Hard Sun is a pre-apocalyptic crime series set in contemporary London. Charlie Hicks (Jim Sturgess) and Elaine Renko (Agyness Deyn) are detectives who, while investigating a murder in the inner city, stumble upon proof that the world faces certain destruction in five years. It's a terrifying reality that the British government is urgently trying to suppress. Hicks and Renko find themselves pursued by ruthless Security Service operatives, who are trying to kill them in order to keep secret the truth about the mysterious cosmic event. The pair must use every bit of their ingenuity to protect themselves and those they love.
It was a cold Halloween night in 1963 when six year old Michael Myers brutally murdered his 17-year-old sister. Fifteen years later he escapes from prison and returns home...
El Dorado doesn't quite have the scope or ambition of Howard Hawks' greatest Westerns, Red River and Rio Bravo. But this relaxed picture, made near the end of Hawks' marvellous career, still shows the steady, sure hand of a master. Hawks reunites with John Wayne, playing a hired gun mixed up in a range war; Robert Mitchum is Wayne's old pal, now a sheriff in the midst of a hopeless drunken bender. James Caan, in one of his first sizable roles, plays a kid who can't shoot straight and wears a funny hat (every character in the movie makes fun of this hat). As the plot moves along, it begins to resemble Rio Bravo rather closely ("I steal from myself all the time", Hawks was fond of admitting). But in El Dorado the heroes are a bit older, their powers a bit weaker; at the end Wayne must revert to a bit of subterfuge in order to get the drop on the steely gunslinger (ice-cold Christopher George) he needs to put down. As relaxed as the movie is, Hawks and Wayne and company are in good spirits, with plenty of broad humour and easy camaraderie on display. Hawks and Wayne would make just one more film, the disappointing Rio Lobo, before ending their fruitful partnership. --Robert Horton
Starring Anthony Quinn in the title role Barabbas was released in 1961 in the midst of a wave of widescreen epics based on Biblical characters. "It begins where the other big ones leave off", declaims the trailer. The screenplay, by playwright Christopher Fry (who also contributed to Ben-Hur), is an unusually intelligent one: listen out for Barabbas' final encounter with the Apostle Thomas, for example. Further assets are the imaginative, sparingly orchestrated score by Mario Nascimbene and a handsome production design by art director Mario Chiari that is so rewarding to the eye in Aldo Tonti's often dazzling cinematography. Like the other Biblical epics of the day, in its original theatrical incarnation Barabbas had an intermission and orchestral intermezzo which is sadly missing from this version. (It occurred at the point where Barabbas emerges from a 20 years exile in the sulphur mines in Sicily, allowing the audience to dwell on his recuperation before we next encounter him. He now appears muscled and bronzed ploughing the verdant fields outside Rome in all too quick a fashion!). Many scenes, such as Christ's crucifixion, are shot and staged like tableaux in a style reminiscent of the great masters of art. And in Fleischer's hands this film surpasses anything Ridley Scott achieved years later in Gladiator: he fills the huge arena--a vast Roman amphitheatre--with a gladiatorial school of hand-to-hand combat, a parade of elephants and a den of lions, and then caps his production with a riveting and thrillingly mounted duel between Jack Palance, careering round the circumference of the arena in his chariot, and Barabbas dodging him on foot. The supporting cast, who sport a variety of accents call for some tolerance, however. On the DVD: Barabbas on disc comes devoid of any extra features other than trailers for it and another contemporaneous blockbuster, The Guns of Navarone. --Adrian Edwards
Available for the first time on DVD! A nervous bank clerk has to cope with a flood of pornographic mail under the suspicious eye of his puritanical boss.
When virtually all of the residents of Piedmont, New Mexico, are found dead after the return to Earth of a space satellite, the head of the US Air Force's Project Scoop declares an emergency. Many years prior to this incident, a group of eminent scientists led by Dr. Jeremy Stone (Arthur Hill) advocated for the construction of a secure laboratory facility that would serve as a base in the event an alien biological life form was returned to Earth from a space mission. Stone and his team - Drs. Dutton, Leavitt and Hall (David Wayne, Kate Reid, and (James Olson, respectively)- go to the facility, known as Wildfire, and try to first isolate the life form while determining why two people from Piedmont (an old wino and a six-month-old baby) survived. The scientists methodically study the alien life form unaware that it has already mutated and presents a far greater danger in the lab, which is equipped with a nuclear self-destruct device should it manage to escape.
The Galton And Simpson Playhouse: The Complete Series
Terrified and bloody, Oscar Svendsen awakes clinched to a shotgun in a strippers joint. Around him 8 dead men, and police aiming at him. To Oscar it's clear that he is innocent. It all started when four chaps won 1,7 million on the pools...
The Mummy: Boris Karloff's legendary performance has become a landmark in the annals of screen history. As the mummy Im-Ho-Tep he is accidentally revived after 3 700 years. Alive again he sets out to find his lost love. Today over 70 years after it was first released it still remains as compelling as ever! Creature From The Black Lagoon: Scientists drug and capture the terrifying creature who subsequently becomes enamoured with the head scientist's female assist
Reigning supreme for almost a decade as ITV's biggest comedian, Arthur Haynes was one of the most influential and popular comics that television has ever seen. His shows remained firmly in the top ten until his untimely death in 1966 robbed the world of a comedy genius. Lack of repeats ensured that subsequent generations were denied Haynes' comedic brilliance until the release of his surviving ATV shows on DVD. Featuring wickedly funny scripts from Alf Garnett creator Johnny Speight, this set contains all existing episodes of The Arthur Haynes Show. A lively mix of sketches and musical entertainment, Speight's scripts invariably drew on the familiar class antagonism which he would hone to perfection on Till Death Us Do Part. Haynes' robust working-class delivery was inspired never more so than in the character of Hobo Haynes, a belligerent, heavily decorated tramp fond of recounting tales of patriotic bravery whilst being 'up to me neck in muck and bullets'. This collection brings together all seven individual DVD volumes of The Arthur Haynes Show in a single set, returning him to his rightful place among the comedy greats. SPECIAL FEATURES: Val Parnell Spectacular (disc 17) Promotional spot (disc 7) Image galleries (discs 1, 3, 8, 12, 14, 17) Paperwork and promotional PDFs (disc 1)
This crime thriller for Anglo-Amalgamated was Gerry Anderson's directorial film debut, and the only feature-length production to be made by AP Films, co-founded by the legendary puppet pioneer in 1957. Released in 1960 between the making of Four Feather Falls and Supercar, Crossroads to Crime features the talents of several of Anderson's later Supermarionation collaborators, including George Murcell, David Graham, Anderson's future wife Sylvia and Barry Gray, whose iconic themes famously com...
Long before reality-show staples Big Brother and The Real World tapped into the drama and high-hilarity of cohabitation, the long-running "Golden Girls" paved the way into that prime-time show format. The only difference is that Golden Girls was pure fiction. Season Four stays true to the format that earned the series three Emmys and a Golden Globe Award: three widowed/divorced friends in their '50s and one octogenarian mother and grandmother all share a home and their retirement in Miami, Florida. In a season that includes a UFO sighting and government cover up; the implications of drug addiction; a late-in-life wedding; the ridiculous '80s aerobics craze--spandex, headbands, leg warmers and all; a nightmarish nursing home; lesbianism; an intergenerational love triangle; and a trip to Rose's mythical St. Olaf; the episodes in Season Four are more entertaining and often downright risqué. There are some notable cameos as well--Bob Hope steals the show in "You Gotta Have Hope" as the featured talent for Dorothy's hospital charity show; Richard Mulligan of Empty Nest bridges the spin-off link as the girls' newly widowed neighbor and object of Blanche's advances; Jay Thomas plays an overactive director in "High Anxiety," where the girls' kitchen is used as a TV commercial set; and blink and you'll miss a young Quentin Tarantino as an Elvis impersonator in "Sophia's Wedding". Overall, Season Four is zestier and much less earnest than previous seasons, which is exactly what works about the series: the bawdier the grandmothers, the funnier the show. --Gabi Knight
Allison MacKenzie looks back on life in the New England town where she grew up around the time of Pearl Harbour. Beneath the town's placid God-fearing exterior lay any number of dark secrets involving sexual attraction and repression, illegitimacy, rape, gossip, intolerance, and class snobbery. No wonder Allison had moved to a quiet place like New York...
After being sent off for committing a foul during an away game, goalkeeper Josef Bloch (Arthur Brauss) wanders aimlessly through the unfamiliar town, spends the night with the box-office attendant of a movie theatre and commits a murder. But instead of turning himself in or fleeing, Bloch goes to his ex-girlfriend s place in the country and passively waits for the police to come and arrest him. As Wenders himself has stated, the visual idiom of Hitchcock s films provided the model for his debut film. He adheres minutely to the thoroughly cinematic source, a novella by Peter Handke. With his cameraman Robby Müller, and his editor Peter Przygodda - both of whom had already worked with him on his film thesis at the HFF (Munich University of Television and Film) - in THE GOALIE S ANXIETY AT THE PENALTY KICK Wenders set forth a collaboration that would weld this team together for years. WINNER - FIPRESCI PRIZE, Venice Film Festival 1972 SPECIAL FEATURES: NEW RESTORED 4K DIGITAL TRANSFER commissioned by the Wim Wenders Foundation and supervised by director Wim Wenders; Introduction by Wim Wenders; Restoring Time documentary
In Sickness & Health: Season 4
Will Lockhart comes to a small town to find the man who sold rifles to the Apaches and caused the death of his brother a cavalry officer. Beaten and nearly killed by cohorts of the arms dealer he also becomes embroiled with a ranch baron and his overwrought son. Father and son are plotted against by their treacherous foreman who wants the ranch for himself.
Umberto Lenzi, the legendary director of Cannibal Ferox, kicked off the Italian police film craze with this hyper-kinetic, ultra-violent, brain-blasting action thriller. Maurizio Merli stars as an Italian Dirty Harry, punching and shooting his way through the sleazy drug, sex, and crime infested cesspool of mid-'70s Rome, on the trail of a sadistic, machine gun-toting hunchback, played by Tomas Milian (Brother's Till We Die). Boasting a state-of-the-art 4K transfer of Lenzis uncensored director's cut, the new edition of The Tough Ones includes an incredible slate of special features and a Grindhouse Version of the US Brutal Justice release. Extras: 4K Master from the Original 35mm Camera Negative High Definition (1080p) Presentation in 1.85:1 Aspect Ratio 2.0 Dual Mono DTS-HD Master Audio English Soundtrack 2.0 Dual Mono DTS-HD Master Audio Italian Soundtrack with English Subtitles Audio Commentary with Critic Kim Newman and Film-maker Sean Hogan Audio Commentary with Eurocrime Director Mike Malloy Standing Out - An Interview with Actor Corrado Solari Funk and Violence - An Interview with Composer Franco Micalizzi Men of Violence - An Interview with Actress Maria Rosario Omaggio A Family Affair - An Interview with Maurizio Matteo Merli Stuntman - An Interview with Stuntman Ottaviano Dell'Acqua Budy's Story - An Interview with Composer Roberto Donati Armed to the Teeth - An Interview with Director Umberto Lenzi Alternate Italian Credits Sequence Original Trailer [DISC 2] US Version of the Film, Brutal Justice (Presented in a Grindhouse Presentation from a Film Print supplied by AGFA) Aquarius Releasing - An Appreciation: By Mike Malloy
When the Kwimper family car runs out of gas on a new Florida highway and an officous state supervisor tries to run them off Pop Kwimper digs in his heels and decides to do a little homesteading. He and his son Toby and their adopted children - Holly Ariadne and the twins - start their own little community along a strip of the roadside. The fishing is good and the living is easy until the mob sets up a gambling operation and the state supervisor sets a sexy social worker on the Kwimpers in an effort to take away Ariadne and the twins.
An extraordinary portrayal of humanity set during one of history's most inhumane periods 'The Diary Of Anne Frank' features Millie Perkins as the insightful 13-year-old biographer of her family's two year hiding in an Amsterdam attic. At first the strong-willed teenager embraces her fugitive lifestyle as an adventure but in time the ever-increasing fear of discovery and close quarters prove nearly unbearableifor the eight personalities in hiding which include Mr. Dussell (Ed Wynn) the abrasive Mrs. Van Daan (the Oscar-winning Shelley Winters) her husband (Lou Jacobi) and their son Peter (Richard Beymer) for whom Anne develops an impossible love...
A highly regarded science fiction classic it effectively conveys the paranoia of McCarthy's America and is considered by many to be the definitive ""Cold War"" film.During a thunderstorm a boy witnesses the landing of a flying saucer in a nearby field. No one believes his wild tale and the alien invaders who remain unseen in their subterranean space ship begin controlling the town's inhabitants.Brilliantly designed and directed by William Cameron is a surrealistic nightmare that's
Please wait. Loading...
This site uses cookies.
More details in our privacy policy