie Walters are a magical pairing, with both giving mesmerising moving performances (honorary mention should also be made of Cody, the one sympathetic male character in the film, magnificently played by Kris Kristofferson). Though death is ever-present, this is by no means a depressing movie; rather the opposite, in fact, with a remarkably upbeat ending. If there's a message to be found here, it's that even the most apparently ordinary people can be extraordinary given the right circumstances. On the DVD: As well as the original trailer, there is on-location feature
Nixon takes a riveting look at a complex man whose chance at greatness was ultimately destroyed by his passion for power - when his involvement in conspiracy jeopardized the nation's security and the presidency of the United States! With a phenomenal all-star cast.
Howards End is E M Forster's beautifully subtle story of the criss-crossing paths of the privileged and those they disdain--and of a remarkable pair of women who can see beyond class distinctions. Dramatic and tragic but also surprisingly funny, this James Ivory film focuses on a pair of unmarried sisters (Emma Thompson, who won an Oscar, and Helena Bonham Carter) who befriend a poor young clerk (Sam West) and, without meaning to, ruin his life. Meanwhile, Thompson also makes the acquaintance of a dying neighbour (Vanessa Redgrave), who leaves her a family home in her will--which her husband (Anthony Hopkins) destroys. But, ironically, he meets and falls in love with Thompson, even as their paths once more intersect with the increasingly miserable young clerk. Ruth Prawer Jhabvala's beautifully economical script also won an Oscar.--Marshall Fine
Puccini - La Boheme (Levine Metropolitan Opera Orchestra)
""Only Connect"". This famous command is the catalyst which brings together two very different Edwardian families - the one passionate and progressive the other hidebound by wealth and social status - with irreversible and devastating consequences. A dying woman's impulsive wish marks a turning point in the relationship between the cosmopolitan Schlegel sisters Margaret and Helen and the wealthy Wilcox family when Ruth Wilcox bequeaths her idyllic country house Howards End to Margaret (Emma Thompson). Convinced that he is acting in the best interests of his family the patriarcal Henry Wilcox destroys his wife's ""unofficial"" will. But as the lonely repressed Henry falls in love with Margaret and Helen's willful attacks on class and convention strike at the very heart of the Wilcox family fate decrees that Henry must pay dearly for his deceit.
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