Running a Railway is the third release in bfi Video's digitally re-mastered double-disc DVD series of British Transport Films combining favourites from the much loved and best-selling video series with additional material. This new collection contains four hours of footage including the multi-award-winning Terminus directed by John Schlesinger. Among these rare gems are: Farmer Moving South (1952): The true story of a Yorkshire farmer who decided to sell his land and move his entire stock - cattle pigs and poultry machinery ploughs and tractors - south to Sussex by rail in December on what was the coldest night of the year. I Am A Litter Basket (1959): Every day the people who use railway stations drop hundreds of tons of litter all over the place while me and my mates have to stand by empty and starving. Until one day we get so desperate we go foraging for ourselves. And what happens? Take a look at this film. It makes me weep to think of it. I nearly gave up all hope until - but wait and see! Modelling for the Future (1961) Visions of an earlier Channel Tunnel scheme and a model of the proposed terminal. This film demonstrates a range of facilities and shows the possibilities of an age-old dream - a dry land crossing between England and France. The Third Sam (1962) - Sam Smith is taught to drive an electric locomotive. He learns the new job without difficulty but one day his train breaks down and Sam summons up three sides of his character to deal with the emergency. With narration in typical rhyming monologue by Stanley Holloway this is an original and amusing approach to instructional filmmaking. E For Experimental (1975): An account of the development of British Rail's experimental Advanced Passenger Train (APT) The film explains in simple terms some of the many novel design features of the APT including the tilt mechanism and the hydro-kinetic brake and shows the train in action during its trials. All these films are now preserved in the bfi National Film and Television Archive. The DVDs are a 'must' not only for the transport enthusiast but also for anyone who enjoys historical documentary films. A booklet containing an introduction and film notes by BTF historian Steven Foxon accompanies the discs.
A rugged bounty hunter. A tenderfoot sheriff. Unlikely partners in the Old West. Henry Fonda and Anthony Perkins headline The Tin Star a tough-minded character-driven western nominated for an Oscar for its story and screenplay. Perkins plays Ben Ownens a greenhorn sheriff who hasn't worn his badge long... and who won't live to wear it much longer unless he gets some savvy help. Fonda bringing to this role the presence and plain speaking that made him an icon of the cinematic West
Yule Be Wiggling: Greg Anthony Jeff and Murray are sure yule will be wiggling this Christmas with this fun packed adventure. This generous helping of Christmas cheer will have you 'doing a dance' and ensure you 'just can't wait for Christmas day'. Includes sixteen songs. Join Murray Jeff Anthony Greg and friends as they take you on a sleigh-riding Yuletide sing-along. This Christmas special title delivers over a dozen seasonal songs from all new tunes to classic festi
A performance of the Verdi opera 'Simon Boccanegra'. Conducted by James Levine.
A stirring British war film depicting the boat crews whose job it was to rescue downed RAF pilots. After the Normandy D-Day landings, a dangerous attempt is made to rescue the survivors of a WWII British Hudson bomber, crashed at sea. On board is an Air Commodore who has secret plans that could stop enemy air raids on London. Produced by Daniel M. Angel. Written by Lewis Gilbert and Vernon Harris from the novel by John Harris.
Of all the Philip Marlowes, Robert Mitchum's in Farewell, My Lovely resonates most deeply. That's because this is Marlowe past his prime, and Mitchum imbues Raymond Chandler's legendary private detective with a sense of maturity as well as a melancholy spirit. And yet there is plenty of Mitchum's renowned self-deprecating humour and charismatic charm to remind us of his own iconic presence. As in the previous 1944 film version, Murder, My Sweet, Marlowe searches all over L.A. for the elusive girlfriend of ex-con Moose Malloy, a loveable giant who might as well be King Kong. In typical Chandler fashion, the weary Marlowe uncovers a hotbed of lust, corruption and betrayal. Like Malloy, he's disillusioned by it all, despite his tough exterior, and possesses a tinge of sentimentality for the good old days. About the only current dream he can hold onto is Joe DiMaggio and his fabulous hitting streak. Made in 1975, a year after Chinatown (shot by the same cinematographer, John Alonzo), Farewell, My Lovely is more straightforward and nostalgic, but still possesses a requisite hard-boiled edge, and the best kind of angst the 1970s had to offer. (By the way, you will notice Sylvester Stallone in a rather violent cameo, a year before his Rocky breakthrough.) --Bill Desowitz, Amazon.com
At the height of the Italian giallo boom in the early 1970s, scores of filmmakers turned their hand to crafting their own unique takes on these lurid murder-mystery thrillers. This limited edition double pack features two distinctive offerings by Emilio P. Miraglia, which meld twisty whodunit narratives with gothic chills. In The Night Evelyn Came Out of the Grave, troubled aristocrat Alan Cunningham (Anthony Steffen, Django the B*stard), haunted by the death of his first wife Evelyn, tries to move on by marrying the seductive Gladys (Marina Malfatti, All the Colours of the Dark). Marital bliss is short-lived, however, as various relatives meet untimely and gruesome deaths, prompting speculation that a vengeful Evelyn has risen from the grave... Meanwhile, in The Red Queen Kills Seven Times, an age-old family curse hits sisters Kitty (Barbara Bouchet, Milano Calibro 9) and Franziska (Marina Malfatti) following the death of their grandfather Tobias (Rudolf Schündler, The Exorcist, Suspiria). Every hundred years, so the legend goes, the bloodthirsty Red Queen returns and claims seven fresh victims. Was Tobias just the first... and are Kitty and Franziska next? With both films making their worldwide Blu-ray debuts in stunning new 2K restorations, there has never been a better time to explore these little-seen giallo gems! LIMITED EDITION CONTENTS Limited Edition box set (3000 copies) containing The Night Evelyn Came Out of the Grave and The Red Queen Kills Seven Times Brand new 2K restorations of the films from the original camera negatives High Definition Blu-ray (1080p) and Standard Definition DVD presentations Original Italian and English soundtracks in mono audio (lossless DTS-HD Master Audio on the Blu-ray Discs) Newly translated English subtitles for the Italian soundtracks Optional English subtitles for the deaf and hard of hearing for the English soundtracks Limited Edition 60-page booklet containing new writing by James Blackford, Kat Ellinger, Leonard Jacobs and Rachael Nisbet THE NIGHT EVELYN CAME OUT OF THE GRAVE New audio commentary by Troy Howarth Exclusive introduction by actress Erika Blanc Writer Stephen Thrower on The Night Evelyn Came Out of the Grave The Night Erika Came Out of the Grave exclusive interview with Erika Blanc The Whip and the Body archival interview with Erika Blanc Still Rising from the Grave archival interview with production designer Lorenzo Baraldi Original Italian and US theatrical trailers Reversible sleeve featuring original and newly commissioned artwork by Gilles Vranckx THE RED QUEEN KILLS SEVEN TIMES New audio commentary by Alan Jones and Kim Newman Writer Stephen Thrower on The Red Queen Kills Seven Times Archival introduction by production/costume designer Lorenzo Baraldi Dead à Porter archival interview with Lorenzo Baraldi Rounding Up the Usual Suspects archival interview with actor Marino Masé If I Met Emilio Miraglia Today archival featurette with Erika Blanc, Lorenzo Baraldi and Marino Masé My Favourite... Films archival interview with actress Barbara Bouchet Alternative opening
An early example of the techno-thriller, The Anderson Tapes--sharply directed by Sidney Lumet from the novel by Lawrence Sanders--follows just-out-of-stir Duke Anderson (a balding Sean Connery) as he plots the heist of an entire New York apartment building, enlisting a crew that includes Martin Balsam as a vintage 1971 gay stereotype and a very young Christopher Walken in perhaps the first of his jittery crook roles. The gimmick is that Anderson has been out of circulation so long that he doesn't realise his mafia backers are only supporting him because they feel nostalgic for the days before they were boring businessmen and that the whole setup is monitored by a criss-crossing selection of government and private agencies who don't care enough to thwart the robbery, which instead becomes unglued thanks to a gutsy young radio ham. With a cool Quincy Jones score, very tight editing, a lot of spot-on cameo performances from the likes of Ralph Meeker as a patient cop, this hasn't dated a bit: it's wry without being jokey and suspenseful without undue contrivance. On the DVD The Anderson Tapes offers a nice anamorphic transfer, a few trailers and various foreign language options. --Kim Newman
Margaret Lockwood, one of British film's greatest stars, takes on the role of a no-nonsense female barrister in this outstanding series from the makers of classic legal drama The Main Chance. A compelling, rigorously researched courtroom drama, Justice saw Anthony Valentine co-starring in the final series as charming, ambitious young barrister James Eliot. This set contains all three series alongside the 1969 pilot play, Justice is a Woman, and guests appearances include Roger Livesey, Richard Beckinsale, Paul Eddington, Maria Aitken, Brian Blessed, Michael Elphick, Angela Thorne, Anton Rodgers, Barbara Shelley and Jill Gascoine. Harriet Peterson is intuitive, tenacious and highly principled qualities that have helped her succeed spectacularly in a world still largely dominated by men. But while Harriet's commitment to her profession remains undiminished through a range of typically challenging cases, her turbulent personal life grows ever more complicated.
At the heart of the first years of Joss Whedon's Buffy the Vampire Slayer was the romance between Buffy (Sarah Michelle Gellar), slayer of all things evil, and hunky Angel (David Boreanaz), the tortured vampire destined to walk the earth with a soul. The second season of Buffy took the Buffy-Angel pas de deux from ecstasy to agony in a now-classic plot arc that catapulted the show from WB teen drama to true TV greatness. You see, if the cursed Angel ever experiences true happiness for a moment, he'll revert to being an evil vampire again. And guess what happens after Buffy and Angel finally declare their love for one another and consummate their relationship... Buffy found its true momentum during the second season, as geeky Xander (Nicholas Brendon) fell in love with popular girl Cordelia (Charisma Carpenter), Willow (Alyson Hannigan) gave up her crush on Xander in favour of werewolf boy Oz (Seth Green), and watcher Giles (Anthony Stewart Head) began a sweetly tentative relationship with computer teacher (and witch) Jenny Calendar (Robia LaMorte). Mayhem came to Sunnydale, though, in the form of evil vampires Drusilla (Juliet Landau) and Spike (drolly wicked James Marsters), who were more than ready to aid and abet Angel as he turned bad. It all sounds like horror-action mayhem (and there are great fight scenes), but Buffy took on its plotlines with amazing depth, intelligence, and humour. And oh, man, the love story! Buffy and Angel's tragic relationship is one of the most heartbreaking you'll ever find. Buffy's final dilemma finds her having to save the world at Angel's expense, and Gellar (who deserves a passel of Emmys for her work) is phenomenal at telegraphing Buffy's swirling conflicts between love and duty. This is some of the best TV ever made, period. --Mark Englehart
Director Richard Linklater turned his free-range verite sensibility on the 1970s in Dazed and Confused after changing the world with the generation-defining Slacker. As before, his all-seeing camera meanders across a landscape studded with goofy pop culture references and poignant glimpses of human nature. Only this time around, he's spreading a thick layer of nostalgia over the lens (and across the soundtrack). It's as if Fast Times at Ridgemont High was directed by Jean-Luc Godard. The story deals with a group of friends on the last day of high school, 1976. Good-natured football star Randall "Pink" Floyd navigates effortlessly between the warring worlds of jocks, stoners, wannabes and rockers with girlfriend and new-freshman buddy in tow. Surprisingly, it's not a coming-of-age movie, but a film that dares ask the eternal, overwhelming, adolescent question, "What happens next?". It's a little too honest to be a light comedy ("If I ever say these were the best years of my life, remind me to kill myself.") But it's also way too much fun to be just another existential-essay-on-celluloid. --Grant Balfour
Like most of his later operas, Richard Strauss' Arabella ends with a meltingly lovely duet. But then criticising Strauss for composing melodically enduring operas is as pointless as lambasting Vermeer for painting only exquisite interior scenes. Those who say Strauss never improved on Rosenkavalier may be right but when such beguiling sounds kept coming from his music for the next 30 years of his life, there shouldn't be any quibbles. Arabella is, in a nutshell, the story of a woman who cannot make up her mind about a suitor. Taped at the Metropolitan Opera House in 1994 under the baton of conductor Christian Thielemann, this production features Kiri Te Kanawa in the title role; her acting is mediocre but vocally she never forces anything and at least sounds like the perfect Arabella. Wolfgang Brendel does well with Mandryka, who finally ends up with Arabella and Marie McLaughlin makes a sympathetic younger sister to the heroine as Zdenka. Otto Schenk's production is sturdily conservative, the video transfer is acceptable if unspectacular and the sound mix is CD-quality. --Kevin Filipski, Amazon.com
At the height of the Italian giallo boom of the early 1970s, scores of filmmakers turned their hand to crafting their own unique takes on these lurid murder-mystery thrillers. In The Night Evelyn Came Out of the Grave, director Emilio P. Miraglia (The Red Queen Kills Seven Times) melds the giallo's trademark twisty whodunit storytelling with gothic chills, concocting a gripping horror/thriller hybrid. Troubled aristocrat Alan Cunningham (Anthony Steffen, Django the B*stard), haunted by the death of his first wife Evelyn, tries to move on by marrying the seductive Gladys (Marina Malfatti, All the Colours of the Dark). Marital bliss is short-lived, however, as various relatives meet untimely and gruesome deaths, prompting speculation that a vengeful Evelyn has risen from the grave... Populated by an array of Euro cult stars, including Giacomo Rossi Stuart (Caltiki the Immortal Monster) and the unforgettable Erika Blank (Kill, Baby... Kill!), and featuring a lush lounge score by giallo maestro Bruno Nicolai, The Night Evelyn Came Out of the Grave offers up a beguiling, unique and downright insane twist on a familiar formula. SPECIAL EDITION CONTENTS: Brand new 2K restoration of the film from the original camera negative Standard Definition DVD presentation Original mono Italian and English soundtracks Newly translated English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack New audio commentary by Troy Howarth Exclusive introduction by Erika Blanc New interview with critic Stephen Thrower The Night Erika Came Out of the Grave exclusive interview with Erika Blanc The Whip and the Body archival interview with Erika Blanc Still Rising from the Grave archival interview with production designer Lorenzo Baraldi Original Italian theatrical trailer Reversible sleeve with original and newly commissioned artwork by Gilles Vranckx
The sole responsibility of the FBI special task force is to find missing persons by applying advanced psychological profiling techniques to peel back the layers of the victims' lives and trace their whereabouts in an effort to discover whether they have been abducted been murdered committed suicide or simply run away... The complete third season of the Emmy Award-winning TV series. Episodes Comprise: 1. In the Dark 2. Thou Shalt Not 3. Light Years 4. Upstairs Downsta
The winner of the first ever Academy Award for Best Foreign Language Film available on DVD for the first time! Giulietta Masina (the late Federico Fellini's wife) stars as Gelsomina who is sold by her mother into the employ of Zampano (Anthony Quinn) a vicious strongman. They join up with a travelling circus where Zampano encounters his old rival tightrope artist The Fool (Richard Basehart). The Fool befriends Gelsomina and presents her with an uplifting view of the world as oppo
All 12 episodes of the 1991 vampire horror soap, that was itself an updating of the 1960s TV series. Taking up a position to tutor an accursed family's troubled son (Joseph Gordon-Levitt) at the eerie and remote coastal estate of Collingwood, governess Victoria Winters (Joanna Going) soon finds herself drawn to the darkly mysterious heir, Barnabas Collins (Ben Cross). At the same time, the people of the nearby town of Collinsport are baffled when they begin to suffer a spate of horrifically gruesome attacks.
They were five students with nothing in common faced with spending a Saturday detention together in their high-school library. At 7am they had nothing to say but by 4pm they had bared their souls to each other and become good friends. John Hughes creator of the critically acclaimed Sixteen Candles wrote directed and produced this hilarious and often touching comedy.
Bing Crosby an Bob Hope star in the first of the 'Road to' movies as two playboys trying to forget previous romances in Singapore - until they meet Dorothy Lamour...
Suspecting that the Pimpernal is an English aristocrat Chauvelin is sent to England to discover the identity of the mystery man. Once there Chauvelin meets his former lover the beautiful French actress Marguerite who is married to a foppish English aristocrat. Marguerite reluctantly gives Chauvelin information to find the elusive Pimpernel and has unwittingly betrayed him...
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