A special boxset which contains the following 2 documentaries and movie: Diana: The Movie - A Tribute To The People's Princess: This movie charts the final year of Diana's life from her romance with Dodi Al Fayed to her last moments in Paris. Diana: Angel Of Mercy This special Documentary accompanies Diana The Movie and sheds light on people's ecperiences when they met the Princess and the people affected by her charity work. Diana: A Life To Remember
They came they saw they died! When a woman stabs a sailor to death her psychiatrist tries to find out what prompted the sudden violence. A trip to Snape Island is organised where a mad man is discovered...
The Illustrious Client: Holmes is the victim of a murderous attack after he investigates a certain Baron Gruner who to the horror of a family friend has swept Violet Merville off her feet. The Creeping Man: A professor's daughter Edith sees a stange figure at her bedroom window but her father dismisses it as merely a bad dream...
Introduced in "A Magnum for Schneider", the hour-long 1967 Armchair Theatre episode written by James Mitchell about a disillusioned British secret agent Callan (Edward Woodward), went on to offer four popular (if downbeat) series, a spin-off movie remaking the original story and a some-years-later wrap-up play "Wet Job". Remembered for its very distinctive opening titles, with a swinging broken light bulb and a memorable theme tune, the series adopted a Deighton-LeCarré approach to the grim, treacherous, grubby business of Cold War espionage and made a TV star of the intense Woodward as the sweaty, sometimes conscience-stricken, sometimes robotic Callan. Even in the 21st century this still seems a strong show, its complex stories and impressive performances outweighing a low-budget mix of video and film in the production that makes it seem less "professional" than other shows of the time. In a dramatic device that has long since fallen out of fashion in television, Callan episodes tend to wind up by leaving the audience to work out all the connections of the plot while Callan himself sits gloomily and ponders the wretchedness of his squalid world. --Kim Newman
This comedy drama is the story of two Army dentists Sergeant Peter King (Kenneth Cranham) and Private Leslie Cuthbertson (Leo Bill) who, in 1942 stole a bag of hand grenades, two revolvers and a set of the best dental equipment that money could buy and went off to invade occupied France on their own - without permission!
Two Men Went To War tells their outrageously irresponsible, yet eccentrically heroic story for the first time. With an all star cast in a sumptuous, funny and moving drama...
Introduced in "A Magnum for Schneider", the hour-long 1967 Armchair Theatre episode of Callan written by James Mitchell about a disillusioned British secret agent of the same name (starring Edward Woodward), went on to offer four popular (if downbeat) series, a spin-off movie remaking the original story and a some-years-later wrap-up play "Wet Job". Remembered for its very distinctive opening titles, with a swinging broken-light bulb and a memorable theme tune, the series adopted a Deighton-LeCarré approach to the grim, treacherous, grubby business of Cold War espionage and made a TV star of the intense Woodward as the sweaty, sometimes conscience-stricken, sometimes robotic Callan. Even in the 21st century this still seems as strong, its complex stories and impressive performances outweighing a low-budget mix of video and film in the production that makes it seem less "professional" than other shows of the time. A great deal of the series opener is devoted to bringing on new regulars. Theres a fresh Mr Hunter who, like Number Two on The Prisoner--with which Callan shares series editor George Markstein--was a title not a name, so several actors held the position over the course of the show. Theres also the trendily mulleted thug Cross (Patrick Mower), who would go spectacularly off the rails in the next series and a half. In a dramatic device that has long since fallen out of fashion in television, Callan episodes tend to wind up by leaving the audience to work out all the connections of the plot while Callan himself sits gloomily and ponders the wretchedness of his squalid world. --Kim Newman
Introduced in "A Magnum for Schneider", the hour-long 1967 Armchair Theatre episode written by James Mitchell about a disillusioned British secret agent Callan (Edward Woodward), went on to offer four popular (if downbeat) series, a spin-off movie remaking the original story and a some-years-later wrap-up play "Wet Job". Remembered for its very distinctive opening titles, with a swinging broken light bulb and a memorable theme tune, the series adopted a Deighton-LeCarré approach to the grim, treacherous, grubby business of Cold War espionage and made a TV star of the intense Woodward as the sweaty, sometimes conscience-stricken, sometimes robotic Callan. Even in the 21st century this still seems a strong show, its complex stories and impressive performances outweighing a low-budget mix of video and film in the production that makes it seem less "professional" than other shows of the time. In a dramatic device that has long since fallen out of fashion in television, Callan episodes tend to wind up by leaving the audience to work out all the connections of the plot while Callan himself sits gloomily and ponders the wretchedness of his squalid world. --Kim Newman
More instalments from the classic TV series featuring the debonair A.J. Raffles - the idol of society at the end of the nineteenth century who was also an accomplished jewel thief and safe-cracker.
More debonair action with A J Raffles society idol and accomplished jewel thief and safe-cracker. Episodes included are: The Last Laugh A Trap To Catch A Cracksman To Catch A Thief A Bad Night.
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