When a terrorist bomb destroys a building in Dallas FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) put their lives on the line to try to stop the spread of a deadly virus that may be extraterrestrial in origin. This pulse-pounder takes the two from a cave in Texas down the halls of the FBI headquarters to an icy no-man's-land in Antarctica. Special Features: Feature: Extended Version Theatrical Version Audio Commentary: Extended Theatrical Original 1999 Commentary Video Commentary Alternate Bee Sting Scene Gag Reel Blackwood: The Making Of The X-Files: Fight The Future Visual Effects Scoring Making Of The X-Files Movie (1998) The X-Files Trailers The X- Files: I Want To Believe Trailer Concept Art Unit Photography Story Boards
Embark on the ultimate search for the truth with Seasons 1-11 of the worldwide TV phenomenon known as THE X-FILES. Dive into all 218 episodes spanning a quarter century of mind-bending intrigue that stretches the boundaries of trust, faith and belief. Join FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) as they investigate unsolved cases that defy explanation, uncovering deadly conspiracies, alien encounters and other paranormal mysteries along the way. The truth may be out there, but the key to unlocking it is here in the definitive collection of THE X-FILES! Features: Audio commentary on selected episodes Deleted scenes Documentaries Featurettes Special effects sequences Interviews with Chris Carter and cast Gag reels Implanted Memories: 25 Years of The X-Files
Music Box provides celebrated director Costa-Gavras another opportunity to weave a story of nail-biting suspense with frightening political overtones. In this intense courtroom thriller Chicago attorney Ann Talbot (Jessica Lange) agrees to defend her Hungarian immigrant father Mike Laszlo (Armin Mueller-Stahl) against accusations of heinous war crimes committed 50 years earlier. As the trial unfolds Ann probes for evidence that will not only establish his innocence but also lay to rest her own agonizing doubts about his past. When a hospitalized witness is suddenly located in Budapest the trial moves to her father's homeland. Here crucial testimony plus Ann's personal investigation lead to astonishing results.
The definitive American television series of the 1990s. The X-Files comes to the big screen with an anticlimactic whimper. And how could it be otherwise? Why should material so perfectly realised in one medium necessarily translate well into another? The series is crisply and thoughtfully executed in just about every detail, but the heart of its appeal lies in the elegant handling of complicated and evolving ongoing story lines, which is not something movies are especially good at. The big-screen drive for closure cramps the creative style, though it may also help nonfans get a grip on the proceedings. We do get some invigorating thrills and chills, however, and a more satisfying sense of the scale of an all-enveloping human-alien conspiracy than ever before, but there's no more plot development here than in an average two-part season-ending. FBI black sheep Mulder and Scully have been temporarily transferred from the X-Files project to an anti-terrorist unit to investigate an Oklahoma City-style bombing. They uncover a new wrinkle in the Syndicate/Cancer Man conspiracy--basically an attempt to help one bunch of (benign?) aliens fight off another bunch who want to colonise Earth. A spectacular, ice-bound finale thrillingly staged by series-veteran director Rob Bowman offers Mulder (but not a conveniently unconscious Scully) his first clear look at a You Know What, which in some quarters qualifies as an epochal event. Martin Landau offers the agents some crucial clues, and several familiar TV faces (including the Lone Gunmen and Mitch Pileggi's indispensable Assistant Director Skinner) turn up briefly to wink knowingly at faithful fans. --David Chute
It's not quite as clever as it tries to be, but The Game does a tremendous job of presenting the story of a rigid control freak trapped in circumstances that are increasingly beyond his control. Michael Douglas plays a rich, divorced, and dreadful investment banker whose 48th birthday reminds him of his father's suicide at the same age. He's locked in the cage of his own misery until his rebellious younger brother (Sean Penn) presents him with a birthday invitation to play "The Game" (described as "an experiential Book of the Month Club")--a mysterious offering from a company called Consumer Recreation Services. Before he knows the game has even begun, Douglas is caught up in a series of unexplained events designed to strip him of his tenuous security and cast him into a maelstrom of chaos. How do you play a game that hasn't any rules? That's what Douglas has to figure out, and he can't always rely on his intelligence to form logic out of what's happening to him. Seemingly cast as the fall guy in a conspiracy thriller, he encounters a waitress (Deborah Unger) who may or may not be trustworthy, and nothing can be taken at face value in a world turned upside down. Douglas is great at conveying the sheer panic of his character's dilemma, and despite some lapses in credibility and an anticlimactic ending, The Game remains a thinking person's thriller that grabs and holds your attention. Thematic resonance abounds between this and Seven and Fight Club, two of the other films by The Game 's director David Fincher. -- Jeff Shannon, Amazon.com
This tearjerker by Australian filmmaker Scott Hicks is a surprising story about real-life classical pianist David Helfgott, an Australian who rose to international prominence at a very young age in the 1950s and 1960s, and suffered a psychological collapse after enduring years of abuse from his father (Armin Mueller-Stahl). Hicks has three very fine actors portraying Helfgott at different stages of his life, including the adorably wry and goofy Noah Taylor (Flirting), who takes up the character's teen years, and Oscar winner Geoffrey Rush, giving a great performance playing the musician as a schizophrenic adult. Despite the Helfgotts' compromised psychological health, Shine is hardly a depressing experience. If anything, the story is really about how long one person's life can take to make glorious sense of itself. Sir John Gielgud, in golden form, plays Helfgott's teacher. --Tom Keogh, Amazon.com
Nicholas Van Orton (Michael Douglas) is a shrewdly successful businessman who is accustomed to being in control of each facet of his investments and relationships. His well-ordered life undergoes a profound change however when his brother Conrad (Sean Penn) gives him an unexpected birthday gift that soon has devastating consequences. There are no rules in The Game...
A Winning Story About Going The Distance. Get ready for the ultimate runner's high... In the tradition of 'Remember the Titans' comes an inspiring fast-paced story about going the distance - and wanting even more! Academy Award''-nominee Armin Mueller-Stahl stars as Berry a demanding but dedicated coach who's just been stripped of his job and his self esteem - until he meets Christine (Nthati Moshesh) a beautiful and fiercely independent runner who may have what it takes to win the toughest race in the world the Comrades Marathon. But does Berry have what it takes to help mold this inexperienced runner into a champion? And despite her raw talent can Christine beat the odds and finish the grueling race with a victory that might change both of their lives? Uplifting and unpredictable 'The Long Run' proves that some dreams are worth the struggle...
Viggo Mortensen and Naomi Watts star in this new thriller which centres on one of London's most notorious organized crime families.
Directed by Emmy Award winner Roger Young and featuring an all-star cast this mesmerising mini-series vividly depicts the life and mission of Jesus of Nazareth.
Jim Jarmusch's film tells five separate stories which all happen on the same night in five different taxis driving through five cities around the world: a Hollywood casting agent feels her age in L.A.; a learner cabbie, who is a former circus clown, drives through Harlem carrying two arguing passengers; a blind woman (Beatrice Dalle) disorientates her driver in Paris; a non-believer (Roberto Benigni) finds a dead bishop in his back seat in Rome; and a driver in Helsinki and his passengers swap melancholy stories.
A soaring action-packed journey of heroism and sacrifice as one crusading journalist desperately fights to uncover the horrors buried within the infamous Nazi siege of Leningrad in the savage winter of 1941. An epic story is inspired by true events featuring an acclaimed award-winning cast this is the tale of the tragedy that befell Leningrad: at over 800 days it was one of the longest and most destructive sieges in history.
Computer scientist Hannon Fuller (Armin Mueller-Stahl) finds something extremely important. Knowing that he's marked for assassination, he leaves a message in the virtual reality world he's designed, hoping it will be found by colleague Douglas Hall (Craig Bierko). Hall is a suspect in Fuller's murder and indeed finds a bloody shirt in his house, with no recollection of what he did the night before. Hall plunges headlong into Fuller's world (a re-creation of l937 Los Angeles) to try to unravel the slaying and is soon knee-deep in confusion and trouble. What this film lacks in character depth and plot cohesiveness it makes up for in special effects and high concept. Fans of films like Blade Runner, Dark City, eXistenZ, and even the game Sim City should find this appealing. Of course, there's the question of letting the computers do all the heavy lifting in films while the humans walk through the plot (an all-too-familiar scenario in 1999), but the re-creation of 30s Los Angeles is certainly something to see, pallid script and acting or not. The Thirteenth Floor is a stylish modern-day noir that raises questions about technology vs. reality, all the while wrapped up in a murder-mystery story line. --Jerry Renshaw
Set in a small West German town in 1957, where, with the help of the Economic Miracle, a booming economy is generating a new sense of optimism. In the town brothel, Villa Fink, Lola (Barbara Sukowa), a young high-class prostitute with a zest for life, is the star of the show. Her favourite client is the influential developer Schuckert (Mario Adorf), who enjoys spending time at Villa Fink with city officials important to his construction business. When Von Bohm (Armin Mueller-Stahl), an upright, energetic building commissioner with a liberal, social-democratic outlook, arrives in the town, he falls in love with Lola without being aware where she works by night. Although he is shocked when he learns of her true identity, he nevertheless marries her to the satisfaction of all concerned. Ultimately neither Lola, Von Bohm nor Schuckert are really concerned with what has happened in the past or the morality of their decisions the main thing is that they get what they want. Fassbinder himself said in 1980 that THE MARRIAGE OF MARIA BRAUN and LOLA are films about the country as it is today. To understand the present, what a country has and will become, one needs to understand the whole story. The BRD Trilogy, which also includes VERONIKA VOSS, represents RWF's attempt to create an overall picture of West Germany at the time, its double moral standards, and the hazards and dangers these implied.
Jim Jarmusch's film tells five separate stories which all happen on the same night in five different taxis driving through five cities around the world: a Hollywood casting agent feels her age in L.A.; a learner cabbie, who is a former circus clown, drives through Harlem carrying two arguing passengers; a blind woman (Beatrice Dalle) disorientates her driver in Paris; a non-believer (Roberto Benigni) finds a dead bishop in his back seat in Rome; and a driver in Helsinki and his passengers swap melancholy stories.
The barriers that separate fantasy from reality are shattered in this stylish mind-jarring thriller where two parallel worlds collide in a paroxysm of deception madness and murder. On the Thirteenth floor of a corporate tower high-tech visionary Douglas hall (Craig Bierko) and his highly strung colleague Whitney (Vincent D'Onofrio) have opened the door to an amazing virtual world - circa 1937 Los Angeles. But when the powerful leader of their secret project (Armin Mueller) is discovered slashed to death hall himself becomes the prime suspect. Arriving from Paris is the beautiful and mysterious Jane Fuller (Gretchen Mol) who claims to be the murdered victim's daughter. Her instant magnetic attraction to Hall only further blurs the lines of what is real. Is he the killer and is the inscrutable Jane somehow connected? To find the answers Hall must cross the boundaries into the simulated reality he has helped create - and confront the astonishing truth of his own existence.
In the early part of the 20th Century Alfred Redl (Klaus Maria Brandauer) ruthlessly rises from his peasant background to become a high-ranking member of the Imperial Austrian Military. But when Redl is sent to spy on the Russian Empire his espionage is compromised by his secret double life as a homosexual. As the world perches on the brink of war Redl finds himself trapped in a web of deception where honor grandeur and greed can only be betrayed by one final shocking act of fate. Armin Mueller-Stahl (Shine) co-stars in this remarkable epic written and directed by Istvan Szabo (Sunshine) that became Szabo and Brandauer's internationally acclaimed follow-up to their Oscar-winning classic Mephisto (1981 Best Foreign Language Film).
A member of the British government is sent to Brussels to become British Commissioner to the European Community where he uncovers political and industrial corruption...
One of the most acclaimed and controversial post-war German filmmakers Rainer Werner Fassbinder created a prolific and extraordinarily influential body of work that revolutionised cinema. Lola: Conceived as a homage to Josef Von Sternberg's 'The Blue Angel' 'Lola' is a biting satire of capitalist greed starring Barbara Sukowa as the eponymous cabaret singer and call girl. Why Does Herr R Run Amok?: Fassbinder's savage and provocative portrait of middle-class banality and alienation follows the monotonous daily routines of the mild-mannered Herr R. Until one evening he finds that he can take no more. Martha: Margit Carstensen stars as a young woman who finds herself slowly stripped of her freedom by her sadistic and tyrannical husband. Fassbinder's bold homage to Douglas Sirk's 1950s Technicolor melodramas finds him at his most wickedly perverse and stylistically assured. I Don't Just Want You To Love Me: Fassbinder's friends and closest colleagues remember him in this documentary profile which also includes interviews with Fassbinder himself and excerpts from his work.
Jim Jarmusch's 1991 ensemble comedy Night on Earth turns a gimmick into a revelation. The story begins in Los Angeles one evening at 7:07 pm A talent agent (Gena Rowlands) gets into the back of a taxi driven by a sullen, chain-smoking young woman (Winona Ryder), and over the course of their bumpy conversation, Rowlands' character becomes convinced that the cabby would be perfect for a particular part in a movie. Meanwhile, at that very moment, taxi drivers in New York, Paris, Rome and Helsinki are all having unique encounters with a variety of fares, breaking through that invisible social barrier between the front and back seats of their cars, often to absurd or touching effect. Among them are cabby Roberto Benigni's ranting confessions to a priest, Armin Mueller-Stahl's relinquishing of the wheel to a stunned Giancarlo Esposito and Isaach De Bankolé's relentless discussion of sight and sex with an angry blind woman (Beatrice Dalle). What emerges is a chain of brief intimacies (not always welcomed by the characters), like a number of matches lit simultaneously across the globe, flickering brightly for a few short moments. This popular work by Jarmusch helped confirm his reputation as a fiercely independent filmmaker of rare perception, rigour and classical sensibility matched with original thinking. --Tom Keogh, Amazon.com
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