Even under the heavy censorship of 1946 Hollywood, Lana Turner and John Garfield's libidinous desires burn up the screen in Tay Garnett's adaptation of James M. Cain's torrid crime melodrama. Platinum blond Turner is Cora, a restless sexpot stuck in a roadside diner married to mundane middle-aged fry cook Nick Smith (Cecil Kellaway) when handsome drifter Frank (Garfield) blows her way. It's lust at first sight, a rapacious desire that neither can break off, and before long they're plotting his demise--but in the wicked world of Cain nothing is that easy. Garnett's visual approach is subdued compared to the more expressionistic film noir of the period, but he's at no loss when he films the luminous Turner in her milky-white wardrobe. She radiates repressed sexuality and uncontrollable passion while Garfield's smart-talking loner Frank mixes street-smart swagger and scrappy toughness with vulnerability and sincere intensity. Co-star Hume Cronyn cuts a cold, calculating figure as their conniving lawyer, a chilly character that only increases our feelings for the murderous couple, victims of an all-consuming amour fou that drives their passions to extremes. --Sean Axmaker, Amazon.com
Journeyman boxer Stoker Thompson (Robert Ryan) thinks that he has one last good fight in him in order to get a payout and retire from the ring. His wife Julie (Audrey Trotter) pleads for him to quit whilst his manager Tiny (George Tobias) is so convinced that his man is going to lose that he has taken money from the mob in exchange for his man taking a ‘dive’. Unaware that his manager has double-crossed him and that he will be a target for the mob if he wins, Stoker strains every sinew of his raw courage to knock out his opponent. Director, Robert Wise, pulls no punches in this gritty drama whose boxing scenes are all the more realistic for Robert Ryan having been a college boxing champion. Hailed by many as one of the greatest films of the 1940’s, with its seventy-two minutes playing out in real time, The Set-Up is worthy of its BAFTA nomination.
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