A single mother who gifts her son Andy a Buddi doll, unaware of its more sinister nature.
In this new take on the tragic love story, Jackson Maine (Bradley Cooper) is a seasoned musician who discovers - and falls in love with - struggling artist Ally (Lady Gaga). She has just about given up on her dream to make it big as a singer... until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jackson fights an ongoing battle with his own internal demons.
HUSTLE & FLOW comes on 4K Ultra HD⢠and remastered Blu-ray⢠for the first time. Earning acclaim from critics and audiences alike-winning both the Audience Award at Sundance and the Oscar® for Best Original Song*-it's an inspiring portrayal of redemption on life's mean streets where everybody gotta have a dream. Written and directed by Craig Brewer (DOLEMITE IS MY NAME) and co-produced by John Singleton (BOYZ N THE HOOD), the movie features a fantastic cast that includes Terrence Howard, Taraji P. Henson, Anthony Anderson, and Ludacris. Product Features NEW Filmmaker Focus: Director Craig Brewer on Hustle & Flow Commentary by Writer/Director Craig Brewer Behind The Hustle By Any Means Necessary Creatin' Crunk Memphis Hometown Premiere Paula Jai Parker Audition Ludacris and Terrence Howard Rehearsal Extended Scenes 6 Promotional Spots And More
A drama with heart and energy that follows the hopes and dreams of a tight-knit group of young dance students as they try to make a name for themselves and become stars in the fiercely competitive world of professional dance.
A Star is Born, stars four-time Oscar nominee Bradley Cooper ( American Sniper, American Hustle, Silver Linings Playbook ) and multiple award-winning, Oscar-nominated music superstar Lady Gaga, in her first leading role in a major motion picture. Cooper helms the film, marking his directorial debut. In this new take on the tragic love story, he plays seasoned musician Jackson Maine, who discovers-and falls in love with-struggling artist Ally (Gaga). She has just about given up on her dream to make it big as a singer... until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.
The seventh and final series of Buffy the Vampire Slayer begins with a mystery: someone is murdering teenage girls all over the world and something is trying hard to drive Spike mad. Buffy is considerably more cheerful in these episodes than we have seen her during the previous year as she trains Dawn and gets a job as student counsellor at the newly rebuilt Sunnydale High. Willow is recovering from the magical addiction which almost led her to destroy the world, but all is not yet well with her, or with Anya, who has returned to being a Vengeance demon in "Same Time, Same Place" and "Selfless", and both women are haunted by their decisions. Haunting of a different kind comes in the excellent "Conversations with Dead People" (one of the show's most terrifying episodes ever) where a mysterious song is making Spike kill again in spite of his soul and his chip. Giles turns up in "Bring on the Night" and Buffy has to fight one of the deadliest vampires of her career in "Showtime". In "Potential" Dawn faces a fundamental reassessment of her purpose in life. Buffy was always a show about female empowerment, but it was also a show about how quite ordinary people can decide to make a difference alongside people who are special. And it was also a show about people making up for past errors and crimes. So, for example, we have the excellent episodes "Storyteller", in which the former geek/super villain Andrew sorts out his redemption while making a video diary about life with Buffy; and "Lies My Parents Told Me", in which we find out why a particular folk song sends Spike crazy. Redemption abounds as Faith returns to Sunnydale and the friends she once betrayed, and Willow finds herself turning into the man she flayed. Above all, this was always Buffy's show: Sarah Michelle Gellar does extraordinary work here both as Buffy and as her ultimate shadow, the First Evil, who takes her face to mock her. This is a fine ending to one of television's most remarkable shows. --Roz Kaveney
Infernal Affairs (2002): A mole in the police force. An undercover cop inside the criminal organisation. The objective is the same: each must discover the other before their own position is exposed. Who will succeed and who will pay the ultimate price for their failure? A gripping police Hong Kong police thriller starring Andy Lau and Tony Leung the super-stylish Infernal Affairs was the biggest grossing Hong Kong film of 2002 and has even seen the Hollywood re
One of the BBC's flagship dramas Casualty depicts the lives of the patients doctors nurses and paramedics attending the frantically busy accident and emergency department of Holby General Hospital. Now approaching its twentieth year on television this is where it all started: the hard-hitting storylines; the accurate portrayal of life in the casualty department; and that theme tune. At a time when medical dramas produced in the UK were thin-on-the ground this was
The title Ice Cold in Alex refers to the beer the heroes of this 1958 British World War Two classic plan to drink in Alexandria, once they have escaped from the Germans, negotiated minefields and survived both mechanical failure and the killing heat of the North African sands. The setting is Libya in 1942, at the height of the campaigns featured in The Desert Fox (1951) and The Desert Rats (1953), and a disparate group in a military ambulance--which include a Nazi agent to add tension of one kind and a beautiful nurse to add tension of another--must make an epic journey to safety. Staring John Mills, Sylvia Sims, Anthony Quayle and Harry Andrews the terror and poignancy comes from our certainty that not everyone will survive, such that the suspense sometimes reaches near unbearable levels. Director J Lee-Thomson was clearly inspired by the then recent French masterpiece, The Wages of Fear (1952) and handles both the character drama and set-pieces with great skill. He would go on to make another great war adventure, The Guns of Navarone (1961), also starring Anthony Quayle, who then returned to the desert for the ultimate British war classic, Lawrence of Arabia (1962). --Gary S. Dalkin
Jean Valjean (Richard Jordan), convicted of stealing bread, is hounded for several decades by the relentless and cruel Policeman Javert (Anthony Perkins).
Set in 1797 at the beginning of the Napoleonic Wars, HMS Defiant is an enthralling British naval drama made to capitalise upon MGM's epic remake of Mutiny on the Bounty, also released in 1962. Based on the novel Mutiny by Frank Tilsey and starring Alex Guinness as a fair-minded captain locked in psychological conflict with Dirk Bogarde, his manipulative, coldly malicious first officer, the parallels with the famous true story are clear. However there were many naval mutinies at this period and this large-scale saga, which includes some spectacularly staged widescreen naval battles, offers a realistic depiction of life in the British navy at the time--from the press gangs and floggings, to the appalling food and living conditions. Director Lewis Gilbert--who previously helmed Sink the Bismarck! (1960)--strikes a good balance between the personal drama and sweeping maritime adventure. Guinness successfully varies his firm-but-fair officer from The Bridge on the River Kwai, Bogarde is chillingly hateful and Anthony Quayle gives strong support. ITV's recent Hornblower cumulatively offers a more detailed portrait of the British navy during the Napoleonic Wars, though the TV series cannot match the visual scale of this big-screen production. On the DVD: HMS Defiant is presented anamorphically enhanced at 2.35:1, though a little of the original CinemaScope frame is still cropped at the sides. The image is generally very good, though a handful of scenes near the end show considerable print damage and there is an inconstancy of colour grading between some shots. Grain is variable, but not generally a problem, though some unattractive "ringing" from edge enhancement is noticeable, particularly around Alex Guinness when he stands against a bright sky. The sound is in very clear mono with just occasional distortion on the music score. The disc offers the option of watching with dubbed French, German, Italian or Spanish soundtracks. The original trailer is included--under the American title of Damn the Defiant!--as are trailers for three other classic war films. The only other extra features are a small gallery of original publicity materials and three very basic filmographies. --Gary S Dalkin
Strauss: Elektra (Levine Metropolitan Opera Orchestra)
Ice Cube stars in this new ensemble comedy set around a day in the life of a South Side Chicago barbershop.
Rediscover The Land That Time Forgot, a lost world with Dinosaurs, hostile tribes and deadly wildlife in this much loved Sci-Fi Classic.When a German U-Boat torpedoes a British supply ship, the survivors manage to swim to the surfacing German vessel. Among the survivors are Bowen Tyler (Hollywood superstar Doug McClure) a young allied soldier and a young biologist Lisa Clayton (Susan Penhaligon). They manage to force their way onto the ship and overpower the German crew. Despite sending signals to an allied ship that they have commandeered the German vessel, they are depth charged and forced to allow the German crew to steer the vessel to rendezvous with a German supply boat. They drift of course and find a strange island. Whilst investigating what the island has to offer the crew are attacked by a huge pre historic monster and a tribe of primitive humans. Lisa is kidnapped in the fight and Bowen rushes after the tribe to rescue her. When a huge volcano erupts Bowen's plight to rescue Lisa becomes even more desperate. Can he save them and get back to the Submarine before they are killed by the oncoming lava?
Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavour of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-coloured suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighbourhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice and Batman) are visual spectacles with elements of fantasy but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's child-like vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer
In the late 1960s and early 70s, a bizarre alliance between the Filippino movie company Hemisphere and the American exploitation outfit Independent International yielded a series of weirdly interconnected horror movies, most of which work the word Blood into the title. The Filippino items are strangely fascinating vampire and mad scientist pictures with oddball colour effects and a mix of naive serial-style thrills and extreme-for-the-era sex and gore; the American efforts, from director Al Adamson, are shoddier, thrown together from offcuts of previous pictures, and are lead-paced but nevertheless curiously appealing. Gaze in awe at mutant killer trees, slobbering hunchbacked servants, faded matinee idols, stripper-turned-actress heroines with concrete blonde hairdos, evil dwarves, John Carradine or Lon Chaney, footage cut in from completely different films, Dracula and Frankenstein meeting hippies and bikers, red filters when the vampires attack, chanting natives! Plus lots of exclamation marks! Plus lurid trailers! "The kings of horror battle to the death" in Dracula vs Frankenstein. The last of the Frankensteins (J Carrol Naish) works in a carnival horror house with his sidekick Groton the Mad Zombie (Lon Chaney Jr). A Frank Zappa-like Dracula (Zandor Vorkov) and a monster with a face like a big mushroom slug it out. The film also features Russ Tamblyn as a beach biker and a Vegas showgirl heroine on LSD. This Region 2 DVD is sadly bereft of the extras found on the US Troma Region 1 disc. --Kim Newman
Set in the Second World War when Nazi Germany occupied Italy. This film deals with the Vatican's involvement in the entire movement during the occupation of Rome.
German World War II plot to capture Winston Churchill, based on Jack Higgins' best-selling novel. Colonel Radl discovers that Churchill is planning to spend a couple of days in an almost-deserted village in Norfolk. Radl is convinced an attempt to kidnap him should be made and enlists the help of Colonel Steiner, who is under suspended sentence of death, and Liam Devlin, an Irishman. A crack force of German paratroopers lands safely in England, poised and ready for the kidnap. All appears to be going smoothly until an unforeseeable incident exposes the Germans, but the kidnap plan continues and Steiner, his finger on the trigger of his luger, approaches the unmistakable figure of Churchill. The star-studded cast includes Michael Caine, Donald Sutherland, Robert Duvall, Jenny Agutter, Donald Pleasence, Anthony Quayle, Jean Marsh and Judy Geeson.
The entire first and second series of the cult TV show. In the first series a group of builders from England go over to Germany to work on a site by day and do their bit for European harmony and understanding by night. The episodes are: 'If I Were a Carpenter' 'Who Won the War Anyway?' 'The Girls They Left Behind' 'Suspicion' 'Home Thoughts From Abroad' 'The Accused' 'Private Lives' 'The Fugitive' 'The Alien' 'The Last Rites' 'The Lovers' 'Love and Other Four Letter Words'
Set in the 48 hours leading up to the catastrophic battle of the Somme this is the intense story of young men at war as seen through the eyes of 17-year old Billy Macfarlane (Nicholls). As the boys wait for the attack alternately excited and terrified this group of nave soldiers is forced to confront the reality of the enemy as the suspense reaches breaking point. When Billy's platoon is ordered to go with the first wave of attackers the awful truth of what they're about to un
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