The second sequel to the mould-making action film Die Hard brings Detective John McClane (Bruce Willis) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the brother of the Germanic terrorist-thief Alan Rickman played in the original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L Jackson) with a chip on his shoulder. Some great action sequences, though they can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall Fine
Platoon (Dir. Oliver Stone 1986): Writer/director Oliver Stone has created a personal and searing testament to the men who fought the war in Vietnam. Seen through the eyes of a college drop-out the war is a real nightmare a private hell of fears from outside and in with enemies on both sides of the line. His platoon's allegiance is split between leaders Sergeant Barnes and Sergeant Elias. Barnes is a scar-faced gung-ho fanatic bent on destroying the elusive Viet Cong and anyone who disagrees with him. Elias is a different type of soldier--he has lost faith in the war but not in man. Friction between the two sergeants leads to a second war as deadly as the one being waged against the enemy. Tigerland (Dir. Joel Schumacher 2000): Roland Bozz after being conscripted into the US army joins a platoon of other young soldiers preparing to fight in Vietnam. He has no interest in fighting for his country and tries to get sent home as a trouble maker but his superiors mistake his defiance as intelligence and he soon gets a chance to try his hand at leadership... Hamburger Hill (Dir. John Irvin 1987): The men of Bravo Company are facing a battle that's all up hill... up Hamburger Hill. Fourteen war-weary soldiers are battling for a mud-covered mound of earth so named because it chews up soldiers like chopped meat. They are fighting for their country their fellow soldiers and their lives. War is hell but this is worse. Hamburger Hill tells it the way it was the way it really was. It's a raw gritty and totally unrelenting dramatic depiction of one of the fiercest battles of America's bloodiest war. Dodge the gunfire. Get caught behind enemy lines. Go into battle beside the brave young men who fought and died. Feel their desperation and futility. This happened. Hamburger Hill - war at its worst men at their best.
OK, let's get all the disclaimers out of the way first. Despite its colourful (if crude) animation, South Park: Bigger, Longer & Uncut is in no way meant for kids. It is chock full of profanity that might even make Quentin Tarantino blanch and has blasphemous references to God, Satan, Saddam Hussein (who's sleeping with Satan, literally) and Canada. It's rife with scatological humour, suggestive sexual situations, political incorrectness and gleeful, rampant vulgarity. And it's probably one of the most brilliant satires ever made. The plot: flatulent Canadian gross meisters Terrance and Philip hit the big screen and the South Park quartet of third graders--Stan, Kyle, Kenny, and Cartman--begin repeating their profane one-liners ad infinitum. The parents of South Park, led by Kyle's overbearing mom, form "Mothers Against Canada", blaming their neighbours to the north for their children's corruption and taking Terrance and Philip as war prisoners. It's up to the kids then to rescue their heroes from execution, not mention a brooding Satan, who's planning to take over the world. To give away any more of the plot would destroy the fun but this feature-length version of Trey Parker and Matt Stone's Comedy Central hit is a dead-on and hilarious send-up of pop culture. And did we mention it's a musical? From the opening production number "Mountain Town" to the cheerful anti-profanity sing-along "It's Easy, MMM Kay" to Satan's faux-Disney ballad "Up There", Parker (who wrote or cowrote all the songs) brilliantly shoots down every earnest musical from Beauty and the Beast to Les Misérables. And in advocating free speech and satirising well-meaning but misguided parental censorship groups (with a special nod to the MPAA), Bigger, Longer & Uncut hits home against adult paranoia and hypocrisy with a vengeance. And the jokes, while indeed vulgar and gross, are hysterical; we can't repeat them here, especially the lyrics to Terrance and Philip's hit song, but you'll be rolling on the floor. Don't worry, though--to paraphrase Cartman, this movie won't warp your fragile little mind unless you have something against the First Amendment. --Mark Englehart
A stunning new 4K restoration of THE ELEPHANT MAN, with both picture and sound overseen by revered director David Lynch, this release is the perfect celebration of the films 40th anniversary. Starring Anthony Hopkins and John Hurt, THE ELEPHANT MAN is an extraordinary and intensely moving true story of bravery and humanity. John Merrick (John Hurt) is The Elephant Man, forced into circus sideshows and spurned by society because of the disfiguring disabilities he was born with. Rescued by a well meaning surgeon (Anthony Hopkins), he tries to escape a life of prejudice and cruelty as he tries to fit into a world ruled by Victorian sensibilities. Beautifully shot in black and white by the incomparable Freddie Francis, THE ELEPHANT MAN is an unforgettable story of human dignity and survival. Extras: NEW - Interview with Frank Connor, Stills Photography NEW - BFI Q&A With Jonathan Sanger Interview With David Lynch Interview With John Hurt Mike Figgis Interviews David Lynch The Air Is On Fire: Interview With David Lynch at Cartier Foundation Joseph Merrick: The Real Elephant Man The Terrible Elephant Man Revealed
The 2005 Big Brother winner shows you how to cut up the dancefloor whilst getting super-fit all in the style of the '70s!
Young farm boy Luke Skywalker is thrust into a galaxy of adventure when he intercepts a distress call from the captive Princess Leia. The event launches him on a daring mission to rescue her from the clutches of Darth Vader and the Evil Empire
The very first episode of Midsomer Murders is based on the award winning Inspector Barnaby novels by Caroline Graham. An old lady witnesses a shocking event but before she can tell anyone what she has seen she dies from what seems to be natural causes. Her dearest friend drags the unwilling Inspector Barnaby into the case. He soon begins to see that certain things just don't add up then a second gruesome killing confirms his suspicions.
From Codeblack Films and the producers of FRUITVALE STATION. Years after a drunken car crash that almost took his life Thomas Carter (Anthony Mackie) has reinvented himself as a therapist/spiritual advisor who advocates a synthesis of world religions and positivity. He has parlayed this vocation into a successful book release that one day draws the attention of Angel Sanchez (Forest Whitaker) a profoundly troubled man fixated on the untimely death of his mother. When Carter takes on Sanchez as a personal client in an effort to raise funds for his indebted brother Ben (Mike Epps) things quickly take a turn for the worse. Angel needs much more than a simple life coach. What may be simple to grasp for some is the idea that single actions in the past comprise tidal waves of reactions in the present. Director Philippe Caland's REPENTANCE examines these issues against a backdrop of kidnapping and murder.
It's tough trying to beat the 1934 version of the popular adventure-romance story, starring Leslie Howard as the 18th-century British hero who poses as a fop in London society but runs a secret mission to rescue the doomed in Robespierre's Paris. But this 1982 television version, starring Anthony Andrews (Sebastian Flyte in Brideshead Revisited) as the Pimpernel and Jane Seymour as his beloved but estranged wife, is quite a treat. Andrews and Seymour expertly capture the essence of a relationship suffering from misunderstandings and elusive passion, and there is plenty of crackle to the action sequences. Clive Donner (What's New, Pussycat?) brings some strong cinematic qualities to this television presentation. --Tom Keogh
Bryan Singer's follow-up to his post-modern caper-thriller The Usual Suspects trades in the flamboyant narrative flourish of that film for a moody meditation on the allure of evil. Based on the Stephen King novella (featured in the collection Different Seasons), Apt Pupil follows the disturbing downward spiral of a bright young schoolboy, Todd (Brad Renfro), who discovers a wanted Nazi war criminal is living in his town and then blackmails him into telling stories ("everything they're afraid to show us in school") of the horrors of the Holocaust. The old man, Dussander (a terrifying performance by Ian McKellen), comes alive while telling his tales and is soon reliving his past glories in a SS Halloween ordered byTodd. It's not long before Dussander's homicidal streak is unleashed and he is pulling Todd along with him. Although set against a backdrop of Holocaust history, the issues raised in the stories are ignored in favour of shocks and suspense and the film ultimately sacrifices the opportunity to be a fascinating psychological thriller about the seductive power of evil for a trip into Stephen King territory. Despite such limitations, Singer delivers a stylish and sometimes unsettling horror picture, which is largely due to McKellen's chilling portrait of a slumbering sadist awakened. --Sean Axmaker
Foyle's War: Series 6 (3 Discs)
Of all the folks in long underwear to be tapped for superhero films, Thor would seem to be the most problematic to properly pull off. (Hypothetical Hollywood conversation: "A guy in a tricked-out, easily merchandisable metal suit? Great! An Asgardian God of Thunder who says stuff like thee and thou? Um, is Moon Knight available?") Thankfully, the resulting film does its source material rather proud, via a committed cast and an approach that doesn't shy away from the over-the-top superheroics. When you're dealing with a flying guy wielding a huge hammer, gritty realism can be overrated, really. Blending elements from the celebrated comic arcs by Walter Simonson and J. Michael Straczynski, the story follows the headstrong Thunder God (Chris Hemsworth) as he is banished to Earth and stripped of his powers by his father Odin (Anthony Hopkins) after inadvertently starting a war with a planet of ticked-off Frost Giants. As his traitorous brother Loki (the terrific Tom Hiddleston) schemes in the wings, Thor must redeem himself and save the universe, with the aid of a beautiful scientist (Natalie Portman). Although director Kenneth Branagh certainly doesn't skimp on the in-jokes and fan-pleasing continuity references (be prepared to stick around after the credits, Marvel fans), his film distinguishes itself by adopting a larger-than-life cosmic Shakespearean air that sets itself apart from both the cerebral, grounded style made fashionable by The Dark Knight and the loose-limbed Rat Packish vibe of the Iron Man series. Glorying in the absolute unreality of its premise, Branagh's film is a swooping, Jack Kirby-inspired saga that brings the big-budget grins on a consistent basis, as well as tying in with the superhero battle royale The Avengers. --Andrew Wright
New Tricks returns for its tenth series and it’s all change at UCOS. The Met’s finest retired cops go further than ever before to ensure there is no such thing as a case too cold! The team travel to Gibraltar for a two-part story that takes them back to the Falkland’s Conflict of the eighties. Brian Lane’s past catches up with him and Sandra Pullman considers her next move after running the team for ten years. As well as starring Amanda Redman and Alun Armstrong series ten sees Nicholas Lyndhurst join the team as Dan Griffin to work alongside Dennis Waterman and Denis Lawson. Tamzin Outhwaite joins as DCI Sasha Miller – only the second boss the team has ever known. Will things run smoothly with a new hand on the helm or will the boys ensure that things get done their way? The Unsolved Crime and Open Case squad is as busy as ever with its remit to re-investigate crimes that were never conclusively closed – and to put them to rest. The team may have changed but some things never do – a real hunger for the job and for justice as well as a lack of respect for authority. Solving cases has never been such fun.
This special concert filmed at Lansdowne Road in Dublin was performed in front of a home crowd of 50 000 fans. Tracks include: 1. Only When I Sleep 2. The Right Time 3. Joy Of Life 4. Forgiven Not Forgotten 5. What Can I Do? 6. No Frontiers 7. Runaway 8. Haste To The Wedding 9. Secret Life 10. Love To Love You 11. Queen Of Hollywood 12. Dreams 13. I Never Loved You Anyway 14. Lough Ewrin Shore 15. Closer 16. So Young 17. Toss The Feathers
Amanda Redman Dennis Waterman James Bolam and Alun Armstrong star as an unlikely team of crack detectives in this the complete second series of New Tricks.
TBC
The Tracy boys and their flying mean machines are back to do battle with master criminal The Hood in this big-screen adventure based on the beloved 1960s TV series.
Anthony Hopkins Oscar winning pyschopath Hannibal Lector comes back into the life of FBI Agent Clarice Starling in this long awaited sequel to The Silence Of The Lambs.
In this suspense-filled remake of Henry Hathaway''s 1947 noir thriller a parolee is lured into one last heist to help a friend. When things go awry a sadistic detective coerces him into reentering the underworld to get the goods on a psychotic mobster. Caruso and a pumped-up supremely menacing Cage highlight a spectacular cast that also features Samuel L. Jackson as a cop and Stanley Tucci as a Machiavellian district attorney. Novelist Richard Price supplies the screenplay and di
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