There's plenty of guns and a few explosions as bodies fly through the air and crash into tables and fruit stands. Once Upon a Time in Mexico, like all Robert Rodriguez movies, is all about the kinetic kick of high-velocity action. Johnny Depp, blasé and whimsical, plays a CIA agent who's drawn guitar-playing gun-slinger Antonio Banderas (long black hair flopping over his face like the ears of a Labrador puppy) into a ridiculously convoluted plot to overthrow the Mexican government. Along for the ride are a craggy-faced rogue's gallery including Willem Dafoe, Mickey Rourke, Danny Trejo, Ruben Blades, and (to balance things out) the smooth, tantalising complexions of Eva Mendes and Salma Hayek. For sheer trashy fun, Once Upon a Time in Mexico is a step down from its predecessor, but Desperado set the bar pretty high. For coherent storytelling, look elsewhere, but for action razzle-dazzle, this is your movie. Rodriguez's complete trilogy--El Mariachi, Desperado and Once Upon a Time in Mexico--can also be found in one DVD box set--Bret Fetzer
Shrek: Lord Farquaad (John Lithgow) is searching for a wife. Because of a complicated situation he needs a mate so he can qualify as king of the land. The 3-foot-tall despot has already banished all the fairy tale characters from his land resulting in a diaspora of familiar bedtime figures. Shrek (Mike Myers) and the obnoxious Donkey (Eddie Murphy) factor in when Farquaad concludes that he needs dragon-slaying assistance. The woman he wants is the beautiful Princess Fiona (Cameron Diaz) who's imprisoned in a castle by said dragon. To cut a deal to keep his house the antisocial Shrek accepts the mission except he falls in love with the princess he's been ordered to find! Shrek 2: Princess Fiona's parents invite their daughter and her new husband Shrek to her homeland of Far Far Away in order to celebrate their marriage. However there's more than meets the eye in this fairytale kingdom and Shrek & Fiona are about to stumble into some rather awkward social situations! Featuring an all-star cast providing the voices and a whole host of classic new characters in the enchanting Shrek story this is one animated film for all the family that you'll want to watch again and again! Shrek The Third: When Shrek married Fiona the last thing he had in mind was becoming the next King of Far Far Away. But when Shrek's father-in-law King Harold suddenly croaks that is exactly what he faces. Recruiting Donkey and Puss In Boots for a new quest Shrek sets out to bring back the rightful heir to the throne. Meanwhile back in the kingdom Fiona's jilted Prince Charming storms the city with an army of fairy tale villains to seize the throne. Fiona and a band of princesses must stop him to ensure there will be a kingdom left to rule! Shrek Forever After: A bored and domesticated Shrek (Myers) makes a pact with deal-maker Rumpelstiltskin to get back to feeling like a real ogre again but when he's duped and sent to a twisted version of Far Far Away -- where Rumpelstiltskin is king ogres are hunted and he and Fiona (Diaz) have never met -- he sets out to restore his world and reclaim his true love.
The eagerly awaited sequel to The Stud sees pleasure-seeking divorcee, Fontaine Khaled (Joan Collins) meeting diamond-smuggling crook Nico Cantafoa (Antonio Cantafora) who is in debt to the Mob. When Nico charms Fontaine and user her to unwittingly courier stolen diamonds, it doesn t take Fontaine long to realise that she has again involved in another sexually-charged but ill-starred relationship. Set against the backdrop of Fontaine s nightclub Hobo, money and sex become the ultimate power of The Bitch...
The final entry in Michael Powell's famous cycle of ballet films, this rarely-seen English/Spanish co-production reunites Powell with alumni from both The Red Shoes and Oh... Rosalinda!!, with Ludmilla Tcherina and Leonide Massine starring alongside world-renowned Flamenco dancer Antonio and English leading man Anthony Steel. Featuring breathtakingly beautiful imagery of Spain, shot in Technicolor and Technirama by Oscar-winning cinematographer Georges Perinal, and ballet scores conducted by Sir Thomas Beecham, the film was released in Europe in 1959 as Luna de Miel and in Britain three years later as Honeymoon. It is presented here as a brand-new High Definition transfer from original film elements in its original theatrical aspect ratio. Kit and Anna, a rich and happy couple, are touring sunny Spain in an open-top Bentley on their fabulous honeymoon. But Anna is a prima ballerina who has forgone her career for marriage a situation that the fiery Spanish dancer Antonio finds intolerable!
A favourite film of some of the world's greatest filmmakers, including Martin Scorsese and Steven Spielberg, John Ford's The Searchers has earned its place in the legacy of great American films for a variety of reasons. Perhaps most notably, it's the definitive role for John Wayne as an icon of the classic Western--the hero (or antihero) who must stand alone according to the unwritten code of The West. The story takes place in Texas in 1868; Wayne plays Ethan Edwards, a Confederate veteran who visits his brother and sister-in-law at their ranch and is horrified when they are killed by marauding Comanches. Ethan's search for a surviving niece (played by young Natalie Wood) becomes an all-consuming obsession. With the help of a family friend (Jeffrey Hunter) who is himself part-Cherokee, Ethan hits the trail on a five-year quest for revenge. At the peak of his masterful talent, director Ford crafts this classic tale as an embittered examination of racism and blind hatred, provoking Wayne to give one of the best performances of his career. As with many of Ford's classic Westerns, The Searchers must contend with revisionism in its stereotypical treatment of "savage" Native Americans, and the film's visual beauty (the final shot is one of the great images in all of Western culture) is compromised by some uneven performances and stilted dialogue. Still, this is undeniably one of the greatest Westerns ever made. --Jeff Shannon, Amazon.com
In Women on the Verge of a Nervous Breakdown (1988) pregnant actress Pepa (Carmen Maura) is distraught by a break-up with her actor boyfriend Ivn (Fernando Guilln) and prepares a gazpacho laced with sleeping pills. She is however saved from suicide by her best friend Candela (Mara Barranco) a fugitive from justice. Pepa's ex-lover's grown son (Antonio Banderas) arrives with wife-to-be Marisa (Rossy de Palma) in answer to Carmen's ""room to let"" newspaper ad. Marisa inadvertently ingests the gazpacho and as she blissfully snoozes her fianc inaugurates an affair with Carmen's fugitive friend.
The 1970s were a time of intense uncertainty and instability in Italy. Political corruption and widespread acts of left and right-wing terrorism, alongside a breakdown in social cohesion and a loss of trust in public institutions such as the government and police, created a febrile atmosphere of cynicism, paranoia and unexploded rage. Throughout this period, these sentiments found expression in a series of brutal, often morally ambiguous crime thrillers which tapped into the atmosphere of violence and instability that defined the so-called Years of Lead. This box set gathers five films from the heyday of the poliziotteschi the umbrella term used to describe this diverse body of films. In Vittorio Salerno's Savage Three (1975) and Mario Imperoli's Like Rabid Dogs (1976), random acts of violence committed by vicious young sociopaths threaten the fragile fabric of respectable society. In Massimo Dallamano's Colt 38 Special Squad (1976) and Stelvio Massi's Highway Racer (1977), renegade cops battling against red tape and political corruption turn to new and morally dubious methods to dispense justice. Finally, class dynamics are explored in Salerno's No, the Case is Happily Resolved (1973) as an innocent man finds himself under suspicion for a savage crime committed by a highly respected member of society. Decried by critics for their supposedly fascistic overtones, the poliziotteschi were in fact more ideologically varied and often considerably more nuanced than such superficial readings would suggest, and proved a huge hit with theatregoers, who responded to their articulation of present day social concerns. Featuring an impressive line-up of Euro-cult stars, including Joe Dallesandro (The Climber), Ivan Rassimov (Your Vice Is a Locked Room and Only I Have the Key), Maurizio Merli (Violent City) and Enrico Maria Salerno (The Bird with the Crystal Plumage), this collection of stylish, hard-hitting Euro-crime thrillers showcases the range and breadth of the genre and is a must-have for newcomers and grizzled veterans alike. Special Features High Definition Blu-ray (1080p) presentations of all five films, restored from the original camera negatives Original lossless mono Italian audio on all five films Original lossless mono English audio on Colt 38 Special Squad and Savage Three English subtitles for the Italian soundtracks Optional English subtitles for the deaf and hard of hearing for the English soundtrack on Colt 38 Special Squad and Savage Three Poliziotteschi: Violence and Justice in the Years of Lead, a visual essay by critic Will Webb exploring the recurring traits and themes of the genre Rat Eat Rat, an interview with writer/director Vittorio Salerno and actress Martine Brochard on Savage Three The Savage One, an interview with actor Joe Dallesandro on Savage Three When a Murderer Dies, an interview with cinematographer Romano Albani and film historian Fabio Melelli on Like Rabid Dogs It's Not a Time for Tears, an interview with assistant director Claudio Bernabei on Like Rabid Dogs Music sampler for Like Rabid Dogs Always the Same Ol' 7 Notes, an interview with composer Stelvio Cipriani on Colt 38 Special Squad A Tough Guy, an interview with editor Antonio Siciliano on Colt 38 Special Squad Archival introduction to Colt 38 Special Squad by Stelvio Cipriani Faster Than a Bullet, an interview with film historian Roberto Curti on Highway Racer Mother Justice, an interview with writer/director Vittorio Salerno on No, the Case is Happily Resolved Alternate ending to No, the Case is Happily Resolved Original trailers for Like Rabid Dogs, Colt 38 Special Squad and No, the Case is Happily Resolved Poster galleries Reversible sleeves featuring original artwork for all five films
Antonio Banderas returns as the mythic guitar slinging hero El Mariachi in director Robert Rodriguez' sequel to "Desperado."
In 1953, before any American studio exec used the phrase "high concept", Henri-George Clouzot's The Wages of Fear boasted a premise so literally explosive that audiences were excited before they got into the theatres. With an oil-fire burning out of control deep in the South American jungle, two lorryloads of highly unstable nitro-glycerin have to be driven through miles of unstable terrain littered with dangerous turns, crumbling planks, falling rocks and mediocre hardtop. One good jolt will vaporise truck, nitro, drivers and a substantial swathe of the countryside, so the company recruits desperate souls among the loser tramps who loiter around the nowhere town of Las Piedras, begging for any kind of work. On the road, Clouzot stages a string of unforgettable sequences: one stretch of badly paved track can only be crossed by driving at under six miles an hour or over 40; a mountain turn requires that the trucks back out onto a rickety, rotten wooden structure; a 50-ton boulder has fallen into the road, and one of the drivers calmly drains a litre of nitro into his thermos to blow it up, only remembering when the fuse is lit that this will rain pebbles all over the countryside and a few good hits on the cargo will set it off. This is perhaps as great a mix of action-adventure and contest as The Treasure of the Sierra Madre, and still a textbook example of sustained suspense. On the DVD: The print is in great shape, though the image is a little soft; the menu has a clever explosive aspect and uses the same vintage artwork as the sleeve cannily combined with a snippet. There are trailers for both Wages and Clozuot's other masterpiece, Les Diaboliques, as well as biographies of the principal cast, eight stills and three posters.--Kim Newman
A trilogy of films based on a group of Spanish dancers. When the group director falls in love with one of the stunning dancers it causes friction in the group.
Sweet-natured Justin (FREDDIE HIGHMORE) dreams of becoming a Knight just like his legendary Grandfather, Sir Roland. However Knights have been banished from the Kingdom by The Queen (OLIVIA WILLIAMS) and replaced by Lawyers and their strict rules.
Based on the French novel and Bizet's most popular opera which it inspired Carlos Saura's exhilarating flamenco Carmen became an instant classic on its release and was rewarded with many international accolades including Academy Award nominations and prizes at the Cannes Film Festival. The film explores the legend by staging a modern ensemble of musicians and dancers busy rehearsing a flamenco interpretation of the Carmen story. The producer and star dancer is Antonio (Antonio Gades) chooses a girl named Carmen (Laura del Sol) to play 'his' Carmen but life begins tragically to imitate art...
The humdrum lives of four Newcastle women are transformed by the arrival of Italian femme fatale, Sophia Rosselini and her School for Seduction.
Rick is a screenwriter living in Los Angeles trying to make sense of the strange events around him. While successful in his career, his life feels empty. Haunted by the death of one brother and the dire circumstances of the other, he finds temporary solace in the decadent Hollywood excess that defines his existence. Women provide a distraction to the daily pain he must endure, and every encounter that comes his way brings him closer to finding his place in the world. From Terrence Malick, the visionary director of The Tree of Life and To The Wonder, and starring Academy Award winners* Christian Bale (The Big Short, The Fighter, The Dark Knight Rises), Cate Blanchett (Carol, Blue Jasmine) and Natalie Portman (Black Swan, Thor) comes a stunning meditation on love, fate and fame.
When her anthropologist husband fails to return from an expedition into the Manilla jungle, Susan Stevenson (Ursula Andress) organises a search party to go looking for him. Accompanied by her brother Arthur (Antonio Marsina) and her husband's friend Dr Edward Foster (Stacey Keach), Susan heads towards Mount Rarami, the last confirmed location her husband visited. There they learn about the terrible curses which have rendered the mountain taboo and begin to suspect that it might have something to do with the anthropologist's disappearance.
The Mummy: Boris Karloff's legendary performance has become a landmark in the annals of screen history. As the mummy Im-Ho-Tep he is accidentally revived after 3 700 years. Alive again he sets out to find his lost love. Today over 70 years after it was first released it still remains as compelling as ever! Creature From The Black Lagoon: Scientists drug and capture the terrifying creature who subsequently becomes enamoured with the head scientist's female assist
The secret agent kids are back in another adventure that finds Carmen caught in a virtual reality game designed by the Toymaker (Sly Stallone), so it's up to Juni to save his sister and ultimately the world.
Late one night, Los Angeles private investigator, Ned Cruz (Antonio Banderas) gets a visit from a recently paroled Russian boxer with an intriguing job offer: find Lexie, his missing girlfriend - and the 30-million dollar stash of diamonds she's hiding. As Detective Cruz sets out to find her, the clues send him into the city's seediest corners, from a Hollywood action star with a dirty little secret (James Van Der Beek), to an enterprising porn producer who takes a personal interest in his own work (Snoop Dogg) and a kinky waitress with an unusual fetish for particle physics (Autumn Reeser). Lexie proves to be as elusive as she is beautiful and Cruz becomes obsessed with finding her. With time running out, Cruz discovers the trail leads to reclusive billionaire (Sam Elliott), and his physicist (Jimmi Simpson), intent on recreating The Big Bang underneath the New Mexico desert. Tailed by a trio of cops also looking to find the missing diamonds, and with the body count piling up, Cruz soon realizes that what appeared to be a standard missing person's case is anything but, and could quite possibly bring about the end of the world as we know it.
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